Boase-Beier, Jean, Fawcett, Antoinette and Wilson, Philip, eds. (2014) Literary Translation: Redrawing the Boundaries. Palgrave Macmillan, Basingstoke. ISBN 9781137310040
Bennett, Stephen (2014) Henry Fool Men Singing. K-Scope.
Costa, Francisco (2014) “Don't you understand? I was PROCURING for him”: Estigmatização do Desejo Homosexual em Suddenly, Last Summer de Tennessee Williams. Anglo-Saxónica, III (8). pp. 241-262. ISSN 0873-0628
Costa, Francisco (2014) Review of Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-1865 by Karl M. Kippola. Theatre History Studies, 33 (1). pp. 263-265. ISSN 0733-2033
Costa, Francisco (2014) Review of Louis-Georges Tin, The Invention of Heterosexual Culture. Gay and Lesbian Review, 21 (1). p. 47. ISSN 1532-1118
Costa, Francisco (2014) 'There was something different about the boy': Queer Subversion in Tennessee Williams’s A Streetcar Named Desire. Interactions: Ege Journal of British and American Studies, 23 (1-2). pp. 77-85. ISSN 1300-574X
Hawkins, Joy (2014) Sights for Sore Eyes:Vision and Health in Medieval England. In: On Light. Medium Aevum Monographs . Society for the Study of Medieval Language and Literature, pp. 137-156. ISBN 9780907570295
Pepe, Paulo Pires (2014) As Corporealidades Queer de António Variações e de José Pérez Ocaña. Revista Científica Vozes dos Vale. ISSN 2238-6424
Pires Pepe, Paulo (2014) Queerizações da Música Popular de António Variações. Studia Iberystyczne, 13. pp. 551-562. ISSN 2391-7636
Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 (2014) The Day of Archaeology: blogging and online archaeological communities. European Journal of Post-Classical Archaeologies, 4. pp. 421-446.
Walmsley, Mark Joseph ORCID: https://orcid.org/0000-0001-5976-0766 (2014) Tell it like it isn't: SNCC and the media, 1960–1965. Journal of American Studies, 48 (1). pp. 291-308. ISSN 0021-8758
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2014) Interview for StudioCanal Bluray/DVD release of The Belles of St Trinian (1954). Studiocanal.