Monks, Sarah (2010) Suffer a sea-change: Turner, painting, drowning. Tate Research Papers, 14.
Full text not available from this repository.Abstract
This paper reflects upon the implications of J.M.W. Turner’s close and varied attention to the depiction of sea-water. In particular, Turner’s ability to suggest the liquid depths and gravitational force of the sea – most particularly in Snow Storm – Steam Boat off a Harbour’s Mouth – is read as a means by which alternative forms of sublime experience might be conveyed, ones in which drowning rather than ascendancy are at stake.
Item Type: | Article |
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Faculty \ School: | Faculty of Arts and Humanities > School of Art, Media and American Studies |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Art History and World Art Studies |
Related URLs: | |
Depositing User: | Katherine Humphries |
Date Deposited: | 19 Dec 2011 12:29 |
Last Modified: | 06 Sep 2023 10:30 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/35768 |
DOI: |
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