Items where School is "School of Film and Television Studies (former - to 2012)

A

Ahmed, Michael (2013) Corrupted, Tormented and Damned: Reframing British Exploitation Cinema and The films of Robert Hartford-Davis. Doctoral thesis, University of East Anglia.

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2013) Cinema: Turkish Women's Contributions. In: The Oxford Encycopaedia of Islam and Women. Oxford University Press. ISBN 9780199764464

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2013) The critical reception of Certified Copy: Original art or copy of a rom-com? In: Watching Films. Intellect Ltd. ISBN 9781841505114

C

Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

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Fuller, Stephanie (2013) Romance, revolution and regulation: colonialism and the US-Mexico border in American Cold War film. Doctoral thesis, University of East Anglia.

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He, Ting (2013) American family entertainment and the only child generation in contemporary urban China. Doctoral thesis, University of East Anglia.

K

Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419

Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161

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Mcculloch, Richard (2013) Towards Infinity And Beyond Branding, Reputation, and the Critical Reception of Pixar Animation Studios. Doctoral thesis, University of East Anglia.

Mizsei Ward, Rachel Louise (2013) A world of difference: media translations of fantasy worlds. Doctoral thesis, University of East Anglia.

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Pearlman, Susan (2013) Reframing (im)maturity : interrogating representations of the transition to adulthood in contemporary American film and television. Doctoral thesis, University of East Anglia.

Phillips, Tom (2013) Fandom and beyond: online community, culture and Kevin Smith fandom. Doctoral thesis, University of East Anglia.

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Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2013) Community Arts: Sustainability in Austerity. Working Paper. University of East Anglia, Norwich.

U

Underwood, David William. (2013) American socio-politics in fictional context: transformers and the representation of the United States. Masters thesis, University of East Anglia.

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Warr, Nicholas Alexander (2013) PECULIAR THEORY: THE PROBLEM OF PHILOSOPHY IN SIEGFRIED KRACAUER’S THEORY OF FILM. Doctoral thesis, University of East Anglia.

Wintle, Heather (2013) Wandering into the Wasteland: White American Masculinities in the Apocalyptic Science Fiction Road Narrative. Doctoral thesis, University of East Anglia.

Wroot, Jonathan (2013) Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010. Doctoral thesis, University of East Anglia.