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Snelson, Tim 
ORCID: https://orcid.org/0000-0002-8282-2432
(2008)
"What Am I…Beloved or Bewitched?" Split-screens, gender confusion and psychiatric solutions in The Dark Mirror (1946).
Refractory: a Journal of Entertainment Media, 14.
Abstract
This article suggests that the representational themes and strategies of The Dark Mirror find resonance on many discursive and disciplinary levels. It argues that the film responds to popular post-war debates regarding cinema, gender, psychology, and their intersection, through the “unravelling” of its unusual split-screen technique.
| Item Type: | Article |
|---|---|
| Faculty \ School: | Faculty of Arts and Humanities > School of Film and Television Studies (former - to 2012) |
| UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Film, Television and Media Faculty of Arts and Humanities > Research Groups > East Anglian Film Archive |
| Related URLs: | |
| Depositing User: | Philip Robinson |
| Date Deposited: | 14 Apr 2011 15:06 |
| Last Modified: | 11 Sep 2023 14:30 |
| URI: | https://ueaeprints.uea.ac.uk/id/eprint/29382 |
| DOI: |
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