Kapogianni, Eleni, Elder, Chi-Hé and Baxter-Webb, Ibi (2025) The joke and the joker: Ascribing accountability for offensive humour in stand-up comedy. Pragmatics & Cognition. ISSN 1569-9943 (In Press)
![]() |
PDF (kap R2)
- Accepted Version
Restricted to Repository staff only until 31 December 2099. Request a copy |
Abstract
The ongoing and divisive discourse regarding the use of offensive humour in stand-up comedy is taking place both off-stage and on-stage: comedians use jokes that target sensitive characteristics ostensibly to show that no topic is ‘off limits’, while also taking a stance against those who argue for more empathetic comedy that does not reinforce stereotypes and discriminatory beliefs. Taking Jimmy Carr’s ‘holocaust joke’ (2021) as a case study, we examine the entire life-cycle of jokes from their live-performance context to entering the public sphere, questioning what a joker can be held accountable for in stand-up comedy. Specifically, we look at the performance frame, comedian personality and persona, and how different types of audience may react to a joke, in order to shed light on what exactly it is that the producer of an offensive joke can, or should, be held accountable for.
Item Type: | Article |
---|---|
Faculty \ School: | Faculty of Arts and Humanities > School of Media, Language and Communication Studies |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > UEA Experimental Philosophy Group Faculty of Arts and Humanities > Research Groups > Area Studies Faculty of Arts and Humanities > Research Groups > Language and Communication Studies Faculty of Arts and Humanities > Research Groups > Film, Television and Media |
Depositing User: | LivePure Connector |
Date Deposited: | 13 Feb 2025 18:30 |
Last Modified: | 14 Feb 2025 16:49 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/98496 |
DOI: |
Actions (login required)
![]() |
View Item |