Finlayson, Alan ORCID: https://orcid.org/0000-0003-3939-349X and Frazer, Elizabeth (2011) Fictions of Sovereignty: Shakespeare, Theatre and the Representation of Rule. Parliamentary Affairs, 64 (2). pp. 233-247. ISSN 1460-2482
Full text not available from this repository.Abstract
Shakespeare's Henry VI, Part II includes a number of scenes representing the Kent rebellion of 1450, led by Jack Cade. In these, we argue, Shakespeare explores the ways in which claims to legitimate rule are often secured through performances of word, deed and gesture. We examine some of the concerns about drama expressed by political theorists alongside some of the techniques of political dramatists, and argue that a reason for the often tense relationship between drama and politics is this power of the former to make visible the aesthetic and theatrical aspects of the latter. The brilliance of Shakespeare's representation of Cade, we argue, lies in the way in which it holds up the performance of sovereignty for public scrutiny and assessment.
Item Type: | Article |
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Faculty \ School: | Faculty of Arts and Humanities > School of Politics, Philosophy, Language and Communication Studies (former - to 2024) |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Political, Social and International Studies Faculty of Arts and Humanities > Research Groups > Cultural Politics, Communications & Media Faculty of Arts and Humanities > Research Groups > Policy & Politics |
Depositing User: | Katherine Humphries |
Date Deposited: | 02 Feb 2012 10:16 |
Last Modified: | 24 Sep 2024 09:03 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/36740 |
DOI: | 10.1093/pa/gsq035 |
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