Antunes, Filipa
ORCID: https://orcid.org/0000-0001-5978-6771
(2025)
Whose Nightmare Before Christmas?:Authorship and Authenticity in Contemporary Stop-Motion Animation.
In:
The Nightmare Before Christmas.
Bloomsbury, pp. 17-34.
ISBN 9798765113615
| Item Type: | Book Section |
|---|---|
| Uncontrolled Keywords: | stop-motion,animation,film promotion,reception,authorship,animator,tim burton,laika studios,disney,henry selick,general arts and humanities,general computer science ,/dk/atira/pure/subjectarea/asjc/1200/1200 |
| Faculty \ School: | Faculty of Arts and Humanities > Interdisciplinary Institute for the Humanities |
| UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Comics Studies Research Group Faculty of Arts and Humanities > Research Groups > Media Equality |
| Related URLs: | |
| Depositing User: | LivePure Connector |
| Date Deposited: | 22 Oct 2024 08:30 |
| Last Modified: | 18 Jun 2026 22:16 |
| URI: | https://ueaeprints.uea.ac.uk/id/eprint/97085 |
| DOI: |
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