De Jong, Ferdinand (2000) Secrecy and the State: The Kankurang Masquerade in Senegal. Mande Studies, 2. pp. 153-173.
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435
(2000)
Christopher Hampton’s Adaptation of The Secret Agent.
Conradiana, 32 (3).
pp. 195-202.
ISSN 0010-6356
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435
(2000)
"The Stage Is a Terribly Searching Thing" Joseph Conrad's Dramatization of 'The Secret Agent'.
Conradiana, 32 (1).
pp. 57-65.
ISSN 0010-6356
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Wilson, Michael
(2000)
The Grand-Guignol: Aspects of theory and practice.
Theatre Research International, 25 (3).
pp. 266-275.
ISSN 0307-8833
Jancovich, Mark (2000) "The Purest Knight of All": Nation, History and Representation in El Cid. Cinema Journal, 40 (1). pp. 79-103. ISSN 0009-7101
Jancovich, Mark (2000) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. Continuum, 14 (1). pp. 23-35. ISSN 1030-4312
Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421
(2000)
'A Columbus of the Imagination': America, the millennium, and the poetry of Jorie Graham.
European Journal of American Culture, 19 (2).
pp. 96-115.
De Jong, Ferdinand (2000) The Forbidden Masquerade: Ethnicity and the Management of Ritual in Senegal. In: Roots and Rituals: The Construction of Ethnic Identities. Het Spinhuis, Amsterdam, pp. 499-516.
Jancovich, Mark (2000) Consumption. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180
Jancovich, Mark (2000) Cult Film and Television. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180
Jancovich, Mark (2000) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of Silence of the Lambs. In: Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. BFI Publishing, pp. 33-44. ISBN 978-0851708102
Jancovich, Mark (2000) Moral Panics. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180
Jancovich, Mark (2000) Othering Conformity in Post-War America: Intellectuals, the New Middle Classes and the Problem of Cultural Distinctions. In: Containing America: Cultural Production and Consumption in Fifties America. Birmingham University Press, pp. 12-28. ISBN 1902459067
Jancovich, Mark (2000) The Southern New Critics. In: The Cambridge History of Literary Criticism. Cambridge University Press, pp. 200-218. ISBN 0521300126
Rycroft, Daniel (2000) Around Modernist Traditions. In: Drawing Space: Contemporary Indian Drawing. InIVA, London, pp. 12-17.
Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421
(2000)
Coming back to oneself/ coming back to the land: Gary Snyder's Poetics.
In:
Reading Under the Sign of Nature: New Essays in Ecocriticism.
University of Utah Press, Salt Lake City, pp. 179-197.
ISBN 0874806488
Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421
(2000)
Cultural Mapping: Gary Snyder's Mountains and Rivers Without End as American Epic.
In:
Postwar American Poetry: The Mechanics of the Mirage.
University of Liege Press, Liege, pp. 187-195.
ISBN 2872330259
Jancovich, Mark, Hollows, Joanne and Hutchings, Peter, eds. (2000) The Film Studies Reader. Arnold Publishing. ISBN 0340692790
Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421
(2000)
The Columbia Critical Guide to The Waste Land.
Columbia University Press, New York.
ISBN 0231124244/ 0231124252
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257
(2000)
Ariel Maa.
[Performance]
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257
(2000)
Voyage of Discovery.
PTV World.
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257
(2000)
Zee Basant Festival.
Zee TV.