Tracing patterns: Critical approaches to on-screen fashion

Warner, Helen (2011) Tracing patterns: Critical approaches to on-screen fashion. Film, Fashion and Consumption, 1 (1). pp. 121-132. ISSN 2044-2823

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Abstract

In 1990, Jane Gaines and Charlotte Herzog’s hugely influential edited collection, Fabrications, opened up the discussion of the complex relationship between the female consumer and the female viewer; and while an important body of work has developed within this area, the study of on-screen fashion continues to be somewhat marginalised in the academy. This article examines some of the recent contributions to the study of on-screen fashion, situating them in relation to broader debates about fashion, costume, feminism and identity. In so doing, it seeks to examine the fortitude field, 21 years on from Fabrications, in order to examine how the study of on-screen fashion has developed and how it may evolve in the future.

Item Type:	Article
Uncontrolled Keywords:	sdg 5 - gender equality ,/dk/atira/pure/sustainabledevelopmentgoals/gender_equality
Faculty \ School:	Faculty of Arts and Humanities > School of Politics, Philosophy, Language and Communication Studies (former - to 2024) Faculty of Arts and Humanities > School of Film and Television Studies (former - to 2012)
UEA Research Groups:	Faculty of Arts and Humanities > Research Groups > Political, Social and International Studies Faculty of Arts and Humanities > Research Groups > Cultural Politics, Communications & Media
Depositing User:	Helen Warner
Date Deposited:	12 Dec 2011 15:41
Last Modified:	24 Sep 2024 09:01
URI:	https://ueaeprints.uea.ac.uk/id/eprint/35636
DOI:	10.1386/ffc.1.1.121_1

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