Hand, Richard and Wilson, Michael (2000) The Grand-Guignol: Aspects of theory and practice. Theatre Research International, 25 (3). pp. 266-275. ISSN 0307-8833
Full text not available from this repository. (Request a copy)Abstract
The Théâtre du Grand-Guignol in Paris (1897–1962) achieved a legendary reputation as the ‘Theatre of Horror’, a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase ‘grand-guignolesque’ has entered the language to describe any display of heightened, remorseless horror. Such is the myth of the Grand-Guignol: the reality is subtler and far more complex.
| Item Type: | Article | 
|---|---|
| Uncontrolled Keywords: | sdg 16 - peace, justice and strong institutions ,/dk/atira/pure/sustainabledevelopmentgoals/peace_justice_and_strong_institutions | 
| Faculty \ School: | Faculty of Arts and Humanities > School of Art, Media and American Studies (former - to 2024) | 
| UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Film, Television and Media | 
| Depositing User: | Pure Connector | 
| Date Deposited: | 28 Feb 2017 01:46 | 
| Last Modified: | 23 Oct 2025 13:30 | 
| URI: | https://ueaeprints.uea.ac.uk/id/eprint/62753 | 
| DOI: | 10.1017/S0307883300019726 | 
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