Items where Author is "Garland, Sarah"

Published

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2024) Out of Time: Constant Change, Maternity Dressing and Clothing Practices. In: Fashion and Motherhood. Bloomsbury. ISBN 9781350276697

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2023) Radiance and Repetition: Don DeLillo's Icons. In: The Edinburgh Companion to Don DeLillo and the Arts. Edinburgh University Press. ISBN 9781474499903

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2021) Against Interpretation: Georgia O’Keeffe and ‘the Zen of Aestheticism’. Women: A Cultural Review, 32 (1). pp. 86-103. ISSN 0957-4042

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2020) Picturing distance: Ed Ruscha’s Los Angeles photobooks. Journal of American Studies, 54 (3). pp. 470-491. ISSN 0021-8758

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2019) Sewing lives: Mary Shelley’s Frankenstein and the global garment industry. CLCWeb: Comparative Literature and Culture, 21 (7). ISSN 1481-4374

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2017) Beckett in a box: Texts for Nothing 8 in Brian O’Doherty’s Aspen 5+6. In: Samuel Beckett and Contemporary Art. Ibidem, Stuttgart. ISBN 9783838210797

Gander, Catherine and Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2016) Envoi. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Gander, Catherine and Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2016) Introduction. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2016) 'Being kept in the dark can be a critical gesture':Arakawa and Madeline Gins' Mechanism of Meaning. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2016) A Hungry Eye: Henry Miller’s Tropic of Cancer, Text and Context. Nexus: The International Henry Miller Journal, 11.

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2015) A Surrealist Duet:Word and image in Into the Night Life with Henry Miller and Bezalel Schatz. In: Henry Miller. Bloomsbury. ISBN 9781628921267

Gander, Catherine and Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2013) Introduction: To fasten words again to visible things: The American imagetext. European Journal of American Culture, 32 (2). pp. 115-120. ISSN 1466-0407

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2012) Missing Numbers: The Partial History of the Bestseller. In: Must Read: Rediscovering American Bestsellers, from Charlotte Temple to The Kite Runner. Continuum, New York.

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2012) Ornamentalism: Desire, Disavowal and Displacement in E.M. Hull's The Sheik. In: Must Read: Rediscovering American Bestsellers, from Charlotte Temple to the Kite Runner. Continuum, New York.

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2010) The dearest of cemeteries: European intertexts in Henry Miller's Tropic of Cancer. European Journal of American Culture, 29 (3). pp. 197-215.

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2009) A cook book to be read. What about it?" Alice Toklas, Gertrude Stein and the Language of the Kitchen. Comparative American Studies, 7 (1). pp. 34-56. ISSN 1741-2676

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2008) "This temptation to be undone…" Sontag, Barthes, and the Uses of Style. In: Art & Life in Aestheticism: De-Humanizing Art, the Artist & the Artistic Receptor. Palgrave Macmillan, pp. 189-207. ISBN 0230551165

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2007) Second Sight - Reading Twentieth Century Self-Reflexive Fiction through the Baroque. Intertext 7.3.