Nerlich, Andreas G., Dewaal, Johann C., Donell, Simon T. and Bianucci, Raffaella (2022) Breast cancer in Woman Sitting Half-Dressed beside a stove (1658) by Rembrandt van Rijn. The Breast, 64. pp. 134-135. ISSN 0960-9776
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Abstract
The baroque Dutch painter Rembrandt Harmenszoon van Rijn (1606–1669 CE) was acquainted with pathological modifications of the breast as shown in the canvas Bathsheba at her toilet (1654 CE); his model, Henrijke Stoffels, was depicted with discoloration of the left breast, peau d'orange and distortion of symmetry with axillary fullness. A diagnosis of breast cancer was initally proposed [1] but was later dismissed in favour of cancer mimickers (tuberculous mastitis [2], lactation mastitis following unsuccessful pregnancy [3], Mondor's thrombophlebitis [4]); this was essentially due to Henrjike's long survival (9 years after the depiction) fairly ruling out advanced breast cancer.
Item Type: | Article |
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Uncontrolled Keywords: | 17th century oncology,art and medicine,breast cancer,iconodiagnosis,oncology,cancer research,surgery,sdg 3 - good health and well-being ,/dk/atira/pure/subjectarea/asjc/2700/2730 |
Faculty \ School: | Faculty of Medicine and Health Sciences > Norwich Medical School |
Related URLs: | |
Depositing User: | LivePure Connector |
Date Deposited: | 14 Jun 2022 11:31 |
Last Modified: | 23 Oct 2022 03:50 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/85609 |
DOI: | 10.1016/j.breast.2022.06.001 |
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