Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2016)
An unlimited field for experiment: Britain's Steroscopic Landscapes.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 71-85.
ISBN 0719091578
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Phillips, Tom
ORCID: https://orcid.org/0000-0003-1732-4514
(2016)
"A step into the abyss" Transmedia in the UK Games and Television Industries.
International Journal of Gaming and Computer-Mediated Simulations, 8 (2).
ISSN 1942-3888
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549, Vollans, Ed and Greene, Fred L.
(2016)
Watching the trailer: Researching the film trailer audience.
Participations, 13 (2).
pp. 56-85.
ISSN 1749-8716
Mantziari, Despoina, Tasker, Yvonne and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
Editors' Introduction: Activism, Agency, and Authorship: Exploring Women's Film History.
Feminist Media Histories, 2 (2).
pp. 1-5.
ISSN 2373-7492
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
The Girl You Don't See: Julie Harris and the Costume Designer in British Cinema.
Feminist Media Histories, 2 (2).
pp. 71-106.
ISSN 2373-7492
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
Interview for StudioCanal Bluray/DVD release of Pink String and Sealing Wax (1946).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
The girl you don’t see: Julie Harris and the costume designer in British cinema.
Feminist Media Histories, 2 (2).
pp. 71-106.
ISSN 2373-7492