After the Portrait?:N.E. Thing Co.’s Portfolio of Piles

Dell, Simon (2016) After the Portrait?:N.E. Thing Co.’s Portfolio of Piles. In: Paper Cities. Leuven. ISBN 9789462700581

[img] Microsoft Word (DELL Final version Portrait) - Submitted Version
Restricted to Repository staff only until 31 December 2099.

Download (118kB) | Request a copy

Abstract

This chapter examines a work of 1968 by Iain Baxter, who at this date operated as N.E. Thing Co. His Portfolio of Piles is a “'portrait”' of Vancouver comprising a city map, an essay and 59 numbered photographs of various piles, ranging from freight containers to timber, from invoices to gloves. A key permits the locating of the piles. However, these piles are of course temporary, assemblages awaiting disaggregation or further ordering. So if the portfolio offers an itinerary it is the converse of a tourist trail. Yet nor can the portfolio be readily assimilated to the avant-garde, even if the piles suggest works by Robert Morris and Robert Smithson. The portfolio resists both avant-garde gestures and the portrait format. What does it mean to find a space between these states? Can another presentation of the city emerge here, a contingent image of Vancouver?

Item Type: Book Section
Uncontrolled Keywords: photography,culture
Faculty \ School: Faculty of Arts and Humanities > School of Art, Media and American Studies
University of East Anglia > Faculty of Arts and Humanities > Research Groups > Art History and World Art Studies
Related URLs:
Depositing User: Pure Connector
Date Deposited: 22 Mar 2016 09:44
Last Modified: 27 Oct 2020 01:17
URI: https://ueaeprints.uea.ac.uk/id/eprint/57903
DOI:

Actions (login required)

View Item View Item