Items where School is "School of Film and Television Studies (former - to 2012)

Published

Atakav, Eylem, ed. (2013) Directory of World Cinema: Turkey. Directory of World Cinema Series . Intellect Ltd. ISBN 9781841506203

Cornea, Christine and Thomas, Rhys Owain, eds. (2013) Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge. ISBN 978-1443842419

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2013) Cinema: Turkish Women's Contributions. In: The Oxford Encycopaedia of Islam and Women. Oxford University Press. ISBN 9780199764464

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2013) The critical reception of Certified Copy: Original art or copy of a rom-com? In: Watching Films. Intellect Ltd. ISBN 9781841505114

Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419

Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2013) Community Arts: Sustainability in Austerity. Working Paper. University of East Anglia, Norwich.

Unpublished

Ahmed, Michael (2013) Corrupted, Tormented and Damned: Reframing British Exploitation Cinema and The films of Robert Hartford-Davis. Doctoral thesis, University of East Anglia.

Fuller, Stephanie (2013) Romance, revolution and regulation: colonialism and the US-Mexico border in American Cold War film. Doctoral thesis, University of East Anglia.

He, Ting (2013) American family entertainment and the only child generation in contemporary urban China. Doctoral thesis, University of East Anglia.

Mcculloch, Richard (2013) Towards Infinity And Beyond Branding, Reputation, and the Critical Reception of Pixar Animation Studios. Doctoral thesis, University of East Anglia.

Mizsei Ward, Rachel Louise (2013) A world of difference: media translations of fantasy worlds. Doctoral thesis, University of East Anglia.

Pearlman, Susan (2013) Reframing (im)maturity : interrogating representations of the transition to adulthood in contemporary American film and television. Doctoral thesis, University of East Anglia.

Phillips, Tom (2013) Fandom and beyond: online community, culture and Kevin Smith fandom. Doctoral thesis, University of East Anglia.

Underwood, David William. (2013) American socio-politics in fictional context: transformers and the representation of the United States. Masters thesis, University of East Anglia.

Warr, Nicholas Alexander (2013) PECULIAR THEORY: THE PROBLEM OF PHILOSOPHY IN SIEGFRIED KRACAUER’S THEORY OF FILM. Doctoral thesis, University of East Anglia.

Wintle, Heather (2013) Wandering into the Wasteland: White American Masculinities in the Apocalyptic Science Fiction Road Narrative. Doctoral thesis, University of East Anglia.

Wroot, Jonathan (2013) Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010. Doctoral thesis, University of East Anglia.