Items where School is "School of Film and Television Studies (former - to 2012)

Published

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2010) “Let's do it! Let's do it!”: Gender politics and Victoria Wood. Feminist Media Studies, 10 (3). pp. 353-367. ISSN 1468-0777

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2010) Representations and/or Interpretations: Women in Middle Eastern Film. Near East Quarterly, 1 (1).

Barker, Martin (2010) "Typically French"?: mediating screened rape to British audiences. In: Rape in Art Cinema. Continuum, New York, pp. 145-58.

Bennett, James and Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2010) The "place" of television in celebrity studies. Celebrity Studies, 1 (1). pp. 65-80. ISSN 1939-2397

Cornea, Christine (2010) 2-D Performance and the re-Animated Actor. In: Genre and Performance: Film and Television. Manchester University Press, pp. 148-165. ISBN 9780719079801

Cornea, Christine (2010) Editor's Introduction. In: Genre and Performance: Film and Television. Manchester University Press, pp. 1-17. ISBN 9780719079801

Cornea, Christine (2010) Genre and Performance: Film and Television. Manchester University Press. ISBN 9780719079801

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2010) Reality TV and 'Ordinary' People: Re-visiting Celebrity, Performance and Authenticity. In: Trans-Reality Television: The Transgression of Reality, Genre, Politics and Audience. Lexington Books, Plymouth, pp. 251-274. ISBN 978-0-7391-3188-6

Jancovich, Mark (2010) 'An Italianmade Spectacle Film Dubbed in English': Cultural Distinctions, National Cinema and the Critical Reception of the Postwar Historical Epic. In: The Epic Film in World Culture. Routledge, New York. ISBN 9780415990189

Jancovich, Mark (2010) Phantom ladies: the war worker, the slacker and the ‘femme fatale’. New Review of Film and Television Studies, 8 (2). pp. 164-178. ISSN 1740-0309

Jancovich, Mark (2010) "Samuel Bronston’s Latest Epic": Spectacle, heterogeneity and nation in the critical reception of El Cid (1961). Comparative American Studies, 8 (4). pp. 300-315. ISSN 1741-2676

Jancovich, Mark (2010) 'Two ways of looking': Affection and aversion in the critical reception of 1940s horror. Cinema Journal, 49 (3). pp. 45-66. ISSN 0009-7101

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2010) Underground, Overground: Remembering The Wombles. In: Culture and Society in 1970s Britain: The Lost Decade. Cambridge Scholars Publishing, Cambridge, pp. 154-163. ISBN 9781443817349

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2010) Ealing's colour aesthetic: Saraband for Dead Lovers. Journal of British Cinema and Television, 7 (1). pp. 21-33. ISSN 1755-1714

Kramer, Peter (2010) 2001: A Space Odyssey. BFI Film Classics . British Film Institute, London. ISBN 9781844572861

Kramer, Peter (2010) Steven Spielberg. In: Fifty Contemporary Film Directors. Second Edition. Routledge, London, pp. 372-80. ISBN 9780415497664 (hbk) 9780415554336 (pbk) 9780203844342 (ebk)

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2010) Embracing the “Overly Confessional”: Scholar-Fandom and Approaches to Personal Research. Flow, 13 (5).

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2010) Harte Musik und weiche Jungs, Kulturaustausch: Großbritannien. Kulturaustausch, 1.

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2010) Listening to the monkey: Class and youth in the formation of a musical habitus. Ethnography, 11 (2). pp. 255-283.

Tasker, Yvonne (2010) Action Television/Crime Television: Sensation and Attraction. Flow, 13 (2).

Tasker, Yvonne (2010) "Aging and Action Authenticity". In Media Res.

Tasker, Yvonne (2010) Fifty Contemporary Film Directors. Routledge.

Tasker, Yvonne (2010) Vision and Visibility:Women Filmmakers, Contemporary Authorship and Feminist Film Studies. In: Reclaiming the Archive: Feminism and Film History. Wayne State University Press.

Tasker, Yvonne and Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2010) The Hurt Locker: Male Intimacy, Violence and The Iraq War Movie. Sine, 1 (2).

Warner, Helen (2010) New Trends?: Industrial Strategies in Fashion, Television and Celebrity Culture. SCAN: Journal of Media Arts Culture.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Newland, Paul (2010) Staccato and wrenchingly modern: reflections of the 1970s stardom of Glenda Jackson. In: Don't Look Now? British Cinema in the 1970s. Intellect Press.

Unpublished

Ganjaei, Sara (2010) Representations of Iran in British Documentary, 1920s – 2006. Doctoral thesis, University of East Anglia.

Godfrey, Sarah (2010) Nowhere Men: Representations of Masculinity in Nineties British Cinema. Doctoral thesis, University of East Anglia.

Gruner, Oliver (2010) Public politics/personal authenticity: a tale of two sixties in Hollywood cinema, 1986-1994. Doctoral thesis, University of East Anglia.

Warner, Helen (2010) ‘Perfect Fit’: industrial strategies, textual negotiations and celebrity culture in fashion television. Doctoral thesis, University of East Anglia.

Woollock, Stephen (2010) “Coming to a town near you?”: cultural policy and identity in local art-house exhibition. Doctoral thesis, University of East Anglia.