Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107
(2017)
Dating the Dante Drawings: Rauschenberg and Method.
Burlington Magazine, 159 (1377).
pp. 964-975.
ISSN 2044-9925
Abstract
Following on from the author's book-length study of Robert Rauschenberg's celebrated series of drawings after Dante's Inferno, this article has three distinct aims: first, and referring to several newly discovered sources, to develop a more precise account of the chronology of Rauschenberg’s project, arguing for the need to revise its current dating. Secondly, to demonstrate how such discoveries might enrich interpretations of specific drawings; and, lastly, to consider the consequences of the foregoing in relation to Rauschenberg’s working method.
Item Type: | Article |
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Uncontrolled Keywords: | rauschenberg,dante,drawing,frank o'hara,inferno,krcma,visual arts and performing arts,history,literature and literary theory ,/dk/atira/pure/subjectarea/asjc/1200/1213 |
Faculty \ School: | Faculty of Arts and Humanities > School of Art, Media and American Studies |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Art History and World Art Studies |
Related URLs: | |
Depositing User: | Pure Connector |
Date Deposited: | 21 Dec 2017 06:07 |
Last Modified: | 17 Sep 2023 06:30 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/65796 |
DOI: |
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