Farmer, Richard and Williams, Melanie (2019) Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s. Volupté, 2 (2). pp. 95-121.
Johnston, Keith (2019) A Dalek is (now) a many splendored thing. [in]Transition, 6 (1).
Johnston, Keith M. (2019) Researching historical promotional materials: Towards a new methodology. Historical Journal of Film, Radio and Television, 39 (4). pp. 643-662. ISSN 0143-9685
Street, Sarah, Johnston, Keith, Frith, Paul and Rickards, Carolyn (2019) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X
Williams, Melanie (2019) The 1950s and 1960s. In: A Companion to British and Irish Cinema. Wiley. ISBN 978-1118477519
Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113
Wakefield, Thirza and Williams, Melanie (2019) Commentary for Indicator Bluray release of The System (1964). Indicator.
Williams, Melanie (2019) Essay for Indicator Bluray release of Take a Girl Like You (1970). Indicator.
Williams, Melanie (2019) Interview for Indicator Bluray release of Taste of Fear (1961). Indicator.
Williams, Melanie (2019) Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954). UNSPECIFIED.
Williams, Melanie and Johnston, Keith M (2019) 'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971). Studiocanal.