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Kouletakis, Jade, Lawal-Arowolo, Ayoyemi and Itanyi, Nkem 
ORCID: https://orcid.org/0000-0003-2124-2642
(2023)
Copyright Law Protection of films in Nigeria (Nollywood) and South Africa (Sollywood): Pre and post-Covid-19 pandemic.
Journal of World Intellectual Property, 26 (3).
pp. 436-457.
ISSN 1422-2213
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Abstract
The Covid-19 pandemic inflicted socioeconomic harm on an unprecedented scale. Across the world and to varying degrees, cinemas were closed, festivals were cancelled or postponed, and film releases were moved to future dates or delayed indefinitely. In 2020 the entire global theatrical and home/mobile entertainment market totalled $80.8 billion, the lowest figure since 2016 and a decline of 18% from 2019. Theatrical entertainment accounted for only 15% of the total global entertainment revenue, compared to 43% in 2019. While some has been written about the effects of Covid-19 on both international and local film industries, this article seeks to provide an African perspective focusing on the realities in Nigeria and South Africa, respectively. This article examines the importance of filmmaking industries in Nigeria and South Africa as well as the difficulties faced during the Covid-19 pandemic. Copyright laws in both terrains are critically reviewed based on the capacity of these laws to protect the interests of film industries pre and post-Covid-19.
| Item Type: | Article |
|---|---|
| Additional Information: | DATA AVAILABILITY STATEMENT: This article is a literature review and therefore makes no use of primary data collection methods. |
| Uncontrolled Keywords: | copyright,covid-19,film,nigeria,nollywood,south africa,law ,/dk/atira/pure/subjectarea/asjc/3300/3308 |
| Faculty \ School: | Faculty of Social Sciences > School of Law |
| Related URLs: | |
| Depositing User: | LivePure Connector |
| Date Deposited: | 07 Oct 2024 11:30 |
| Last Modified: | 01 Nov 2024 13:30 |
| URI: | https://ueaeprints.uea.ac.uk/id/eprint/96891 |
| DOI: | 10.1111/jwip.12281 |
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