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A

Atakav, Eylem (2014) "Do one’s dreams become smaller as one becomes bigger?" Memory, Trauma and the Child in Turkish Cinema. In: New Cinema, New Media: Reinventing Turkish Cinema. Cambridge Scholars Press, pp. 158-165. ISBN 978-1-4438-5688-1

Atakav, Eylem (2014) Dorothy Arzner (1897-1979). In: Fifty Hollywood Directors. Routledge. ISBN 9780415501408

Atakav, Eylem (2009) Female Subjectivity and Cinematic Representation. Cinemascope, 12.

Atakav, Eylem (2015) Feminism and Women’s Film History in 1980s Turkey. In: Doing Women's Film History. University of Illinois Press, pp. 127-138. ISBN 978-0-252-03968-3

Atakav, Eylem (2016) Growing Up Married. UNSPECIFIED.

Atakav, Eylem (2018) Growing Up Married: Representing Forced Marriage on Screen. Journal of Critical Discourse Studies. (In Press)

Atakav, Eylem (2015) ‘Honour is everything for Muslims’? Vendetta Song, Filmic Representation, Religious Identity and Gender Politics in Turkey. In: The Politics of Being a Woman. Palgrave Macmillan UK, pp. 49-63. ISBN 978-1-349-48098-2

Atakav, Eylem (2017) The Republican Woman is Being Destroyed! Save your republic! Gender Politics and Turkish Television Adverts’. In: ‘I’m not a feminist but…’: Gender and 21st Century Visual Culture. UNSPECIFIED. (In Press)

Atakav, Eylem (2016) Women, Islam, and cinema:Gender politics and representation in Middle Eastern films and beyond. In: The Routledge Companion to Cinema and Gender. Taylor and Francis Inc., pp. 227-236. ISBN 9781138924956

Atakav, Eylem (2013) The critical reception of Certified Copy: Original art or copy of a rom-com? In: Watching Films. Intellect Ltd. ISBN 9781841505114

Atakav, Eylem and Randell, Karen (2017) Women and Contemporary World Cinema. Palgrave. (In Press)

Attwood, Feona, Hakim, Jamie and Winch, Alison (2017) Mediated intimacies: bodies, technologies and relationships. Journal of Gender Studies, 26 (3). pp. 249-253. ISSN 0958-9236

Aveyard, Karina (2011) Australian films at the cinema: rethinking the role of distribution and exhibition. Media International Australia, 138. pp. 36-45.

Aveyard, Karina (2012) Big Screen to Small Screen: Australasian film and its new formats (Special edition - Guest editor). Studies in Australasian Cinema, 6 (2).

Aveyard, Karina (2012) Cinema on the Edge: Improvised Film Exhibition and Digital Projection in Rural Australia. Studies in Australasian Cinema, 6 (2). pp. 189-201.

Aveyard, Karina (2009) Coming to a cinema near you: Digital cinema, exhibition and audiences in Australia. Studies in Australisian Cinema, 3 (2). pp. 191-203.

Aveyard, Karina (2009) Digitizing and Contextualizing Australian audio-visual content: australianscreen online. Studies in Australasian Cinema, 3 (2). pp. 205-222.

Aveyard, Karina (2016) Film consumption in the 21st century: engaging with non-theatrical viewing. Media International Australia, 160 (1). pp. 140-149. ISSN 1329-878X

Aveyard, Karina (2017) Film education, technology and popular culture: Community cinema in rural areas of the United Kingdom. In: Cinema Beyond the City. Cultural Histories of Cinema . BFI Publishing. ISBN 9781844578467

Aveyard, Karina (2011) More Than Making Do: rethinking cinema attendance in regional and rural Australia. Studies in Australasian Cinema, 5 (1). pp. 7-18.

Aveyard, Karina (2012) Observation, Mediation and Intervention: an Account of Methodological Fusion in the Study of Rural Cinema Audiences in Australia. Participations: Journal of Audience and Reception Studies, 9 (2).

Aveyard, Karina (2011) The Place of Cinema and Film in Contemporary Rural Australia. Participations: Journal of Audience and Reception Studies, 8 (2).

Aveyard, Karina (2009) Rethinking cinema-going in rural Australia. Researching Australian Film Exhibition and Distribution.

Aveyard, Karina (2018) The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia. In: Rural Cinema Exhibition and Audiences in a Global Context. Springer International Publishing, pp. 171-183. ISBN 978-3-319-66343-2

Aveyard, Karina (2011) What the country tells us - the place of the ‘rural’ in contemporary studies of cinema. Media International Australia, 139. pp. 124-132.

Aveyard, Karina and Moran, Albert (2016) From Marginal Trader to Corporate Giant: The Emergence of FremantleMedia. In: New Patterns in Global Television Formats. Intellect Books. ISBN 9781783207121

Aveyard, Karina, Moran, Albert and Vieth, Errol (2018) Historical Dictionary of Australian and New Zealand Cinema, 2nd edition. Rowman and Littlefield. ISBN 978-1-5381-1126-0

B

Barrow, Sarah (2007) Allegories of Identity in Bajo la piel (Francisco Lombardi 1996 Peru). In: A World Torn Apart: Representations of Violence in Latin American Narrative. Peter Lang. ISBN 978-3039113354

Barrow, Sarah (2008) Bhaji on the Beach (1993). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty Key American Films. Taylor & Francis. ISBN 9780415772969

Barrow, Sarah (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

Barrow, Sarah (2007) Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua by Jonathon Buchsbaum. Scope. ISSN 1465-9166

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). pp. 132-148. ISSN 1740-0309

Barrow, Sarah (2017) Contemporary Peruvian Cinema: History, Identity and Violence on Screen. IB Tauris. ISBN 9781784538217

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2012) Deconstructive Humour: Subverting Mexican and Chicano Stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2008) Drifters (1929). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2004) Duck Season (Fernando Eimbcke 2004, Mexico). UNSPECIFIED.

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana. Iberoamericana, 9 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah (2018) Growing Pains: Young People and Violence in Peru’s Fiction Cinema. In: New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures . Palgrave Macmillan, pp. 165-181. ISBN 978-3-319-89380-8

Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema Essays on Modernity, Gender and National Identity. McFarland & Co Inc. ISBN 978-0-7864-2004-9

Barrow, Sarah (2016) The Impossible Constellation: Practice as Research as a Viable Alternative. In: The Academic Book of the Future. Palgrave Macmillan UK, pp. 24-30. ISBN 978-1-349-88797-2

Barrow, Sarah (2006) Kukuli (Luis Figueroa 1961 Peru). University of Cambridge.

Barrow, Sarah (2016) Latin American Cinema by Stephen M. Hart. Viewfinder.

Barrow, Sarah (2008) Listen to Britain (1942). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) The Lodger (1926). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) London (1994). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. NECSUS. European Journal of Media Studies. ISSN 2215-1222

Barrow, Sarah (2003) Maria Full of Grace (Joshua Marston 2003 Columbia/US). UNSPECIFIED.

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty Key American Films. Routledge. ISBN 9780415772969

Barrow, Sarah (2017) Morality Tales? Visions of the Past in Spielberg’s History Plays. In: A Companion to Steven Spielberg. Wiley-Blackwell, pp. 307-319. ISBN 978-1-118-72691-4

Barrow, Sarah (2018) Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru. In: Contemporary Latin American Cinema. Palgrave Macmillan, pp. 119-134. ISBN 978-3-319-77009-3

Barrow, Sarah (2006) The New Brazilian Cinema edited by Lúcia Nagib. Scope (5). ISSN 1465-9166

Barrow, Sarah (2013) New configurations for Peruvian cinema: The rising star of Claudia Llosa. Transnational Cinemas, 4 (2). pp. 197-215. ISSN 2040-3526

Barrow, Sarah (2014) Out of the Shadows: ‘New’ Peruvian Cinema, National Identity and Political Violence. Modern Languages Open. ISSN 2052-5397

Barrow, Sarah (2007) Peruvian Cinema and the Struggle for International Recognition: Case Study on El Destino no tiene favoritos. In: Contemporary Latin American Cinema. Rowman & Littlefield Publishers. ISBN 978-0-7425-3914-3

Barrow, Sarah (2018) Peruvian wounds: Children and violence in the fiction cinema of the Chaski Group, Gregorio (1984) and Juliana (1988). In: The Feeling Child. Lexington Books. ISBN 978-1-4985-7440-2

Barrow, Sarah (2006) Political Violence, Cinematic Representation, and Peruvian National Identity: La Boca del Lobo (Francisco Lombardi, 1988) and La Vida es una Sola (Marianne Eyde, 1993). In: Political Violence and the Construction of National Identity in Latin America. Palgrave, pp. 131-148. ISBN 978-1-4039-7388-7

Barrow, Sarah (2018) Portfolio Careers and a New Common Cause:The Conditions for Screen Workers in Peru. In: The Precarious in the Cinemas of the Americas. Palgrave Macmillan, pp. 163-181. ISBN 978-3-319-76806-9

Barrow, Sarah (2008) Pressure (1975). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Ratcatcher (1999). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2015) Reframing transitions and contesting memories: The archive and the archival object in Peruvian cinema. New Cinemas, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488

Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European Cinema: Inside Out. Universitätsverlag Winter GmbH Heidelberg. ISBN 978-3-8253-1474-3

Barrow, Sarah (2002) Suddenly (Diego Lerman 2002). UNSPECIFIED.

Barrow, Sarah (2008) The Third Man (1949). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2017) Through Female Eyes: Reframing Peru on Screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. IB Tauris. ISBN 9781784537111

Barrow, Sarah (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Barrow, Sarah (2010) Transnational Financial Structures in the Cinema of Latin America: Programa Ibermedia in Study, Libia Villazana (2009). Transnational Cinemas. pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2003) The White Train (Nahuel García 2003 Argentina/Spain). UNSPECIFIED.

Bennett, Elizabeth and Mckay, George (2019) Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK. UNSPECIFIED.

Bennett, Elizabeth and Mckay, George (2019) From Brass Bands to Buskers:Street Music in the UK. AHRC/UEA, Norwich.

Butler, Philip, Cowgill, Rachel, Duffy, Celia, Hand, Richard and Price, Deborah (2006) Multi-disciplinary Perspectives on the British Library's Archival Sound Recordings Project. Performance Research, 11 (4). pp. 117-126. ISSN 1352-8165

C

Campbell, Colin and Pearson, Erin (2019) Strategies for creating successful soundless video advertisements:Speaking volumes through silence. Journal of Advertising Research, 59 (1). pp. 85-98. ISSN 0021-8499

Cann, Victoria, Godfrey, Sarah and Warner, Helen (2018) Contemporary Girls Studies:Reflections on the Inaugural International Girls Studies Association Conference. Girlhood Studies, 11 (3). vi–xxi. ISSN 1938-8209

Cann, Victoria, Godfrey, Sarah and Warner, Helen (2018) Contemporary Girls Studies:Reflections on the Inaugural International Girls Studies Association Conference. Girlhood Studies, 11 (3). ISSN 1938-8209

Cassidy, Angela and Mills, Brett (2012) 'Fox Tots Attack Shock': Urban Foxes, Mass Media and Spacial Boundaries. Environmental Communication, 6 (4). pp. 494-511. ISSN 1752-4032

Challis, Ben, D'Arcy, Geraint, Dean, Robert, Hand, Richard, Smith, Rob and Traynor, Mary (2014) Wireless zombies! A re-creation of Golden Age radio drama for a contemporary audience. Studies in Theatre and Performance, 34 (3). pp. 252-259. ISSN 1468-2761

Collings, Beccy (2018) British dark comedy television and the bodily aesthetics of the ‘Proper person’. Comedy Studies, 9 (1). pp. 63-75. ISSN 2040-610X

Cornea, Christine (2010) 2-D Performance and the re-Animated Actor. In: Genre and Performance: Film and Television. Manchester University Press, pp. 148-165. ISBN 9780719079801

Cornea, Christine (2006) The American Musical since the 1960s. In: Contemporary American Cinema. Open University Press, pp. 53-56. ISBN 0335218326

Cornea, Christine (2006) Arnold Schwarzenegger. In: Contemporary American Cinema. Open University Press, pp. 284-288. ISBN 0335218326

Cornea, Christine (2011) British Science Fiction Television in the Discursive Context of Second Wave Feminism. Genders Journal, 54 (Summer).

Cornea, Christine (2003) David Cronenberg’s Crash and Performing Cyborgs. Velvet Light Trap, 52 (1). pp. 4-14.

Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2010) Editor's Introduction. In: Genre and Performance: Film and Television. Manchester University Press, pp. 1-17. ISBN 9780719079801

Cornea, Christine (2005) The Figuration of the Cyborg in Science Fiction Novels and Films. In: Companion to Science Fiction (Blackwell Companions to Literature & Culture). Blackwell Publishing, pp. 275-288. ISBN 9781405112185

Cornea, Christine (2011) Frankenheimer and the Science Fiction/Horror Film. In: A Little Solitaire: John Frankenheimer and American Film. Rutgers University Press, pp. 229-243. ISBN 9780813550602

Cornea, Christine (2017) From Isolationism to Globalism: An Overview of Politics and Ethics in the Hollywood Science Fiction Film. In: Science Fiction, Ethics, and the Human Condition. Springer, pp. 159-179. ISBN 978-3-319-56575-0

Cornea, Christine (2010) Genre and Performance: Film and Television. Manchester University Press. ISBN 9780719079801

Cornea, Christine (2006) The Hollywood Musical. In: Contemporary American Cinema. Open University Press, pp. 53-61. ISBN 0335218326

Cornea, Christine (2008) In Focus: The Practitioner Interview in Film and Television Studies. Cinema Journal, 47(2). pp. 117-154.

Cornea, Christine (2008) Introduction: Interviews in Film and Television Studies. Cinema Journal, 47(2). pp. 117-23.

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2014) Re-Viewing 'Survivors' (BBC, 1975-77): Gender, Genre and National Anxiety. Quarterly Review of Film and Video, 31 (5). pp. 401-414. ISSN 1543-5326

Cornea, Christine (2007) Science Fiction Cinema: Between Fantasy and Reality. Rutgers University Press. ISBN 9780813541730

Cornea, Christine (2009) Showrunning the Doctor Who Franchise. In: Production Studies: Cultural Studies of Media Industries. Routledge. ISBN 9780415997966

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

Cornea, Christine (2006) Star Wars IV: A New Hope(1977). In: Understanding Film Genres. McGraw-Hill College. ISBN 0072563699

Cornea, Christine (2005) Techno-Orientalism and the Postmodern Subject. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, pp. 72-81. ISBN 1904764347

Cornea, Christine (2017) Wie man Katastrophen überlebt:Die Zerstörung der Umwelt und Visionen einer postapokalyptischen Zukunft im amerikanischen Science-Fiction-Kino. In: Future Worlds. Bertz & Fischer, Berlin, pp. 39-49. ISBN 978-3-86505-250-6

Cornea, Christine, Bowater, Laura and Bowater, Richard (2012) Visualizing Science Fiction and relating it to Science Fact. The Biochemist, 34 (6). pp. 4-8. ISSN 0954-982X

Cornea, Christine, Bowater, Laura, James, Helen and Bowater, Richard (2012) Using science fiction to teach science facts. The Biochemist, 34 (6). pp. 15-20. ISSN 0954-982X

D

D'Arcy, Geraint and Hand, Richard J. (2012) Open Your Eyes/Shut Your Eyes: Staging Kandinsky's The Yellow Sound at Tate Modern. Performance Research, 17 (5). pp. 56-60. ISSN 1352-8165

Dean, Robert and Hand, Richard (2013) 'Bashed be bit by all with ears':Blue Jam and the Radio. In: No Known Cure. BFI. ISBN 978-1844574797

Denison, Rayna (2019) Anime and Nationalism:The Politics of Representing Japan in Summer Wars (Hosoda Mamoru, 2009). Mutual Images Journal, 5 (Autumn 2018). pp. 123-142. ISSN 2496-1868

Denison, Rayna (2017) Anime's Star Voices:Voice Actor (Seiyu) Performance and Stardom in Japan. In: Locating the Voice in Film. Oxford University Press, Oxford, pp. 101-118. ISBN 9780190261122

Denison, Rayna (2015) Anime:A Critical Introduction. Bloomsbury, London. ISBN 978-1-84788-479-4

Denison, Rayna (2018) Anime’s distribution worlds:Formal and informal distribution in the analogue and digital eras. In: Routledge Handbook of Japanese Media. Taylor and Francis, pp. 403-418. ISBN 9781138917415

Denison, Rayna (2018) Before Ghibli was Ghibli:Analysing the historical discourses surrounding Hayao Miyazaki’s Castle in the Sky (1986). East Asian Journal of Popular Culture, 4 (1). pp. 31-46. ISSN 2051-7084

Denison, Rayna (2017) Bollywood DVD: The Relationship Between Distributive Technology and Content in Transnational Cinema. In: Cult Media. Springer International Publishing AG, pp. 181-199. ISBN 978-3-319-63678-8

Denison, Rayna (2005) Disembodied Voices: The Soundscape and Stars of Princess Mononoke. Scope. ISSN 1465-9166

Denison, Rayna (2016) Franchising and Film in Japan:Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Culture. Cinema Journal, 55 (2). pp. 67-88. ISSN 0009-7101

Denison, Rayna (2019) How to Animate Your Franchise:DreamWorks Animation and the Franchising of How to Train Your Dragon. In: The Franchise Era: Managing Media in the Digital Economy. Edinburgh University Press, Edinburgh, p. 158. ISBN 9781474419222

Denison, Rayna (2016) Tracing Asian Franchises:Local and Transnational Reception of Hana Yori Dango. In: Media Across Borders. Routledge, pp. 51-66. ISBN 9781138809451

Denison, Rayna and Jancovich, Mark (2007) Mysterious Bodies (A Special Edition of Intensities Journal). Intensities Journal, 4.

F

Farmer, Richard (2019) Supplemental Income: British newspaper colour supplements in the 1960s. Media History, 25 (3). pp. 371-386. ISSN 1368-8804

Farmer, Richard (2018) ‘An almost continuous picture of sordid vice’: The Keeler Affair, the Profumo Scandal and ‘Political’ Film Censorship in the 1960s. Journal of British Cinema and Television, 15 (2). pp. 228-251. ISSN 1743-4521

Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113

Friedman, Sam, Mills, Brett and Phillips, Tom (2011) Comedy Audiences - Editor's Introduction: Foregrounding The Comedy Audience. Participations, 8 (2). pp. 120-127. ISSN 1749-8716

Frith, Paul (2019) ‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’. Historical Journal of Film, Radio and Television, 39 (2). pp. 233-250. ISSN 0143-9685

Frith, Paul and Johnston, Keith (2019) Beyond Place: Rethinking British Amateur Films through Gender and Technology-based Perspectives. Screen, 60 (4). ISSN 0036-9543 (In Press)

G

Gill, Rosalind, Hamad, Hannah, Kauser, Mariam, Negra, Diane, Roshini, Nayomi and Littler, Jo (2016) UNSPECIFIED In: UNSPECIFIED Taylor & Francis, pp. 726-736.

Godfrey, Sarah (2018) Authenticity and Aspiration: Exploring the CBBC Television Tween. Girlhood Studies, 11 (1 (Spring)). pp. 8-24. ISSN 1938-8209

Godfrey, Sarah and Holmes, Su (2016) 'Surely the most natural scenario in the world’: Representations of ‘Family’ in BBC Pre-school Television. Critical Studies in Television, 11 (1). pp. 59-77. ISSN 1749-6039

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp:Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

H

Hakim, Jamie (2019) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies, 33 (2). pp. 249-275. ISSN 0950-2386

Hand, Richard (2005) Aesthetics of Cruelty:Traditional Japanese Theatre and the Horror Film. In: Japanese Horror Cinema. Edinburgh University Press. ISBN 9780748619955

Hand, Richard (1989) Anthologized Clare and the Problem of Death Date. Notes and Queries, 36 (2). pp. 181-182. ISSN 0029-3970

Hand, Richard (2016) ‘Brand New Ancient Legends’: Creating Werewolves for a Welsh Halloween. Revenant, 1 (2). pp. 146-173. ISSN 2397-8791

Hand, Richard (1991) ’Character is Fate’ Thomas Hardy’s The Mayor of Casterbridge and Shakespeare’s Antony and Cleopatra. The Region and Nation Newsletter, 2 (4). pp. 3-12.

Hand, Richard (2000) Christopher Hampton’s Adaptation of The Secret Agent. Conradiana, 32 (3). pp. 195-202. ISSN 0010-6356

Hand, Richard (2001) Conrad and the Reviewers: "The Secret Agent" on Stage. The Conradian, 26 (2). pp. 1-67.

Hand, Richard (2006) Conrad’s Drama in a World Theatrical Context. In: Beyond the Roots. Columbia University Press. ISBN 978-0880335751

Hand, Richard (2018) The Devil at Midnight. [Performance]

Hand, Richard (2004) Dissecting the Gash: Sexual Horror in the 1980s and the Manga of Suehiro Maruo. M/C Journal, 7 (4). ISSN 1441-2616

Hand, Richard (2018) Edgar Allan Poe radio adaptations:5 x 30 minute radio adaptations of Poe short stories in serialised form. [Performance]

Hand, Richard (2018) The Empty House:The Ghost of a Memory, The Memory of a Ghost. Revenant, 1 (3). pp. 72-78. ISSN 2397-8791

Hand, Richard (2012) Entries on these horror films: ‘Jekyll and Hyde’; ‘Dead of Night’; ‘Invasion of the Body Snatchers’; ‘Curse of the Demon’; ‘Psycho’; ‘Plague of the Zombies’; ‘Night of the Living Dead’; ‘Theatre of Blood’; ‘Count Yorga’; ‘The Thing’; ‘The Mist’. In: Graphic Horror: Movie Monster Memories. UNSPECIFIED. ISBN 9780764340826

Hand, Richard (2006) “Escape with Joseph Conrad! The Adaptation of Joseph Conrad’s Fiction on American Old Time Radio. Conradiana. ISSN 0010-6356

Hand, Richard (2018) Frankenstein and a Little Twist of Fate. [Performance]

Hand, Richard (2005) Gennaro from Lucretia Borgia. In: Classical Monologues for Men. Methuen: London. ISBN 9780413775337

Hand, Richard (2002) Grand-Guignol: The French Theatre of Horror. University of Exeter Press. ISBN 978-0859896962

Hand, Richard (2006) History, Homage, and Horror:Fassbinder, Raab, Lommel and the Tenderness of Wolves (1973). In: Caligari's Heirs. Scarecrow Press. ISBN 0810858789

Hand, Richard (2019) A Household Name. [Performance] (In Press)

Hand, Richard (2018) How Black Mirror combines a disturbing future with a familiar past. The Conversation.

Hand, Richard (2010) 'It must all change now!':Victor Hugo’s Lucretia Borgia and Adaptation Practices in Theatre. In: Redefining Adaptation Studies. Scarecrow Press. ISBN 978-0-8108-7298-1

Hand, Richard (1993) John Clare on Stage: Edward Bond’s ‘The Fool’ and the Issue of Faction. John Clare Society Journal, 12. pp. 57-61. ISSN 1356-7128

Hand, Richard (1989) John Clare’s Intense Regionalism. The Region and Nation Newsletter, 2 (1). pp. 21-27.

Hand, Richard (2008) La proliferazione dell’horror:Survival horror e la serie di Resident Evil. In: Intermedialita. Unicopli. ISBN 9788840012704

Hand, Richard (2010) Labyrinths of the Taboo:Theatrical Journeys of Eroticism and Death in Parisian Culture. In: Eroticism and Death in Theatre and Performance. University of Hertfordshire Press, pp. 64-79. ISBN 978-1-902806-92-1

Hand, Richard (2014) Listen in Terror:British Horror Radio from the Advent of Broadcasting to the Digital Age. Manchester University Press. ISBN 978-0-7190-8148-4

Hand, Richard (2003) Loving and Killing: the two great adventures in life’: Maurice Tourneur’s 1919 screen version of Joseph Conrad’s Victory. Conradiana, 35 (3). pp. 52-64. ISSN 0010-6356

Hand, Richard (2004) Lucrece Borgia. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (2005) 'Lucretia' from Lucretia Borgia. In: Classical Monologues for Women [Audition Speeches]. Methuen: London. ISBN 9780413775344

Hand, Richard (2018) A Memory of Sammy. [Performance]

Hand, Richard (2010) Mike Schneider in interview with Richard Hand:Night of the Living Dead: Reanimated (2009). Journal of Adaptation in Film and Performance, 3 (2). ISSN 1753-6421

Hand, Richard (2015) ‘Octave Mirbeau’s The Epidemic’. Journal of Adaptation in Film and Performance, 8 (1). pp. 73-91. ISSN 1753-6421

Hand, Richard (2002) Producing Laughing Anne. Conradiana, 34 (1-2). pp. 43-62. ISSN 0010-6356

Hand, Richard (2004) Proliferating Horrors:Survival Horror and the Resident Evil franchise. In: Horror Film. University Press of Mississippi. ISBN 978-1578066926

Hand, Richard (2017) Radio Adaptation. In: The Oxford Handbook of Adaptation Studies. Oxford University Press, Oxford. ISBN 9780199331000

Hand, Richard (2005) Reanimating Peyton Farquhar: The Adaptations of Ambrose Bierce’s ‘An Occurrence at Owl Creek Bridge’. Ambrose Bierce Project Journal, 1 (1). ISSN 1939-4578

Hand, Richard (2004) Ruy Blas. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (1994) 'Self-Adaptation’: Hardy’s Tess of the D’Urbervilles. Swansea Review. pp. 274-286. ISSN 0269-8374

Hand, Richard (2004) Shakespeare, Soccer, and Spin-Doctors: Staging a Contemporary "Henry V". College Literature, 31 (4). pp. 60-71. ISSN 0093-3139

Hand, Richard (2018) Sound-Stories: Audio Drama and Adaptation. In: The Routledge Companion to Adaptation. Routledge, London. ISBN 9781138915404

Hand, Richard (2000) "The Stage Is a Terribly Searching Thing" Joseph Conrad's Dramatization of 'The Secret Agent'. Conradiana, 32 (1). pp. 57-65. ISSN 0010-6356

Hand, Richard (2001) Staging an ‘unbearable spectacle’: Joseph Conrad's Laughing Anne. Studies in Theatre and Performance, 21 (2). pp. 109-117. ISSN 1468-2761

Hand, Richard (2018) Súčasné fóra desivých zážitkov. Časopisu Kød – Konkrétne o Divadle, 12 (5). pp. 2-3. ISSN 1337-1800

Hand, Richard (2018) Talos II Science Fiction Festival of London:Live Radio Play - Prometheus; Frankenstein. [Performance]

Hand, Richard (2005) Theatres of Interactivity:Video Games in the Drama Studio. In: Digital Gameplay. McFarland. ISBN 978-0-7864-2292-0

Hand, Richard (2017) Thrills and Chills!:An Evening of Old-Time Horror Radio. [Performance]

Hand, Richard (2018) Uncanny Audio:The place and use of sound in Gothic performance. In: Contemporary Gothic Drama. Palgrave Macmillan, pp. 125-138. ISBN 978-1-349-95358-5

Hand, Richard (2011) Undead Radio:Zombies and the Living Dead on Live American Radio Drama in the 1930-40s. In: Better Off Dead. Fordham University Press. ISBN 9780823234462

Hand, Richard (2013) Zappa and horror:screamin’ at the monster. In: Frank Zappa and the And. Ashgate. ISBN 9781138246300

Hand, Richard (2018) ‘every sound terrified me’::Frankenstein on live radio. In: UNSPECIFIED.

Hand, Richard and Carr, Paul (2012) Canciones, estrellas y bandas sonoras: cine y rock británico (1956-1976). L’Atalante: Revista de Estudios Cinematográficos, 14. pp. 20-27. ISSN 1885-3730

Hand, Richard and Carr, Paul (2007) Frank Zappa and musical theatre: ugly ugly o'phan Annie and really deep, intense, thought-provoking Broadway symbolism. Studies in Musical Theatre, 1 (1). pp. 41-56. ISSN 1750-3159

Hand, Richard and Carr, Paul (2008) ‘Twist ‘n frugg in an arrogant gesture’: Frank Zappa and the Musical-Theatrical Gesture. Popular Musicology Online. ISSN 1357-0951

Hand, Richard and Hancock, Danielle (2018) Beware the Untruths:Podcast Audio Horror in Post-Truth America. In: Make America Hate Again. Routledge. (In Press)

Hand, Richard and Wilson, Michael (2000) The Grand-Guignol: Aspects of Theory and Practice. Theatre Research International, 25 (3). pp. 266-275. ISSN 0307-8833

Hand, Richard and Wilson, Michael (2007) London's Grand Guignol and the Theatre of Horror. University of Exeter Press. ISBN 978-0859897921

Hand, Richard and Wilson, Michael (2012) Transatlantic Terror! French Horror Theater and American Pre-Code Comics. Journal of Popular Culture, 45 (2). pp. 301-319. ISSN 0022-3840

Hand, Richard J. (2012) Adaptation and Modernism. In: A Companion to Literature, Film, and Adaptation. Blackwell-Wiley, pp. 52-69. ISBN 978-1-4443-3497-5

Hand, Richard J. (2010) Captured Ghosts:Horror Acting in the 1970s British Television Drama. In: Genre and Performance. Manchester University Press. ISBN 978-0-7190-7980-1

Hand, Richard J. (2014) Conrad adapted. In: The New Cambridge Companion to Joseph Conrad. Cambridge University Press. ISBN 9781107610378

Hand, Richard J. (2016) Disruptive Corpses:Tales of the Living Dead in Horror Comics of the 1950s and Beyond. In: Vampires and Zombies. University Press of Mississippi. ISBN 978-1-4968-0474-7

Hand, Richard J. (2018) Frankenstein's Pulse:An Afterword. In: Adapting Frankenstein. Manchester University Press. ISBN 978-1-5261-0890-6

Hand, Richard J. (2012) German Expressionism. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2013) Half-Masks and Stage Blood:Translating, Adapting and Performing French Historical Theatre Forms. In: Translation and Adaptation in Theatre and Film. Routledge. ISBN 9780415829687

Hand, Richard J. (2013) Octave Mirbeau: Two Plays:"Business is Business" and "Charity". Intellect Books. ISBN 9781841504865

Hand, Richard J. (2017) ‘A Perfect Demon’: Michael Eaton’s Charlie Peace: His Amazing Life & Astounding Legend. In: Neo-Victorian Villains. Brill, pp. 51-70. ISBN 9789004322240

Hand, Richard J. (2017) Populism and ideology: nineteenth-century fiction and the cinema. In: Interventions. Manchester University Press. ISBN 978-1-7849-9510-2

Hand, Richard J. (2012) Radio. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2017) The Sound of War: Audio, Radio and the First World War. In: The Edinburgh Companion to the First World War and the Arts. Edinburgh University Press, Edinburgh. ISBN 9781474401630

Hand, Richard J. (2017) Spirits on the Air: Ghosts, Sound and the Radio. In: The Routledge Handbook to the Ghost Story. Routledge, London. ISBN 9781138184763

Hand, Richard J. (2009) 'Stay Tuned for Tricks, Treats and Terror':Halloween and Horror Radio in the Era of American Live Broadcasting. In: Treat or Trick? Cambridge: Cambridge Scholars Press, pp. 214-226. ISBN 978-1-4438-0153-9

Hand, Richard J. (2006) Terror on the Air!:Horror Radio in America, 1931-1952. McFarland. ISBN 978-0786469192

Hand, Richard J. (2005) The Theatre of Joseph Conrad:Reconstructed Fictions. Palgrave. ISBN 978-1-4039-1899-4

Hand, Richard J. and Purssell, Andrew (2014) Adapting Graham Greene. Palgrave Macmillan. ISBN 9780230579040

Hand, Richard J. and Traynor, Mary (2011) The Radio Drama Handbook:Audio Drama in Practice and Context. Continuum. ISBN 9781441147431

Hand, Richard J. and Wilson, Michael (2016) Performing Grand-Guignol:Playing the Theatre of Horror. University of Exeter Press. ISBN 9780859899963

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Understanding Reality Television. Routledge, pp. 111-135. ISBN 0415317959

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950s British Television. Screen, 42 (2). pp. 167-187. ISSN 1460-2474

Holmes, Su (2005) British TV and Film Culture of the 1950s: Coming to a TV Near You! Intellect Books. ISBN 1841501212

Holmes, Su (2007) ‘But The Question is – is it all Worth Knowing?’: Quiz Shows on 1950s British Television. Media, Culture and Society, 49 (1). pp. 65-86. ISSN 1460-3675

Holmes, Su (2004) 'But this time You Choose!':Approaching the Interactive Audience of Reality TV. International Journal of Cultural Studies, 7 (2). pp. 213-231. ISSN 1460-356X

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 1465-3451

Holmes, Su (2007) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Re-viewing Television History. IB Tauris, pp. 67-81. ISBN 1845111885

Holmes, Su (2006) 'The "Give-Away" Shows - Who is Really Paying?": 'Ordinary' People and the Development of the British Quiz Show (1945-58). Journal of British Cinema & Television, 3 (2). pp. 284-303. ISSN 1755-1714

Holmes, Su (2001) The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 1465-3451

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. ISBN 0415377102

Holmes, Su (2005) “It’s a Woman!”: The Question of Gender in Who Wants to be a Millionaire. Screen, 46 (2). pp. 155-173. ISSN 1460-2474

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. ISSN 1543-5326

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching. pp. 12-19.

Holmes, Su (2006) A Night in at the Cinema: The Film Première on 1950s British Television. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). pp. 483-503. ISSN 1460-3551

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in Heat Magazine. Journal of Media and Cultural Studies, 19 (1). pp. 21-38.

Holmes, Su (2004) ‘The Only Place where “Success” Comes Before "Work" is in the Dictionary…?’: Conceptualising Fame in Reality TV. M/C Journal, 7.

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309

Holmes, Su (2004) Reality Goes Pop!’: Reality TV, Popular Music and Narratives of Stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1552-8316

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture. Westminster Papers in Communication and Culture, 2 (2). pp. 6-21. ISSN 1744-6716

Holmes, Su (2006) When Will I be Famous?: Reappraising the Debate about Fame in Reality TV. In: Essays on Truth and Representation: How Real is Reality TV? McFarland and Company, pp. 6-21. ISBN 0786426241

Holmes, Su and Clayton, Stephanie (2019) ‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s). Journal of Gender Studies, 28 (5). pp. 545-562. ISSN 0958-9236

Holmes, Su and Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57.

Holmes, Susan (2019) ‘Why hadn’t I come across this sooner?’ Exploring the relationships between ‘feminism(s)’ and ‘eating disorders’. Feminist Review. ISSN 0141-7789 (In Press)

I

Inthorn, Sanna (2017) Audience responses to representations of family-assisted suicide on British television. Participations, 14 (2). pp. 153-174. ISSN 1749-8716

Inthorn, Sanna (2002) The Death of the Hun? National identity and German press coverage of the 1998 football World Cup. European Journal of Cultural Studies, 5 (1). pp. 49-68. ISSN 1460-3551

Inthorn, Sanna (2006) A Game of Nations? Football and National Identities. In: German Football: History, Culture, Society. Routledge, London, pp. 155-167. ISBN 0415351960

Inthorn, Sanna (2006) Jenseits einer nationalen Identität in Europa? "Einheimische"und "Fremde" in der englischen Fussballberichterstattung'. In: Euro 2004 Medienfussall im europäischen Vergleich. Cologne: Halem Verlag, pp. 47-62. ISBN 3931606848

Inthorn, Sanna (2018) Representations of intergenerational care on BBC children’s television. Social Semiotics, 28 (1). pp. 77-89. ISSN 1035-0330

Inthorn, Sanna (2004) Representing 'The Celtic Thing' German newspapers, tourist board literature and discourses of Celticity. Media Wales Journal-Cyfnodolyn Cyfryngau Cymru, 1(1). pp. 42-61.

Inthorn, Sanna and Inthorn, Julia (2015) Dementia Care And Families: Care Decisions And Emotions In Popular Magazines. In: Media, Margins and Popular Culture. Palgrave Macmillan, pp. 139-152. ISBN 9781137512802

Inthorn, Sanna and Inthorn, Julia (2015) Respect for autonomy? The contribution of popular magazines to the public understanding of dementia care. In: Popularizing Dementia. Transcript, pp. 315-332. ISBN 978-3-8376-2710-7

Inthorn, Sanna, Street, John and Scott, Martin (2013) Popular Culture as a Resource for Political Engagement. Cultural Sociology, 7 (3). pp. 336-351. ISSN 1749-9763

J

Jancovich, M. (2013) Its about time British actors kicked against these roles in "horror" films:Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Jancovich, M. (2012) 'With Conrad Veidt and Peter Lorre on their side':German stars, the psychological film and horror. Studies in European Cinema, 9 (2-3). pp. 131-141. ISSN 1741-1548

Jancovich, Mark (2015) The 1950’s Blockbuster:20,000 Leagues Under the Sea. Deletion.

Jancovich, Mark (2017) “Almost Psychopathic”: British Working Class Realism and the Horror Film in the late 1950s and early 1960s. Journal of Film and Video. ISSN 0742-4671 (In Press)

Jancovich, Mark (2019) ‘Another, More Sinister Reality’:Class, Youth and Psychopathology from Saturday Night and Sunday Morning to Endless Night. Journal of British Cinema and Television, 16 (2). pp. 213-232. ISSN 1743-4521

Jancovich, Mark (2015) "Antique Chiller":Quality, Pretension, and History in the Critical Reception of The Innocents and The Haunting. In: Cinematic Ghosts. Bloomsbury Academic, New York, pp. 115-128. ISBN 9781628922141

Jancovich, Mark (2017) Beyond Hammer: the first run market and the prestige horror film in the early 1960s. Palgrave Communications, 3 (Special Issue on Horror and the Gothic). ISSN 2055-1045

Jancovich, Mark (2004) Bloody Bloody and Bloody Boring: Action, Stasis and Middlebrow Taste in the Reception of the 1950s Spectacular. In: Action and Adventure Cinema. Routledge, pp. 84-99. ISBN 0415235073

Jancovich, Mark (2013) Bluebeard’s Wives”: Horror, Quality and the Paranoid Woman’s Film in the 1940s. Irish Journal of Gothic and Horror Studies (12). pp. 20-43. ISSN 2009-0374

Jancovich, Mark (2004) Charlton Heston is an Axiom: Spectacle and Performance in the Development of the Blockbuster. In: Film Stars: Hollywood and Beyond. MUP, pp. 51-70. ISBN 0719056454

Jancovich, Mark (2007) "Cinema Comes to Life at the Cornerhouse, Nottingham": "American" Exhibition, Local Politics and Global Culture in the Reception of the Urban Entertainment Center. In: Going to the Movies. Exeter University Press, pp. 383-393. ISBN 0859898121

Jancovich, Mark (2000) Consumption. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (1990) Contemporary Communications and the Restructuring of Social, Political and Economic Life: Challenges and Problems of American Communications Studies. Over Here, 10 (1). pp. 62-69.

Jancovich, Mark (2007) The Crack-Up: Psychological Realism, Generic Transformation and the Demise of the Paranoid Woman's Film. Irish Journal of Gothic and Horror Studies. ISSN 2009-0374

Jancovich, Mark (2014) 'Cue the Shrieking Virgins':The Critical Reception of the Twilight Saga. In: Screening Twlight. International Library of the Moving Image . I B Tauris, London, pp. 26-39. ISBN 9781780766652

Jancovich, Mark (2002) Cult Fictions: Cult Movies, Subcultural Capital and the Production of Cultural Distinctions. Cultural Studies, 16 (2). pp. 306-322. ISSN 1466-4348

Jancovich, Mark (2000) Cult Film and Television. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2006) The Cultural Politics of the New Criticism (reprinted). Cambridge University Press, Cambridge. ISBN 9780521416528

Jancovich, Mark (1993) The Cultural Politics of the New Criticism. Cambridge University Press, Cambridge. ISBN 0521416523

Jancovich, Mark (1992) David Morley, the Nationwide Studies. In: Reading into Cultural Studies. Routledge, pp. 134-147. ISBN 0415063779

Jancovich, Mark (2003) Defining Cult Movies. Manchester University Press. ISBN 071906631X

Jancovich, Mark (2005) Eine fortschrittliche Stadt und ihre Kinos: Technologie, Moderne and das Spektekel de Reichtums. In: Umwidmungen: architektonische und Kinematographische Räume. Vorwerk 8, pp. 230-244. ISBN 3930916703

Jancovich, Mark (2011) "The English Master of Movie Melodrama": Hitchcock, Horror and the Women's Film. Film International, 9 (3). pp. 51-67.

Jancovich, Mark (2008) Female Monsters: Horror, the “Femme Fatale” and World War II. European Journal of American Culture, 27. pp. 133-49.

Jancovich, Mark (2007) Film Histories: An Introduction and Reader. Edinburgh University Press, Edinburgh. ISBN 9780748619078

Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098

Jancovich, Mark (2016) Frankenstein and Film. In: The Cambridge Companion to Frankenstein. Cambridge University Press, Cambridge, Cambridge, pp. 190-204. ISBN 9781107086197

Jancovich, Mark (2000) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of Silence of the Lambs. In: Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. BFI Publishing, pp. 33-44. ISBN 978-0851708102

Jancovich, Mark (2001) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of the Silence of Lambs. In: Horror, The Film Reader. Routledge, pp. 150-161. ISBN 0415235626

Jancovich, Mark (1992) Horror. Batsford Cultural Studies . B T Batsford Ltd, Batsford. ISBN 9780713468205

Jancovich, Mark (1998) Horror (Japanese Translation). Seikya-sha, Tokyo. ISBN 978-0713468205

Jancovich, Mark (2014) Horror in the 1940s. In: A Companion to the Horror Film. Wiley-Blackwell, Oxford, pp. 237-254. ISBN 9780470672600

Jancovich, Mark (2001) Horror, the Film Reader. Routledge. ISBN 0415235626

Jancovich, Mark (2014) “Hot Profits out of Cold Shivers!”:Horror, the First Run Market, and the Hollywood Studios, 1938-42. In: Merchants of Menace. Bloomsbury Academic. ISBN 9781623564209

Jancovich, Mark (2016) Ingrid Bergman. In: Lost Souls of Horror and the Gothic. McFarland, Jefferson, pp. 34-37. ISBN 97814776663142

Jancovich, Mark (1990) An Introduction to the American Horror Novel Since 1945: Ten Key Novels. MOCS: The Magazine of Cultural Studies, 1. pp. 12-13.

Jancovich, Mark (2010) 'An Italianmade Spectacle Film Dubbed in English': Cultural Distinctions, National Cinema and the Critical Reception of the Postwar Historical Epic. In: The Epic Film in World Culture. Routledge, New York. ISBN 9780415990189

Jancovich, Mark (2013) ‘It’s About Time British Actors Kicked Against these Roles in “Horror” Films’: Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Jancovich, Mark (2008) Kulturní geografie filmové konzumpce. Iluminace: Casopis Pro Teorii, Historii a Estetiku Filmu, 1.

Jancovich, Mark (2004) Les adolescents et les indépendants: AIP et ses rivaux. Rendez-Vous Avec La Peur: Revue de Cinéma Fantastique, 1. pp. 23-35.

Jancovich, Mark (2008) Master of Concentrated Suspense: Horror, Gender and Fantasy in Lang’s 1940s Films. Studies in European Cinema, 5(3). pp. 171-183.

Jancovich, Mark (2005) The Meaning of Mystery: Genre, Marketing and the Universal Sherlock Holmes Series of the 1940's. Film International, 3 (17). pp. 34-45.

Jancovich, Mark (1992) Modernity and Subjectivity in The Terminator: The Machine as Monster in Contemporary American Culture. The Velvet Light Trap, 30. pp. 3-17. ISSN 0149-1830

Jancovich, Mark (2000) Moral Panics. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2015) "The Murderer's Mind": Edward G. Robinson, Humphrey Bogart, and the Monstrous Psychologies of the 1940s Horror Film. In: Recovering 1940s Horror Cinema. Lexington Books, Lanham, pp. 161-178. ISBN 9781498503792

Jancovich, Mark (2001) Naked ambition: Pornography, Taste and the Problem of the Middlebrow. Scope. 0-00. ISSN 1465-9166

Jancovich, Mark (2007) Oh, the Horror. the Guardian Newspaper’s Comment is Free, November 26th.

Jancovich, Mark (2000) Othering Conformity in Post-War America: Intellectuals, the New Middle Classes and the Problem of Cultural Distinctions. In: Containing America: Cultural Production and Consumption in Fifties America. Birmingham University Press, pp. 12-28. ISBN 1902459067

Jancovich, Mark (2008) Pale Shadows: Narrative Hierarchies in the History of 1940s Horror. In: Shifting Definitions of Genre. McFarland, pp. 15-32. ISBN 0786434309

Jancovich, Mark (2010) Phantom Ladies: the War Worker, the Slacker and the "Femme Fatale". New Review of Film and Television Studies, 8 (2). pp. 164-178. ISSN 1740-0309

Jancovich, Mark (2001) Placing Sex: Sexuality, Taste and Middlebrow Culture in the Reception of Playboy Magazine. Intensities: A Journal of Cult Media. pp. 1-14.

Jancovich, Mark (2006) Playboy, Lifestyle and Cold War Culture. In: Historicising Lifestyle. Ashgate, pp. 70-87. ISBN 0754644413

Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0

Jancovich, Mark (2000) "The Purest Knight of All": Nation, History and Representation in El Cid. Cinema Journal, 40 (1). pp. 79-103. ISSN 0009-7101

Jancovich, Mark (2003) Quality Popular Television: Cult TV, the Industry and Fans. British Film Institute Publishing. ISBN 0851709419

Jancovich, Mark (1996) Rational Fears: American Horror in the 1950s. Manchester University Press, Manchester. ISBN 978-0719036248

Jancovich, Mark (2004) Re-examining the 1950s Invasion Narratives (reprint from Rational Fears). In: Liquid Metal: The Science Film Reader. Wallflower Press, pp. 325-336. ISBN 1903364876

Jancovich, Mark (2001) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. In: The Film Cultures Reader. Routledge, pp. 469-480. ISBN 0415252822

Jancovich, Mark (2000) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. Continuum, 14 (1). pp. 22-35. ISSN 1030-4312

Jancovich, Mark (2011) Realistic Horror: Film Noir and the 1940s Horror Cycle. In: Billy Wilder, Movie-Maker. McFarland, pp. 56-69. ISBN 9780786442119

Jancovich, Mark (2007) "Rebecca’s Ghost": Horror, the Gothic and the du Maurier Film Adaptations. In: The Daphne du Maurier Companion. Virago Press, pp. 312-319. ISBN 9781844082353

Jancovich, Mark (2002) Regional Film Theatres Need Clear Local Role. Urban Environment Today, 146. pp. 6-7.

Jancovich, Mark (2012) Relocating Lewton: Cultural Distinctions and Generic Negotiations in the Critical Reception of the Val Lewton Horror Films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671

Jancovich, Mark (1991) Robert Penn Warren as New Critic: Against Propaganda and Irresponsibility. The Southern Literary Journal, XXIV (1). pp. 53-65.

Jancovich, Mark (2010) "Samuel Bronston’s Latest Epic": Spectacle, Heterogeneity and Nation in the Critical Reception of El Cid (1961). Comparative American Studies, 8 (4). pp. 300-15.

Jancovich, Mark (1995) Screen Theory. In: Approaches to Popular Film. Manchester University Press, Manchester, pp. 121-150. ISBN 071904393X

Jancovich, Mark (1992) Serial Killers and Female Heroes: Re-examining the Slasher Movie. Over Here, 12 (1). pp. 67-74.

Jancovich, Mark (2009) Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s. Participations, 6(1). pp. 1-27.

Jancovich, Mark (2008) Shifting Definitions of Genre. McFarland. ISBN 978-0786434305

Jancovich, Mark (2000) The Southern New Critics. In: The Cambridge History of Literary Criticism. Cambridge University Press, pp. 200-218. ISBN 0521300126

Jancovich, Mark (2012) "Terrifyingly Real": Psychology, Realism and Generic Transformation in the Demise of the 1940s Horror Cycle. European Journal of American Culture, 31 (1). pp. 25-39.

Jancovich, Mark (2014) “There’s Nothing So Wrong with a Hollywood Script that a Bunch of Giant CGI Scorpions Can’t Solve”:Politics, Computer Generated Images and Camp in the Critical Reception of the Post-Gladiator Historical Epics. In: The Return of the Epic Film. Edinburgh University Press. ISBN 9780748684021

Jancovich, Mark (2009) "Thrills and Chills": Horror, the Woman’s Film and the Origins of Film Noir. New Review of Film and Television Studies, 7 (2). pp. 157-171. ISSN 1740-0309

Jancovich, Mark (2011) Time, Scheduling and Cinemagoing. Media International Australia, 139. pp. 88-95.

Jancovich, Mark (2010) 'Two Ways of Looking': Affection and Aversion in the Critical Reception of 1940s Horror. Cinema Journal, 49 (3). ISSN 0009-7101

Jancovich, Mark (2007) "An Unidentified Species": Horror, The Body and Early Television. Intensities: A Journal of Cult Media, Mysterious Bodies, Special Issue.

Jancovich, Mark (2011) 'Vicious Womanhood'; Genre, the 'Femme Fatale' and Postwar America. Canadian Journal of Film Studies, 19 (2). pp. 100-114. ISSN 0847-5911

Jancovich, Mark (2015) Victims and Villains: Psychological Themes, Male Stars and Horror Films in the 1940s. In: Popular Media Cultures. Palgrave Macmillan, London, pp. 91-109. ISBN 978-1-349-46834-8

Jancovich, Mark (2017) "Where it Belongs":Television Horror, Domesticity, and Alfred Hitchcock Presents. In: Horror Television in the Age of Consumption. Routledge, New York, pp. 29-44. ISBN 9781138895652

Jancovich, Mark (2015) 'The theme of psychological destruction’: Horror stars, the crisis of identity and 1940s horror:Horror Stars, the Crisis of Identity and 1940s Horror. Horror Studies, 6 (2). pp. 163-175. ISSN 2040-3275

Jancovich, Mark and Brown, Shane (2012) The Screen’s Number One and Number Two Bogeymen”: The Critical Reception of Boris Karloff and Bela Lugosi in the 1930s and 1940s. Palgrave Macmillan. ISBN 9781137291776

Jancovich, Mark and Faire, Lucy (2003) The Best Place to See a Film: The Blockbuster and the Transformation of Exhibition. In: Movie Blockbusters. Routledge, pp. 190-201. ISBN 0415256097

Jancovich, Mark, Faire, Lucy and Subbings, Sarah (2003) The Place of the Audience: Cultural Geographies of Film Consumption. British Film Institute Publishing. ISBN 0851709427

Jancovich, Mark, Gordon, Ian and McAllister, Matt (2006) Blockbuster Meets Superhero Comic, or Art House Meets Graphic Novel? The Contradictory Relationship between Film and Comic Art. Journal of Popular Film and Television, 34. pp. 108-114. ISSN 0195-6051

Jancovich, Mark and Hollows, Joanne (1995) Introduction: Popular Film and Cultural Distinctions. In: Approaches to Popular Film. Manchester University Press, pp. 1-14. ISBN 071904393X

Jancovich, Mark and Hunt, Nathan (2004) The Mainstream, Distinctions and Cult TV. In: Cult Television. University of Minnesota Press, pp. 27-44. ISBN 0816638314

Jancovich, Mark and Johnson, Derek (2009) Film and TV: the 1950s. In: The Routledge Companion to Science Fiction. Routledge, pp. 71-79. ISBN 041545378X

Jancovich, Mark and Johnston, Derek (2011) Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Television during the 1950s. In: It Came from the 1950s. Palgrave Macmillan, pp. 90-107. ISBN 9780230272217

Jancovich, Mark and Lyons, James (2002) John Sayles: Independence, Integrity and the Borders of identity. In: 50 Contemporary Film Directors. Routledge, pp. 280-289. ISBN 0415189748

Jancovich, Mark and Manning, Robert (2016) 'A Poisonous Picture':The Big Sleep, The Hollywood Left and the Postwar Thriller. In: Howard Hawks. British Film Institute Publishing, pp. 82-93. ISBN 97818844575411

Jancovich, Mark and Snelson, Tim (2010) Horror at the Crossroads: Class, Gender and Taste at the Rialto Cinema (Times Square) in the 1940s. In: From the Art House to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow. ISBN 9780810876545

Jancovich, Mark and Snelson, Tim (2011) "No Hits, No Runs, Just Terrors": Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s. In: The New Cinema History. Blackwells, pp. 199-211.

Jarvis, Lee, Marsden, Lee and Atakav, Eylem (2018) British Muslim Values. UEA, Norwich.

Johnston, Keith (2019) A Dalek is (now) a many splendored thing. [in]Transition, 6 (1).

Johnston, Keith (2019) Researching Historical Promotional Materials: Towards a New Methodology. Historical Journal of Film, Radio and Television. ISSN 0143-9685 (In Press)

Johnston, Keith and Hill, Sarah (2019) Making Women Amateur Filmmakers Visible: Reclaiming Women’s Work through the Film Archive. Women's History Review. ISSN 0961-2025 (In Press)

Johnston, Keith and Rickards, Carolyn (2017) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). ISSN 0036-9543 (In Press)

Johnston, Keith M (2015) 3D UK? 3D History and the Absent British Pioneers. Open Library of Humanities (OLH), 1 (1).

Johnston, Keith M (2008) 'The Coolest Way to Watch Movie Trailers in the World': Trailers in the Digital Age. Convergence: The International Journal of Research into New Media Technologies, 14 (2). pp. 145-60. ISSN 1354-8565

Johnston, Keith M (1995) From the Wedding to the Grave. Focus, 15. pp. 18-29.

Johnston, Keith M (2007) Selling Genre in the 1930's: The Universal Horror Trailer. Film International.

Johnston, Keith M (2017) ‘The action is so real I thought I was cheating on my wife’:Realism and Nature in the 1970s 3-D Sex Film. In: Sex and 1970s World Cinema: From smut to softcore. MUP, Manchester. (In Press)

Johnston, Keith M (2016) An unlimited field for experiment: Britain's Steroscopic Landscapes. In: British Rural Landscapes on Film. MUP, Manchester, pp. 71-85. ISBN 0719091578

Johnston, Keith M and Phillips, Tom (2016) "A step into the abyss" Transmedia in the UK Games and Television Industries. International Journal of Gaming and Computer-Mediated Simulations, 8 (2). ISSN 1942-3888

Johnston, Keith M. (2017) "A friend to every exhibitor": National Screen Service and the British trailer industry. In: The Routledge Companion to British Cinema History. Routledge, pp. 311-329. ISBN 9780415706193

Johnston, Keith M., Vollans, Ed and Greene, Fred L. (2016) Watching the trailer: Researching the film trailer audience. Participations, 13 (2). pp. 56-85. ISSN 1749-8716

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Kent, Miriam (2018) Gender and Comics:Representations of Heterosexuality in Marvel Superheroes. In: In Cinema and Comics. University of Texas Press. (In Press)

Kramer, Peter (1998) Bad Boy: Notes on a Popular Figure in American Cinema, Culture and Society, 1959-1905. In: Celebrating 1895: The Centenary of Cinema. John Libbey, London, pp. 117-30. ISBN 1864620153 (hbk)

Kramer, Peter (1996) The Lure of the Big Picture: Film, Television and Hollywood. In: Big Picture, Small Screen: The Relations Between Film and Television. John Libbey Media, Luton, pp. 9-46. ISBN 1860200052

Kramer, Peter (1995) The Making of a Comic Star: Buster Keaton and The Saphead. In: Classical Hollywood Comedy. Routledge, New York, pp. 190-210. ISBN 0415906393 (hbk) 0415906407 (pbk)

Kramer, Peter (1998) Post-classical Hollywood. In: The Oxford Guide to Film Studies. Oxford University Press, Oxford, pp. 289-309. ISBN 0198711158 (hbk) 0198711247 (pbk)

Kramer, Peter (1997) A Slapstick Comedian at the Crossroads: Buster Keaton, the Theatre and the Movies 1916/17. Theatre History Studies (17). pp. 133-46.

Kramer, Peter (1998) Would You Take Your Child To See This Film? The Cultural and Social Work of the Family-Adventure Movie. In: Contemporary Hollywood Cinema. Routledge, London, pp. 294-311. ISBN 0415170095 (hbk) 0415170109 (pbk)

Kramer, Peter and van Dooren, Ine (1995) The Politics of Direct Address. In: Film and the First World War. Amsterdam University Press, Amsterdam, pp. 97-107. ISBN 9053560645

Krämer, Peter (2018) “Enter the World”: James Cameron’s Avatar (2009) and the Family-Adventure Movie. In: Fantasy/Animation. Taylor & Francis, New York. ISBN 9781351681414

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Lewis, Justin, Inthorn, Sanna and Wahl-Jorgensen, Karin (2005) Citizens or Consumers? : What the media tell us about political participation. Open University Press. ISBN 0335215556

Lewis, Justin, Wahl-Jorgensen, Karin and Inthorn, Sanna (2004) Images of citizenship on television: Constructing a passive public. Journalism Studies, 5 (2). pp. 153-164. ISSN 1469-9699

Litherland, Benjamin, Phillips, Thomas and Warden, Claire (2019) Is this Progress? Punk, Participation and the (Potential) Radical Politics of British Professional Wrestling. In: Professional Wrestling: Politics and Populism. Seagull Books. (In Press)

Little, Ben and Winch, Alison (2017) Generation: the politics of patriarchy and social change. Soundings: A Journal of Politics and Culture (66: Beginning to see the light?). pp. 129-144. ISSN 1362-6620

Little, Ben and Winch, Alison (2018) “just hanging out with you in my back yard”: Mark Zuckerberg and Mediated Paternalism. Open Cultural Studies, 1 (1). pp. 417-427.

Littler, Jo and Winch, Alison (2016) Feminism and Childcare: A Roundtable with Sara de Benedictis, Gideon Burrows, Tracey Jensen, Jill Rutter and Victoria Showunmi. Studies in the Maternal, 8 (1). p. 2. ISSN 1759-0434

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Madgin, Rebecca, Webb, David, Ruiz, Pollyanna and Snelson, Tim (2018) Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft, London, UK. International Journal of Heritage Studies, 24 (6). pp. 585-598. ISSN 1352-7258

McKay, George (2016) 4WORD:AN.OK4U2@32+1984. In: The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music. Minor Compositions . Autonomedia, Colchester/New York, pp. 1-7. ISBN 9781570273186

McKay, George (2016) Gee Vaucher's punk painting as record sleeves. In: Gee Vaucher: Introspective. Firstsite, Colchester, pp. 64-74. ISBN 978-1-57027-315-5

McKay, George (2015) Punk Rock and Disability: Cripping Subculture. In: Oxford Handbook of Music and Disability Studies. Oxford Handbooks . Oxford University Press, New York, pp. 226-245. ISBN 9780199331444

McKay, George (2018) Skinny blues: Karen Carpenter, anorexia nervosa and popular music. Popular Music, 37 (1). pp. 1-21. ISSN 0261-1430

McKay, George (2014) Winifred Atwell and her 'other piano': 16 hit singles and a 'blanket of silence', sounding the limits of jazz. In: Black British Jazz: Routes, Ownership and Performance. Ashgate, Farnham, pp. 153-172. ISBN 9781472417565

McKay, George (2018) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies. ISSN 1352-7258

McKay, George (2015) 'The pose is ... a stance': popular music and the cultural politics of festival in 1950s Britain. In: The Pop Festival. Bloomsbury Academic, New York. ISBN 9781623569594

McKay, George and Webster, Emma (2016) From Glyndebourne to Glastonbury:The Impact of British Music Festivals. AHRC/UEA.

McRoy, Jay (2007) Monstrous Adaptations:Generic and Thematic Mutations in Horror Film. Manchester University Press. ISBN 978-0-7190-7603-9

Mckay, George (2018) Festivals:The History of European Jazz - The Music, Musicians and Audience in Context - Francesco Martinelli. In: The History of European Jazz. Equinox Publishing Ltd, Sheffield, pp. 707-718. ISBN 9781781794463

Mckay, George (2019) Jazz and disability. In: The Routledge Companion to Jazz Studies. Routledge, London, pp. 173-184. ISBN 9781138231160

Mckay, George (2015) The Pop Festival:History, Music, Media, Culture. Bloomsbury Academic, New York. ISBN 9781623568207

Mckay, George (2016) Pop Music and the Disabled Body, film of inaugural lecture. UNSPECIFIED.

Mckay, George (2011) Radical Gardening:Politics, Idealism and Rebellion in the Garden. Frances Lincoln, London. ISBN 9780711235380

Mckay, George (2013) Shakin' All Over: Popular Music and Disability. Corporealities: Discourses of Disability . University of Michigan Press, Ann Arbor. ISBN 9780472052097

Mills, Brett (2012) 'American Remake—Shudder': Online Debates about Life on Mars and 'British-ness'. In: Life on Mars: From Manchester to New York. University of Wales Press, Cardiff. ISBN 978-0708323595

Mills, Brett (2013) The Animals Went in Two by Two: Heteronormativity in Television Wildlife Documentaries. European Journal of Cultural Studies, 16 (1). pp. 100-114. ISSN 1367-5494

Mills, Brett (2017) Animals on Television:The Cultural Making of the Non-Human. Palgrave Macmillan UK. ISBN 978-1-137-51682-4

Mills, Brett (2010) Being Rob Brydon: Performing the Self in Comedy. Celebrity Studies, 1 (2). pp. 190-202. ISSN 1939-2400

Mills, Brett (2012) Brett Mills - academia.edu. UNSPECIFIED.

Mills, Brett (2004) Comedy Verite: Contemporary Sitcom Form. Screen, 45 (1). pp. 63-78. ISSN 1460-2474

Mills, Brett (2013) 'Complaints Were Received': Morris, Comedy and Broadcasting in Context. In: No Known Cure: The Comedy of Chris Morris. British Film Institute, London, pp. 98-110.

Mills, Brett (2010) Contemporary Comedy Performance in British Sitcom. In: Genre and Performance: Film and Television. Manchester University Press.

Mills, Brett (2011) Days of Future Past: Documenting the Future. Journal of British Cinema and Television, 8 (1). pp. 81-98. ISSN 1743-4521

Mills, Brett (2004) 'Grange Hill', 'Till Death Us Do Part/All in the Family', 'I Love Lucy', 'Brass Eye', 'The Simpsons', 'Monty Python's Flying Circus',. Hodder Arnold.

Mills, Brett (2011) The Guardians of the General Interest: Discourses of Knowledge in QI. Television and New Media, 12 (2). pp. 136-153. ISSN 1552-8316

Mills, Brett (2010) I'm Anti-Little Britain, and I'm Worried I Might Start Laughing: Audience Responses to Little Britain. In: Reading 'Little Britain': Comedy Matters on Contemporary Television: Yeah But Groundbreaking TV Comedy. IB Tauris, pp. 147-70. ISBN 9781845119393

Mills, Brett (2016) ‘If this was a human…’: Pets, vets and medicine. Critical Studies in Television, 11 (2). pp. 244-256. ISSN 1749-6020

Mills, Brett (2013) Invalid Animals:Finding the Non-Human Funny in Special Needs Pets. Journal of Literary and Cultural Disability Studies, 7 (3). pp. 321-335. ISSN 1757-6458

Mills, Brett (2011) Invisible Television: The Television Programmes No-One Talks About Even Though Lots of People Watch Them. Critical Studies in Television, 5 (1). ISSN 1749-6039

Mills, Brett (2012) Make Me Laugh: Creativity in the British Television Comedy Industry. UNSPECIFIED.

Mills, Brett (2016) Make Me Laugh: Creativity in the British television comedy industry. Humor, 29 (2). 157–174. ISSN 1613-3722

Mills, Brett (2004) New Jokes: Kath and Kim and Recent Golbal Sitcom. Metro 140, 140. pp. 100-103.

Mills, Brett (2016) Old Jokes:One Foot in the Grave, Comedy and the Elderly. In: British TV Comedies. Palgrave Macmillan, Basingstoke, pp. 265-277. ISBN 978-1-137-55294-5

Mills, Brett (2010) On Television Comedy as an Invented Tradition. Media International Australia, 134 (1). pp. 64-73.

Mills, Brett (2016) "Out There, In the World":Representations of the Zoo and Other Spaces in the Madagascar Trilogy. In: The Zoo and Screen Media. Palgrave Macmillan, pp. 137-152. ISBN 978-1-137-54342-4

Mills, Brett (2013) 'Shane, Don't Film This Bit': Comedy and Performance in Le Donk and Sco-Zay-Zee. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 142-154.

Mills, Brett (2015) "Shoved Online":BBC Three, British Television and the Marginalisation of Young Adult Audiences. In: Media, Margins and Popular Culture. Palgrave Macmillan, Basingstoke, pp. 219-231. ISBN 978-1-137-51280-2

Mills, Brett (2014) Sitcoms. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 695-698. ISBN 9781412999090

Mills, Brett (2014) Sketch Comedy Shows. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 698-700. ISBN 9781412999090

Mills, Brett (2016) A Special Freedom:Regulating Comedy Offence. In: Taboo Comedy. Palgrave Studies in Comedy . Palgrave Macmillan, London, pp. 209-226. ISBN 978-1-137-59337-5

Mills, Brett (2001) Studying Comedy’ and ‘Humour Theory’. In: The Television Genre Book. British Film Institute, pp. 61-63. ISBN 0851708498

Mills, Brett (2003) Tabloid Tales: Other News, Other Voices. Journal of the Institute of Justice and International Studies, 1 (2). pp. 23-32.

Mills, Brett (2005) Television Sitcom. British Film Institute. ISBN 1844570886

Mills, Brett (2015) The Television Sitcom. In: The Routledge Companion to British Media History. Routledge, London, pp. 451-459. ISBN 978-0-415-53718-6

Mills, Brett (2010) Television wildlife documentaries and animals' right to privacy. Journal of Media and Cultural Studies, 12 (2). pp. 193-202.

Mills, Brett (2010) Those Pig-Men Things. Media Culture Journal, 13 (5).

Mills, Brett (2009) Welsh/From Wales: Representations of the Welsh in Contemporary Television Sitcom. Cyfrwng: Media Wales Journal, 6 (1). pp. 47-60.

Mills, Brett (2010) Why We Should consider the Privacy of Animals. The Guardian Online.

Mills, Brett (2011) 'A pleasure working with you': Humour Theory and Joan Rivers. Comedy Studies, 2 (2). pp. 151-160.

Mills, Brett and Barlow, David (2012) Reading Media Theory: Thinkers, Approaches, Contexts. 2nd edition. Pearson Education, London. ISBN 978-1-4082-8525-1

Mills, Brett and Horton, Erica (2016) Creativity in the British Television Comedy Industry. Routledge. ISBN 9781138807211

Mills, Brett and Ralph, Sarah (2014) 'Trying to Ride a Naughty Horse': British Television Comedy Producers. In: Beyond the Bottom Line. Bloomsbury Academic, New York, pp. 161-174. ISBN 9781441172365

Mills, Brett and Rimmer, Mark (2017) Pure and Simple: Music as a Personal and Comedic Resource in Car Share. In: Music in Comedy Television. Routledge. ISBN 978-1138193581

P

Pett, Emma (2019) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270 (In Press)

Pett, Emma (2017) Beyond the Metropolis: Immersive cinema in a rural context. In: Live Cinema. Bloomsbury, London. ISBN 9781501324833

Pett, Emma (2015) Breaking the Rules: Film and Fashion in "Swinging Britain". Cinephile: The University of British Columbia's Film Journal, 11 (1). pp. 23-28.

Pett, Emma (2013) ‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 177-197.

Pett, Emma (2018) Homer, Ovid, Disney and Star Wars:The critical reception and transcultural popularity of Princess Mononoke. In: Princess Mononoke. Bloomsbury Academic, London. ISBN 9781501329746

Pett, Emma (2018) Movie migrations: transnational genre flows and South Korean cinema. Transnational Cinemas, 9 (1). pp. 123-124. ISSN 2040-3526

Pett, Emma (2013) "People Who Think Outside the Box": British Audiences and Asian Extreme Films. Cine-Excess eJournal.

Pett, Emma (2019) “Real Life is Rubbish”::The Subcultural Branding and Inhabitable Appeal of Secret Cinema’s The Empire Strikes Back. In: Disney's Star Wars. University of Iowa Press. ISBN 1609386434 (In Press)

Pett, Emma (2017) Review: Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship. Memory Studies, 10 (1). pp. 96-99. ISSN 1750-6980

Pett, Emma (2015) Tourists, Vandals and Pilgrims: A study of participant responses to the Gromit Unleashed public art trail, Bristol, 2013. In: Media, Margins and Popular Culture. Palgrave, pp. 169-187. ISBN 978-1-137-51280-2

Pett, Emma (2017) Transnational Cult Paratexts: Exploring audience readings of Tartan’s Asia Extreme brand. Transnational Cinemas, 8 (1: Cult Cinema and the Transnational). pp. 35-48. ISSN 2040-3526

Pett, Emma (2015) A new media landscape? The BBFC, extreme cinema as cult, and technological change. New Review of Film and Television Studies, 13 (1). pp. 83-99. ISSN 1740-0309

Pett, Emma and Manchester, Helen (2015) Teenage Kicks: Exploring Cultural Value from a Youth Perspective. Cultural Trends, 24 (3). pp. 223-231. ISSN 0954-8963

Pett, Emma and Stokes, Melvyn (2017) Cinema Space and Postcolonial Audiences in 1960s Britain. In: Kinoerfahrungen. Avinus. ISBN 978-3-86938-086-5

Phillips, Thomas (2018) “Angry False-Teeth-Chattering Mayhem”: Synecdochic Fandom, Representation and Performance in Mature Woman Fandom of British Professional Wrestling. In: A Companion to Media Fandom and Fan Studies. Wiley-Blackwell, pp. 227-242. ISBN 978-1-119-23716-7

Phillips, Tom (2019) Simultaneously Laughing, Screaming, and Crying:Reacting to the Force Awakens Trailers. In: Disney's Star Wars. University of Iowa Press, pp. 254-266. ISBN 9781609386436

Pollyanna, Ruiz, Snelson, Timothy, Madgin, Rebecca and Webb, David (2019) 'Look at What We Made': Communicating Subcultural Value on London’s Southbank. Cultural Studies. ISSN 0950-2386

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Qureshi, Kamran (2000) Ariel Maa. [Performance]

Qureshi, Kamran (2004) Maa Aur Mamta. [Performance]

Qureshi, Kamran (2004) Moorat. [Performance]

Qureshi, Kamran (2003) Murad. [Performance]

Qureshi, Kamran (2019) The Representation of Intersex Characters in English Feature Films.

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Ralph, Sarah (2015) ‘A Place for Talking about Female Stars’: Exploring Versatility, Femininity and ‘Fantasy’ in Mother-Daughter Talk on Film Stars. In: The Politics of Being A Woman. Palgrave, Basingstoke, pp. 91-111. ISBN 978-1-349-48098-2

Ralph, Sarah and Mills, Brett (2015) ‘I Think Women Are Possibly Judged More Harshly with Comedy’: Women and British Television Comedy Production. Critical Studies in Television, 10 (2). pp. 102-117. ISSN 1749-6039

Ralph, Sarah and Mills, Brett (2012) Written evidence submitted to the Department of Culture, Media and Sport Inquiry into Support for the Creative Economy.:Make Me Laugh Research Project. UNSPECIFIED.

Rendell, James and Denison, Rayna (2018) Introducing Studio Ghibli. East Asian Journal of Popular Culture, 4 (1). pp. 5-14. ISSN 2051-7084

Rimmer, Mark (2009) Instrumental' playing? Cultural policy and young people's community music participation. International Journal of Cultural Policy, 15(1). pp. 71-90. ISSN 1477-2833

Rimmer, Mark (2018) The art of survival: community-based arts organisations in times of austerity. Community Development Journal. ISSN 0010-3802

S

Smith, C L, Dickinson, P, Craigon, M, Ross, A, Khondoker, M R, Forster, T, Ivens, A, Jackson, A, Lacaze, P, Stenson, B J and Ghazal, P (2010) 80 Microarray Investigation of Host Rna Expression Profiles in Neonatal Infection. In: UNSPECIFIED.

Snelson, Tim (2018) Old Horror, New Hollywood and the 1960s True Crime Cycle. Film Studies, 19 (1). pp. 58-75. ISSN 1469-0314

Snelson, Timothy (2017) ‘To Be Continued…: Seriality, Cyclicality and the New Cinema History’. In: Routledge Companion to New Cinema History. Routledge. ISBN 1138955841

Street, Sarah, Johnston, Keith, Frith, Paul and Rickards, Carolyn (2018) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X (In Press)

T

Tadeo Fuica, Beatriz and Barrow, Sarah (2015) (In)visible cinemas: Reusing archival footage in Latin American cinema. New Cinemas, 13 (1). pp. 3-8. ISSN 1474-2756

Thouaille, Marie-Alix (2016) “Nice White Ladies Don’t Go Around Barefoot”:Racing the White Subjects of The Help (Tate Taylor 2011). Alphaville: Journal of Film and Screen Media, 10. ISSN 2009-4078

Thouaille, Marie-Alix (2018) Postfeminist Authorial Corpography Winona Ryder and the 1990s Woman Author Cycle. Interférences littéraires. ISSN 2031-2790

W

Webster, Emma and McKay, George (2015) The impact of (jazz) festivals:An Arts and Humanities Research Council-funded research report. Jazz Research Journal, 9 (2). pp. 169-193. ISSN 1753-8637

Webster, Emma and Mckay, George (2017) Music From Out There, In Here:25 Years of the London Jazz Festival. AHRC/UEA, Norwich.

Williams, Melanie (2019) The 1950s and 1960s. In: A Companion to British and Irish Cinema. Wiley-Blackwell. ISBN 978-1118477519

Williams, Melanie (2015) The Best Exotic Graceful Ager: Dame Judi Dench and Older Female Celebrity. In: Women, Celebity and Cultures of Ageing. Palgrave Macmillan, p. 146. ISBN 9781137495112

Williams, Melanie (2008) ‘Brief Encounter’, ‘The Wicked Lady’ and ‘A Hard Day’s Night’. In: 50 Key British Films. Routledge.

Williams, Melanie (2009) British Women's Cinema. Routledge, London. ISBN 9780415466974

Williams, Melanie (2017) Female Stars of British Cinema:The Women in Question. Edinburgh University Press. ISBN 9781474405638

Williams, Melanie (2009) A Girl Alone in a Man's World: Ice Cold in Alex (1958) and the place of women in the 1950s British war film cycle. Feminist Media Studies, 9 (1). pp. 95-108. ISSN 1471-5902

Williams, Melanie (2019) Her word was her bond: Johanna Harwood, Bond’s first woman screenwriter. In: Gender and James Bond. Emerald Group Publishing Ltd.. (In Press)

Williams, Melanie (2003) ''‘Housewives’ choice’: Woman in a Dressing Gown'' and ''Yield to the Night’'. In: British Cinema of the Fifties. MUP.

Williams, Melanie (2005) '‘”I'm not a lady!”: Tiger Bay and transitional girlhood in British cinema on the cusp of the 1960s’'. Screen, 46(3). pp. 361-72. ISSN 1460-2474

Williams, Melanie (2005) '‘Julie Christie: Honey-Glow Girl’'. Sight and Sound, 15(12). p. 36.

Williams, Melanie (2002) '‘Light on a dark lovely: Yvonne Mitchell and stardom in British cinema’'. Quarterly Review of Film and Video, 19(1). ISSN 1543-5326

Williams, Melanie (2002) ‘Michael Winterbottom and the unpopular British cinema’'. Journal of Popular British Cinema, 5.

Williams, Melanie (2005) '‘No Love for Johnnie’'. In: 24 Frames: The Cinema of Britain and Ireland. Wallflower. ISBN 978-1904764380

Williams, Melanie (2009) Prisoners of Gender: Women in the Films of J. Lee Thompson: A new approach to British cinema of the 1950s. VDM Verlag Dr. Müller. ISBN 9783639116946

Williams, Melanie (2009) Twilight women of 1950s British cinema. In: The British Cinema Book,. British Film Institute, London. ISBN 9781844572755

Williams, Melanie (2002) ‘Women in prison and women in dressing gowns: rediscovering the 1950s films of J. Lee Thompson’'. Journal of Gender Studies, 11(1). pp. 5-15. ISSN 1465-3869

Williams, Melanie (2007) ''The creative producer: Frank Godwin interviewed by Melanie Williams''. Journal of British Cinema and Television, 4(1). pp. 140-49. ISSN 1755-1714

Williams, Melanie (2016) The girl you don’t see: Julie Harris and the costume designer in British cinema. Feminist Media Histories, 2 (2). pp. 71-106. ISSN 2373-7492

Williams, Melanie (2006) "The most explosive object to hit Britain since the V2!": the British films of Hardy Kruger and Anglo-German Relations in the 1950s. Cinema Journal, 46 (1). pp. 85-107.

Williams, Melanie and Bell, Melanie (2009) The hour of the cuckoo: reclaiming the British women's film. In: British Women's Cinema. Routledge, London, pp. 1-18. ISBN 9780415466974

Williams, Melanie and Sinyard, Neil (2018) The Walls of Jericho. In: The Call of the Heart: John M. Stahl and Hollywood Melodrama. Indiana University Press. ISBN 978-0-86196-736-0

Winch, Alison (2015) Brand Intimacy, Female Friendship and Digital Surveillance Networks. New Formations, 84/85. pp. 228-245. ISSN 0950-2378

Winch, Alison (2017) "Does Feminism Have a Generation Gap?": Blogging, Millennials and the Hip Hop Generation. In: Women Writing Across Cultures. Routledge. ISBN 9781138295766

Winch, Alison (2017) “Does Feminism have a generation gap?”:blogging, millennials and the hip hop generation. Angelaki, 22 (1). pp. 207-221. ISSN 0969-725X

Winch, Alison (2013) “Drinking a Dish of Tea With Sapho”:The Sexual Fantasies of Lady Mary Wortley Montagu and Lord Byron. Women's Writing, 20 (1). pp. 82-99. ISSN 1747-5848

Winch, Alison (2015) Feminism, generation and intersectionality:Generational differences within feminism are also opportunities for dialogue. Soundings: A Journal of Politics and Culture, 58. pp. 8-20. ISSN 1362-6620

Winch, Alison (2012) The Girlfriend Gaze. Soundings: A Journal of Politics and Culture, 52. pp. 21-32. ISSN 1362-6620

Winch, Alison (2013) Girlfriends and Postfeminist Sisterhood. Palgrave Macmillan. ISBN 978-0-230-34875-2

Winch, Alison (2016) ‘I just think it’s dirty and lazy’: Fat surveillance and erotic capital. Sexualities, 19 (8). pp. 898-913. ISSN 1461-7382

Winch, Alison (2015) ‘If female envy did not spoil every thing in the world of women’:Lies, Rivalry and Reputation in Lady Elizabeth Craven’s Travelogues. In: Women, Travel and Truth. Routledge, London, pp. 91-105. ISBN 9781138023529

Winch, Alison (2010) ‘Iphis her wish (however wild) obtain’d’:Lady Mary Wortley Montagu and Sexual Metamorphoses. In: Ovid’s Metamorphoses in English Poetry. Peter Lang, Frankfurt, pp. 185-196. ISBN 978-3-8253-5520-3

Winch, Alison (2004) 'The Nymph Grown Furious, Roar’d':Lady Mary Wortley Montagu’s Response to Jonathan Swift’s ‘The Lady's Dressing Room. In: Misogynism in Literature. Peter Lang, Frankfurt, pp. 71-88. ISBN 978-3-631-52141-0

Winch, Alison (2016) Trouble. The Emma Press. ISBN 9781910139394

Winch, Alison (2012) ‘We can have it all’:The girlfriend flick. Feminist Media Studies, 12 (1). pp. 69-82. ISSN 1468-0777

Winch, Alison (2012) ‘Your new smart-mouthed girlfriends’:Postfeminist Conduct Books. Journal of Gender Studies, 30 (4). 359–370. ISSN 0958-9236

Winch, Alison (2007) ‘in plain English, stark naked’:Orlando, Lady Mary Wortley Montagu and Reclaiming Sapphic Connections. Critical Survey, 19 (1). pp. 51-61. ISSN 0011-1570

Winch, Alison and Hakim, Jamie (2016) “I’m selling the dream really aren’t I?”: Sharing Fit Male Bodies on Social Networking Sites. In: Digital Leisure Cultures: Critical Perspectives. Routledge. ISBN 9781138955073

Winch, Alison, Littler, Jo and Keller, Jessalynn (2018) Introduction: Why "intergenerational feminist media studies"? In: An Intergenerational Feminist Media Studies: Conflicts and connectivities. Routledge, London. ISBN 9781138563483

Winch, Alison, Littler, Jo and Keller, Jessalynn (2016) Why 'intergenerational feminist media studies'? Feminist Media Studies, 16 (4). pp. 557-572. ISSN 1468-0777

Winch, Alison and Webster, Anna (2012) Here comes the brand:Wedding media and the management of transformation. Continuum, 26 (1). pp. 51-59. ISSN 1030-4312

This list was generated on Thu Jul 18 08:09:23 2019 BST.