The problematic past in the work of Charles Sheeler, 1917-1927

Peters Corbett, David (2011) The problematic past in the work of Charles Sheeler, 1917-1927. Journal of American Studies, 45 (3). pp. 559-580. ISSN 1469-5154

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Abstract

This article examines the place of the past in Charles Sheeler's photographs and paintings made in Doylestown, Pennsylvania, around 1917, in New York City during the 1920s, and in the short film of New York, Manhatta (1921), which he made with the photographer Paul Strand. It situates these works in the context of the scholarship on Sheeler and on the art of New York in the early twentieth century, in particular that of the Ashcan School and of visual representation which attends to the architectural fabric of the city in preference to depicting its inhabitants. The article argues that although the scholarship has identified Sheeler's interest in making connections with the American past, it has not recognized the fraught nature of that relationship. By looking at the Doylestown and New York pictures, the analysis demonstrates how the problematic status of the past for Sheeler appears in these works as hauntings and absences.

Item Type:	Article
Faculty \ School:	Faculty of Arts and Humanities > School of Art, Media and American Studies (former - to 2024)
UEA Research Groups:	Faculty of Arts and Humanities > Research Groups > Centre for European and American Art History Faculty of Arts and Humanities > Research Groups > Art History and World Art Studies
Depositing User:	David Peters Corbett
Date Deposited:	12 Dec 2011 15:28
Last Modified:	24 Sep 2024 09:02
URI:	https://ueaeprints.uea.ac.uk/id/eprint/35666
DOI:	10.1017/S0021875811000120

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