Forrest, David and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Introduction: Revisiting the British New Wave.
Journal of British Cinema and Television, 21 (3).
pp. 281-285.
ISSN 1743-4521
Jones, Ben and Walker Churchman, Geo
ORCID: https://orcid.org/0000-0001-5312-6684
(2024)
"It was like a big union”: Emotional communities, working-class subjectivities and the popular memory of acid house and rave.
Contemporary British History, 38 (4).
pp. 680-699.
ISSN 1361-9462
Machada, Laryssa, Neto Pankararu, Antônio Vital, Pankararu, Bia, Pankararu, Fykyá, Pepe, Paulo and Pitman, Thea (2024) ‘ORIGEM’: Queering Indigeneity through Participatory (Audio)visual Methods in Northeastern Brazil. New Area Studies, 4 (1). ISSN 2633-3716
Pepe, Paulo, Pitman, Thea and Simoes Paiva, Alessandra (2024) Originários brasileiros em terras britânicas: uma conversa sobre arte, movimento indígena, gênero e identidade. Arte & Crítica, 70 (6). pp. 49-69.
Antunes, Filipa
ORCID: https://orcid.org/0000-0001-5978-6771
(2024)
“Don’t Let Your Parents Watch It Alone!”: Cautionary Tales and Family Horror in R. L. Stine’s The Haunting Hour.
In:
Youth Horror Television and the Question of Fear.
Rowan & Littlefield / Lehigh University Press.
ISBN 978-1-61146-341-5
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website.
In:
Women in Focus: The Filmmakers.
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Morgan, Diana (1908-1996).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Nolan, Margaret (1943-2020).
In:
Oxford Dictionary of National Biography.
Oxford University Press.