Gould, Thomas (2022) Legerdemain/Gaucherie: Doodle Theory with Barthes and Beckett. Paragraph, 45 (2). pp. 233-247. ISSN 0264-8334
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Abstract
This article stages a dialogue between Roland Barthes and Samuel Beckett by characterizing and comparing their tendencies to indulge in doodles and drawings, both of which have been the subject of increased critical interest (and even public exhibition) in recent years. Surveying such recent criticism, the article begins by connecting Barthes’s and Beckett’s respective ways of drawing to theoretical and aesthetic concerns of their writing. Then, developing the complementary manual metaphors of legerdemain (sleight of hand, manual skill) and gaucherie (left-handedness, awkwardness), the article draws from currents in genetic criticism, New Materialism and ‘weak theory’ to suggest ways in which reading doodles might inform ways of reading texts.
Item Type: | Article |
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Uncontrolled Keywords: | visual arts and performing arts,literature and literary theory ,/dk/atira/pure/subjectarea/asjc/1200/1213 |
Faculty \ School: | Faculty of Arts and Humanities > School of Literature, Drama and Creative Writing |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Legible / Visible |
Related URLs: | |
Depositing User: | LivePure Connector |
Date Deposited: | 24 May 2022 14:57 |
Last Modified: | 09 Apr 2024 03:24 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/85071 |
DOI: | 10.3366/para.2022.0399 |
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