Hand, Richard and Carr, Paul (2007) Frank Zappa and musical theatre: ugly ugly o'phan Annie and really deep, intense, thought-provoking Broadway symbolism. Studies in Musical Theatre, 1 (1). pp. 41-56. ISSN 1750-3159
Full text not available from this repository.Abstract
The performances of Frank Zappa were renowned for their theatricality and Zappa himself claimed that Nobody has combined music and theatrics in the way I have. Aside from Zappa's legendary and theatrical stage performances, some of his specific compositions have a consciously dramatic narrative that can be fruitfully analysed as remarkable and thoroughly provocative examples of musical theatre. In particular, two works stand out: Joe's Garage Acts I, II and III (1979) a bleak yet humorous satire set in a science fiction dystopia, and Thing-Fish (1984), a narrative-driven drama that explicitly explores yet subverts the Broadway musical form in its uncompromising investigation of AIDS and its social and political impact. In addition, both works demonstrate a disruptive and eviscerating satirical use of sexuality and sex.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | sdg 3 - good health and well-being ,/dk/atira/pure/sustainabledevelopmentgoals/good_health_and_well_being |
| Faculty \ School: | Faculty of Arts and Humanities > School of Art, Media and American Studies (former - to 2024) |
| UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Film, Television and Media |
| Depositing User: | Pure Connector |
| Date Deposited: | 28 Feb 2017 01:46 |
| Last Modified: | 04 Feb 2026 19:02 |
| URI: | https://ueaeprints.uea.ac.uk/id/eprint/62744 |
| DOI: | 10.1386/smt.1.1.41/1 |
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