The dearest of cemeteries: European intertexts in Henry Miller's Tropic of Cancer

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2010) The dearest of cemeteries: European intertexts in Henry Miller's Tropic of Cancer. European Journal of American Culture, 29 (3). pp. 197-215.

Full text not available from this repository.

Abstract

This essay reads Henry Miller's Tropic of Cancer (1934) as the trace of a belated expatriate moment that forms an American literary nexus by drawing together a number of provocative European artistic contexts. Miller's relationship to the rhetoric of the manifesto is discussed, as is the creation of a powerful literary persona and narrating voice from the traces of a tissue of intertextual quotations. Miller draws on contemporary tropes of death, decadence and last things, and in the process, I argue, brings late Romantic and early twentieth-century texts from Nietzsche, Spengler, Strindberg, Goethe, Joyce, lie Faure and Giovanni Papini together to articulate a late apocalyptic modernism.

Item Type:	Article
Uncontrolled Keywords:	sdg 3 - good health and well-being ,/dk/atira/pure/sustainabledevelopmentgoals/good_health_and_well_being
Faculty \ School:	Faculty of Arts and Humanities > School of American Studies (former - to 2014)
UEA Research Groups:	Faculty of Arts and Humanities > Research Groups > American Studies
Depositing User:	Julia Sheldrake
Date Deposited:	13 Oct 2011 12:26
Last Modified:	06 Sep 2023 09:32
URI:	https://ueaeprints.uea.ac.uk/id/eprint/35008
DOI:	10.1386/ejac.29.3.197_1

Actions (login required)

View Item