Balzar, Jesse, Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Pearson, Erin
(2020)
Talking Trailers: Promotional materials, and the value of the paratextual turn.
Cinephile: The University of British Columbia's Film Journal, 14 (1).
pp. 40-45.
Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith
ORCID: https://orcid.org/0000-0002-1989-8549
(2020)
Beyond place: Rethinking British amateur films through gender and technology-based perspectives.
Screen, 61 (1).
129–137.
ISSN 0036-9543
Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith M.
ORCID: https://orcid.org/0000-0002-1989-8549
(2020)
Talking Colour: Rememering the Eastmancolor Revolution.
Frames Cinema Journal (17).
ISSN 2053-8812
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 and Hill, Sarah
(2020)
Making women amateur filmmakers visible: Reclaiming women’s work through the film archive.
Women's History Review, 29 (5).
pp. 875-889.
ISSN 0961-2025
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2020)
The look of the con: Eleven thoughts on the historical absence of subtitles in film analysis.
Perspectives: Studies in Translatology, 28 (6).
pp. 910-919.
ISSN 0907-676X
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Rickards, Carolyn
(2020)
The spectacle of realism: special effects at Ealing Studios, 1940-45.
Screen, 60 (2).
261–279.
ISSN 0036-9543
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
The hidden history of women's filmmaking in Britain.
The Conversation.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Girl on the edge: Rapture (1965).
In:
John Guillermin.
Precocity Press.
ISBN 978-1735292151
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter.
In:
From Blofeld to Moneypenny.
Emerald Studies in Popular Culture and Gender
.
Emerald Group Publishing Ltd., pp. 117-127.
ISBN 978-1-83867-163-1
Petrie, Duncan, Williams, Melanie and Mayne, Laura, eds. (2020) Sixties British Cinema Reconsidered. Edinburgh University Press. ISBN 9781474443890
Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives.
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Interview for Indicator Bluray Hammer boxset volume five.
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956).
Studiocanal.