Finlayson, Graham (2000) Color Constancy views from a color matching perspetive. In: Color Perception: Philosophical, psychological, artistic and computational perspectives. Oxford University Press. ISBN 0195136683
Full text not available from this repository. (Request a copy)Abstract
Colour has been studied for centuries, but remains incompletely understood. Digital technology has recently sparked a burgeoning inter-disciplinary interest in colour. Graphic artists prefer to create their images on computers even though colours seen on display look different when printed; galleries now digitally archive valuable work. The fundamental problem that arises is that colour reproduction is not simply a matter of reproducing identical physical phenomenona, but is rather a matter of creating perceptual equivalencies. The fact that colour is a quality of perception rather than a "physical quality" brings up a host of interesting questions and makes it of common interest to both artists and scholars. This interdisciplinary volume - the ninth in the Vancouver Studies in Cognitive Science series - brings together chapters by psychologists, philosophers, computer scientists and artists to explore the nature of human colour perception, and hopes to further our understanding of colour by encouraging interdisciplinary interaction.
| Item Type: | Book Section |
|---|---|
| Faculty \ School: | Faculty of Science > School of Computing Sciences |
| UEA Research Groups: | Faculty of Science > Research Groups > Visual Computing and Signal Processing Faculty of Science > Research Groups > Colour and Imaging Lab |
| Depositing User: | Pure Connector |
| Date Deposited: | 24 Nov 2014 15:02 |
| Last Modified: | 20 Jun 2023 14:58 |
| URI: | https://ueaeprints.uea.ac.uk/id/eprint/51272 |
| DOI: |
Actions (login required)
![]() |
View Item |
Tools
Tools