Items where Research Group is "British Cinema & Television

B

Balzar, Jesse, Johnston, Keith M. and Pearson, Erin (2020) Talking Trailers: Promotional materials, and the value of the paratextual turn. Cinephile: The University of British Columbia's Film Journal, 14 (1). pp. 40-45.

C

Clayton, Stephanie, Johnston, Keith M and Williams, Melanie (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.

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Frith, Paul and Johnston, Keith (2020) Beyond place: Rethinking British amateur films through gender and technology-based perspectives. Screen, 61 (1). 129–137. ISSN 0036-9543

Frith, Paul and Johnston, Keith M. (2020) Talking Colour: Rememering the Eastmancolor Revolution. Frames Cinema Journal (17). ISSN 2053-8812

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Johnston, Keith and Hill, Sarah (2020) Making women amateur filmmakers visible: Reclaiming women’s work through the film archive. Women's History Review, 29 (5). pp. 875-889. ISSN 0961-2025

Johnston, Keith M (2020) The look of the con: Eleven thoughts on the historical absence of subtitles in film analysis. Perspectives: Studies in Translatology, 28 (6). pp. 910-919. ISSN 0907-676X

Johnston, Keith M. and Rickards, Carolyn (2020) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). 261–279. ISSN 0036-9543

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Williams, Melanie (2020) Girl on the edge: Rapture (1965). In: John Guillermin. Precocity Press. ISBN 978-1735292151

Williams, Melanie (2020) Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter. In: From Blofeld to Moneypenny. Emerald Studies in Popular Culture and Gender . Emerald Group Publishing Ltd., pp. 117-127. ISBN 978-1-83867-163-1

Williams, Melanie (2020) Interview for Indicator Bluray Hammer boxset volume five. Indicator.

Williams, Melanie (2020) Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956). Studiocanal.

Williams, Melanie (2020) The hidden history of women's filmmaking in Britain. The Conversation.