Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2019)
Visualising labour: The problem and a case study, USSR in construction 1931.
Labour History Review, 84 (2).
pp. 115-148.
ISSN 0961-5652
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2018)
The work of photography re-imagined: The Soviet Moment in France, 1928-34.
History of Photography, 42 (4).
pp. 356-375.
ISSN 0308-7298
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2018)
‘Forward from Wigan Pier’: Remaking documentary photography in the 1930s.
Visual Culture in Britain, 19 (2).
pp. 168-188.
ISSN 1471-4787
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2003)
Love and surrealism: Rene Magritte and Andre Breton in 1929.
Word and Image, 19 (3).
pp. 214-222.
ISSN 1943-2178
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2001)
On the metaphor and practice of photography: Socialist realism, the popular front in France and the dynamics of cultural unity.
History of Photography, 25 (1).
pp. 52-60.
ISSN 2150-7295
Warr, Nick
ORCID: https://orcid.org/0000-0003-3444-6759 and Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2023)
Walter and Rita Nurnberg.
In:
Norwich Works.
Norfolk Museums, Norwich, pp. 9-23.
ISBN 9781739270315
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2022)
Pictorialization as resource in the Cameroon Grassfield: Ibrahim Njoya's illustrations for the History and Customs of the Bamum (1927-1930).
In:
Art, Observation, and an Anthropology of Illustration.
Bloomsbury.
ISBN 9781350248441
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2016)
After the Portrait?:N.E. Thing Co.’s Portfolio of Piles.
In:
Paper Cities.
Leuven.
ISBN 9789462700581
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2013)
Yeyap’s resources:Representation and the arts of the Bamum in Cameroon and France, 1902-1935.
In:
World Art and the Legacies of Colonial Violence.
Ashgate Publishing, Farnham, pp. 31-58.
ISBN 978-1-4094-5588-2
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2013)
Gell's Duchamp/Duchamp's Gell.
In:
Distributed Objects: Meaning and Mattering after Alfred Gell.
Berghahn, New York, pp. 88-113.
ISBN 978-0-85745-744-8
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2013)
After Apollinaire: SIC (1916-19); Nord-Sud (1917-18); and L'Esprit Nouveau (1920-5).
In:
The Oxford Critical and Cultural History of Modernist Magazines.
Oxford University Press, pp. 143-159.
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2011)
On the Difficult Conjunction of "Worker" and "Photography" in France.
In:
The Worker Photography Movement:1926-1939: Essays and Documents.
Museo nacional centro de arte, Reina Sofia, Madrid.
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2010)
Immediacy and Mediation: The Press, the Popular Front in France and the Spanish Civil War.
In:
The Mexican Suitcase: The Rediscovered Spanish Civil War Negatives of Capa, Chim and Taro.
International Photography Centre, New York.
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2003)
Internationalismus und die Kultur der Volksfront: John Heartfield und die Fotomontage.
In:
Kultur als Fenster zu einem besseren Leben und Arbeiten.
Aisthesis Verlag: Bielefeld, pp. 369-384.
ISBN 3895284432
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2020)
The Portrait and the Colonial Imaginary:Photography between France and Africa 1900-1939.
Leuven, Leuven.
ISBN 978 94 6270 215 8
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2008)
On Location: Siting Robert Smithson and his Contemporaries.
Black Dog Publishing.
ISBN 9781906155599
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2007)
The Image of the Popular Front in France: The Masses and the Media in interwar France.
Palgrave Macmillan.
ISBN 0230003281
Dell, Simon
ORCID: https://orcid.org/0009-0000-9756-6518
(2008)
On Location: Art, Space and Place in the 1960s.
[Show/Exhibition]