Items where Author is "Snelson, Tim"

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2023) ‘The horror film to end all horror films’: 10 Rillington Place and the British Board of Film Censors’ (BBFC) shifting policy on true crime. In: Adult Themes. Global Exploitation Cinemas . Bloomsbury Academic. ISBN 9781501375279

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Webb, David, Pollyanna, Ruiz and Madgin, Rebecca (2022) Authenticity and struggle:Historicising skateboarding as 'action art' on London's South Bank. In: Theorizing Heritage through Non-Violent Resistance. Palgrave Studies in Cultural Heritage and Conflict . Palgrave Macmillan, 91–115. ISBN 978-3-030-77707-4

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2021) From In Two Minds to MIND: The circulation of ‘anti-psychiatry’ in British film and television during the long 1960s. History of the Human Sciences, 34 (5). pp. 53-81. ISSN 0952-6951

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Macauley, William R. (2021) Demons of the mind: The ‘psy’ sciences and film in the long 1960s. History of the Human Sciences, 34 (5). pp. 3-7. ISSN 0952-6951

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Macauley, William (2020) The influence of ‘psychiatrist friends’ on British film censorship in the 1960s. Journal of British Cinema and Television, 17 (4). pp. 473-500. ISSN 1743-4521

Pollyanna, Ruiz, Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432, Madgin, Rebecca and Webb, David (2019) 'Look at what we made': Communicating subcultural value on London’s Southbank. Cultural Studies, 30 (6). pp. 368-374. ISSN 0950-2386

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2018) Old horror, new Hollywood and the 1960s true crime cycle. Film Studies, 19 (1). pp. 58-75. ISSN 1469-0314

Madgin, Rebecca, Webb, David, Ruiz, Pollyanna and Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2018) Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft, London, UK. International Journal of Heritage Studies, 24 (6). pp. 585-598. ISSN 1352-7258

Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432 (2017) ‘To Be Continued…: Seriality, Cyclicality and the New Cinema History’. In: Routledge Companion to New Cinema History. Routledge. ISBN 1138955841

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2017) Where the exceptional and the everyday meet: Exploring cinema culture in British seaside towns. In: Cinema Beyond the City. Palgrave Macmillan. ISBN 9781844578467

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2017) ‘They’ll be dancing in the aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom. Historical Journal of Film, Radio and Television, 37 (3). pp. 455-474. ISSN 0143-9685

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Webb, David, Pollyanna, Ruiz and Madgin, Rebecca (2016) Giving weight to lived heritage. Town and Country Planning. pp. 301-303.

Ruiz, Pollyanna, Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432, Madgin, Rebecca, Webb, David and Whitter, Winstan and Brazen Bunch (2016) You Can't Move History. vimeo.

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2015) Robert Siodmak. In: Fifty Hollywood Directors. Routledge, London, pp. 210-217. ISBN 9780415501392

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2014) Phantom Ladies:Hollywood Horror and the Home Front. Rutgers University Press. ISBN 978-0-8135-7042-6

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2014) Bad Medicine: The Psychiatric Profession’s Interventions into the Business of Postwar Horror. In: Merchants of Menace: The Business of Horror Cinema. Bloomsbury Publishing PLC, New York, pp. 93-107. ISBN 978-1-62356-420-9

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2014) The (Re)possession of the American Home: Negative Equity, Gender Inequality, and the Housing Crisis Horror Story. In: Gendering the Recession: Media and Culture in an Age of Austerity. Duke University Press, pp. 161-180. ISBN 978-0-8223-5687-5

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Sutton, Emma (2013) A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh. ISBN 978-0748676392

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2013) Delinquent Daughters: Hollywood's war effort and the 'juvenile delinquency picture' cycle. New Review of Film and Television Studies, 11 (1). pp. 56-72. ISSN 1740-0309

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2012) From juke box boys to bobby sox brigade: Female youth, moral panics and subcultural style in wartime Times Square. Cultural Studies, 26 (6). pp. 872-894. ISSN 0950-2386

Jancovich, Mark and Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2011) "No Hits, No Runs, Just Terrors": Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s. In: The New Cinema History. Blackwells, pp. 199-211.

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2011) The ghost in the machine: World War Two, popular occultism and Hollywood’s "serious" ghost films. Media History, 17 (1). pp. 17-32. ISSN 1368-8804

Jancovich, Mark and Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2010) Horror at the Crossroads: Class, Gender and Taste at the Rialto Cinema (Times Square) in the 1940s. In: From the Art House to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow. ISBN 9780810876545

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2009) 'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946). New Review of Film and Television Studies, 7 (2). pp. 173-188. ISSN 1740-0309

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2008) "What Am I…Beloved or Bewitched?" Split-screens, gender confusion and psychiatric solutions in The Dark Mirror (1946). Refractory: a Journal of Entertainment Media, 14.