Items where Research Group is "Film, Television and Media

A

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2012) Kiz Kulesi Asiklari, Edge of Heaven and Block C. In: World Film Location: Istanbul. World Film Locations . Intellect Ltd. ISBN 9781841505671

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2012) Women and Turkish Cinema:Gender Politics, Cultural Identity and Representation. Routledge Studies in Middle East Film and Media . Routledge. ISBN 9781138843882

Aveyard, Karina (2012) Big Screen to Small Screen: Australasian film and its new formats:Special edition - Guest editor. Studies in Australasian Cinema, 6 (2).

Aveyard, Karina (2012) Cinema on the edge: Improvised film exhibition and digital projection in rural Australia. Studies in Australasian Cinema, 6 (2). pp. 189-201.

Aveyard, Karina (2012) Observation, mediation and intervention: An account of methodological fusion in the study of rural cinema audiences in Australia. Participations: Journal of Audience and Reception Studies, 9 (2).

B

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2012) Deconstructive Humour: Subverting Mexican and Chicano Stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488

Bowater, Laura, Cornea, Christine and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807 (2012) Visualizing Science Fiction and relating it to Science Fact. The Biochemist, 34 (6). pp. 4-8. ISSN 0954-982X

Bowater, Laura, Cornea, Christine, James, Helen and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807 (2012) Using science fiction to teach science facts. The Biochemist, 34 (6). pp. 15-20. ISSN 0954-982X

C

Cassidy, Angela and Mills, Brett (2012) 'Fox Tots Attack Shock': Urban foxes, mass media and spacial boundaries. Environmental Communication, 6 (4). pp. 494-511. ISSN 1752-4032

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D'Arcy, Geraint and Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2012) Open Your Eyes/Shut Your Eyes: Staging Kandinsky's The Yellow Sound at Tate Modern. Performance Research, 17 (5). pp. 56-60. ISSN 1352-8165

Denison, Rayna and Furukawa, Hiroko (2012) From Manga to Movies: New Trends in Collaborative Production in Japanese Media Franchise. In: MeCCSA Conference, 2012-01-01.

Denison, Rayna and Furukawa, Hiroko (2012) Japanese Cinema Now: Production Trends in Contemporary Japanese Cinema. In: Keeping Japan on the Map, Great Britain Sasakawa Foundation Conference, 2012-01-01.

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FitzGerald, Louise and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Facing our Waterloo: evaluating Mamma Mia! The Movie. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859418

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Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2012) Brassed Off. In: Directory of World Cinema. Intellect Ltd, pp. 120-121. ISBN 9781841505572

Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2012) Letter to Brezhnev. In: Directory of World Cinema. Intellect Ltd, pp. 176-177. ISBN 9781841505572

Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2012) The hero of my dreams:Framing fatherhood in Mamma Mia! In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859425

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Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2012) Entries on these horror films: ‘Jekyll and Hyde’; ‘Dead of Night’; ‘Invasion of the Body Snatchers’; ‘Curse of the Demon’; ‘Psycho’; ‘Plague of the Zombies’; ‘Night of the Living Dead’; ‘Theatre of Blood’; ‘Count Yorga’; ‘The Thing’; ‘The Mist’. In: Graphic Horror: Movie Monster Memories. UNSPECIFIED. ISBN 9780764340826

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Carr, Paul (2012) Canciones, estrellas y bandas sonoras: cine y rock británico (1956-1976). L’Atalante: Revista de Estudios Cinematográficos, 14. pp. 20-27. ISSN 1885-3730

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Wilson, Michael (2012) Transatlantic terror! French horror theater and American pre-code comics. Journal of Popular Culture, 45 (2). pp. 301-319. ISSN 0022-3840

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2012) Adaptation and Modernism. In: A Companion to Literature, Film, and Adaptation. Wiley, pp. 52-69. ISBN 978-1-4443-3497-5

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2012) German Expressionism. In: The Encyclopedia of the Gothic. Wiley. ISBN 978-1-4051-8290-4

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2012) Radio. In: The Encyclopedia of the Gothic. Wiley. ISBN 978-1-4051-8290-4

Hines, Claire (2012) How Far Will A Girl Go To Satisfy Her Needs?: From Dykesploitation to Lesbian Hard-core. In: Peep Shows: Cult Film and the Cine-Erotic. Wallflower Press. ISBN 978-1-906660-35-2

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Jancovich, M. (2012) 'With Conrad Veidt and Peter Lorre on their side':German stars, the psychological film and horror. Studies in European Cinema, 9 (2-3). pp. 131-141. ISSN 1741-1548

Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098

Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0

Jancovich, Mark (2012) Relocating Lewton: Cultural distinctions and generic negotiations in the critical reception of the Val Lewton horror films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671

Jancovich, Mark (2012) "Terrifyingly real": Psychology, realism and generic transformation in the demise of the 1940s horror cycle. European Journal of American Culture, 31 (1). pp. 25-39.

Jancovich, Mark and Brown, Shane (2012) The Screen’s Number One and Number Two Bogeymen”: The Critical Reception of Boris Karloff and Bela Lugosi in the 1930s and 1940s. Palgrave Macmillan, Basingstoke. ISBN 9781137291776

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV. Convergence: The International Journal of Research into New Media Technologies, 18 (4). pp. 438-445. ISSN 1748-7382

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) 'A riot of all the colours in the rainbow': Ealing Studios in Colour. In: Ealing Revisited. British Film Institute, London, pp. 195-205. ISBN 9781844575107

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) A technician's dream? The critical reception of 3-D films in Britain. Historical Journal of Film, Radio and Television, 32 (2). pp. 245-265. ISSN 0143-9685

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Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.

Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9

Kramer, Peter (2012) The Good German? Oskar Schindler and the Movies, 1951-1993. In: Hollywood's Chosen People. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 125-140. ISBN 978-0814334829

Kramer, Peter (2012) ‘Is it some devil that crawls inside of you?’ Burgess, Kubrick and the Problem of Male Youth. In: Fifty Years Of A Clockwork Orange, 2012-06-28 - 2012-06-30.

Kramer, Peter (2012) The Limits of Autonomy: Stanley Kubrick, Hollywood and Independent Filmmaking, 1950-53. In: American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 153-64. ISBN 978-0415684293

Kramer, Peter (2012) Spielberg and Kubrick: From E.T. to A.I. In: 30 Years of of E.T. The Extra-Terrestrial: The Fantastic Cinema of Steven Spielberg, 2012-11-01, Rey Juan Carlos Unversity.

Krämer, Peter (2012) Fghting the Evil Empire:Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1

M

Mills, Brett (2012) 'American Remake—Shudder': Online Debates about Life on Mars and 'British-ness'. In: Life on Mars: From Manchester to New York. University of Wales Press, Cardiff. ISBN 978-0708323595

Mills, Brett (2012) Brett Mills - academia.edu. UNSPECIFIED.

Mills, Brett (2012) Make Me Laugh: Creativity in the British Television Comedy Industry. UNSPECIFIED.

Mills, Brett and Barlow, David (2012) Reading Media Theory: Thinkers, Approaches, Contexts. 2nd edition. Pearson Education, London. ISBN 978-1-4082-8525-1

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Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2012) Too fat to fly: A case study of unsuccessful fan mobilization. Transformative Works and Cultures, 10. ISSN 1941-2258

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Ralph, Sarah and Mills, Brett (2012) Written evidence submitted to the Department of Culture, Media and Sport Inquiry into Support for the Creative Economy.:Make Me Laugh Research Project. UNSPECIFIED.

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2012) The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies. Journal of Youth Studies, 15 (3). pp. 329-350. ISSN 1367-6261

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Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2012) From juke box boys to bobby sox brigade: Female youth, moral panics and subcultural style in wartime Times Square. Cultural Studies, 26 (6). pp. 872-894. ISSN 0950-2386

Street, John ORCID: https://orcid.org/0000-0001-9650-063X, Inthorn, Sanna and Scott, Martin ORCID: https://orcid.org/0000-0001-6744-443X (2012) Playing at politics? Popular culture as political engagement. Parliamentary Affairs, 65 (2). pp. 338-358. ISSN 0031-2290

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Tasker, Yvonne (2012) Bodies and Genres in Transition:Girlfight and Real Women have Curves. In: Genre and Gender: Cross-Currents in Postwar Cinema. University of Illinois Press.

Tasker, Yvonne (2012) Television Crime Drama and Homeland Security:From Law & Order to "Terror TV". Cinema Journal, 51 (4). pp. 44-65. ISSN 0009-7101

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Dawn of the Kitchen Sink. Sight and Sound, 22 (8).

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) A Feminine Touch? Ealing's Women. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Interview for StudioCanal DVD release of Woman in a Dressing Gown (1957). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Mamma Mia!'s female authorship. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859418

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) 'Women in the British film industry', 'The Seventh Veil', 'Bhaji on the Beach' and 'Fish Tank'. In: Directory of World Cinema: Britain. Directory of World Cinema Series (14). Intellect. ISBN 978-1841505572

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X, Duguid, Mark, Freeman, Lee and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2012) Introduction: Revisiting Ealing. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Winch, Alison (2012) ‘We can have it all’:The girlfriend flick. Feminist Media Studies, 12 (1). pp. 69-82. ISSN 1468-0777

Winch, Alison (2012) ‘Your new smart-mouthed girlfriends’: Postfeminist conduct books. Journal of Gender Studies, 30 (4). 359–370. ISSN 0958-9236

Winch, Alison (2012) The girlfriend gaze. Soundings: A Journal of Politics and Culture, 52. pp. 21-32. ISSN 1362-6620

Winch, Alison and Webster, Anna (2012) Here comes the brand:Wedding media and the management of transformation. Continuum, 26 (1). pp. 51-59. ISSN 1030-4312