Duguid, Mark, Freeman, Lee, Johnston, Keith M and Williams, Melanie, eds. (2012) Ealing Revisited. British Film Institute/Palgrave, London. ISBN 9781844575107
Hines, Claire and Kerr, Darren, eds. (2012) Hard to Swallow:Hard-core Pornography on Screen. Wallflower Press. ISBN 978-0-231-16213-5
FitzGerald, Louise and Williams, Melanie, eds. (2012) Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859425
Hand, Richard J. and Traynor, Mary, eds. (2012) Radio in Small Nations:Productions Programmes Audiences. Global Media and Small Nations . University of Wales Press. ISBN 9780708325438
Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614
(2012)
Kiz Kulesi Asiklari, Edge of Heaven and Block C.
In:
World Film Location: Istanbul.
World Film Locations
.
Intellect Ltd.
ISBN 9781841505671
Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614
(2012)
Women and Turkish Cinema:Gender Politics, Cultural Identity and Representation.
Routledge Studies in Middle East Film and Media
.
Routledge.
ISBN 9781138843882
Aveyard, Karina (2012) Big Screen to Small Screen: Australasian film and its new formats (Special edition - Guest editor). Studies in Australasian Cinema, 6 (2).
Aveyard, Karina (2012) Cinema on the Edge: Improvised Film Exhibition and Digital Projection in Rural Australia. Studies in Australasian Cinema, 6 (2). pp. 189-201.
Aveyard, Karina (2012) Observation, Mediation and Intervention: an Account of Methodological Fusion in the Study of Rural Cinema Audiences in Australia. Participations: Journal of Audience and Reception Studies, 9 (2).
Barrow, Sarah (2012) Deconstructive Humour: Subverting Mexican and Chicano Stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756
Barrow, Sarah (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488
Bowater, Laura, Cornea, Christine and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807
(2012)
Visualizing Science Fiction and relating it to Science Fact.
The Biochemist, 34 (6).
pp. 4-8.
ISSN 0954-982X
Bowater, Laura, Cornea, Christine, James, Helen and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807
(2012)
Using science fiction to teach science facts.
The Biochemist, 34 (6).
pp. 15-20.
ISSN 0954-982X
Cassidy, Angela and Mills, Brett (2012) 'Fox Tots Attack Shock': Urban foxes, mass media and spacial boundaries. Environmental Communication, 6 (4). pp. 494-511. ISSN 1752-4032
D'Arcy, Geraint and Hand, Richard J. (2012) Open Your Eyes/Shut Your Eyes: Staging Kandinsky's The Yellow Sound at Tate Modern. Performance Research, 17 (5). pp. 56-60. ISSN 1352-8165
Denison, Rayna and Furukawa, Hiroko (2012) From Manga to Movies: New Trends in Collaborative Production in Japanese Media Franchise. In: MeCCSA Conference, 2012-01-01.
Denison, Rayna and Furukawa, Hiroko (2012) Japanese Cinema Now: Production Trends in Contemporary Japanese Cinema. In: Keeping Japan on the Map, Great Britain Sasakawa Foundation Conference, 2012-01-01.
FitzGerald, Louise and Williams, Melanie (2012) Facing our Waterloo: evaluating Mamma Mia! The Movie. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859418
Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455
(2012)
Brassed Off.
In:
Directory of World Cinema.
Intellect Ltd, pp. 120-121.
ISBN 9781841505572
Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455
(2012)
Letter to Brezhnev.
In:
Directory of World Cinema.
Intellect Ltd, pp. 176-177.
ISBN 9781841505572
Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455
(2012)
The hero of my dreams:Framing fatherhood in Mamma Mia!
In:
Mamma Mia! The Movie: Exploring a Cultural Phenomenon.
I B Tauris.
ISBN 9781848859425
Hand, Richard and Carr, Paul (2012) Canciones, estrellas y bandas sonoras: cine y rock británico (1956-1976). L’Atalante: Revista de Estudios Cinematográficos, 14. pp. 20-27. ISSN 1885-3730
Hand, Richard and Wilson, Michael (2012) Transatlantic Terror! French Horror Theater and American Pre-Code Comics. Journal of Popular Culture, 45 (2). pp. 301-319. ISSN 0022-3840
Hand, Richard J. (2012) Adaptation and Modernism. In: A Companion to Literature, Film, and Adaptation. Wiley, pp. 52-69. ISBN 978-1-4443-3497-5
Hand, Richard (2012) Entries on these horror films: ‘Jekyll and Hyde’; ‘Dead of Night’; ‘Invasion of the Body Snatchers’; ‘Curse of the Demon’; ‘Psycho’; ‘Plague of the Zombies’; ‘Night of the Living Dead’; ‘Theatre of Blood’; ‘Count Yorga’; ‘The Thing’; ‘The Mist’. In: Graphic Horror: Movie Monster Memories. UNSPECIFIED. ISBN 9780764340826
Hand, Richard J. (2012) German Expressionism. In: The Encyclopedia of the Gothic. Wiley. ISBN 978-1-4051-8290-4
Hand, Richard J. (2012) Radio. In: The Encyclopedia of the Gothic. Wiley. ISBN 978-1-4051-8290-4
Hines, Claire (2012) How Far Will A Girl Go To Satisfy Her Needs?: From Dykesploitation to Lesbian Hard-core. In: Peep Shows: Cult Film and the Cine-Erotic. Wallflower Press. ISBN 978-1-906660-35-2
Jancovich, M. (2012) 'With Conrad Veidt and Peter Lorre on their side':German stars, the psychological film and horror. Studies in European Cinema, 9 (2-3). pp. 131-141. ISSN 1741-1548
Jancovich, Mark (2012) Relocating Lewton: Cultural Distinctions and Generic Negotiations in the Critical Reception of the Val Lewton Horror Films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671
Jancovich, Mark (2012) "Terrifyingly real": Psychology, realism and generic transformation in the demise of the 1940s horror cycle. European Journal of American Culture, 31 (1). pp. 25-39.
Jancovich, Mark and Brown, Shane (2012) The Screen’s Number One and Number Two Bogeymen”: The Critical Reception of Boris Karloff and Bela Lugosi in the 1930s and 1940s. Palgrave Macmillan, Basingstoke. ISBN 9781137291776
Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098
Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0
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(2012)
Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV.
Convergence: The International Journal of Research into New Media Technologies, 18 (4).
pp. 438-445.
ISSN 1748-7382
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
'A riot of all the colours in the rainbow': Ealing Studios in Colour.
In:
Ealing Revisited.
British Film Institute, London, pp. 195-205.
ISBN 9781844575107
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
A technician's dream? The critical reception of 3-D films in Britain.
Historical Journal of Film, Radio and Television, 32 (2).
pp. 245-265.
ISSN 0143-9685
Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9
Kramer, Peter (2012) The Good German? Oskar Schindler and the Movies, 1951-1993. In: Hollywood's Chosen People. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 125-140. ISBN 978-0814334829
Kramer, Peter (2012) The Limits of Autonomy: Stanley Kubrick, Hollywood and Independent Filmmaking, 1950-53. In: American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 153-64. ISBN 978-0415684293
Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.
Kramer, Peter (2012) ‘Is it some devil that crawls inside of you?’ Burgess, Kubrick and the Problem of Male Youth. In: Fifty Years Of A Clockwork Orange, 2012-06-28 - 2012-06-30.
Kramer, Peter (2012) Spielberg and Kubrick: From E.T. to A.I. In: ’30 Years of of E.T. The Extra-Terrestrial: The Fantastic Cinema of Steven Spielberg, 2012-11-01, Rey Juan Carlos Unversity.
Krämer, Peter (2012) Fghting the Evil Empire:Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1
Mills, Brett (2012) Make Me Laugh: Creativity in the British Television Comedy Industry. UNSPECIFIED.
Mills, Brett (2012) 'American Remake—Shudder': Online Debates about Life on Mars and 'British-ness'. In: Life on Mars: From Manchester to New York. University of Wales Press, Cardiff. ISBN 978-0708323595
Mills, Brett (2012) Brett Mills - academia.edu. UNSPECIFIED.
Mills, Brett and Barlow, David (2012) Reading Media Theory: Thinkers, Approaches, Contexts. 2nd edition. Pearson Education, London. ISBN 978-1-4082-8525-1
Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514
(2012)
Too fat to fly: A case study of unsuccessful fan mobilization.
Transformative Works and Cultures, 10.
ISSN 1941-2258
Ralph, Sarah and Mills, Brett (2012) Written evidence submitted to the Department of Culture, Media and Sport Inquiry into Support for the Creative Economy.:Make Me Laugh Research Project. UNSPECIFIED.
Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795
(2012)
The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies.
Journal of Youth Studies, 15 (3).
pp. 329-350.
ISSN 1367-6261
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432
(2012)
From juke box boys to bobby sox brigade: Female youth, moral panics and subcultural style in wartime Times Square.
Cultural Studies, 26 (6).
pp. 872-894.
ISSN 0950-2386
Street, J. ORCID: https://orcid.org/0000-0001-9650-063X, Inthorn, S. and Scott, M.
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(2012)
Playing at Politics? Popular Culture as Political Engagement.
Parliamentary Affairs, 65 (2).
pp. 338-358.
ISSN 0031-2290
Tasker, Yvonne (2012) Bodies and Genres in Transition:Girlfight and Real Women have Curves. In: Genre and Gender: Cross-Currents in Postwar Cinema. University of Illinois Press.
Tasker, Yvonne (2012) Television Crime Drama and Homeland Security:From Law & Order to "Terror TV". Cinema Journal, 51 (4). pp. 44-65. ISSN 0009-7101
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Dawn of the Kitchen Sink.
Sight and Sound, 22 (8).
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
A Feminine Touch? Ealing's Women.
In:
Ealing Revisited.
British Film Institute, London.
ISBN 9781844575107
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Interview for StudioCanal DVD release of Woman in a Dressing Gown (1957).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Mamma Mia!'s female authorship.
In:
Mamma Mia! The Movie: Exploring a Cultural Phenomenon.
I B Tauris.
ISBN 9781848859418
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
'Women in the British film industry', 'The Seventh Veil', 'Bhaji on the Beach' and 'Fish Tank'.
In:
Directory of World Cinema: Britain.
Directory of World Cinema Series
(14).
Intellect.
ISBN 978-1841505572
Williams, Melanie, Duguid, Mark, Freeman, Lee and Johnston, Keith M (2012) Introduction: Revisiting Ealing. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107
Winch, Alison (2012) ‘We can have it all’:The girlfriend flick. Feminist Media Studies, 12 (1). pp. 69-82. ISSN 1468-0777
Winch, Alison (2012) ‘Your new smart-mouthed girlfriends’:Postfeminist Conduct Books. Journal of Gender Studies, 30 (4). 359–370. ISSN 0958-9236
Winch, Alison and Webster, Anna (2012) Here comes the brand:Wedding media and the management of transformation. Continuum, 26 (1). pp. 51-59. ISSN 1030-4312
Winch, Alison (2012) The Girlfriend Gaze. Soundings: A Journal of Politics and Culture, 52. pp. 21-32. ISSN 1362-6620