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Street, Sarah, Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Rickards, Carolyn (2019) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) The 1950s and 1960s. In: A Companion to British and Irish Cinema. Wiley. ISBN 978-1118477519
Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113
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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Essay for Indicator Bluray release of Take a Girl Like You (1970). Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for Indicator Bluray release of Taste of Fear (1961). Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954). UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2019) 'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971). Studiocanal.