Items where Research Group is "Film, Television and Media

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Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2013) Cinema: Turkish Women's Contributions. In: The Oxford Encycopaedia of Islam and Women. Oxford University Press. ISBN 9780199764464

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2013) The critical reception of Certified Copy: Original art or copy of a rom-com? In: Watching Films. Intellect Ltd. ISBN 9781841505114

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Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2013) New configurations for Peruvian cinema: The rising star of Claudia Llosa. Transnational Cinemas, 4 (2). pp. 197-215. ISSN 2040-3526

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Bennett, Lucy and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2013) The Fan Studies Network: New Connections, New Research. Participations, 10 (1). pp. 52-55. ISSN 1749-8716

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Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

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Dean, Robert and Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2013) 'Bashed be bit by all with ears':Blue Jam and the Radio. In: No Known Cure. BFI. ISBN 978-1844574797

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Fitzgerald, Louise and Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2013) ‘Them over there’: Motherhood and Marginality in Shane Meadows’ Films. In: Critical Essays on Shane Meadows. Edinburgh University Press. ISBN 9780748676392

Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Shane Meadows: Introduction. Journal of British Cinema and Television, 10 (4). pp. 823-828. ISSN 1743-4521

Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Shane’s World: Introduction. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh.

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Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2013) 'I'm a Casualty, but it's cool': Masculinity in TwentyFourSeven. Journal of British Cinema and Television, 10. pp. 846-862. ISSN 1743-4521

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Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2013) Zappa and horror:screamin’ at the monster. In: Frank Zappa and the And. Ashgate Publishing. ISBN 9781138246300

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2013) Half-Masks and Stage Blood:Translating, Adapting and Performing French Historical Theatre Forms. In: Translation and Adaptation in Theatre and Film. Routledge. ISBN 9780415829687

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2013) Octave Mirbeau: Two Plays:"Business is Business" and "Charity". Intellect Books. ISBN 9781841504865

Holmes, S. ORCID: https://orcid.org/0000-0003-4243-8337 and Redmond, S. (2013) Celebrity Studies in rude health. Celebrity Studies, 4 (2). pp. 113-114. ISSN 1939-2397

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Inthorn, Sanna, Street, John ORCID: https://orcid.org/0000-0001-9650-063X and Scott, Martin ORCID: https://orcid.org/0000-0001-6744-443X (2013) Popular culture as a resource for political engagement. Cultural Sociology, 7 (3). pp. 336-351. ISSN 1749-9763

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Jancovich, M. (2013) Its about time British actors kicked against these roles in "horror" films:Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Jancovich, Mark (2013) Bluebeard’s Wives: Horror, Quality and the Paranoid Woman’s Film in the 1940s. Irish Journal of Gothic and Horror Studies (12). pp. 20-43. ISSN 2009-0374

Jancovich, Mark (2013) ‘It’s about time British actors kicked against these roles in “horror” films’: Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2013) Introduction: Still coming soon? Studying promotional materials. Frames Cinema Journal, 3. ISSN 2053-8812

Jurkovic, Tanja (2013) Blood, monstrosity and violent imagery: Grand-Guignol, the French theatre of horror as a form of violent entertainment. sic - Journal of Literature, Culture and Literary Translation, 4 (1). ISSN 1847-7755

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Kramer, Peter (2013) Avatar: Environmental Politics and Worldwide Success. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/avatar-environmental-politics-and-worldwide-success/.

Kramer, Peter (2013) From Vietnam to Video: Notes on Jane Fonda’s Films and Activism, 1970-1982. UNSPECIFIED, Women’s Film and Television History Network (UK/Ireland) Blog http://womensfilmandtelevisionhistory.wordpress.com/2013/11/22/from-vietnam-to-video/.

Kramer, Peter (2013) An Introduction to 2001: A Space Odyssey (1968). UNSPECIFIED, ThinkingFilmCollective Blogspot http://thinkingfilmcollective.blogspot.co.uk/.

Kramer, Peter (2013) Making Contact. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/making-contact/.

Kramer, Peter (2013) The Politics of Independence: The China Syndrome (1979), Hollywood Liberals and Anti-Nuclear Campaigning. Alphaville: Journal of Film and Screen Media, 6. ISSN 2009-4078

Kramer, Peter (2013) Rape, Ultra-Violence and Beethoven’: The Transgressiveness and Controversial Success of A Clockwork Orange (1971). In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, pp. 11-28. ISBN 978-1443844161

Kramer, Peter (2013) ’To prevent the present heat from dissipating’: Stanley Kubrick and the Marketing of Dr. Strangelove (1964). InMedia, 3. ISSN 2259-4728

Kramer, Peter (2013) ’The ugly tide of today’s teenage violence’: Revisiting the Clockwork Orange Controversy in the UK. In: Moral Panics, Social Fears and the Media: Historical Perspectives. Routledge, pp. 210-29. ISBN 9780415501613

Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419

Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161

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McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2013) Shakin' All Over: Popular Music and Disability. Corporealities: Discourses of Disability . University of Michigan Press, Ann Arbor. ISBN 9780472052097

Mills, Brett (2013) 'Complaints Were Received': Morris, Comedy and Broadcasting in Context. In: No Known Cure: The Comedy of Chris Morris. British Film Institute, London, pp. 98-110.

Mills, Brett (2013) Invalid Animals:Finding the Non-Human Funny in Special Needs Pets. Journal of Literary and Cultural Disability Studies, 7 (3). pp. 321-335. ISSN 1757-6458

Mills, Brett (2013) 'Shane, Don't Film This Bit': Comedy and Performance in Le Donk and Sco-Zay-Zee. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 142-154.

Mills, Brett (2013) The animals went in two by two: Heteronormativity in television wildlife documentaries. European Journal of Cultural Studies, 16 (1). pp. 100-114. ISSN 1367-5494

Moran, Albert and Aveyard, Karina (2013) Vocal hierarchies in early Australian quiz shows, 1948-71: Two case studies. Media International Australia, 148 (1). pp. 107-117. ISSN 1329-878X

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Negra, D. and Tasker, Y. (2013) Neoliberal frames and genres of inequality:Recession-era chick flicks and male-centred corporate melodrama. European Journal of Cultural Studies, 16 (3). pp. 344-361. ISSN 1367-5494

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Pett, Emma (2013) ‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 177-197.

Pett, Emma (2013) "People Who Think Outside the Box": British Audiences and Asian Extreme Films. Cine-Excess eJournal.

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2013) Shifting Fandoms of Film, Community, and Family. In: Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Intellect Books. ISBN 9781841505114

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Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2013) Can you hear me now? Musical values, education and 'voice'. Media International Australia, 148 (1). pp. 135-144. ISSN 1329-878X

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2013) Community Arts: Sustainability in Austerity. Working Paper. University of East Anglia, Norwich.

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Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2013) Delinquent Daughters: Hollywood's war effort and the 'juvenile delinquency picture' cycle. New Review of Film and Television Studies, 11 (1). pp. 56-72. ISSN 1740-0309

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Sutton, Emma (2013) A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh. ISBN 978-0748676392

Street, John ORCID: https://orcid.org/0000-0001-9650-063X, Inthorn, Sanna and Scott, Martin ORCID: https://orcid.org/0000-0001-6744-443X (2013) From Entertainment to Citizenship:Politics and Popular Culture. Manchester University Press, Manchester. ISBN 978-0-7190-8538-3

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Balcon, Jill Angela Henriette (1925–2009). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) The Continuity Girl: Ice in the Middle of Fire. Journal of British Cinema and Television, 10 (3). pp. 603-617. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Interview for StudioCanal Bluray/DVD release of Accident (1967). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Remembering ‘the poor soul walking in the rain’: Audience responses to a thwarted makeover in 'Woman in a Dressing Gown'. Journal of British Cinema and Television, 10 (4). pp. 709-726. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Richardson, Natasha Jane (1963–2009). In: Oxford Dictionary of National Biography. Oxford University Press.

Winch, Alison (2013) “Drinking a dish of tea with Sapho”: The sexual fantasies of Lady Mary Wortley Montagu and Lord Byron. Women's Writing, 20 (1). pp. 82-99. ISSN 1747-5848

Winch, Alison (2013) Girlfriends and Postfeminist Sisterhood. Palgrave Macmillan, Basingstoke. ISBN 978-0-230-34875-2