Items where School is "University of East Anglia > Faculty of Arts and Humanities > Research Groups > Film, Television and Media

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A

Atakav, Eylem (2013) Cinema: Turkish Women's Contributions. In: The Oxford Encycopaedia of Islam and Women. Oxford University Press. ISBN 9780199764464

Atakav, Eylem (2014) "Do one’s dreams become smaller as one becomes bigger?" Memory, Trauma and the Child in Turkish Cinema. In: New Cinema, New Media: Reinventing Turkish Cinema. Cambridge Scholars Press, pp. 158-165. ISBN 978-1-4438-5688-1

Atakav, Eylem (2014) Dorothy Arzner (1897-1979). In: Fifty Hollywood Directors. Routledge.

Atakav, Eylem (2009) Female Subjectivity and Cinematic Representation. Cinemascope, 12.

Atakav, Eylem (2015) Feminism and Women’s Film History in 1980s Turkey. In: Doing Women's Film History. University of Illinois Press, pp. 127-138. ISBN 978-0-252-03968-3

Atakav, Eylem (2015) ‘Honour is everything for Muslims’? Vendetta Song, Filmic Representation, Religious Identity and Gender Politics in Turkey. In: The Politics of Being a Woman. Palgrave Macmillan UK, pp. 49-63. ISBN 978-1-349-48098-2

Atakav, Eylem (2012) Kiz Kulesi Asiklari, Edge of Heaven and Block C. In: World Film Location: Istanbul. World Film Locations . Intellect Ltd. ISBN 9781841505671

Atakav, Eylem (2010) “Let's Do It! Let's Do It!”: Gender politics and Victoria Wood. Feminist Media Studies, 10 (3). ISSN 1468-0777

Atakav, Eylem (2010) Representations and/or Interpretations: Women in Middle Eastern Film. Near East Quarterly, 1 (1).

Atakav, Eylem (2017) The Republican Woman is Being Destroyed! Save your republic! Gender Politics and Turkish Television Adverts’. In: ‘I’m not a feminist but…’: Gender and 21st Century Visual Culture. UNSPECIFIED. (In Press)

Atakav, Eylem (2011) Savas Arslan, Cinema in Turkey: A New Critical History. Screen, 52 (4). ISSN 1460-2474

Atakav, Eylem (2011) Syrian Women Filmmakers. In: Dictionnaire des Femmes Créatrices/Secteur Cinéma. Edition des Femmes.

Atakav, Eylem (2011) ‘There are ghosts in these houses!’: on New Turkish Cinema: Belonging, Identity and Memory. Inter Asia Cultural Studies, 12 (1). pp. 139-144.

Atakav, Eylem and Randell, Karen (2017) Women and Contemporary World Cinema. Palgrave. (In Press)

Aveyard, Karina (2012) Big Screen to Small Screen: Australasian film and its new formats (Special edition - Guest editor). Studies in Australasian Cinema, 6 (2).

Aveyard, Karina (2009) Coming to a cinema near you: Digital cinema, exhibition and audiences in Australia. Studies in Australisian Cinema, 3 (2). pp. 191-203.

Aveyard, Karina (2017) Film education, technology and popular culture: Community cinema in rural areas of the United Kingdom. In: Cinema Beyond the City. Cultural Histories of Cinema . BFI Publishing. ISBN 9781844578467

Aveyard, Karina (2014) The Lure of the Big Screen:Cinema in Rural Australia and the United Kingdom. Intellect Books. ISBN 9781783203826

Aveyard, Karina (2012) Observation, Mediation and Intervention: an Account of Methodological Fusion in the Study of Rural Cinema Audiences in Australia. Participations: Journal of Audience and Reception Studies, 9 (2).

Aveyard, Karina (2015) "Our Place": Women at the Cinema in Rural Australia. In: Doing Women's Film History: Reframing Cinemas, Past and Future. Women and Film History International . University of Illinois Press, Champaign IL, pp. 232-243. ISBN 978-0-252-03968-3

Aveyard, Karina (2011) The Place of Cinema and Film in Contemporary Rural Australia. Participations: Journal of Audience and Reception Studies, 8 (2).

Aveyard, Karina (2009) Rethinking cinema-going in rural Australia. Researching Australian Film Exhibition and Distribution.

Aveyard, Karina and Moran, Albert (2011) Cinema Going, Audiences and Exhibition (Special Edition - Guest editor). Media International Australia, 139.

Aveyard, Karina and Moran, Albert (2016) From Marginal Trader to Corporate Giant: The Emergence of FremantleMedia. In: New Patterns in Global Television Formats. Intellect Books. ISBN 9781783207121

Aveyard, Karina and Moran, Albert (2013) The Place of Television Program Formats. Continuum, 28 (1). ISSN 1030-4312

B

Barker, Martin, Egan, Kate, Phillips, Tom and Ralph, Sarah (2015) Alien Audiences:Remembering and Evaluating a Classic Movie. Palgrave Macmillan. ISBN 978-1-137-53205-3

Barrow, Sarah (2007) Allegories of Identity in Bajo la piel (Francisco Lombardi 1996 Peru). In: A World Torn Apart: Representations of Violence in Latin American Narrative. Peter Lang. ISBN 978-3039113354

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty Key American Films. Taylor & Francis. ISBN 9780415772969

Barrow, Sarah (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

Barrow, Sarah (2007) Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua by Jonathon Buchsbaum. Scope. ISSN 1465-9166

Barrow, Sarah (2017) Contemporary Peruvian Cinema: History, Identity and Violence on Screen. IB Tauris. ISBN 9781784538217

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2012) Deconstructive Humour: Subverting Mexican and Chicano Stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2004) Duck Season (Fernando Eimbcke 2004, Mexico). UNSPECIFIED.

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana. Iberoamericana, 9 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah (2017) Growing Pains: Young people and violence in Peru’s fiction cinema. In: New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures . Palgrave. (In Press)

Barrow, Sarah (2017) Horror and the Peruvian Child. In: The Feeling Child in Latin American Cultures. UNSPECIFIED. (In Press)

Barrow, Sarah (2006) Kukuli (Luis Figueroa 1961 Peru). University of Cambridge.

Barrow, Sarah (2016) Latin American Cinema by Stephen M. Hart. Viewfinder.

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. NECSUS. European Journal of Media Studies. ISSN 2215-1222

Barrow, Sarah (2003) Maria Full of Grace (Joshua Marston 2003 Columbia/US). UNSPECIFIED.

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty Key American Films. Routledge. ISBN 9780415772969

Barrow, Sarah (2017) Morality Tales? Visions of the Past in Spielberg’s History Plays. In: A Companion to Steven Spielberg. Wiley-Blackwell, pp. 307-319. ISBN 978-1-118-72691-4

Barrow, Sarah (2017) Negotiating Neoliberalist Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer. In: Filmmaking in Latin America: From New Cinemas to Neoliberalism. Palgrave. (In Press)

Barrow, Sarah (2006) The New Brazilian Cinema edited by Lúcia Nagib. Scope (5). ISSN 1465-9166

Barrow, Sarah (2014) Out of the Shadows: ‘New’ Peruvian Cinema, National Identity and Political Violence. Modern Languages Open. ISSN 2052-5397

Barrow, Sarah (2006) Political Violence, Cinematic Representation, and Peruvian National Identity: La Boca del Lobo (Francisco Lombardi, 1988) and La Vida es una Sola (Marianne Eyde, 1993). In: Political Violence and the Construction of National Identity in Latin America. Palgrave, pp. 131-148. ISBN 978-1-4039-7388-7

Barrow, Sarah (2017) Portfolio careers and a new common cause: the conditions for screen workers in Peru. In: Forms of the Precarious in the Cinemas of the Americas. Palgrave. (In Press)

Barrow, Sarah (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488

Barrow, Sarah (2002) Suddenly (Diego Lerman 2002). UNSPECIFIED.

Barrow, Sarah (2017) Through Female Eyes: Reframing Peru on Screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. IB Tauris. ISBN 9781784537111

Barrow, Sarah (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Barrow, Sarah (2010) Transnational Financial Structures in the Cinema of Latin America: Programa Ibermedia in Study, Libia Villazana (2009). Transnational Cinemas. pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2003) The White Train (Nahuel García 2003 Argentina/Spain). UNSPECIFIED.

Bennett, James and Hamad, Hannah (2015) Introduction: New faces, Recurrent themes and Research agendas. Celebrity Studies, 6 (2). pp. 252-253. ISSN 1939-2397

Bennett, Lucy and Phillips, Tom (2013) The Fan Studies Network: New Connections, New Research. Participations, 10 (1). pp. 52-55. ISSN 1749-8716

C

Collings, Beccy (2015) ‘Audrey Hollander and Otto Bauer: the perfect (pornographic) marriage?’. In: First Comes Love: Power Couples, Celebrity Kinship, and Cultural Politics. Bloomsbury Academic, New York. ISBN 9781628921212

Collings, Beccy (2018) British dark comedy television and the bodily aesthetics of the ‘Proper person’. Comedy Studies, 9 (1). pp. 63-75. ISSN 2040-610X

Collings, Beccy (2014) #selfiecontrol: @CAZWELLnyc and the role of the ironic selfie in transmedia celebrity self-promotion. Celebrity Studies, 5 (4). pp. 511-513. ISSN 1939-2397

Cornea, Christine (2010) 2-D Performance and the re-Animated Actor. In: Genre and Performance: Film and Television. Manchester University Press, pp. 148-165. ISBN 9780719079801

Cornea, Christine (2006) The American Musical since the 1960s. In: Contemporary American Cinema. Open University Press, pp. 53-56. ISBN 0335218326

Cornea, Christine (2006) Arnold Schwarzenegger. In: Contemporary American Cinema. Open University Press, pp. 284-288. ISBN 0335218326

Cornea, Christine (2011) British Science Fiction Television in the Discursive Context of Second Wave Feminism. Genders Journal, 54 (Summer).

Cornea, Christine (2003) David Cronenberg’s Crash and Performing Cyborgs. Velvet Light Trap, 52 (1). pp. 4-14.

Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2010) Editor's Introduction. In: Genre and Performance: Film and Television. Manchester University Press, pp. 1-17. ISBN 9780719079801

Cornea, Christine (2005) The Figuration of the Cyborg in Science Fiction Novels and Films. In: Companion to Science Fiction (Blackwell Companions to Literature & Culture). Blackwell Publishing, pp. 275-288. ISBN 9781405112185

Cornea, Christine (2017) From Isolationism to Globalism: An Overview of Politics and Ethics in the Hollywood Science Fiction Film. In: Science Fiction, Ethics, and the Human Condition. Springer, pp. 159-179. ISBN 978-3-319-56575-0

Cornea, Christine (2010) Genre and Performance: Film and Television. Manchester University Press. ISBN 9780719079801

Cornea, Christine (2008) In Focus: The Practitioner Interview in Film and Television Studies. Cinema Journal, 47(2). pp. 117-154.

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2007) Science Fiction Cinema: Between Fantasy and Reality. Rutgers University Press. ISBN 9780813541730

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

Cornea, Christine (2006) Star Wars IV: A New Hope(1977). In: Understanding Film Genres. McGraw-Hill College. ISBN 0072563699

Cornea, Christine (2005) Techno-Orientalism and the Postmodern Subject. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, pp. 72-81. ISBN 1904764347

Cornea, Christine (2017) Wie man Katastrophen überlebt:Die Zerstörung der Umwelt und Visionen einer postapokalyptischen Zukunft im amerikanischen Science-Fiction-Kino. In: Future Worlds. Bertz & Fischer, Berlin, pp. 39-49. ISBN 978-3-86505-250-6

D

Dean, Robert and Hand, Richard (2013) 'Bashed be bit by all with ears':Blue Jam and the Radio. In: No Known Cure. BFI. ISBN 978-1844574797

Denison, Rayna (2010) Anime Tourism: The Studio Ghibli Art Museum and Global Audiences for Anime. Japan Forum ISSN Print: 0955-5803, 22 (3-4). pp. 545-563.

Denison, Rayna (2017) Anime's Star Voices:Voice Actor (Seiyu) Performance and Stardom in Japan. In: Locating the Voice in Film. Oxford: Oxford University Press, Oxford, pp. 101-118. ISBN 9780190261122

Denison, Rayna (2015) Anime:A Critical Introduction. Bloomsbury. ISBN 978-1-84788-479-4

Denison, Rayna (2018) Before Ghibli was Ghibli:Analysing the historical discourses surrounding Hayao Miyazaki’s Castle in the Sky (1986). East Asian Journal of Popular Culture, 4 (1). pp. 31-46. ISSN 2051-7084

Denison, Rayna (2010) Bollywood Blends: Genre and Performance in Shahrukh Khan's Post-Millenial Films. In: Genre and Performance: Film and Television. Manchester University Press, Manchester, pp. 184-204.

Denison, Rayna (2017) Bollywood DVD: The Relationship Between Distributive Technology and Content in Transnational Cinema. In: Cult Media. Springer International Publishing AG, pp. 181-199. ISBN 978-3-319-63678-8

Denison, Rayna (2009) "British to a fang, British to a Whisker": Reconsidering The Muppet Show's National Identity and Authorship through its British Reception. In: Kermit Culture: Perspectives on Jim Henson's Muppets. MacFarland, Jefferson, NC, pp. 154-169.

Denison, Rayna (2005) Disembodied Voices: The Soundscape and Stars of Princess Mononoke. Scope. ISSN 1465-9166

Denison, Rayna (2014) Franchising and Failure:Discourses of Failure within the Japanese-American Speed Racer Franchise. In: Mechademia. UNSPECIFIED, Minneapolis, pp. 269-281. ISBN 0816695350

Denison, Rayna (2016) Franchising and Film in Japan:Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Culture. Cinema Journal, 55 (2). pp. 67-88. ISSN 0009-7101

Denison, Rayna (2007) Global Markets for Japanese Film: Transforming Miyazaki Hayao's Sen to Chihiro no Kamikakushi into Spirited Away. In: Japanese Cinema: Texts & Contexts. Routledge, London, pp. 308-322. ISBN '0415328489

Denison, Rayna (2010) Gurinder Chadha. In: Fifty Contemporary Filmakers (Revised Edition). Routledge, London, pp. 98-106.

Denison, Rayna (2010) Hayao Miyazaki. In: Fifty Contemporary Filmmakers (Revised Edition). Routledge, London, pp. 288-295.

Denison, Rayna (2007) It's a Bird! It's a Plane! No, it's DVD! Superman, Smallville and the Production (of) Melodrama. In: Film and Comic Books. University Press of Mississippi, pp. 160-179. ISBN 9781578069774

Denison, Rayna (2014) Japanese and Korean Film Franchising and Adaptation. Journal of Japanese and Korean Cinema, 6 (2). pp. 105-117. ISSN 1756-4905

Denison, Rayna (2008) The Language of the Blockbuster: Marketing, Princess Mononoke and the Daihitto in Japanese Film Culture. In: East Asian Cinemas: Transnational Connections on Film. I B Tauris, pp. 103-122. ISBN 1845116143

Denison, Rayna (2007) The Muppet Show: Sex and Violence: Investigating the Complexity of the Television Body. Mysterious Bodies: Intensities Journal, 4.

Denison, Rayna (2011) No Tights, No Flights: Smallville's Special Effects and the Inter-media Adaptation of the "Super". In: Investigating Smallville: A Superhero for the Teenage Generation. Scarecrow Press, pp. 65-86.

Denison, Rayna (2015) Redistributing Japanese Television Dorama:The Shadow Economies and Communities around Online Fan Distribution of Japanese Media. Velvet Light Trap, 75. pp. 58-72.

Denison, Rayna (2016) Tracing Asian Franchises:Local and Transnational Reception of Hana Yori Dango. In: Media Across Borders. Routledge, pp. 51-66. ISBN 9781138809451

Denison, Rayna (2006) (Trans)National X Factor: Patrick Stewart, Britishness and the Promotion of X-Men. Critical Survey, 18 (3). pp. 65-82.

Denison, Rayna (2010) Transcultural Creativity in Anime: Hybrid Identities in the Production, Distribution, Texts and Fandom of Japanese Anime. Creative Industries Journal, 3 (3). pp. 221-235.

Denison, Rayna and Furukawa, Hiroko (2012) From Manga to Movies: New Trends in Collaborative Production in Japanese Media Franchise. In: MeCCSA Conference, 2012-01-01.

Denison, Rayna and Furukawa, Hiroko (2012) Japanese Cinema Now: Production Trends in Contemporary Japanese Cinema. In: Keeping Japan on the Map, Great Britain Sasakawa Foundation Conference, 2012-01-01.

Denison, Rayna and Jancovich, Mark (2007) Mysterious Bodies (A Special Edition of Intensities Journal). Intensities Journal, 4.

F

FitzGerald, Louise and Williams, Melanie (2012) Facing our Waterloo: evaluating Mamma Mia! The Movie. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I.B.Tauris & Co Ltd. ISBN 9781848859418

Fradley, Martin, Godfrey, Sarah and Williams, Melanie (2013) Shane Meadows:Introduction. Journal of British Cinema and Television, 10 (4). pp. 1-6. ISSN 1743-4521

Fradley, Martin, Godfrey, Sarah and Williams, Melanie (2013) Shane’s World: Introduction. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh.

Friedman, Sam, Mills, Brett and Phillips, Tom (2011) Comedy Audiences - Editor's Introduction: Foregrounding The Comedy Audience. Participations, 8 (2). pp. 120-127. ISSN 1749-8716

Furukawa, Hiroko and Denison, Rayna (2015) Disaster and relief:The 3.11 Tohoku and Fukushima disasters and Japan’s media industries. International Journal of Cultural Studies, 18 (2). pp. 225-241. ISSN 1460-356X

G

Gill, Rosalind, Hamad, Hannah, Kauser, Mariam, Negra, Diane, Roshini, Nayomi and Littler, Jo (2016) Intergenerational feminism and media: a roundtable. In: Feminist Media Studies. Taylor & Francis, pp. 726-736.

Godfrey, Sarah (2018) Authenticity and Aspiration: Exploring the CBBC Television Tween. Girlhood Studies, 11 (1 (Spring)). pp. 8-24. ISSN 1938-8209

Godfrey, Sarah (2012) The hero of my dreams:Framing fatherhood in Mamma Mia! In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I.B.Tauris. ISBN 9781848859425

Godfrey, Sarah and Hamad, Hannah (2011) Save the Cheerleader, Save the Males:Resurgent Protective Paternalism in Popular Film and Television after 9/11. In: The Handbook of Gender, Sex and Media. Wiley-Blackwell, Oxford, pp. 157-173. ISBN 978-1-4443-3854-6

Gooding, Paul (2017) "A Trace of this Journey": Citations of Digitised Newspapers in UK History PhD Theses. In: Digital Humanities 2017, 2017-08-09 - 2017-08-11, McGill University.

Gooding, Paul and Bennett, Stephen (2015) "A Link to the Past": Remastered Videogames and the Material Archive. In: Objects in Motion: Material Culture in Transition, 2015-06-18 - 2015-06-20, CRASSH, University of Cambridge.

Gooding, Paul and Terras, Melissa (2017) Inheriting library cards to Babel and Alexandria: Contemporary metaphors for the digital library. International Journal on Digital Libraries, 18 (3). 207–222. ISSN 1432-1300

H

Hakim, James (2018) 'The Spornosexual': the affective contradictions of male body-work in neoliberal digital culture. Journal of Gender Studies, 27 (2). pp. 231-241. ISSN 0958-9236

Hakim, Jamie (2017) Chemsex: anatomy of a sex panic. In: Affect and Social Media. Rowman and Littlefield International. (In Press)

Hakim, Jamie (2015) ‘Fit is the new rich’: male embodiment in the age of austerity. Soundings: A Journal of Politics and Culture, 61 (Winter). pp. 84-94. ISSN 1741-0797

Hakim, Jamie (2018) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies. ISSN 0950-2386

Hakim, Jamie, Gupta, Rahila and Cardullo, Paolo (2014) Sociology, Politics, Thinking and Acting: a festschrift for Nira Yuval-Davis. Centre for research on Migration, Refugees and Belonging.

Hakim, Jamie and Yuval-Davis, Nira (2015) Anti-Jewish and Anti-Muslim Racisms and the Question of Palestine/Israel Online Paper Series Introduction. Centre for research on Migration, Refugees and Belonging, http://www.uel.ac.uk/cmrb/publications.htm.

Hamad, Hannah (2010) 'Attack of Boss-Zilla!':Female Conflict and Generational Discord in Postfeminism's New Monstrous Feminine. Flow, 11 (6).

Hamad, Hannah (2007) Book review: Acting Irish in Hollywood by Ruth Barton. Irish Studies Review, 15 (3). pp. 389-391. ISSN 0967-0882

Hamad, Hannah (2007) Book review: Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood by Stella Bruzzi. Film Quarterly, 61 (1). pp. 77-79. ISSN 0015-1386

Hamad, Hannah (2010) Book review: Good Girls and Wicked Witches: Women in Disney's Feature Animations. Feminist Review (95). e19-e21. ISSN 0141-7789

Hamad, Hannah (2007) Book review: Hollywood Divas, Indie Queens and TV Heroines: Contemporary Screen Images of Women. Scope (7). ISSN 1465-9166

Hamad, Hannah (2016) Book review: Tom Cruise: performing masculinity in post-Vietnam Hollywood. Feminist Media Studies, 16 (1). pp. 186-187. ISSN 1468-0777

Hamad, Hannah (2014) Conference Report: Sex and the City Ten Years On: Landmark Television and its Legacy. CST Online.

Hamad, Hannah (2016) Contemporary medical television and crisis in the NHS. Critical Studies in Television, 11 (2). pp. 136-150. ISSN 1749-6020

Hamad, Hannah (2009) DAD TV:Postfeminism and the Paternalization of US Television Drama. Flow, 11 (2).

Hamad, Hannah (2015) Eddie Murphy's Baby Mama Drama and Smith Family Values:The (Post-) Racial Familial Politics of Hollywood Celebrity Couples. In: First Comes Love. UNSPECIFIED, London, pp. 116-132. ISBN 978-1628921212

Hamad, Hannah (2011) Extreme Parenting:Recuperating Fatherhood in Steven Spelberg's War of the Worlds. In: Feminism at the Movies. Routledge, London and New York, pp. 241-253. ISBN 9780415895880

Hamad, Hannah (2014) Fairy Jobmother to the Rescue?:Postfeminism and the Recessionary Cultures of Reality TV. In: Gendering the Recession. Duke University Press, Durham and London, pp. 223-245. ISBN 978-0-8223-5696-7

Hamad, Hannah (2011) Greer Garson: Gallant Ladies and British Wartime Femininity. In: What Dreams Were Made Of. Rutgers University Press, New Brunswick, New Jersey, pp. 142-165. ISBN 9780813549644

Hamad, Hannah (2013) Hollywood Fatherhood:Paternal Postfeminism in Contemporary Popular Cinema. In: Postfeminism & Contemporary Hollywood Cinema. Palgrave Macmillan, Basingstoke and New York, pp. 99-115. ISBN 9781137376527

Hamad, Hannah (2015) "I'm Not Past My Sell By Date Yet!":Sarah Jane's Adventures in Postfeminist Rejuvenation and the Later-Life Celebrity of Elisabeth Sladen. In: Women, Celebrity and Cultures of Ageing. UNSPECIFIED, Basingstoke and New York, pp. 162-177. ISBN 978-1137495112

Hamad, Hannah (2016) Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape. Celebrity Studies, 7 (3). pp. 419-420. ISSN 1939-2397

Hamad, Hannah (2011) 'My Wife Calls Him My Boyfriend':Gary Barlow and Robbie Williams' Reconciliatory Bromance. Flow, 13 (9).

Hamad, Hannah (2007) 'The Position of Annoying Talking Animal Has Alredy Been Taken!':The Unspeakability of Race in the Re-Articulated Star Personaof Eddie Murphy. In: The Limits of Representation. Cambridge Scholars Press, Newcastle, pp. 45-62. ISBN 9781847181923

Hamad, Hannah (2013) Postfeminism and Paternity in Contemporary US Film:Framing Fatherhood. Routledge. ISBN 978-0415899925

Hamad, Hannah (2010) Postfeminist Primary Colors:Coding Feminities in Media Culture. Flow, 11 (11).

Hamad, Hannah (2015) Review: The Television Entrepreneurs: Social Change and Public Understanding of Business by Raymond Boyle and Lisa W Kelly. Journal of British Cinema and Television, 12 (1). pp. 138-140. ISSN 1743-4521

Hamad, Hannah (2016) Ryan Coogler Gets in the Ring with Cultural Moynihanism in Fruitvale Station and Creed. In Media Res: A Media Commons Project.

Hamad, Hannah (2011) 'A Tear For Sarah Jane': A Feminist Aca-Obit. Flow, 13 (13).

Hamad, Hannah (2010) A Whoniverse of Runaway Brides. Flow, 13 (4).

Hand, Richard (2005) Aesthetics of Cruelty:Traditional Japanese Theatre and the Horror Film. In: Japanese Horror Cinema. Edinburgh University Press. ISBN 9780748619955

Hand, Richard (2016) ‘Brand New Ancient Legends’: Creating Werewolves for a Welsh Halloween. Revenant, 1 (2). pp. 146-173. ISSN 2397-8791

Hand, Richard (1991) ’Character is Fate’ Thomas Hardy’s The Mayor of Casterbridge and Shakespeare’s Antony and Cleopatra. The Region and Nation Newsletter, 2 (4). pp. 3-12.

Hand, Richard (2000) Christopher Hampton’s Adaptation of The Secret Agent. Conradiana, 32 (3). pp. 195-202. ISSN 0010-6356

Hand, Richard (2001) Conrad and the Reviewers: "The Secret Agent" on Stage. The Conradian, 26 (2). pp. 1-67.

Hand, Richard (2006) Conrad’s Drama in a World Theatrical Context. In: Beyond the Roots. Columbia University Press. ISBN 978-0880335751

Hand, Richard (2004) Dissecting the Gash: Sexual Horror in the 1980s and the Manga of Suehiro Maruo. M/C Journal, 7 (4). ISSN 1441-2616

Hand, Richard (2018) The Empty House:The Ghost of a Memory, The Memory of a Ghost. Revenant, 1 (3). pp. 72-78. ISSN 2397-8791

Hand, Richard (2012) Entries on these horror films: ‘Jekyll and Hyde’; ‘Dead of Night’; ‘Invasion of the Body Snatchers’; ‘Curse of the Demon’; ‘Psycho’; ‘Plague of the Zombies’; ‘Night of the Living Dead’; ‘Theatre of Blood’; ‘Count Yorga’; ‘The Thing’; ‘The Mist’. In: Graphic Horror: Movie Monster Memories. UNSPECIFIED. ISBN 9780764340826

Hand, Richard (2006) “Escape with Joseph Conrad! The Adaptation of Joseph Conrad’s Fiction on American Old Time Radio. Conradiana. ISSN 0010-6356

Hand, Richard (2005) Gennaro from Lucretia Borgia. In: Classical Monologues for Men. Methuen: London. ISBN 9780413775337

Hand, Richard (2002) Grand-Guignol: The French Theatre of Horror. University of Exeter Press. ISBN 978-0859896962

Hand, Richard (2006) History, Homage, and Horror:Fassbinder, Raab, Lommel and the Tenderness of Wolves (1973). In: Caligari's Heirs. Scarecrow Press. ISBN 0810858789

Hand, Richard (2010) 'It must all change now!':Victor Hugo’s Lucretia Borgia and Adaptation Practices in Theatre. In: Redefining Adaptation Studies. Scarecrow Press. ISBN 978-0-8108-7298-1

Hand, Richard (1993) John Clare on Stage: Edward Bond’s ‘The Fool’ and the Issue of Faction. John Clare Society Journal, 12. pp. 57-61. ISSN 1356-7128

Hand, Richard (1989) John Clare’s Intense Regionalism. The Region and Nation Newsletter, 2 (1). pp. 21-27.

Hand, Richard (2008) La proliferazione dell’horror:Survival horror e la serie di Resident Evil. In: Intermedialita. Unicopli. ISBN 9788840012704

Hand, Richard (2010) Labyrinths of the Taboo:Theatrical Journeys of Eroticism and Death in Parisian Culture. In: Eroticism and Death in Theatre and Performance. University of Hertfordshire Press, pp. 64-79. ISBN 978-1-902806-92-1

Hand, Richard (2014) Listen in Terror:British Horror Radio from the Advent of Broadcasting to the Digital Age. Manchester University Press. ISBN 978-0-7190-8148-4

Hand, Richard (2003) Loving and Killing: the two great adventures in life’: Maurice Tourneur’s 1919 screen version of Joseph Conrad’s Victory. Conradiana, 35 (3). pp. 52-64. ISSN 0010-6356

Hand, Richard (2004) Lucrece Borgia. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (2005) 'Lucretia' from Lucretia Borgia. In: Classical Monologues for Women [Audition Speeches]. Methuen: London. ISBN 9780413775344

Hand, Richard (2010) Mike Schneider in interview with Richard Hand:Night of the Living Dead: Reanimated (2009). Journal of Adaptation in Film and Performance, 3 (2). ISSN 1753-6421

Hand, Richard (2015) ‘Octave Mirbeau’s The Epidemic’. Journal of Adaptation in Film and Performance, 8 (1). pp. 73-91. ISSN 1753-6421

Hand, Richard (2002) Producing Laughing Anne. Conradiana, 34 (1-2). pp. 43-62. ISSN 0010-6356

Hand, Richard (2004) Proliferating Horrors:Survival Horror and the Resident Evil franchise. In: Horror Film. University Press of Mississippi. ISBN 978-1578066926

Hand, Richard (2017) Radio Adaptation. In: The Oxford Handbook of Adaptation Studies. Oxford University Press, Oxford. ISBN 9780199331000

Hand, Richard (2005) Reanimating Peyton Farquhar: The Adaptations of Ambrose Bierce’s ‘An Occurrence at Owl Creek Bridge’. Ambrose Bierce Project Journal, 1 (1). ISSN 1939-4578

Hand, Richard (2004) Ruy Blas. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (1994) 'Self-Adaptation’: Hardy’s Tess of the D’Urbervilles. Swansea Review. pp. 274-286. ISSN 0269-8374

Hand, Richard (2018) Sound-Stories: Audio Drama and Adaptation. In: The Routledge Companion to Adaptation. Routledge, London. ISBN 9781138915404

Hand, Richard (2000) "The Stage Is a Terribly Searching Thing" Joseph Conrad's Dramatization of 'The Secret Agent'. Conradiana, 32 (1). pp. 57-65. ISSN 0010-6356

Hand, Richard (2001) Staging an ‘unbearable spectacle’: Joseph Conrad's Laughing Anne. Studies in Theatre and Performance, 21 (2). pp. 109-117. ISSN 1468-2761

Hand, Richard (2018) Talos II Science Fiction Festival of London:Live Radio Play - Prometheus; Frankenstein. [Performance]

Hand, Richard (2005) Theatres of Interactivity:Video Games in the Drama Studio. In: Digital Gameplay. McFarland. ISBN 978-0-7864-2292-0

Hand, Richard (2017) Thrills and Chills!:An Evening of Old-Time Horror Radio. [Performance]

Hand, Richard (2011) Undead Radio:Zombies and the Living Dead on Live American Radio Drama in the 1930-40s. In: Better Off Dead. Fordham University Press. ISBN 9780823234462

Hand, Richard and Carr, Paul (2007) Frank Zappa and musical theatre: ugly ugly o'phan Annie and really deep, intense, thought-provoking Broadway symbolism. Studies in Musical Theatre, 1 (1). pp. 41-56. ISSN 1750-3159

Hand, Richard and Carr, Paul (2008) ‘Twist ‘n frugg in an arrogant gesture’: Frank Zappa and the Musical-Theatrical Gesture. Popular Musicology Online. ISSN 1357-0951

Hand, Richard and Wilson, Michael (2000) The Grand-Guignol: Aspects of Theory and Practice. Theatre Research International, 25 (3). pp. 266-275. ISSN 0307-8833

Hand, Richard and Wilson, Michael (2007) London's Grand Guignol and the Theatre of Horror. University of Exeter Press. ISBN 978-0859897921

Hand, Richard and Wilson, Michael (2012) Transatlantic Terror! French Horror Theater and American Pre-Code Comics. Journal of Popular Culture, 45 (2). pp. 301-319. ISSN 0022-3840

Hand, Richard J. (2010) Captured Ghosts:Horror Acting in the 1970s British Television Drama. In: Genre and Performance. Manchester University Press. ISBN 978-0-7190-7980-1

Hand, Richard J. (2014) Conrad adapted. In: The New Cambridge Companion to Joseph Conrad. Cambridge University Press. ISBN 9781107610378

Hand, Richard J. (2016) Disruptive Corpses:Tales of the Living Dead in Horror Comics of the 1950s and Beyond. In: Vampires and Zombies. University Press of Mississippi. ISBN 978-1-4968-0474-7

Hand, Richard J. (2012) German Expressionism. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2013) Octave Mirbeau: Two Plays:"Business is Business" and "Charity". Intellect Books. ISBN 9781841504865

Hand, Richard J. (2017) ‘A Perfect Demon’: Michael Eaton’s Charlie Peace: His Amazing Life & Astounding Legend. In: Neo-Victorian Villains. Brill, pp. 51-70. ISBN 9789004322240

Hand, Richard J. (2017) Populism and ideology: nineteenth-century fiction and the cinema. In: Interventions. Manchester University Press. ISBN 978-1-7849-9510-2

Hand, Richard J. (2012) Radio. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2017) The Sound of War: Audio, Radio and the First World War. In: The Edinburgh Companion to the First World War and the Arts. Edinburgh University Press, Edinburgh. ISBN 9781474401630

Hand, Richard J. (2017) Spirits on the Air: Ghosts, Sound and the Radio. In: The Routledge Handbook to the Ghost Story. Routledge, London. ISBN 9781138184763

Hand, Richard J. (2009) 'Stay Tuned for Tricks, Treats and Terror':Halloween and Horror Radio in the Era of American Live Broadcasting. In: Treat or Trick? Cambridge: Cambridge Scholars Press, pp. 214-226. ISBN 978-1-4438-0153-9

Hand, Richard J. (2006) Terror on the Air!:Horror Radio in America, 1931-1952. McFarland. ISBN 978-0786469192

Hand, Richard J. and Purssell, Andrew (2014) Adapting Graham Greene. Palgrave Macmillan. ISBN 9780230579040

Hand, Richard J. and Traynor, Mary (2011) The Radio Drama Handbook:Audio Drama in Practice and Context. Continuum. ISBN 9781441147431

Hand, Richard J. and Wilson, Michael (2016) Performing Grand-Guignol:Playing the Theatre of Horror. University of Exeter Press. ISBN 9780859899963

Harrison, Rebecca (2016) "The Coming of the Projectionettes”: Women’s Work and Changing Modes of Spectatorship in British Cinemas in the Second World War. Feminist Media Histories, 2 (2). pp. 47-70. ISSN 2373-7492

Harrison, Rebecca (2014) Inside the Cinema Train: Britain, Empire and Modernity in the Twentieth Century. Film History, 26 (4). pp. 32-57. ISSN 1553-3905

Hill, Sarah (2015) The Ambitious Young Woman and the Contemporary British Sports Film. Assuming Gender, 5 (1). pp. 37-58. ISSN 2042-387X

Holmes, S. and Redmond, S. (2013) Celebrity Studies in rude health. Celebrity Studies, 4 (2). pp. 113-114. ISSN 1939-2397

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Understanding Reality Television. Routledge, pp. 111-135. ISBN 0415317959

Holmes, Su (2008) Ask the fastidious woman from Surbiton to hand-wash the underpants of the ageing Oldham skinhead…': Why not Wife Swap? In: Rethinking Documentary: A Documentary Reader. Open University Press, pp. 59-74. ISBN 0335221912

Holmes, Su (2016) Between Feminism and Anorexia: An Autoethnography. International Journal of Cultural Studies, 19 (2). pp. 193-207. ISSN 1460-356X

Holmes, Su (2016) ‘Blindness to the obvious’?: Treatment experiences and feminist approaches to eating disorders. Feminism and Psychology, 26 (4). pp. 464-486. ISSN 0959-3535

Holmes, Su (2005) British TV and Film Culture of the 1950s: Coming to a TV Near You! Intellect Books. ISBN 1841501212

Holmes, Su (2007) ‘But The Question is – is it all Worth Knowing?’: Quiz Shows on 1950s British Television. Media, Culture and Society, 49 (1). pp. 65-86. ISSN 1460-3675

Holmes, Su (2004) 'But this time You Choose!':Approaching the Interactive Audience of Reality TV. International Journal of Cultural Studies, 7 (2). pp. 213-231. ISSN 1460-356X

Holmes, Su (2008) Entertaining Television: The BBC and Popular Television Culture in the 1950's. Manchester University Press. ISBN 9780719077913

Holmes, Su (2007) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Re-viewing Television History. IB Tauris, pp. 67-81. ISBN 1845111885

Holmes, Su (2006) 'The "Give-Away" Shows - Who is Really Paying?": 'Ordinary' People and the Development of the British Quiz Show (1945-58). Journal of British Cinema & Television, 3 (2). pp. 284-303. ISSN 1755-1714

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. ISBN 0415377102

Holmes, Su (2009) Jade's back and this time she's famous: Narratives of Celebrity in the Celebrity Big Brother 'race' row. Entertainment and Sports Law Journal, 7(1).

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. ISSN 1543-5326

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching. pp. 12-19.

Holmes, Su (2006) A Night in at the Cinema: The Film Première on 1950s British Television. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in Heat Magazine. Journal of Media and Cultural Studies, 19 (1). pp. 21-38.

Holmes, Su (2004) ‘The Only Place where “Success” Comes Before "Work" is in the Dictionary…?’: Conceptualising Fame in Reality TV. M/C Journal, 7.

Holmes, Su (2008) Outrageously Bad Taste: The BBC, the Critics and the Controversy over This is Your Life in the 1950's. In: Narrating Media History. Routledge. ISBN 978-0415419161

Holmes, Su (2008) The Quiz Show. Edinburgh University Press. ISBN 9780748627523

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309

Holmes, Su (2010) Reality TV and 'Ordinary' People: Re-visiting Celebrity, Performance and Authenticity. In: Trans-Reality Television: The Transgression of Reality, Genre, Politics and Audience. Lexington Books, Plymouth, pp. 251-274. ISBN 978-0-7391-3188-6

Holmes, Su (2018) Responses to warnings about the impact of eating disorders on fertility: A qualitative study. Sociology of Health & Illness, 40 (4). pp. 670-686. ISSN 0141-9889

Holmes, Su (2016) Revisiting Play School: A historical case study of the BBC’s address to the pre-school audience. Journal of Popular Television, 4 (1). pp. 29-47. ISSN 2046-987X

Holmes, Su (2008) Riveting and Real - a family in the raw:(Re)visiting The Family (1974) after Reality TV. International Journal of Cultural Studies, 11 (2). pp. 193-210. ISSN 1460-356X

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture. Westminster Papers in Communication and Culture, 2 (2). pp. 6-21. ISSN 1744-6716

Holmes, Su (2009) Television Talent Shows. ‘”Thank You, Voters”: Approaching the Audience for Music and Television in the Reality-Pop Phenomenon. In: Sound and Music in Film and Visual Media A Critical Overview A Critical Overview. Continuum. ISBN 9780826458247

Holmes, Su (2008) A Term Rather Too General to be Helpful': Struggling with Genre in Reality TV. In: The Shifting Definitions of Genre, Generic Canons. McFarland, pp. 21-39. ISBN 0786434309

Holmes, Su (2015) ‘That perfect girl is gone’:Pro-ana, Anorexia and Frozen (2013) as an ‘Eating Disorder’ Film. Participations: Journal of Audience and Reception Studies, 12 (2). pp. 98-120.

Holmes, Su (2009) This outlet for criticism could ginger up the whole climate in which television is watched: (Re)viewing Points of View - Audience, Access and Participation. Critical Studies in Television, 4(1). pp. 4-25. ISSN 1749-6039

Holmes, Su (2018) (Un)twisted: talking back to media representations of eating disorders. Journal of Gender Studies, 27 (2). pp. 149-164. ISSN 0958-9236

Holmes, Su (2006) When Will I be Famous?: Reappraising the Debate about Fame in Reality TV. In: Essays on Truth and Representation: How Real is Reality TV? McFarland and Company, pp. 6-21. ISBN 0786426241

Holmes, Su (2018) The role of sociocultural perspectives in eating disorder treatment: A study of health professionals. Health, 46 (1). 158–171. ISSN 1363-4593

Holmes, Su (2009) The television audience cannot be expected to bear too much reality…The Family (BBC, 1974) and Reality TV. In: The Tube Has Spoken, Reality TV as History. University Press of Kentucky, pp. 98-123. ISBN 978-0813125534

Holmes, Su, Drake, Sarah, Odgers, Kelsey and Wilson, Jon (2017) Feminist approaches to Anorexia Nervosa: a qualitative study of a treatment group. Journal of Eating Disorders, 5. ISSN 2050-2974

Holmes, Su and Jermyn, Deborah (2015) Here, There and Nowhere:Ageing, Gender and Celebrity Studies. In: Women, Celebrity and Cultures of Ageing. Palgrave Macmillan, Basingstoke, pp. 11-24. ISBN 978-1-349-58090-3

Holmes, Su and Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57.

Holmes, Su and Negra, Diane (2008) Going Cheap? Female Celebrity in the Tabloid, Reality and Scandal Genres. Genders.

Holmes, Susan (2018) The solo mum, feminism and the negotiation of ‘choice’. Women's Studies International Forum, 69. pp. 40-48. ISSN 0277-5395

I

Inthorn, Sanna (2017) Audience responses to representations of family-assisted suicide on British television. Participations, 14 (2). pp. 153-174. ISSN 1749-8716

Inthorn, Sanna (2002) The Death of the Hun? National identity and German press coverage of the 1998 football World Cup. European Journal of Cultural Studies, 5 (1). pp. 49-68. ISSN 1460-3551

Inthorn, Sanna (2006) A Game of Nations? Football and National Identities. In: German Football: History, Culture, Society. Routledge, London, pp. 155-167. ISBN 0415351960

Inthorn, Sanna (2007) German Media and National Identity. Cambria Press. ISBN 9781934043950

Inthorn, Sanna (2006) Jenseits einer nationalen Identität in Europa? "Einheimische"und "Fremde" in der englischen Fussballberichterstattung'. In: Euro 2004 Medienfussall im europäischen Vergleich. Cologne: Halem Verlag, pp. 47-62. ISBN 3931606848

Inthorn, Sanna (2018) Representations of intergenerational care on BBC children’s television. Social Semiotics, 28 (1). pp. 77-89. ISSN 1035-0330

Inthorn, Sanna (2004) Representing 'The Celtic Thing' German newspapers, tourist board literature and discourses of Celticity. Media Wales Journal-Cyfnodolyn Cyfryngau Cymru, 1(1). pp. 42-61.

Inthorn, Sanna (2006) What does it mean to be an EU citizen? How News Media Construct Civic and Cultural Concepts of Europe. Westminster Papers in Communication & Culture, 3 (3). pp. 71-90. ISSN 1744-6716

Inthorn, Sanna and Inthorn, Julia (2015) Dementia Care And Families: Care Decisions And Emotions In Popular Magazines. In: Media, Margins and Popular Culture. Palgrave Macmillan, pp. 139-152. ISBN 9781137512802

Inthorn, Sanna and Inthorn, Julia (2015) Respect for autonomy? The contribution of popular magazines to the public understanding of dementia care. In: Popularizing Dementia. Transcript, pp. 315-332. ISBN 978-3-8376-2710-7

Inthorn, Sanna and Reder, M (2011) Discourses of Environmental Citizenship - How Television Teaches Us To Be Green. International Journal of Media and Cultural Politics, 7 (1). pp. 37-54. ISSN 2040-0918

Inthorn, Sanna, Street, John and Scott, Martin (2013) Popular Culture as a Resource for Political Engagement. Cultural Sociology, 7 (3). pp. 336-351. ISSN 1749-9763

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Jancovich, M. (2012) 'With Conrad Veidt and Peter Lorre on their side':German stars, the psychological film and horror. Studies in European Cinema, 9 (2-3). pp. 131-141. ISSN 1741-1548

Jancovich, Mark (2015) The 1950’s Blockbuster:20,000 Leagues Under the Sea. Deletion.

Jancovich, Mark (2017) “Almost Psychopathic”: British Working Class Realism and the Horror Film in the late 1950s and early 1960s. Journal of Film and Video. ISSN 0742-4671 (In Press)

Jancovich, Mark (2019) ‘Another, More Sinister Reality’:Class, Youth and Psychopathology from Saturday Night and Sunday Morning (1960) to Endless Night (1972). Journal of British Cinema and Television. ISSN 1743-4521 (In Press)

Jancovich, Mark (2015) "Antique Chiller":Quality, Pretension, and History in the Critical Reception of The Innocents and The Haunting. In: Cinematic Ghosts. Bloomsbury Academic, New York, pp. 115-128. ISBN 9781628922141

Jancovich, Mark (2017) Beyond Hammer: the first run market and the prestige horror film in the early 1960s. Palgrave Communications, 3 (Special Issue on Horror and the Gothic). ISSN 2055-1045

Jancovich, Mark (2004) Bloody Bloody and Bloody Boring: Action, Stasis and Middlebrow Taste in the Reception of the 1950s Spectacular. In: Action and Adventure Cinema. Routledge, pp. 84-99. ISBN 0415235073

Jancovich, Mark (2013) Bluebeard’s Wives”: Horror, Quality and the Paranoid Woman’s Film in the 1940s. Irish Journal of Gothic and Horror Studies (12). pp. 20-43. ISSN 2009-0374

Jancovich, Mark (2004) Charlton Heston is an Axiom: Spectacle and Performance in the Development of the Blockbuster. In: Film Stars: Hollywood and Beyond. MUP, pp. 51-70. ISBN 0719056454

Jancovich, Mark (2007) "Cinema Comes to Life at the Cornerhouse, Nottingham": "American" Exhibition, Local Politics and Global Culture in the Reception of the Urban Entertainment Center. In: Going to the Movies. Exeter University Press, pp. 383-393. ISBN 0859898121

Jancovich, Mark (2000) Consumption. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (1990) Contemporary Communications and the Restructuring of Social, Political and Economic Life: Challenges and Problems of American Communications Studies. Over Here, 10 (1). pp. 62-69.

Jancovich, Mark (2007) The Crack-Up: Psychological Realism, Generic Transformation and the Demise of the Paranoid Woman's Film. Irish Journal of Gothic and Horror Studies. ISSN 2009-0374

Jancovich, Mark (2014) 'Cue the Shrieking Virgins':The Critical Reception of the Twilight Saga. In: Screening Twlight. International Library of the Moving Image . I B Tauris, London, pp. 26-39. ISBN 9781780766652

Jancovich, Mark (2002) Cult Fictions: Cult Movies, Subcultural Capital and the Production of Cultural Distinctions. Cultural Studies, 16 (2). pp. 306-322. ISSN 1466-4348

Jancovich, Mark (2000) Cult Film and Television. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2006) The Cultural Politics of the New Criticism (reprinted). Cambridge University Press. ISBN 9780521416528

Jancovich, Mark (1993) The Cultural Politics of the New Criticism. Cambridge University Press. ISBN 0521416523

Jancovich, Mark (1992) David Morley, the Nationwide Studies. In: Reading into Cultural Studies. Routledge, pp. 134-147. ISBN 0415063779

Jancovich, Mark (2003) Defining Cult Movies. Manchester University Press. ISBN 071906631X

Jancovich, Mark (2005) Eine fortschrittliche Stadt und ihre Kinos: Technologie, Moderne and das Spektekel de Reichtums. In: Umwidmungen: architektonische und Kinematographische Räume. Vorwerk 8, pp. 230-244. ISBN 3930916703

Jancovich, Mark (2011) "The English Master of Movie Melodrama": Hitchcock, Horror and the Women's Film. Film International, 9 (3). pp. 51-67.

Jancovich, Mark (2008) Female Monsters: Horror, the “Femme Fatale” and World War II. European Journal of American Culture, 27. pp. 133-49.

Jancovich, Mark (2007) Film Histories: An Introduction and Reader. Edinburgh University Press. ISBN 9780748619078

Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098

Jancovich, Mark (2016) Frankenstein and Film. In: The Cambridge Companion to Frankenstein. Cambridge University Press, Cambridge, Cambridge, pp. 190-204. ISBN 9781107086197

Jancovich, Mark (2000) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of Silence of the Lambs. In: Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. BFI Publishing, pp. 33-44. ISBN 978-0851708102

Jancovich, Mark (2001) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of the Silence of Lambs. In: Horror, The Film Reader. Routledge, pp. 150-161. ISBN 0415235626

Jancovich, Mark (1992) Horror. Batsford Cultural Studies . B T Batsford Ltd. ISBN 9780713468205

Jancovich, Mark (1998) Horror (Japanese Translation). Seikya-sha. ISBN 978-0713468205

Jancovich, Mark (2014) Horror in the 1940s. In: A Companion to the Horror Film. Wiley-Blackwell, Oxford, pp. 237-254. ISBN 9780470672600

Jancovich, Mark (2001) Horror, the Film Reader. Routledge. ISBN 0415235626

Jancovich, Mark (2014) “Hot Profits out of Cold Shivers!”:Horror, the First Run Market, and the Hollywood Studios, 1938-42. In: Merchants of Menace. Bloomsbury Academic. ISBN 9781623564209

Jancovich, Mark (2016) Ingrid Bergman. In: Lost Souls of Horror and the Gothic. McFarland, Jefferson, pp. 34-37. ISBN 97814776663142

Jancovich, Mark (1990) An Introduction to the American Horror Novel Since 1945: Ten Key Novels. MOCS: The Magazine of Cultural Studies, 1. pp. 12-13.

Jancovich, Mark (2010) 'An Italianmade Spectacle Film Dubbed in English': Cultural Distinctions, National Cinema and the Critical Reception of the Postwar Historical Epic. In: The Epic Film in World Culture. Routledge, New York. ISBN 9780415990189

Jancovich, Mark (2008) Kulturní geografie filmové konzumpce. Iluminace: Casopis Pro Teorii, Historii a Estetiku Filmu, 1.

Jancovich, Mark (2004) Les adolescents et les indépendants: AIP et ses rivaux. Rendez-Vous Avec La Peur: Revue de Cinéma Fantastique, 1. pp. 23-35.

Jancovich, Mark (2008) Master of Concentrated Suspense: Horror, Gender and Fantasy in Lang’s 1940s Films. Studies in European Cinema, 5(3). pp. 171-183.

Jancovich, Mark (2005) The Meaning of Mystery: Genre, Marketing and the Universal Sherlock Holmes Series of the 1940's. Film International, 3 (17). pp. 34-45.

Jancovich, Mark (1992) Modernity and Subjectivity in The Terminator: The Machine as Monster in Contemporary American Culture. The Velvet Light Trap, 30. pp. 3-17. ISSN 0149-1830

Jancovich, Mark (2000) Moral Panics. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2015) "The Murderer's Mind": Edward G. Robinson, Humphrey Bogart, and the Monstrous Psychologies of the 1940s Horror Film. In: Recovering 1940s Horror Cinema. Lexington Books, Lanham, pp. 161-178. ISBN 9781498503792

Jancovich, Mark (2001) Naked ambition: Pornography, Taste and the Problem of the Middlebrow. Scope. 0-00. ISSN 1465-9166

Jancovich, Mark (2007) Oh, the Horror. the Guardian Newspaper’s Comment is Free, November 26th.

Jancovich, Mark (2000) Othering Conformity in Post-War America: Intellectuals, the New Middle Classes and the Problem of Cultural Distinctions. In: Containing America: Cultural Production and Consumption in Fifties America. Birmingham University Press, pp. 12-28. ISBN 1902459067

Jancovich, Mark (2008) Pale Shadows: Narrative Hierarchies in the History of 1940s Horror. In: Shifting Definitions of Genre. McFarland, pp. 15-32. ISBN 0786434309

Jancovich, Mark (2001) Placing Sex: Sexuality, Taste and Middlebrow Culture in the Reception of Playboy Magazine. Intensities: A Journal of Cult Media. pp. 1-14.

Jancovich, Mark (2006) Playboy, Lifestyle and Cold War Culture. In: Historicising Lifestyle. Ashgate, pp. 70-87. ISBN 0754644413

Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0

Jancovich, Mark (2000) "The Purest Knight of All": Nation, History and Representation in El Cid. Cinema Journal, 40 (1). pp. 79-103. ISSN 0009-7101

Jancovich, Mark (2003) Quality Popular Television: Cult TV, the Industry and Fans. British Film Institute Publishing. ISBN 0851709419

Jancovich, Mark (1996) Rational Fears: American Horror in the 1950s. Manchester University Press. ISBN 978-0719036248

Jancovich, Mark (2004) Re-examining the 1950s Invasion Narratives (reprint from Rational Fears). In: Liquid Metal: The Science Film Reader. Wallflower Press, pp. 325-336. ISBN 1903364876

Jancovich, Mark (2000) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. Continuum, 14 (1). pp. 22-35. ISSN 1030-4312

Jancovich, Mark (2001) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. In: The Film Cultures Reader. Routledge, pp. 469-480. ISBN 0415252822

Jancovich, Mark (2011) Realistic Horror: Film Noir and the 1940s Horror Cycle. In: Billy Wilder, Movie-Maker. McFarland, pp. 56-69. ISBN 9780786442119

Jancovich, Mark (2007) "Rebecca’s Ghost": Horror, the Gothic and the du Maurier Film Adaptations. In: The Daphne du Maurier Companion. Virago Press, pp. 312-319. ISBN 9781844082353

Jancovich, Mark (2002) Regional Film Theatres Need Clear Local Role. Urban Environment Today, 146. pp. 6-7.

Jancovich, Mark (2012) Relocating Lewton: Cultural Distinctions and Generic Negotiations in the Critical Reception of the Val Lewton Horror Films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671

Jancovich, Mark (1991) Robert Penn Warren as New Critic: Against Propaganda and Irresponsibility. The Southern Literary Journal, XXIV (1). pp. 53-65.

Jancovich, Mark (1995) Screen Theory. In: Approaches to Popular Film. Manchester University Press, Manchester, pp. 121-150. ISBN 071904393X

Jancovich, Mark (1992) Serial Killers and Female Heroes: Re-examining the Slasher Movie. Over Here, 12 (1). pp. 67-74.

Jancovich, Mark (2009) Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s. Participations, 6(1). pp. 1-27.

Jancovich, Mark (2008) Shifting Definitions of Genre. McFarland. ISBN 978-0786434305

Jancovich, Mark (2000) The Southern New Critics. In: The Cambridge History of Literary Criticism. Cambridge University Press, pp. 200-218. ISBN 0521300126

Jancovich, Mark (2012) "Terrifyingly Real": Psychology, Realism and Generic Transformation in the Demise of the 1940s Horror Cycle. European Journal of American Culture, 31 (1). pp. 25-39.

Jancovich, Mark (2009) "Thrills and Chills": Horror, the Woman’s Film and the Origins of Film Noir. New Review of Film and Television Studies, 7 (2). pp. 157-171. ISSN 1740-0309

Jancovich, Mark (2011) Time, Scheduling and Cinemagoing. Media International Australia, 139. pp. 88-95.

Jancovich, Mark (2010) 'Two Ways of Looking': Affection and Aversion in the Critical Reception of 1940s Horror. Cinema Journal, 49 (3). ISSN 0009-7101

Jancovich, Mark (2007) "An Unidentified Species": Horror, The Body and Early Television. Intensities: A Journal of Cult Media, Mysterious Bodies, Special Issue.

Jancovich, Mark (2015) Victims and Villains: Psychological Themes, Male Stars and Horror Films in the 1940s. In: Popular Media Cultures. Palgrave Macmillan, London, pp. 91-109. ISBN 978-1-349-46834-8

Jancovich, Mark (2017) "Where it Belongs":Television Horror, Domesticity, and Alfred Hitchcock Presents. In: Horror Television in the Age of Consumption. Routledge, New York, pp. 29-44. ISBN 9781138895652

Jancovich, Mark and Faire, Lucy (2003) The Best Place to See a Film: The Blockbuster and the Transformation of Exhibition. In: Movie Blockbusters. Routledge, pp. 190-201. ISBN 0415256097

Jancovich, Mark, Faire, Lucy and Subbings, Sarah (2003) The Place of the Audience: Cultural Geographies of Film Consumption. British Film Institute Publishing. ISBN 0851709427

Jancovich, Mark and Hollows, Joanne (1995) Introduction: Popular Film and Cultural Distinctions. In: Approaches to Popular Film. Manchester University Press, pp. 1-14. ISBN 071904393X

Jancovich, Mark and Hunt, Nathan (2004) The Mainstream, Distinctions and Cult TV. In: Cult Television. University of Minnesota Press, pp. 27-44. ISBN 0816638314

Jancovich, Mark and Johnson, Derek (2009) Film and TV: the 1950s. In: The Routledge Companion to Science Fiction. Routledge, pp. 71-79. ISBN 041545378X

Jancovich, Mark and Lyons, James (2002) John Sayles: Independence, Integrity and the Borders of identity. In: 50 Contemporary Film Directors. Routledge, pp. 280-289. ISBN 0415189748

Jancovich, Mark and Manning, Robert (2016) 'A Poisonous Picture':The Big Sleep, The Hollywood Left and the Postwar Thriller. In: Howard Hawks. British Film Institute Publishing, pp. 82-93. ISBN 97818844575411

Jancovich, Mark and Snelson, Tim (2010) Horror at the Crossroads: Class, Gender and Taste at the Rialto Cinema (Times Square) in the 1940s. In: From the Art House to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow. ISBN 9780810876545

Johnston, Keith (2009) Coming Soon: Film Trailers and the Selling of Hollywood Technology. McFarland & Co Inc. ISBN 9780786444328

Johnston, Keith (2011) Science Fiction Film: A Critical Introduction. Berg Publishers. ISBN 978-1847884763

Johnston, Keith (2010) Underground, Overground: Remembering The Wombles. In: Culture and Society in 1970s Britain: The Lost Decade. Cambridge Scholars Publishing, Cambridge, pp. 154-163. ISBN 9781443817349

Johnston, Keith and Rickards, Carolyn (2017) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen. ISSN 0036-9543 (In Press)

Johnston, Keith M (2015) 3D UK? 3D History and the Absent British Pioneers. Open Library of Humanities (OLH), 1 (1).

Johnston, Keith M (2010) Ealing's Colour Aesthetic: Saraband for Dead Lovers. Journal of British Cinema and Television, 7 (1). pp. 21-33. ISSN 1755-1714

Johnston, Keith M (1995) From the Wedding to the Grave. Focus, 15. pp. 18-29.

Johnston, Keith M (2013) Introduction: Still Coming Soon? Studying Promotional Materials. Frames Cinema Journal, 3. ISSN 2053-8812

Johnston, Keith M (2012) Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV. Convergence: The International Journal of Research into New Media Technologies, 18 (4).

Johnston, Keith M (2007) Selling Genre in the 1930's: The Universal Horror Trailer. Film International.

Johnston, Keith M (2014) Sound and (no) Vision:Locating the Radio Trailer. Music, Sound and the Moving Image, 8 (2). pp. 163-178. ISSN 1753-0768

Johnston, Keith M (2017) ‘The action is so real I thought I was cheating on my wife’:Realism and Nature in the 1970s 3-D Sex Film. In: Sex and 1970s World Cinema: From smut to softcore. MUP, Manchester. (In Press)

Johnston, Keith M (2012) 'A riot of all the colours in the rainbow': Ealing Studios in Colour. In: Ealing Revisited. British Film Institute, London, pp. 195-205. ISBN 9781844575107

Johnston, Keith M (2016) An unlimited field for experiment: Britain's Steroscopic Landscapes. In: British Rural Landscapes on Film. MUP, Manchester, pp. 71-85. ISBN 0719091578

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Keller, Jessalynn (2015) Girls' Feminist Blogging in a Postfeminist Age. Routledge Studies in New Media and Cyberculture . Routledge. ISBN 131762775X

Keller, Jessalynn (2012) "It's a hard job being an Indian feminist":Mapping Girls' Feminist Identities and 'Close Encounters' on the Feminist Blogosphere. In: Feminist Media. Critical Media Studies . Transcript, pp. 136-146.

Kent, Miriam (2016) Elektra:Critical Reception, Postfeminism and the Marvel Superheroine on Screen. In: Marvel Comics into Film. McFarland. ISBN 978-0-7864-4304-8

Kent, Miriam (2018) Gender and Comics:Representations of Heterosexuality in Marvel Superheroes. In: In Cinema and Comics. University of Texas Press. (In Press)

Kent, Miriam (2015) Unveiling Marvels:Ms. Marvel and the Reception of the New Muslim Superheroine. Feminist Media Studies, 15 (3). p. 522. ISSN 1468-0777

Kramer, Peter (2014) 2001, l’odyssee de l’espace. Paris: G3J Editeur.

Kramer, Peter (2014) 2001: A Space Odyssey: The Ultimate Spectacle. UNSPECIFIED.

Kramer, Peter (2013) Avatar: Environmental Politics and Worldwide Success. UNSPECIFIED.

Kramer, Peter (1998) Bad Boy: Notes on a Popular Figure in American Cinema, Culture and Society, 1959-1905. In: Celebrating 1895: The Centenary of Cinema. John Libbey, London, pp. 117-30. ISBN 1864620153 (hbk)

Kramer, Peter (2007) Battered Child: Buster Keaton's Stage Performance and Vaudeville Stardom in the Early 1900s. New Review of Film and Television Studies, 5 (3). pp. 253-67. ISSN 1740-7923

Kramer, Peter (2002) The Best Disney film Disney never made': Children's Films and the family audience in American Cinema Since the 1960's. In: Genre and Contemporary Hollywood. British Film Institute, pp. 185-200. ISBN 0851708870 (pbk) 0815708862 (hbk)

Kramer, Peter (1999) Bibliographical Notes. In: Screen Acting. Routledge, London, pp. 165-70. ISBN 041518293X (hbk) 0415182948 (pbk)

Kramer, Peter (2005) Big Pictures: Studying Contemporary Hollywood Cinema Through Its Greatest Hits. In: Screen Methods: Comparative Readings in Film Studies. Wallflower, London, pp. 124-32. ISBN 1904764355 (hbk) 1904764347 (pbk)

Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.

Kramer, Peter (2001) Clean, dependable slapstick': Comic Violence and the Emergence of Classical Hollywood Cinema. In: Violence and American Cinema. Routledge, pp. 103-16. ISBN 0415928095 (hbk) 0415928109 (pbk)

Kramer, Peter (2011) A Clockwork Orange (1971) and American Culture. In: ZeitRäume: Potsdamer Almanach des Zentrums fur Zeithisthorische Forschung. Wallsteinverlag, Gottingen, pp. 96-106. ISBN 9783835309388

Kramer, Peter (2011) A Clockwork Orange. Palgrave. ISBN 9780230302129

Kramer, Peter (2015) ’Complete total final annihilating artistic control’: Stanley Kubrick and Postwar Hollywood. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 48-61. ISBN 9781908966421

Kramer, Peter (2016) ’Could you tell us how to create a Star-Child?’: Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey. In: Special Effects in der Wahrnehmung des Publikums. Berlin: VS Verlag. ISBN 978-3-531-17465-5

Kramer, Peter (2000) 'A Cutie with more than beauty': Audrey Hepburn, the Hollywood Musical and Funny Face. In: Musicals: Hollywood and Beyond. Intellect, Exeter, pp. 62-9. ISBN 1841500038 (pbk)

Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9

Kramer, Peter (2009) 'Dear Mr. Kubrick': Audience Responses to 2001: A Space Odyssey in the Late 1960s. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 1-20.

Kramer, Peter (2003) Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton's The Blacksmith (partial reprint in The Velvet Light Trap, no.23, Spring 1989). In: Hollywood Comedians: The Film Reader. Routledge, pp. 43-53. ISBN 0415235510 (hbk) 0415235529 (pbk)

Kramer, Peter (1989) Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton’s The Blacksmith. The Velvet Light Trap, 23. pp. 101-116. ISSN 0149-1830

Kramer, Peter (2006) Disney and Family Entertainment. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 265-79. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter (2014) Disney, George Lucas und Pixar: Animation und die US-amerikanische Filmindustrie seit den 1970er Jahren. Film Konzepte, 33. ISSN 1861-9622

Kramer, Peter (2014) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. British Film Institute. ISBN 9781844577781

Kramer, Peter (2004) Drei Deutsche in Hollywood. Patriotismus, historisches Trauma und 'harmlose' Unterhaltung. In: Die Spur durch den Spiegel. Der Film in der Kultur der Morderne. Bertz, Berlin, pp. 132-45. ISBN 3-86505-155-3

Kramer, Peter (2000) Entering the Magic Kingdom: The Walt Disney Company, The Lion King and the Limitations of Criticism. Film Studies (2). pp. 44-50. ISSN 2054-2496

Kramer, Peter (2000) 'Faith in Relations Between People': Audrey Hepburn, Roman Holiday and European Integration. In: 100 Years of Cinema: Entertainment or Ideology? Manchester University Press, Manchester, pp. 195-206. ISBN 0719058716 (hbk) 0719058724 (pbk)

Kramer, Peter (1999) The Fall and Rise of Slapstick Films: Physical Comedy in American Cinema, 1907-1913. In: The Birth of Film Genres. Forum, Udine, pp. 253-66. ISBN 8886756666

Kramer, Peter (2004) Far across the distance...': Historical Films, Film History and Titanic (1997). In: The Titanic in Myth and Memory: Representations in Visual and Literary Culture. IB Tauris, London, pp. 163-72. ISBN 185043431x (hbk) 185043428 (pbk)

Kramer, Peter (2013) From Vietnam to Video: Notes on Jane Fonda’s Films and Activism, 1970-1982. UNSPECIFIED.

Kramer, Peter (2016) The General (BFI Film Classics). British Film Institute. ISBN 9781844579150

Kramer, Peter (2014) Gravity's Pull. UNSPECIFIED.

Kramer, Peter (2009) ‘He’s very good at work not involving little creatures, you know’: Schindler’s List, E.T. and the Shape of Steven Spielberg's Career. New Review of Film and Television Studies, 7 (1). pp. 23-32. ISSN 1740-7923

Kramer, Peter (2002) Hollywood and Germany: Notes on a History of Cultural Exchange. In: Media in Transition: Globalization and Convergence, 2003-08-01, Massachusetts Institute of Technology.

Kramer, Peter (2008) Hollywood and the Germans: A Very Special Relationship. In: The Contemporary Hollywood Film Industry. Blackwell, pp. 240-50. ISBN 9781405133876; 9781405133883

Kramer, Peter (2002) Hollywood in Germany/Germany in Hollywood. In: The German Cinema Book. BFI, pp. 227-37. ISBN 0851709451 (hbk) 091570946X (pbk)

Kramer, Peter (2013) An Introduction to 2001: A Space Odyssey (1968). UNSPECIFIED.

Kramer, Peter (2012) ‘Is it some devil that crawls inside of you?’ Burgess, Kubrick and the Problem of Male Youth. In: Fifty Years Of A Clockwork Orange, 2012-06-28 - 2012-06-30.

Kramer, Peter (2001) 'It's aimed at kids - the kid in everybody': George Lucas, Star Wars and Children's Entertainment. Scope. ISSN 1465-9166

Kramer, Peter (2004) It's aimed at kids - the kid in everybody': George Lucas, Star Wars and Children's entertainment (slightly revised reprint of essay first published in Scope: An Online Journal of Film Studies, December 2001). In: Action and Adventure Cinema. Routledge, pp. 358-70. ISBN 0415235065 (hbk) 0415235073 (pbk)

Kramer, Peter (2016) ’I’ll be right here!’ Dealing with Emotional Trauma in and through E.T. The Extra-Terrestrial. In: Children in the Films of Steven Spielberg. UNSPECIFIED, pp. 91-121. ISBN 9781498518840

Kramer, Peter (2005) Karrierefrauen in Hollywood: Die (Dar) Stellung von Frauen im amerikanischen Kino. Sowi: Das Journal fur Geschichte, Politik, Wirtschaft und Kultur, 3 (05). pp. 75-83.

Kramer, Peter (1999) Keaton, Buster. In: American National Biography. Oxford University Press, New York, pp. 429-31. ISBN 0195206355

Kramer, Peter (2016) The Legacy of Dr. Strangelove: Stanley Kubrick, Science Fiction, and the Future of Humanity. In: The Apocalypse in Film: Dystopia, Disasters, and other Visions about the End of the World. UNSPECIFIED, pp. 45-60. ISBN 9781442260276

Kramer, Peter (1996) The Lure of the Big Picture: Film, Television and Hollywood. In: Big Picture, Small Screen: The Relations Between Film and Television. John Libbey Media, Luton, pp. 9-46. ISBN 1860200052

Kramer, Peter (2013) Making Contact. UNSPECIFIED.

Kramer, Peter (2004) The Making of a Comic Star: Buster Keaton and The Saphead (partial and slightly revised reprint of essay first published in Classical Hollywood Comedy, ed.Kristine Brunovska Karnick and Henry Jenkins). In: The Silent Cinema Reader. Routledge, London, pp. 279-89. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter (1995) The Making of a Comic Star: Buster Keaton and The Saphead. In: Classical Hollywood Comedy. Routledge, New York, pp. 190-210. ISBN 0415906393 (hbk) 0415906407 (pbk)

Kramer, Peter (2014) The Making of an International Star:The Early Film Career and Star Image of Audrey Hepburn, 1948-1954. In: Fan Phenomena: Audrey Hepburn. Intellect. ISBN 9781783202065

Kramer, Peter (2004) The Many Faces of Holly Golightly: Truman Capote, Breakfast at Tiffany's and Hollywood. Film Studies, 5. pp. 58-65. ISSN 2054-2496

Kramer, Peter (2016) The Movie Audience in the Archive. In: Reflections on Archives Museum and Special Collections. UNSPECIFIED, pp. 60-61. ISBN 9781906908423

Kramer, Peter (2011) 'Movies that make people sick': Audience Responses to Stanley Kubrick's A Clockwork Orange in 1971/72. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 416-30.

Kramer, Peter (2005) The New Hollywood:From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 1904764584

Kramer, Peter (2008) O (nad)casovosti satiry. Recepce filmu Dikator v zapadnim Nemecku v obdobi 1952-1973 (The (Un) Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973). Iluminace, 20 (1). pp. 51-67.

Kramer, Peter (2014) Polish translation of “’Dear Mr. Kubrick’: Audience Responses to 2001: A Space Odyssey in the Late 1960s” (first published in Participations: Journal of Audience and Reception Studies, vol. 6, no. 2, November 2009). In: Badanie widowni filmowej - antologia przekladow. Wydawnictwo PWSFTviT.

Kramer, Peter (2013) The Politics of Independence: The China Syndrome (1979), Hollywood Liberals and Anti-Nuclear Campaigning. Alphaville: Journal of Film and Screen Media, 6. ISSN 2009-4078

Kramer, Peter (2000) Post-classical Hollywood. In: American Cinema and Hollywood: Critical Approaches. Oxford University Press, Oxford, pp. 63-83. ISBN 0198742819 (pbk)

Kramer, Peter (1998) Post-classical Hollywood. In: The Oxford Guide to Film Studies. Oxford University Press, Oxford, pp. 289-309. ISBN 0198711158 (hbk) 0198711247 (pbk)

Kramer, Peter (2000) Post-classical Hollywood (partial reprint of essay first published in The Oxford Guide to Film Studies, ed.John Hill and Pamela Church Gibson, Oxford: Oxford University Press, 1998). In: The Film Studies Reader. Arnold, London, pp. 174-80. ISBN 0340692782 (hbk) 0340692790 (pbk)

Kramer, Peter (1999) A Powerful Cinema-going Force? Hollywood and Female Audiences since the 1960s. In: Identifying Hollywood's Audiences: Cultural Identity and the Movies. British Film Institute, London, pp. 98-112. ISBN 0851707386 (hbk) 0851707394 (pbk)

Kramer, Peter (2013) Rape, Ultra-Violence and Beethoven’: The Transgressiveness and Controversial Success of A Clockwork Orange (1971). In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, pp. 11-28. ISBN 978-1443844161

Kramer, Peter (2004) The Rise and Fall of Sandra Bullock: Notes on Starmaking and Female Stardom in Contemporary Hollywood. In: Film Stars: Hollywood and Beyond. Manchester University Press, pp. 89-112. ISBN 0719056454 (pbk) 07190564456446 (hbk)

Kramer, Peter (1992) Screen Sermons: The Uses of Religion in Early Cinema After 1907. In: An Invention of the Devil? Religion and Early Cinema. Les Presses de l’Université Laval, Sainte-Foy, pp. 187-196. ISBN 2763773001/2601031107

Kramer, Peter (1997) A Slapstick Comedian at the Crossroads: Buster Keaton, the Theatre and the Movies 1916/17. Theatre History Studies (17). pp. 133-46.

Kramer, Peter (2008) The Spectre of History in the Age of Golbalization: Notes on German Hit Movies and Hit Makers at Home and in the US. In: Shifting Landscapes: Film and Media in European Context. Newcastle: Cambridge Scholars Publishing, pp. 68-85. ISBN 9781847184733/1847184731 (hbk) 9781443805926/1443805920 (pbk)

Kramer, Peter (2012) Spielberg and Kubrick: From E.T. to A.I. In: ’30 Years of of E.T. The Extra-Terrestrial: The Fantastic Cinema of Steven Spielberg, 2012-11-01, Rey Juan Carlos Unversity.

Kramer, Peter (2017) Stanley Kubrick and the internationalisation of post-war Hollywood. New Review of Film and Television Studies, 15 (2). pp. 250-269. ISSN 1740-0309

Kramer, Peter (1999) Star Wars. History Today, 49 (3). pp. 41-7.

Kramer, Peter (2000) Star Wars (slightly revised reprint of essay first published in History Today, vol.49, no.3, March 1999). In: The Movies as History: Visions of the Twentieth Century. Sutton Publishing, Stroud, pp. 44-53. ISBN 0750923318 (pbk)

Kramer, Peter (2010) Steven Spielberg. In: Fifty Contemporary Film Directors. Second Edition. Routledge, London, pp. 372-80. ISBN 9780415497664 (hbk) 9780415554336 (pbk) 9780203844342 (ebk)

Kramer, Peter (2006) Steven Spielberg. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 166-9. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter (2002) Steven Spielberg. In: Fifty Key Contemporary Filmmakers. Routledge, pp. 319-28. ISBN 0415189748 (pbk) 041518973X (hbk)

Kramer, Peter (2013) ’To prevent the present heat from dissipating’: Stanley Kubrick and the Marketing of Dr. Strangelove (1964). InMedia, 3. ISSN 2259-4728

Kramer, Peter (2005) The (Un)Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973. In: Charles Chaplin Conference, 2005-07-01, London College of COmmunication.

Kramer, Peter (2003) 'Want to take a ride?': Reflections on the Blockbuster Experience in Contact (1997). In: Movie Blockbusters. Routledge, London, pp. 128-40. ISBN 0415256089 (hbk) 0415256097 (pbk)

Kramer, Peter (2009) Welterfolg und Apokalypse: Überlegungen zur Transnationalität des zeitgenössischen Hollywood. In: Film transnational: europäische und amerikanische Perspektiven. Paderborn: Wilhelm Fink Verlag, pp. 171-184. ISBN 9783770548033

Kramer, Peter (2015) ’What’s it going to be, eh?’ Stanley Kubrick’s Adaptation of Anthony Burgess’s A Clockwork Orange. In: Stanley Kubrick: New Perspectives. UNSPECIFIED, pp. 218-235. ISBN 9781908966421

Kramer, Peter (2007) When 'Hanoi Jane' Conquered Hollywood: Jane Fonda's Films and Activism, 1977-1981. In: The New Film History: Sources, Methods, Approaches. Palgrave, Basingstoke, pp. 104-16. ISBN 9780230001695/0230001696 (hbk) 0230594487/9780230594487 (pbk)

Kramer, Peter (1998) Women First: Titanic (1997), Action-Adventure Films and Hollywood's Female Audience. Historical Journal of Film, Radio and Television, 18 (4). pp. 599-618. ISSN 0143-9685

Kramer, Peter (1999) Women First: Titanic, Action-Adventure Films and Hollywood's Female Audience (reprint of essay first published in the Historical Journal of Film, Radio and Television, vol.18, no.4, October 1998). In: Titanic: Anatomy of a Blockbuster. Rutgers University Press, New Brunswick, pp. 108-131. ISBN 081352668X (hbk) 0813526698 (pbk)

Kramer, Peter (1998) Would You Take Your Child To See This Film? The Cultural and Social Work of the Family-Adventure Movie. In: Contemporary Hollywood Cinema. Routledge, London, pp. 294-311. ISBN 0415170095 (hbk) 0415170109 (pbk)

Kramer, Peter (2015) ’A film specially suitable for children’: The Marketing and Reception of 2001: A Space Odyssey (1968). In: Family Films in Global Cinema: The World Beyond Disney. IB Tauris. ISBN 978-1784530082

Kramer, Peter (2003) A woman in a male dominated world': Jodie Foster, Stardom and 90s Hollywood. In: Contemporary Hollywood Stardom. Arnold, London, pp. 205-18. ISBN 0340809361 (hbk) 034080937X (pbk)

Kramer, Peter and Grieveson, Lee (2004) Cinema and Reform. In: The Silent Cinema Reader. Routledge, London, pp. 135-43. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Classical Hollywood Cinema. In: The Silent Cinema Reader. Routledge, London, pp. 271-8. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) European Cinemas. In: The Silent Cinema Reader. Routledge, London, pp. 329-38. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Feature Films and Cinema Programmes. In: The Silent Cinema Reader. Routledge, London, pp. 187-95. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Film Projection and Variety Shows. In: The Silent Cinema Reader. Routledge, London, pp. 31-9. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Introduction. In: The Silent Film Reader. Routledge, London, pp. 1-9. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Prologue. In: The Silent Cinema Reader. Routledge, London, pp. 11-4. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Storytelling and the Nickelodeon. In: The Silent Cinema Reader. Routledge, London, pp. 77-85. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter, Ljujic, Tatjana and Daniels, Richard (2015) Introduction. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 12-19. ISBN 9781908966421

Kramer, Peter and Lovell, Alan (1999) Introduction. In: Screen Acting. Routledge, London, pp. 1-9. ISBN 041518293X (hbk) 0415182948 (pbk)

Kramer, Peter and Quinn, Eithne (2006) Blaxploitation. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 184-98. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter and van Dooren, Ine (1995) The Politics of Direct Address. In: Film and the First World War. Amsterdam University Press, Amsterdam, pp. 97-107. ISBN 9053560645

Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419

Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161

Krämer, Peter (2012) ighting the Evil Empire: Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1

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Lewis, Justin, Inthorn, Sanna and Wahl-Jorgensen, Karin (2005) Citizens or Consumers? : What the media tell us about political participation. Open University Press. ISBN 0335215556

Little, Ben and Winch, Alison (2017) Generation: the politics of patriarchy and social change. Soundings: A Journal of Politics and Culture (66: Beginning to see the light?). pp. 129-144. ISSN 1362-6620

Little, Ben and Winch, Alison (2018) “just hanging out with you in my back yard”: Mark Zuckerberg and Mediated Paternalism. Open Cultural Studies, 1 (1). pp. 417-427.

Littler, Jo and Winch, Alison (2016) Feminism and Childcare: A Roundtable with Sara de Benedictis, Gideon Burrows, Tracey Jensen, Jill Rutter and Victoria Showunmi. Studies in the Maternal, 8 (1). p. 2. ISSN 1759-0434

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Madgin, Rebecca, Webb, David, Ruiz, Pollyanna and Snelson, Tim (2018) Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft, London, UK. International Journal of Heritage Studies, 24 (6). pp. 585-598. ISSN 1352-7258

McKay, George (2016) 4WORD:AN.OK4U2@32+1984. In: The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music. Minor Compositions . Autonomedia, Colchester/New York, pp. 1-7. ISBN 9781570273186

McKay, George (2016) Gee Vaucher's punk painting as record sleeves. In: Gee Vaucher: Introspective. Firstsite, Colchester, pp. 64-74. ISBN 978-1-57027-315-5

McKay, George (2015) Punk Rock and Disability: Cripping Subculture. In: Oxford Handbook of Music and Disability Studies. Oxford Handbooks . Oxford University Press, New York, pp. 226-245. ISBN 9780199331444

McKay, George (2018) Skinny blues: Karen Carpenter, anorexia nervosa and popular music. Popular Music, 37 (1). pp. 1-21. ISSN 0261-1430

McKay, George (2014) Winifred Atwell and her 'other piano': 16 hit singles and a 'blanket of silence', sounding the limits of jazz. In: Black British Jazz: Routes, Ownership and Performance. Ashgate, Farnham, pp. 153-172. ISBN 9781472417565

McKay, George (2015) 'The pose is ... a stance': popular music and the cultural politics of festival in 1950s Britain. In: The Pop Festival. Bloomsbury Academic, New York. ISBN 9781623569594

McKay, George and Webster, Emma (2016) From Glyndebourne to Glastonbury:The Impact of British Music Festivals. AHRC/UEA.

McRoy, Jay (2007) Monstrous Adaptations:Generic and Thematic Mutations in Horror Film. Manchester University Press. ISBN 978-0-7190-7603-9

Mckay, George (2015) The Pop Festival:History, Music, Media, Culture. Bloomsbury Academic. ISBN 9781623568207

Mckay, George (2016) Pop Music and the Disabled Body, film of inaugural lecture. UNSPECIFIED.

Mckay, George (2011) Radical Gardening:Politics, Idealism and Rebellion in the Garden. Frances Lincoln. ISBN 9780711235380

Mills, Brett (2008) After the Interview. Cinema Journal, 47 (2). pp. 148-53.

Mills, Brett (2012) 'American Remake—Shudder': Online Debates about Life on Mars and 'British-ness'. In: Life on Mars: From Manchester to New York. University of Wales Press, Cardiff. ISBN 978-0708323595

Mills, Brett (2017) Animals on Television:The Cultural Making of the Non-Human. Palgrave Macmillan UK. ISBN 978-1-137-51682-4

Mills, Brett (2012) Brett Mills - academia.edu. UNSPECIFIED.

Mills, Brett (2013) 'Complaints Were Received': Morris, Comedy and Broadcasting in Context. In: No Known Cure: The Comedy of Chris Morris. British Film Institute, London, pp. 98-110.

Mills, Brett (2010) Contemporary Comedy Performance in British Sitcom. In: Genre and Performance: Film and Television. Manchester University Press.

Mills, Brett (2004) 'Grange Hill', 'Till Death Us Do Part/All in the Family', 'I Love Lucy', 'Brass Eye', 'The Simpsons', 'Monty Python's Flying Circus',. Hodder Arnold.

Mills, Brett (2010) I'm Anti-Little Britain, and I'm Worried I Might Start Laughing: Audience Responses to Little Britain. In: Reading 'Little Britain': Comedy Matters on Contemporary Television: Yeah But Groundbreaking TV Comedy. IB Tauris, pp. 147-70. ISBN 9781845119393

Mills, Brett (2013) Invalid Animals:Finding the Non-Human Funny in Special Needs Pets. Journal of Literary and Cultural Disability Studies, 7 (3). pp. 321-335. ISSN 1757-6458

Mills, Brett (2011) Invisible Television: The Television Programmes No-One Talks About Even Though Lots of People Watch Them. Critical Studies in Television, 5 (1). ISSN 1749-6039

Mills, Brett (2012) Make Me Laugh: Creativity in the British Television Comedy Industry. UNSPECIFIED.

Mills, Brett (2004) New Jokes: Kath and Kim and Recent Golbal Sitcom. Metro 140, 140. pp. 100-103.

Mills, Brett (2016) "Out There, In the World":Representations of the Zoo and Other Spaces in the Madagascar Trilogy. In: The Zoo and Screen Media. Palgrave Macmillan, pp. 137-152. ISBN 978-1-137-54342-4

Mills, Brett (2009) Reading Media Theory. London: Pearson Education. ISBN 9781405821995

Mills, Brett (2013) 'Shane, Don't Film This Bit': Comedy and Performance in Le Donk and Sco-Zay-Zee. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 142-154.

Mills, Brett (2009) The Sitcom. EUP. ISBN 9780748637522

Mills, Brett (2014) Sitcoms. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 695-698. ISBN 9781412999090

Mills, Brett (2014) Sketch Comedy Shows. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 698-700. ISBN 9781412999090

Mills, Brett (2016) A Special Freedom:Regulating Comedy Offence. In: Taboo Comedy. Palgrave Studies in Comedy . Palgrave Macmillan, London, pp. 209-226. ISBN 978-1-137-59337-5

Mills, Brett (2001) Studying Comedy’ and ‘Humour Theory’. In: The Television Genre Book. British Film Institute, pp. 61-63. ISBN 0851708498

Mills, Brett (2003) Tabloid Tales: Other News, Other Voices. Journal of the Institute of Justice and International Studies, 1 (2). pp. 23-32.

Mills, Brett (2005) Television Sitcom. British Film Institute. ISBN 1844570886

Mills, Brett (2015) The Television Sitcom. In: The Routledge Companion to British Media History. Routledge, London, pp. 451-459. ISBN 978-0-415-53718-6

Mills, Brett (2010) Those Pig-Men Things. Media Culture Journal, 13 (5).

Mills, Brett (2009) Welsh/From Wales: Representations of the Welsh in Contemporary Television Sitcom. Cyfrwng: Media Wales Journal, 6 (1). pp. 47-60.

Mills, Brett (2007) What Happens When Your Home is on Television. Media/Culture Journal, 10 (4).

Mills, Brett (2010) Why We Should consider the Privacy of Animals. The Guardian Online.

Mills, Brett (2007) “Yes, It’s War!”: Chris Morris and Comic Acceptability. In: Experimental British Television. Routledge, pp. 180-194. ISBN 0719075548

Mills, Brett (2011) 'A pleasure working with you': Humour Theory and Joan Rivers. Comedy Studies, 2 (2). pp. 151-160.

Mills, Brett and Barlow, David (2012) Reading Media Theory: Thinkers, Approaches, Contexts. 2nd edition. Pearson Education. ISBN 978-1-4082-8525-1

Mills, Brett and Ralph, Sarah (2014) 'Trying to Ride a Naughty Horse': British Television Comedy Producers. In: Beyond the Bottom Line. Bloomsbury Academic, New York, pp. 161-174. ISBN 9781441172365

Mills, Brett and Rimmer, Mark (2017) Pure and Simple: Music as a Personal and Comedic Resource in Car Share. In: Music in Comedy Television. Routledge. ISBN 978-1138193581

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Negra, D. and Tasker, Y. (2013) Neoliberal frames and genres of inequality:Recession-era chick flicks and male-centred corporate melodrama. European Journal of Cultural Studies, 16 (3). pp. 344-361. ISSN 1367-5494

Negra, Diane and Tasker, Yvonne (2007) Interrogating Postfeminism: Gender and the Politics of Popular Culture. Duke University Press. ISBN 978-0822340324

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Pett, Emma (2018) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270 (In Press)

Pett, Emma (2017) Beyond the Metropolis: Immersive cinema in a rural context. In: Live Cinema. Bloomsbury, London. ISBN 9781501324833

Pett, Emma (2015) Breaking the Rules: Film and Fashion in "Swinging Britain". Cinephile: The University of British Columbia's Film Journal, 11 (1). pp. 23-28.

Pett, Emma (2013) ‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 177-197.

Pett, Emma (2018) Homer, Ovid, Disney and Star Wars:The critical reception and transcultural popularity of Princess Mononoke. In: Princess Mononoke. Bloomsbury Academic, London. ISBN 9781501329746

Pett, Emma (2016) Movie migrations: transnational genre flows and South Korean cinema. Transnational Cinemas. ISSN 2040-3526

Pett, Emma (2013) "People Who Think Outside the Box": British Audiences and Asian Extreme Films. Cine-Excess eJournal.

Pett, Emma (2017) Review: Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship. Memory Studies, 10 (1). pp. 96-99. ISSN 1750-6980

Pett, Emma (2016) “Stay disconnected”:Eventising Star Wars for transmedia audiences. Participations: Journal of Audience and Reception Studies, 13 (1). pp. 152-169.

Pett, Emma (2015) Tourists, Vandals and Pilgrims: A study of participant responses to the Gromit Unleashed public art trail, Bristol, 2013. In: Media, Margins and Popular Culture. Palgrave, pp. 169-187. ISBN 978-1-137-51280-2

Pett, Emma and Stokes, Melvyn (2017) Cinema Space and Postcolonial Audiences in 1960s Britain. In: Kinoerfahrungen. Avinus. ISBN 978-3-86938-086-5

Phillips, Thomas (2018) “Angry False-Teeth-Chattering Mayhem”: Synecdochic Fandom, Representation and Performance in Mature Woman Fandom of British Professional Wrestling. In: A Companion to Media Fandom and Fan Studies. Wiley-Blackwell, pp. 227-242. ISBN 978-1-119-23716-7

Phillips, Tom (2016) Discussions with Developers: F2P and the Changing Landscape of Games Business Development. In: Social, Casual and Mobile Games. Bloomsbury, pp. 61-73. ISBN 9781501310584

Phillips, Tom (2010) Embracing the “Overly Confessional”: Scholar-Fandom and Approaches to Personal Research. Flow, 13 (5).

Phillips, Tom (2012) Too Fat to Fly: A Case Study of Unsuccessful Fan Mobilization. Transformative Works and Cultures, 10. ISSN 1941-2258

Phillips, Tom (2011) When Film Fans Become Fan Family: Kevin Smith Fandom and Communal Experience. Participations, 8 (2). pp. 478-496. ISSN 1749-8716

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Ralph, Sarah (2015) ‘A Place for Talking about Female Stars’: Exploring Versatility, Femininity and ‘Fantasy’ in Mother-Daughter Talk on Film Stars. In: The Politics of Being A Woman. Palgrave, Basingstoke, pp. 91-111. ISBN 978-1-349-48098-2

Ralph, Sarah and Barker, Martin (2015) What a performance! Exploring audiences’ responses to film acting. Participations, 12 (1). pp. 739-761. ISSN 1749-8716

Ralph, Sarah and Mills, Brett (2015) ‘I Think Women Are Possibly Judged More Harshly with Comedy’: Women and British Television Comedy Production. Critical Studies in Television, 10 (2). pp. 102-117. ISSN 1749-6039

Ralph, Sarah and Mills, Brett (2012) Written evidence submitted to the Department of Culture, Media and Sport Inquiry into Support for the Creative Economy.:Make Me Laugh Research Project. UNSPECIFIED.

Rendell, James and Denison, Rayna (2018) Introducing Studio Ghibli. East Asian Journal of Popular Culture, 4 (1). pp. 5-14. ISSN 2051-7084

Richards, Denzell (2007) 'Alias' DVD: Re-packaging American 'Quality' and 'Cult' Television Series. In: Investigating 'Alias': Secrets and Spies. Investigating Cult TV . I B Tauris, London, pp. 186-199. ISBN 978 1 84511 405 3

Richards, Denzell (2010) Cult TV and New Media. In: The Cult TV Book. Investigating Cult TV . I B Tauris, London, pp. 179-188. ISBN 978 1 84885 026 2

Richards, Denzell (2013) Old SF, New FX: Exploring the Reception of Replacement Special Effects for Older Episodes of 'Doctor Who' and 'Star Trek'. Critical Studies in Television, 8 (3). pp. 47-64. ISSN 1749-6039

Rimmer, Mark (2018) Community Music and Youth: Delivering Empowerment? In: The Oxford Handbook of Community Music. Oxford: Oxford University Press. ISBN 9780190219505

Rimmer, Mark (2018) Harmony or Discord? Understanding children’s valuations of a Sistema-inspired initiative. British Journal of Music Education, 35 (1). pp. 43-55. ISSN 0265-0517

Rimmer, Mark (2010) Harte Musik und weiche Jungs, Kulturaustausch: Großbritannien. EPRINTS-JOURNAL, 1.

Rimmer, Mark (2009) Instrumental' playing? Cultural policy and young people's community music participation. International Journal of Cultural Policy, 15(1). pp. 71-90. ISSN 1477-2833

Rimmer, Mark (2010) Listening to the monkey: class and youth in the formation of a musical habitus. Ethnography, 11 (2). pp. 255-283.

Rimmer, Mark (2017) Music, middle childhood and agency:The value of an interactional-relational approach. Childhood: A Global Journal of Child Research, 24 (4). pp. 559-573. ISSN 0907-5682

Rimmer, Mark, Higham, Ben and Brown, Tony (2014) Whatever Happened to Community Music?:AHRC Research Network Project Report. Working Paper. UNSPECIFIED, Norwich.

Rimmer, Mark and Phillips, Tom (2013) Community Arts: Sustainability in Austerity. Working Paper. UEA, Norwich.

Rimmer, Mark, Street, John and Phillips, Tom (2014) Understanding the Cultural Value of 'In Harmony-Sistema England'. pp. 1-57.

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Snelson, Tim (2009) 'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946). New Review of Film and Television Studies, 7 (2). ISSN 1740-0309

Snelson, Tim (2017) Guilty Pleasures: New Hollywood Violence and the 1960s True Crime Cycle. Film Studies. ISSN 1469-0314 (In Press)

Snelson, Tim (2014) Phantom Ladies:Hollywood Horror and the Home Front. Rutgers University Press. ISBN 978-0-8135-7042-6

Snelson, Tim (2014) The (Re)possession of the American Home: Negative Equity, Gender Inequality, and the Housing Crisis Horror Story. In: Gendering the Recession: Media and Culture in an Age of Austerity. Duke University Press, pp. 161-180. ISBN 978-0-8223-5687-5

Snelson, Tim (2015) Robert Siodmak. In: Fifty Hollywood Directors. Routledge, London, pp. 210-217. ISBN 9780415501392

Snelson, Tim (2017) ‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom. Historical Journal of Film, Radio and Television, 37 (3). pp. 455-474. ISSN 0143-9685

Snelson, Tim (2008) "What Am I…Beloved or Bewitched?" Split-Screens, Gender Confusion and Psychiatric Solutions in The Dark Mirror (1946). Refractory: a Journal of Entertainment Media, 14.

Snelson, Tim (2017) Where the exceptional and the everyday meet: Exploring cinema culture in British seaside towns. In: Cinema Beyond the City. Palgrave Macmillan. ISBN 9781844578467

Snelson, Timothy (2017) ‘To Be Continued…: Seriality, Cyclicality and the New Cinema History’. In: Routledge Companion to New Cinema History. Routledge. ISBN 1138955841

Stead, Lisa (2017) Archiving star labour: framing Vivien Leigh. Women's History Review. ISSN 0961-2025 (In Press)

Stead, Lisa (2010) Audiences from the Film Archive:Women’s Writing and Silent Cinema. In: Scope journal of film and TV studies, Using Moving Image Archives Special Issue. Scope: An Online Journal of Film and Television Studies, pp. 32-47. ISBN 978-0-9564641-1-8

Stead, Lisa (2013) Introduction. In: The Boundaries of the Literary Archive. Routledge, Farnham, pp. 1-12. ISBN 9781409443223

Stead, Lisa Rose (2011) "So oft to the movies they've been": British fan writing and female audiences in the silent cinema. Transformative Works and Cultures, 6. ISSN 1941-2258

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Street, John, Inthorn, Sanna and Scott, Martin (2013) From Entertainment to Citizenship; Politics and Popular Culture. Manchester University Press. ISBN 978-0-7190-8538-3

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Tasker, Yvonne (2002) The Silence of the Lambs. British Film Institute. ISBN 0851708714

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Tasker, Yvonne (2011) Soldiers' Stories:Military Women in Cinema and Television since WWII. Duke University Press.

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Williams, Melanie (2009) British Women's Cinema. Routledge. ISBN 9780415466974

Williams, Melanie (2014) David Lean. MUP. ISBN 978-0-7190-7385-4

Williams, Melanie (2017) Female Stars of British Cinema:The Women in Question. Edinburgh University Press. ISBN 9781474405638

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Williams, Melanie (2009) A Girl Alone in a Man's World: Ice Cold in Alex (1958) and the place of women in the 1950s British war film cycle. Feminist Media Studies, 9 (1). pp. 95-108. ISSN 1471-5902

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Williams, Melanie (2009) Prisoners of Gender: Women in the Films of J. Lee Thompson: A new approach to British cinema of the 1950s. VDM Verlag Dr. Müller. ISBN 9783639116946

Williams, Melanie (2014) Robert Bolt. In: British Writers. British Writers Series . Charles Scribner's Sons. ISBN 9780684325019

Williams, Melanie (2009) Twilight women of 1950s British cinema. In: The British Cinema Book,. British Film Institute, London. ISBN 9781844572755

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Williams, Melanie (2007) ''The creative producer: Frank Godwin interviewed by Melanie Williams''. Journal of British Cinema and Television, 4(1). pp. 140-49. ISSN 1755-1714

Williams, Melanie (2016) The girl you don’t see: Julie Harris and the costume designer in British cinema. Feminist Media Histories, 2 (2). pp. 71-106. ISSN 2373-7492

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Williams, Melanie, Duguid, Mark, Freeman, Lee and Johnston, Keith M (2012) Introduction: Revisiting Ealing. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Williams, Melanie and Newland, Paul (2010) Staccato and wrenchingly modern: reflections of the 1970s stardom of Glenda Jackson. In: Don't Look Now? British Cinema in the 1970s. Intellect Press.

Williams, Melanie and Wright, Ellen (2011) Betty Grable: an American icon in Britain, 1939-1945. Historical Journal of Film, Radio and Television, 31 (4). pp. 543-560. ISSN 0143-9685

Winch, Alison (2017) "Does Feminism Have a Generation Gap?": Blogging, Millennials and the Hip Hop Generation. In: Women Writing Across Cultures. Routledge. ISBN 9781138295766

Winch, Alison (2017) “Does Feminism have a generation gap?”:blogging, millennials and the hip hop generation. Angelaki, 22 (1). pp. 207-221. ISSN 0969-725X

Winch, Alison (2016) ‘I just think it’s dirty and lazy’: Fat surveillance and erotic capital. Sexualities, 19 (8). pp. 898-913. ISSN 1461-7382

Winch, Alison (2016) Trouble. The Emma Press. ISBN 9781910139394

Winch, Alison, Littler, Jo and Keller, Jessalynn (2016) Why 'intergenerational feminist media studies'? Feminist Media Studies, 16 (4). pp. 557-572. ISSN 1468-0777

Winch, Alison, Littler, Jo and Keller, Jesslynn (2018) Introduction: Why "intergenerational feminist media studies"? In: An Intergenerational Feminist Media Studies: Conflicts and connectivities. Routledge, London. ISBN 9781138563483

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Yuval-Davis, Nira and Hakim, Jamie (2015) Anti-Jewish and anti-Muslim Racisms, and the question of Palestine/Israel. UNSPECIFIED, openDemocracy.

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This list was generated on Mon Jun 18 05:51:45 2018 BST.