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Hand, Richard 
ORCID: https://orcid.org/0000-0002-2076-1435 and Wilson, Michael
(2012)
Transatlantic terror! French horror theater and American pre-code comics.
Journal of Popular Culture, 45 (2).
pp. 301-319.
ISSN 0022-3840
Abstract
At first glance it may seem farfetched, if not ludicrous, to draw a parallel between French theater of the modern period and American comics of the 1950s. In the case of the Théâtre du Grand-Guignol (1897–1962), however, and the pre-code EC comics (1950–55), there are not merely a number of formal and thematic parallels to be drawn but several points where the Grand-Guignol can be seen to have had a direct influence on EC's titles. This influence can be detected in EC's direct reference to the Grand-Guignol's legendary status as the “The Theatre of Horror,” but there are also instances where EC makes use of Grand-Guignol archetypes or “borrows” storylines from the French repertoire. This article will investigate the hitherto neglected link between two specific examples of French theater and American comics both of which came to share a monumental significance—and notoriety—in their respective fields of popular horror culture. The article will give an overview of their respective legends before looking at the parallels between their formal structures, theme and content.
| Item Type: | Article |
|---|---|
| Faculty \ School: | Faculty of Arts and Humanities > School of Art, Media and American Studies |
| UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Film, Television and Media |
| Depositing User: | Pure Connector |
| Date Deposited: | 28 Feb 2017 01:46 |
| Last Modified: | 31 Jan 2024 02:14 |
| URI: | https://ueaeprints.uea.ac.uk/id/eprint/62739 |
| DOI: | 10.1111/j.1540-5931.2012.00926.x |
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