Szeman, Ioana (2009) ’Gypsy Music’ and Deejays: Balkanism, Orientalism and Romani Musicians. TDR: The Drama Review, 53 (3). pp. 98-116. ISSN 1054-2043
Full text not available from this repository. (Request a copy)Abstract
In the current wave of successful “Gypsy music” in the West, Romani bands Taraf de Haïdouks and Fanfare Ciocărlia present themselves as “authentic” Gypsy musicians. In Germany, Shantel's latest album proclaims a Gypsy theme, but without Romani musicians. With or without Romanis, “Gypsy” means “exotic” in these musical exports.
Item Type: | Article |
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Faculty \ School: | Faculty of Arts and Humanities > School of Literature, Drama and Creative Writing |
Depositing User: | LivePure Connector |
Date Deposited: | 15 Dec 2022 10:31 |
Last Modified: | 15 Dec 2022 10:31 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/90191 |
DOI: | 10.1162/dram.2009.53.3.98 |
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