’Gypsy Music’ and Deejays: Balkanism, Orientalism and Romani Musicians

Szeman, Ioana (2009) ’Gypsy Music’ and Deejays: Balkanism, Orientalism and Romani Musicians. TDR: The Drama Review, 53 (3). pp. 98-116. ISSN 1054-2043

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Abstract

In the current wave of successful “Gypsy music” in the West, Romani bands Taraf de Haïdouks and Fanfare Ciocărlia present themselves as “authentic” Gypsy musicians. In Germany, Shantel's latest album proclaims a Gypsy theme, but without Romani musicians. With or without Romanis, “Gypsy” means “exotic” in these musical exports.

Item Type:	Article
Faculty \ School:	Faculty of Arts and Humanities > School of Literature, Drama and Creative Writing
Depositing User:	LivePure Connector
Date Deposited:	15 Dec 2022 10:31
Last Modified:	15 Dec 2022 10:31
URI:	https://ueaeprints.uea.ac.uk/id/eprint/90191
DOI:	10.1162/dram.2009.53.3.98

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