Antunes, Filipa, Eldridge, Brittany and Williams, Rebecca, eds. (2024) The Nightmare Before Christmas. Key Films/Filmmakers in Animation (1). Bloomsbury. ISBN 9798765113615 (In Press)
Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771 (2024) Whose Nightmare Before Christmas? Authorship and Authenticity in Contemporary Stop-Motion Animation. In: The Nightmare Before Christmas. UNSPECIFIED. ISBN 9798765113615 (In Press)
Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771, Williams, Rebecca and Eldridge, Brittany (2024) Introduction. In: The Nightmare Before Christmas. UNSPECIFIED. ISBN 9798765113615 (In Press)
Pitchford-Hyde, Jenna ORCID: https://orcid.org/0000-0002-6677-6114 and Parry, Katy (2024) "Is that it?": Veteran reflections on the Falklands 40th Anniversary and Northern Ireland Peacekeeping Exhibitions at the Imperial War Museum London. International Journal of Communication. ISSN 1932-8036 (In Press)
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965). UNSPECIFIED. (In Press)
Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771 (2024) “Don’t Let Your Parents Watch It Alone!”: Cautionary Tales and Family Horror in R. L. Stine’s The Haunting Hour. In: Youth Horror Television and the Question of Fear. Rowan & Littlefield / Lehigh University Press. ISBN 978-1-61146-341-5
Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521
Jones, Benjamin and Walker Churchman, Georgia ORCID: https://orcid.org/0000-0001-5312-6684 (2024) "It was like a big union”: Emotional communities, working-class subjectivities and the popular memory of acid house and rave. Contemporary British History. ISSN 1361-9462
Ma, Hua ORCID: https://orcid.org/0000-0002-2783-7252 (2024) Negotiating beauty: Exploring beauty narratives of Chinese women in different life stages. Journal of Gender Studies. ISSN 0958-9236
Machada, Laryssa, Neto Pankararu, Antônio Vital, Pankararu, Bia, Pankararu, Fykyá, Pepe, Paulo and Pitman, Thea (2024) ‘ORIGEM’: Queering Indigeneity through Participatory (Audio)visual Methods in Northeastern Brazil. New Area Studies, 4 (1). ISSN 2633-3716
Walker Churchman, Georgia ORCID: https://orcid.org/0000-0001-5312-6684 (2024) "The Dance, the Music, the Rave": Partying, pleasure, and the politics of cultural production in Morvern Callar 1995 and Morvern Callar 2002. Critique - Studies in Contemporary Fiction. ISSN 0011-1619
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959). UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954). UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Nolan, Margaret (1943-2020). In: Oxford Dictionary of National Biography. Oxford University Press.