Items where School is "Interdisciplinary Institute for the Humanities

Article

Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771 (2025) Building the Netflix brand: Franchise logic, authorship, and distinction in the promotion of Stranger Things. Television and New Media, 26 (6). pp. 668-684. ISSN 1527-4764

Bogdanova-Kummer, Eugenia ORCID: https://orcid.org/0000-0002-7704-3514 (2025) Zen Violence: The Legacy of Nantenbō Tōjū’s Calligraphy in the Postwar Avant-Garde. Journal of Japanese Studies, 51 (1). pp. 1-40. ISSN 1549-4721

Kirkbride, Jasmin ORCID: https://orcid.org/0000-0002-1475-1265 (2025) Radically hopeful dystopian climate fiction: Exploring social dreaming, temporal re-sensitisation, and katharsis in Jeff VanderMeer’s Borne. Comparative American Studies, 22 (1-2). pp. 88-105. ISSN 1477-5700

Ma, Hua ORCID: https://orcid.org/0000-0002-2783-7252 (2025) Negotiating beauty: Exploring beauty narratives of Chinese women in different life stages. Journal of Gender Studies, 34 (2). pp. 263-280. ISSN 0958-9236

Pitchford-Hyde, Jenna ORCID: https://orcid.org/0000-0002-6677-6114 and Parry, Katy (2025) "Is that it?": Veteran reflections on the Falklands 40th Anniversary and Northern Ireland Peacekeeping exhibitions at the Imperial War Museum London. International Journal of Communication, 19. pp. 115-134. ISSN 1932-8036

Walker Churchman, Georgia ORCID: https://orcid.org/0000-0001-5312-6684 (2025) "The Dance, the Music, the Rave": Partying, pleasure, and the politics of cultural production in Morvern Callar 1995 and Morvern Callar 2002. Critique - Studies in Contemporary Fiction, 66 (5). pp. 916-928. ISSN 0011-1619

Book Section

Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771 (2025) Whose Nightmare Before Christmas?:Authorship and Authenticity in Contemporary Stop-Motion Animation. In: The Nightmare Before Christmas. Bloomsbury, pp. 17-34. ISBN 9798765113615

Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771, Eldridge, Brittany and Williams, Rebecca (2025) Introduction. In: The Nightmare Before Christmas. Bloomsbury, pp. 1-14. ISBN 9798765113615

Cann, Victoria ORCID: https://orcid.org/0000-0002-7858-4283 (2025) Girlhood Studies. In: Oxford Bibliographies in Childhood Studies. Oxford University Press.

Hill, Carys and Cann, Victoria ORCID: https://orcid.org/0000-0002-7858-4283 (2025) Scruffy and Imperfect: Orienting Working-Class Knowledges In and Through Feminist Zine-Making. In: Working-Class Knowledge(s) in the Academy: Theory, Practice and Method. Routledge. (In Press)

Pepe, Paulo (2025) Shifting Borders of Crip/Queer Belonging: Disability, Sexuality, and Diaspora in Margarita with a Straw. In: Identity and the literary Imagination: Shifting Borders, Emerging Voices in Global South Asia. Springer Nature. (In Press)

Book

Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771, Eldridge, Brittany and Williams, Rebecca (2025) The Nightmare Before Christmas. Key Films/Filmmakers in Animation (1). Bloomsbury. ISBN 9798765113615

Cann, Victoria ORCID: https://orcid.org/0000-0002-7858-4283, Mitra, Barbara, McKay, Fiona, House, Melody, Mairs Dyer, Jolene and Garcia-Blanco, Iñaki (2025) Global Media Monitoring Project 2025: UK Combined Nations National Report. WACC.

Parry, Katy and Pitchford-Hyde, Jenna ORCID: https://orcid.org/0000-0002-6677-6114 (2025) ‘Everything’s contested’:Capturing audience and curatorial reflections on the Imperial War Museum’s exhibition ‘Northern Ireland: Living with the Troubles’ (IWM London and IWM North 2023-2024). White Rose Libraries.