Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771 (2024) Whose Nightmare Before Christmas? Authorship and Authenticity in Contemporary Stop-Motion Animation. In: The Nightmare Before Christmas. UNSPECIFIED. ISBN 9798765113615 (In Press)
Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771, Williams, Rebecca and Eldridge, Brittany (2024) Introduction. In: The Nightmare Before Christmas. UNSPECIFIED. ISBN 9798765113615 (In Press)
Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771 (2024) “Don’t Let Your Parents Watch It Alone!”: Cautionary Tales and Family Horror in R. L. Stine’s The Haunting Hour. In: Youth Horror Television and the Question of Fear. Rowan & Littlefield / Lehigh University Press. ISBN 978-1-61146-341-5
Forster, Johanna ORCID: https://orcid.org/0000-0001-6729-9965, Little, Benjamin ORCID: https://orcid.org/0000-0001-5705-7719 and Bentley, Mark (2024) Unlocking Norfolk's Potential:Regional Infrastructure, an Executive Sand Pit. UEA Publishing Project.
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685
Little, Benjamin ORCID: https://orcid.org/0000-0001-5705-7719 and Winch, Alison (2024) ‘A new social contract for our generation’:A conjunctural cultural studies approach to the Millennial. In: Studying Generations. Bristol University Press. ISBN 978-1529223491