Items where Author is "Snelson, Tim"

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Number of items: 20.

Snelson, Tim and Macauley, William (2020) The Influence of ‘Psychiatrist Friends’ on British Film Censorship in the 1960s. Journal of British Cinema and Television, 17 (4). pp. 473-500. ISSN 1743-4521

Pollyanna, Ruiz, Snelson, Timothy, Madgin, Rebecca and Webb, David (2019) 'Look at What We Made': Communicating Subcultural Value on London’s Southbank. Cultural Studies, 30 (6). pp. 368-374. ISSN 0950-2386

Snelson, Tim (2018) Old Horror, New Hollywood and the 1960s True Crime Cycle. Film Studies, 19 (1). pp. 58-75. ISSN 1469-0314

Madgin, Rebecca, Webb, David, Ruiz, Pollyanna and Snelson, Tim (2018) Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft, London, UK. International Journal of Heritage Studies, 24 (6). pp. 585-598. ISSN 1352-7258

Snelson, Timothy (2017) ‘To Be Continued…: Seriality, Cyclicality and the New Cinema History’. In: Routledge Companion to New Cinema History. Routledge. ISBN 1138955841

Snelson, Tim (2017) Where the exceptional and the everyday meet: Exploring cinema culture in British seaside towns. In: Cinema Beyond the City. Palgrave Macmillan. ISBN 9781844578467

Snelson, Tim (2017) ‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom. Historical Journal of Film, Radio and Television, 37 (3). pp. 455-474. ISSN 0143-9685

Ruiz, Pollyanna, Snelson, Timothy, Madgin, Rebecca, Webb, David, Whitter, Winstan and , Brazen Bunch (2016) You Can't Move History. vimeo.

Snelson, Tim (2015) Robert Siodmak. In: Fifty Hollywood Directors. Routledge, London, pp. 210-217. ISBN 9780415501392

Snelson, Tim (2014) Phantom Ladies:Hollywood Horror and the Home Front. Rutgers University Press. ISBN 978-0-8135-7042-6

Snelson, Tim (2014) Bad Medicine: The Psychiatric Profession’s Interventions into the Business of Postwar Horror. In: Merchants of Menace: The Business of Horror Cinema. Bloomsbury Publishing PLC, New York, pp. 93-107. ISBN 978-1-62356-420-9

Snelson, Tim (2014) The (Re)possession of the American Home: Negative Equity, Gender Inequality, and the Housing Crisis Horror Story. In: Gendering the Recession: Media and Culture in an Age of Austerity. Duke University Press, pp. 161-180. ISBN 978-0-8223-5687-5

Snelson, Tim and Sutton, Emma (2013) A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh. ISBN 978-0748676392

Snelson, Tim (2013) Delinquent Daughters:Hollywood's war effort and the 'juvenile delinquency picture' cycle. New Review of Film and Television Studies, 11 (1). pp. 56-72. ISSN 1740-0309

Snelson, Tim (2012) From Juke Box Boys to Bobby Sox Brigade:Female youth, moral panics and subcultural style in wartime Times Square. Cultural Studies, 26 (6). pp. 872-894. ISSN 0950-2386

Jancovich, Mark and Snelson, Tim (2011) "No Hits, No Runs, Just Terrors": Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s. In: The New Cinema History. Blackwells, pp. 199-211.

Snelson, Tim (2011) The Ghost in the Machine: World War Two, Popular Occultism and Hollywood’s "Serious" Ghost Films. Media History, 17 (1). pp. 16-32. ISSN 1368-8804

Jancovich, Mark and Snelson, Tim (2010) Horror at the Crossroads: Class, Gender and Taste at the Rialto Cinema (Times Square) in the 1940s. In: From the Art House to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow. ISBN 9780810876545

Snelson, Tim (2009) 'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946). New Review of Film and Television Studies, 7 (2). ISSN 1740-0309

Snelson, Tim (2008) "What Am I…Beloved or Bewitched?" Split-Screens, Gender Confusion and Psychiatric Solutions in The Dark Mirror (1946). Refractory: a Journal of Entertainment Media, 14.

This list was generated on Fri Jan 15 15:29:51 2021 GMT.