Items where School is "School of Film and Television Studies (former - to 2012)

Article

Barker, Martin (2004) News, Reviews, Clues, Interviews and Other Ancillary Materials - a Critique and Research Proposal. Scope. ISSN 1465-9166

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2004) 'But this time You Choose!' Approaching the interactive audience of reality TV. International Journal of Cultural Studies, 7 (2). pp. 213-231. ISSN 1460-356X

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2004) Looking at the wider picture on the small screen: Reconsidering television and widescreen cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. ISSN 1543-5326

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2004) "Reality goes pop!": Reality TV, popular music and narratives of stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1552-8316

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2004) ‘The only place where “success” comes before "work" is in the dictionary…?’: Conceptualising fame in reality TV. M/C Journal, 7 (5).

Jancovich, Mark (2004) Les adolescents et les indépendants: AIP et ses rivaux. Rendez-Vous Avec La Peur: Revue de Cinéma Fantastique, 1. pp. 23-35.

Kramer, Peter (2004) The many faces of Holly Golightly: Truman Capote, Breakfast at Tiffany's and Hollywood. Film Studies, 5 (1). pp. 58-65.

Negra, Diane (2004) Quality Postfeminism? Sex and the Single Girl on HBO. Genders, 39.

Book Section

Barker, Martin (2004) Violence redux. In: New Hollywood Violence. Manchester University Press, Manchester, pp. 57-79.

Higson, Andrew (2004) English Heritage, English literature, English cinema: selling Jane Austen to movie audiences in the 1990's. In: Janespotting and Beyond. Narr Dr. Gunter, pp. 35-50. ISBN 3823360965

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Understanding Reality Television. Routledge, pp. 111-135. ISBN 0415317959

Jancovich, Mark (2004) Bloody Bloody and Bloody Boring: Action, Stasis and Middlebrow Taste in the Reception of the 1950s Spectacular. In: Action and Adventure Cinema. Routledge, pp. 84-99. ISBN 0415235073

Jancovich, Mark (2004) Charlton Heston is an Axiom: Spectacle and Performance in the Development of the Blockbuster. In: Film Stars: Hollywood and Beyond. Manchester University Press, pp. 51-70. ISBN 0719056454

Jancovich, Mark (2004) Re-examining the 1950s Invasion Narratives (reprint from Rational Fears). In: Liquid Metal: The Science Film Reader. Wallflower Press, pp. 325-336. ISBN 1903364876

Jancovich, Mark and Hunt, Nathan (2004) The Mainstream, Distinctions and Cult TV. In: Cult Television. University of Minnesota Press, pp. 27-44. ISBN 0816638314

Kramer, Peter (2004) Drei Deutsche in Hollywood. Patriotismus, historisches Trauma und 'harmlose' Unterhaltung. In: Die Spur durch den Spiegel. Der Film in der Kultur der Morderne. Bertz, Berlin, pp. 132-45. ISBN 3-86505-155-3

Kramer, Peter (2004) 'Far across the distance...': Historical Films, Film History and Titanic (1997). In: The Titanic in Myth and Memory. I B Tauris, London, pp. 163-172. ISBN 185043431 (hbk)

Kramer, Peter (2004) It's aimed at kids - the kid in everybody': George Lucas, Star Wars and Children's entertainment (slightly revised reprint of essay first published in Scope: An Online Journal of Film Studies, December 2001). In: Action and Adventure Cinema. Routledge, pp. 358-70. ISBN 0415235065 (hbk) 0415235073 (pbk)

Kramer, Peter (2004) The Making of a Comic Star: Buster Keaton and The Saphead (partial and slightly revised reprint of essay first published in Classical Hollywood Comedy, ed.Kristine Brunovska Karnick and Henry Jenkins). In: The Silent Cinema Reader. Routledge, London, pp. 279-89. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter (2004) The Rise and Fall of Sandra Bullock: Notes on Starmaking and Female Stardom in Contemporary Hollywood. In: Film Stars: Hollywood and Beyond. Manchester University Press, pp. 89-112. ISBN 0719056454 (pbk) 07190564456446 (hbk)

Kramer, Peter and Grieveson, Lee (2004) Cinema and Reform. In: The Silent Cinema Reader. Routledge, London, pp. 135-43. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Classical Hollywood Cinema. In: The Silent Cinema Reader. Routledge, London, pp. 271-8. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) European Cinemas. In: The Silent Cinema Reader. Routledge, London, pp. 329-38. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Feature Films and Cinema Programmes. In: The Silent Cinema Reader. Routledge, London, pp. 187-95. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Film Projection and Variety Shows. In: The Silent Cinema Reader. Routledge, London, pp. 31-9. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Introduction. In: The Silent Film Reader. Routledge, London, pp. 1-9. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Prologue. In: The Silent Cinema Reader. Routledge, London, pp. 11-4. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Storytelling and the Nickelodeon. In: The Silent Cinema Reader. Routledge, London, pp. 77-85. ISBN 0415252830 (hbk) 0415252849 (pbk)

Negra, Diane (2004) 'Queen of the Indies': Parker Posey's Niche Stardom and the Taste Cultures of Independent Film. In: American Independent Cinema. Routledge, p. 320. ISBN 0415254868

Tasker, Yvonne (2004) The Family in Action. In: Action and Adventure Cinema. Routledge, London, pp. 252-266.

Book

Kramer, Peter and Grieveson, Lee, eds. (2004) The Silent Cinema Reader. Routledge, London. ISBN 0415252849 (pbk) 0415252830 (hbk)

Holmes, Su and Jermyn, D, eds. (2004) Understanding Reality Television. Routledge. ISBN 0415317959

Tasker, Yvonne (2004) Action and Adventure Cinema. Routledge. ISBN 0415235073