Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2023)
James Sallis:A Companion to the Mystery Fiction.
McFarland Companions to Mystery Fiction
.
McFarland.
ISBN 978-1-4766-8548-9
(In Press)
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2023)
Placing Crime Fiction and Ecology: An Introduction.
In:
The Routledge Handbook of Crime Fiction and Ecology.
Routledge, pp. 1-11.
ISBN 9780367550851
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2023)
"It Tasted Like Gasoline": The American Roman Noir and the Oil Encounter in Elliott Chaze’s Black Wings Has My Angel.
In:
The Routledge Handbook of Crime Fiction and Ecology.
Routledge.
ISBN 9780367550851
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2022)
Wolverines, Werewolves and Demon Dogs:Animality, Criminality and Classification in James Ellroy’s L.A. Quartet.
In:
Animals in Detective Fiction.
Palgrave Studies in Animals and Literature (PSAAL)
.
Springer, pp. 65-82.
ISBN 978-3-031-09241-1
Ashman, Nathan (2021) The Anti-Sidekick: Raymond ‘Mouse’ Alexander, Double Consciousness and the Subversion of the Sidekick in Walter Mosley’s Easy Rawlins Mysteries. In: The Detective's Companion in Crime Fiction: A Study in Sidekicks. UNSPECIFIED, pp. 167-188. ISBN 3030749886
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2020)
The street was hers: Deconstructing the hardboiled in Megan Abbott’s Noir Fiction.
Mean Streets: A Journal of American Crime and Detective Fiction, 1 (1).
pp. 137-161.
ISSN 2691-6487
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2020)
Nostalgic masculinity: Homosocial desire and homosexual panic in James Ellroy's This Storm.
Crime Fiction Studies, 1 (2).
pp. 221-236.
ISSN 2517-7982
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2019)
"Death itself shall be deathless”: Transrationalism and eternal death in Don DeLillo’s Zero K.
Critique: Studies in Contemporary Fiction, 60 (3).
pp. 300-310.
ISSN 0011-1619
Ashman, Nathan (2018) James Ellroy and Voyeur Fiction. Lexington Books. ISBN 978-1-4985-6580-6
Ashman, Nathan (2018) 'Geography is Destiny': Cinematizing the City in the L.A. Quartet. In: The Big Somwhere. Bloomsbury Academic, London, pp. 71-88. ISBN 9781501331336
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2018)
Lew Archer.
In:
100 Greatest Literary Detectives.
Rowman and Littlefield, Lanham, pp. 4-6.
ISBN 9781442278226
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2018)
Hard-boiled ecologies: Ross Macdonald’s environmental crime fiction.
Green Letters: Studies in Ecocriticism, 22 (1).
pp. 43-54.
ISSN 1468-8417
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2018)
'Yellow peril': Contradictions of race in James Ellroy's Perfidia.
Studies in Crime Writing, 1 (1).
pp. 1-15.
ISSN 2578-4021
Ashman, Nathan (2018) Phillip Trent. In: 100 Greatest Literary Detectives. Rowman and Littlefield, Lanham, pp. 181-183. ISBN 9781442278226
Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2017)
The impotence of human reason: E.C. Bentley's Trent's Last Case and the anti-detective text.
Clues, 35 (2).
pp. 7-17.
ISSN 1940-3046