Items where Research Group is "Film, Television and Media

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Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema Essays on Modernity, Gender and National Identity. McFarland & Co Inc. ISBN 978-0-7864-2004-9

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Cornea, Christine (2005) The Figuration of the Cyborg in Science Fiction Novels and Films. In: Companion to Science Fiction (Blackwell Companions to Literature & Culture). Blackwell Publishing, pp. 275-288. ISBN 9781405112185

Cornea, Christine (2005) Techno-Orientalism and the Postmodern Subject. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, pp. 72-81. ISBN 1904764347

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Denison, Rayna (2005) Disembodied Voices: The Soundscape and Stars of Princess Mononoke. Scope. ISSN 1465-9166

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Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Aesthetics of Cruelty:Traditional Japanese Theatre and the Horror Film. In: Japanese Horror Cinema. Edinburgh University Press. ISBN 9780748619955

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Gennaro from Lucretia Borgia. In: Classical Monologues for Men. Methuen: London. ISBN 9780413775337

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) 'Lucretia' from Lucretia Borgia. In: Classical Monologues for Women [Audition Speeches]. Methuen: London. ISBN 9780413775344

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Reanimating Peyton Farquhar: The Adaptations of Ambrose Bierce’s ‘An Occurrence at Owl Creek Bridge’. Ambrose Bierce Project Journal, 1 (1). ISSN 1939-4578

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Theatres of Interactivity:Video Games in the Drama Studio. In: Digital Gameplay. McFarland. ISBN 978-0-7864-2292-0

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2005) The Theatre of Joseph Conrad:Reconstructed Fictions. Palgrave. ISBN 978-1-4039-1899-4

Hines, Claire (2005) 'Sean Connery Is James Bond’: Re-Fashioning British Masculinity in the 1960s. In: Fashioning Film Stars: Dress, Culture, Identity. UNSPECIFIED. ISBN 9781844570676

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) British TV and Film Culture of the 1950s: Coming to a TV Near You! Intellect Books. ISBN 1841501212

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 1465-3451

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) “It’s a woman!”: The question of gender in Who Wants to be a Millionaire. Screen, 46 (2). pp. 155-173. ISSN 1460-2474

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching. pp. 12-19.

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) Not the final answer: Critical approaches to the quiz show and Who Wants to Be a Millionaire. European Journal of Cultural Studies, 8 (4). pp. 483-503. ISSN 1460-3551

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) ”Off guard, Unkempt, Unready?”: Deconstructing contemporary celebrity in Heat magazine. Journal of Media and Cultural Studies, 19 (1). pp. 21-38.

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) ‘Starring… Dyer?’: Re-visiting star studies and contemporary celebrity culture. Westminster Papers in Communication and Culture, 2 (2). pp. 6-21. ISSN 1744-6716

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Jancovich, Mark (2005) Eine fortschrittliche Stadt und ihre Kinos: Technologie, Moderne and das Spektekel de Reichtums. In: Umwidmungen: architektonische und Kinematographische Räume. Vorwerk 8, pp. 230-244. ISBN 3930916703

Jancovich, Mark (2005) The Meaning of Mystery: Genre, Marketing and the Universal Sherlock Holmes Series of the 1940's. Film International, 3 (17). pp. 34-45.

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Kramer, Peter (2005) Big Pictures: Studying Contemporary Hollywood Cinema Through Its Greatest Hits. In: Screen Methods: Comparative Readings in Film Studies. Wallflower, London, pp. 124-32. ISBN 1904764355 (hbk) 1904764347 (pbk)

Kramer, Peter (2005) Karrierefrauen in Hollywood: Die (Dar) Stellung von Frauen im amerikanischen Kino. Sowi: Das Journal fur Geschichte, Politik, Wirtschaft und Kultur, 3 (05). pp. 75-83.

Kramer, Peter (2005) The New Hollywood:From Bonnie and Clyde to Star Wars. Wallflower Press, London. ISBN 1904764584

Kramer, Peter (2005) The (Un)Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973. In: Charles Chaplin Conference, 2005-07-01, London College of COmmunication.

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Lewis, Justin, Inthorn, Sanna and Wahl-Jorgensen, Karin (2005) Citizens or Consumers? : What the media tell us about political participation. Open University Press. ISBN 0335215556

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Mills, Brett (2005) Television Sitcom. British Film Institute. ISBN 1844570886

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Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2005) Riyasat. [Performance]

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Tasker, Yvonne and Negra, Diane (2005) In Focus: Postfeminism and Contemporary Media Studies. Cinema Journal, 44 (2). pp. 107-133.

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) "I'm not a lady!”: Tiger Bay and transitional girlhood in British cinema on the cusp of the 1960s. Screen, 46 (3). pp. 361-372. ISSN 1460-2474

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) Julie Christie: Honey-Glow Girl. Sight and Sound, 15 (12). p. 36.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) '‘No Love for Johnnie’'. In: 24 Frames: The Cinema of Britain and Ireland. Wallflower. ISBN 978-1904764380