Items where Author is "Phillips, Tom"

Article

Litherland, Benjamin, Phillips, Tom and Warden, Claire (2021) Scholarly grappling: Collaborative 'work' in the study of professional wrestling. Journal of Dramatic Theory and Criticism, 36 (1). pp. 213-228. ISSN 2165-2686

Street, John and Phillips, Thomas (2017) What do musicians talk about when they talk about copyright? Popular Music and Society, 40 (4). pp. 422-433. ISSN 0300-7766

Johnston, Keith M and Phillips, Tom (2016) "A step into the abyss" Transmedia in the UK Games and Television Industries. International Journal of Gaming and Computer-Mediated Simulations, 8 (2). ISSN 1942-3888

Phillips, Tom and Street, John (2015) Copyright and musicians at the digital margins. Media, Culture & Society, 37 (3). pp. 342-358. ISSN 0163-4437

Phillips, Tom (2015) Wrestling with grief: Fan negotiation of professional/private personas in response to the Chris Benoit double murder-suicide. Celebrity Studies, 6 (1). pp. 69-84. ISSN 1939-2397

Phillips, Tom (2015) “Don't clone my indie game, bro”: Informal cultures of videogame regulation in the independent sector. Cultural Trends, 24 (2). pp. 143-153. ISSN 0954-8963

Rimmer, Mark, Street, John and Phillips, Tom (2014) Understanding the Cultural Value of 'In Harmony-Sistema England'. pp. 1-57.

Bennett, Lucy and Phillips, Tom (2013) The Fan Studies Network: New Connections, New Research. Participations, 10 (1). pp. 52-55. ISSN 1749-8716

Phillips, Tom (2012) Too fat to fly: A case study of unsuccessful fan mobilization. Transformative Works and Cultures, 10. ISSN 1941-2258

Friedman, Sam, Mills, Brett and Phillips, Tom (2011) Comedy Audiences - Editor's Introduction: Foregrounding The Comedy Audience. Participations, 8 (2). pp. 120-127. ISSN 1749-8716

Phillips, Tom (2011) When film fans become fan family: Kevin Smith fandom and communal experience. Participations, 8 (2). pp. 478-496. ISSN 1749-8716

Phillips, Tom (2010) Embracing the “Overly Confessional”: Scholar-Fandom and Approaches to Personal Research. Flow, 13 (5).

Book Section

Litherland, Benjamin, Phillips, Thomas and Warden, Claire (2020) Is this Progress? Punk, Participation and the (Potential) Radical Politics of British Professional Wrestling. In: Professional Wrestling. Seagull Books, pp. 119-139. ISBN 9780857427946

Phillips, Tom (2019) Simultaneously Laughing, Screaming, and Crying:Reacting to the Force Awakens Trailers. In: Disney's Star Wars. University of Iowa Press, pp. 254-266. ISBN 9781609386436

Street, John and Phillips, Tom (2019) Wovon sprechen Musiker*innen, wenn sie uber Copyright reden? In: 100 Jahre Copyright. Matthes & Seitz Berlin, Berlin, pp. 190-209. ISBN 978-3-95757-575-3

Phillips, Thomas (2018) “Angry False-Teeth-Chattering Mayhem”: Synecdochic Fandom, Representation and Performance in Mature Woman Fandom of British Professional Wrestling. In: A Companion to Media Fandom and Fan Studies. Wiley, pp. 227-242. ISBN 978-1-119-23716-7

Phillips, Tom (2016) Discussions with Developers: F2P and the Changing Landscape of Games Business Development. In: Social, Casual and Mobile Games. Bloomsbury, pp. 61-73. ISBN 9781501310584

Phillips, Tom (2013) Shifting Fandoms of Film, Community, and Family. In: Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Intellect Books. ISBN 9781841505114

Monograph

Rimmer, Mark and Phillips, Tom (2013) Community Arts: Sustainability in Austerity. Working Paper. University of East Anglia, Norwich.

Conference or Workshop Item

Street, John and Phillips, Tom (2014) Intellectual Property Values:What do musicians talk about when they talk about copyright? In: UNSPECIFIED.

Book

Barker, Martin, Egan, Kate, Phillips, Tom and Ralph, Sarah (2015) Alien Audiences:Remembering and Evaluating a Classic Movie. Palgrave Macmillan. ISBN 978-1-137-53205-3