Moran, Albert and Aveyard, Karina (2014) The place of television programme formats. Continuum-Journal of Media & Cultural Studies, 28 (1). pp. 18-27. ISSN 1030-4312
Full text not available from this repository.Abstract
‘Formats are king!’ or so declares the trade publication TV Formats Weekly. Indeed there are solid grounds for such claims regarding the current place of this type of programming in television schedules around the world. Formats are perceived to be highly effective in mitigating commercial uncertainties brought about by multi-channelling, and the social uncertainties associated with cultural mobility and de-territorialization. However, their ubiquity also presents us with an interesting geo-cultural paradox. As an industrial commodity, formats have a highly mobile, readily transferable quality. However, as a social and cultural artefact, they can take on a form that is specific to the particular community for which they are adapted. In this article, we explore the characteristics of these multi-layered geographic interrelationships and consider the conceptual value (and limitations) of some of the key terms around which the role and function of formats have been understood.
Item Type: | Article |
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Faculty \ School: | Faculty of Arts and Humanities > School of Art, Media and American Studies (former - to 2024) |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Film, Television and Media |
Depositing User: | Pure Connector |
Date Deposited: | 03 Mar 2014 12:44 |
Last Modified: | 25 Sep 2024 11:09 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/47574 |
DOI: | 10.1080/10304312.2014.870869 |
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