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A

Aoyagi, M and Matsuda, Akira (2005) The Concept and System of World Heritage (Sekai isan no rinen to seido). In: World Heritage and the Study of History (Sekai isan to Rekishi gaku). Yamakawa Shuppan, Tokyo, pp. 5-25.

Arnold, Dana (2016) The Architectural Heritage of Cities:Some thoughts on Research Methods, Theories and Strategies for Preservation and Sustainable Re-use in a Global Context. In: The 4th International Symposium on Architecture Heritage Preservation and Sustainable Development Tianjin, China. Urban Flux, Beijing China, pp. 180-183. ISBN 1008-2832

Arnold, Dana (2014) Construire la modernité urbaine: la concession britannique à Tianjin 1860-2014. Outre-Mers, 382-383. pp. 89-102.

Arnold, Dana (2017) The Cultural Landscape and Public Space from a Transnational Perspective. In: Cultural Heritage and Sustainable Development. Technical University of Crete, Chania, Crete, pp. 105-113. ISBN 978-960-8475-24-3

Arnold, Dana (2014) Interdisciplinary Encounters: Hidden and visible explorations of the work of Adrian Rifkin. IB Tauris. ISBN 9781780767024

Arnold, Dana (2017) Misprisions of London. Art History at 40: Image and Memory 40 years of Art-Historical Writing, 40 (4). 770–783.

Arnold, Dana (2016) Paris - Londres/London - Paris (1750-1980). InFolio et INHA.

Arnold, Dana (2015) A Short Book About Art. Tate Publishing. ISBN 9781854379078

Arnold, Dana (2016) Unreason and the Ambiguities of Silence. In: Foucault on the Arts and Letters. Global Aesthetic Research . Rowman and Littlefield International, London and New York, pp. 3-25. ISBN 9781783485734

Ayers, Brian, Haynes, Clare, Heslop, TA and Lunnon, Helen (2017) The parish churches of Norwich north of the River Wensum: city, community, architecture and antiquarianism. Church Archaeology, 18. pp. 1-20.

B

Basu, Paul and De Jong, Ferdinand (2016) Utopian archives, decolonial affordances:Introduction to special issue. Social Anthropology, 24 (1). pp. 5-19. ISSN 0964-0282

Boness, Doron, Clarke, Joanne and Goren, Yuval (2015) Ceramic neolithic pottery in Cyprus - Origin, technology and possible implications for social structure and identity. Levant, 47 (3). pp. 233-254.

C

Cheetham, Brian and Edwards, Paul (1989) Interview Skills: A Complete Resource for Tutors, Trainers and Others Working with Candidates. National Extension College. ISBN 0860829340

Clarke, Jo and Brooks, Nick (2018) The Archaeology of the Western Sahara. Oxbow Books. ISBN 9781782971726

Clarke, Joanne (1992) The Ceramic Neolithic Period in Northern Cyprus. Cahiers du Centre d'Etudes Chypriotes, 17 (1). pp. 3-16.

Clarke, Joanne (2016) Ceramics 1. Neolithic - Chalcolithic. In: Studies in Mediterranean Archaeology. SIMA LXXXI.10, 10 . Astroms Editions, Sweden, pp. 7-29.

Clarke, Joanne (2014) Cyprus During the Neolithic Period. In: The Oxford Handbook of the Archaeology of the Levant. Oxford University Press, Oxford, pp. 177-193. ISBN 978-0-19-921297-2

Clarke, Joanne (2012) Decorating the Neolithic: an Evaluation of the Use of Plaster in the Enhancement of Daily Life in the Middle Pre-pottery Neolithic B of the Southern Levant. Cambridge Archaeological Journal, 22 (2). pp. 177-186. ISSN 1474-0540

Clarke, Joanne (2017) The use of basketry in early agricultural communities in the Ancient Near East. In: Basketry and Beyond: Constructing Cultures. Brill. (In Press)

Clarke, Joanne and Brooks, Nicholas (2019) Burial Practices in Western Sahara. In: Burials, Migration and Identity in the Ancient Sahara and Beyond. Cambridge University Press, Cambridge. ISBN 9781108634311

Clarke, Joanne, Brooks, Nick, Banning, Edward B., Bar-Matthews, Miryam, Campbell, Stuart, Clare, Lee, Cremaschi, Mauro, di Lernia, Savino, Drake, Nick, Gallinaro, Marina, Manning, Sturt, Nicoll, Kathleen, Philip, Graham, Rosen, Steve, Schoop, Ulf-Dietrich, Tafuri, Mary Anne, Weninger, Bernhard and Zerboni, Andrea (2016) Climatic changes and social transformations in the Near East and North Africa during the 'long 4th millennium BC: A comparative study of environmental and archaeological evidence. Quaternary Science Reviews, 136 (Mediterranean Holocene Climate, Environment and Human Societies). 96–121. ISSN 0277-3791

Clarke, Joanne, Rupp, David, D'Annibale, Cesare and Stewart, Sarah (1992) The Canadian Palaipaphos Survey Project: 1991 field season. Report of the Department of Antiquities, Cyprus. pp. 285-317.

Clarke, Joanne T. (2001) Style and Society in Ceramic Neolithic Cyprus. Levant, 33 (1). pp. 65-80.

Corbett, David Peters (2004) Edward Burne-Jones. Tate Publishing, London.

Corbett, David Peters (2001) English Art 1860-1914: Modern Artists and Identity. Barber Critical Perspectives in Art History . Manchester University Press, Manchester.

Corbett, David Peters (2002) The Geographies of Englishness: Landscape and National Identity in English Art, 1880-1940,. Studies in British Art . Yale University Press, London & New Haven, CT.

Corbett, David Peters (2008) ‘Le Symbolisme dans les petites revues britanniques: The Dome et The Dial’. In: Les Revues illustrées en Europe entre deux siècles 1880-1920. Presses Universitaires de France, Paris, pp. 337-353.

Corbett, David Peters (2008) ‘Modern Themes in Camden Town Painting’. In: Camden Town. Tate Publishing, London, pp. 27-37.

Corbett, David Peters (1997) The Modernity of English Art, 1914-1930. Manchester University Press.

Corbett, David Peters (2009) ‘Nineteenth Century American and British Art and their Historiographies: A Comparison’. In: National and International Perspectives on American Art before 1945. Penn State Press, College Park, PA, pp. 67-89.

Corbett, David Peters (2009) ‘“Not Material Enough for the Age”: Pre Raphaelite Words and Images’. In: Writing the Pre-Raphaelites: The Textual Formation of a Victorian Avant-Garde. Ashgate Publishers, London.

Corbett, David Peters (2009) 'Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’. In: Modernist Magazines: A Critical and Cultural History, 1880-1945. Oxford University Press, Oxford, pp. 101-119.

Corbett, David Peters (2001) Walter Sickert. Tate Publishing & Princeton University Press.

Corbett, David Peters (2004) The World in Paint: Modern Art and Visuality in England, 1848-1914. Reconfiguring Modernism . Manchester University Press & Penn State Press, Manchester & University Park, PA.

Corbett, David Peters (1998) Wyndham Lewis and the Art of Modern War. Cambridge University Press, Cambridge.

Corbett, David Peters and Monks, Sarah (2012) Anglo-American: Artistic Exchange between Britain and the USA. In: Anglo-American: Artistic Exchange between Britain and the USA. Wiley-Blackwell, pp. 630-651. ISBN 978-1-4443-5143-9

Corbett, David Peters and Monks, Sarah (2011) Anglo-American: Artistic Exchange between Britain and the USA. Art History, 34 (4). pp. 630-651. ISSN 1467-8365

D

De Jong, Ferdinand (2016) Animating the Archive: The trial and testimony of a Sufi saint. Social Anthropology, 24 (1). pp. 36-51. ISSN 0964-0282

De Jong, Ferdinand (2014) Archiving after Empire:Saint-Louis and its Sufi Counter-Memory. Francosphères, 3 (1). pp. 25-41. ISSN 2046-3820

De Jong, Ferdinand (2016) At work in the archive: introduction to special issue. World Art, 6 (1). pp. 3-17. ISSN 2150-0894

De Jong, Ferdinand (1998) De Verbeelding van Volkscultuur: Maskers, Maskerades en hun Representatie in Musea en Folklore. In: Yearbook Netherlands Open Air Museum. SUN/Nederlands Openluchtmuseum, Nijmegen/Arnhem, pp. 84-109.

De Jong, Ferdinand (2000) The Forbidden Masquerade: Ethnicity and the Management of Ritual in Senegal. In: Roots and Rituals: The Construction of Ethnic Identities. Het Spinhuis, Amsterdam, pp. 499-516.

De Jong, Ferdinand (2013) Le secret exposé:Révélation et reconnaissance d’un patrimoine immatériel au Sénégal. Gradhiva:Revue d'Anthropologie et Museologie Paris, 18. pp. 98-123.

De Jong, Ferdinand (1995) The Making of a Jola Identity: Jola Inventing their Past and Future. In: Popular Culture: Beyond Historial Legacy and Political Innocence (Proceedings of CERES/CNWS Summer School 1994). CERES, Utrecht, pp. 133-150.

De Jong, Ferdinand (1997) The Power of a Mask: A Contextual Analysis of the Senegalese Kumpo Mask performance. Focaal: European Journal of Anthropology. Special Issue on Globalization/Localization: Paradoxes of Cultural Identity. pp. 37-56. ISSN 0920-1297

De Jong, Ferdinand (1999) The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal. In: Modernity on a Shoestring: Dimensions of Globalization, Consumption and Development in Africa and Beyond. EIDOS in association with the African Studies Centre Leiden and the Centre of African Studies London, Leiden and London, pp. 315-340.

De Jong, Ferdinand (1998) The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal. Focaal: European Journal of Anthropology. Special Issue on Globalization/Localization: Paradoxes of Cultural Identity, 30-31. pp. 61-83. ISSN 0920-1297

De Jong, Ferdinand (2000) Secrecy and the State: The Kankurang Masquerade in Senegal. Mande Studies, 2. pp. 153-173.

De Jong, Ferdinand (1999) Trajextories of a Mask Performance: The Case of the Senegalese Kumpo. Cahiers d'Études africaines, 153. pp. 49-71. ISSN 1777-5353

De Jong, Ferdinand and Foucher, Vincent (2010) La tragédie du roi Abdoulaye? Néomodernisme et Renaissance africaine dans le Sénégal contemporain. Politique africaine, 118. pp. 187-204.

De Jong, Ferdinand and Harney, Elizabeth (2015) Foreword:Art from the Archive. African Arts, 48 (2). pp. 1-4. ISSN 1937-2108

De Jong, Ferdinand and Murphy, David (2014) Introduction:Archiving the Postcolonial City. Francosphères, 3 (1). pp. 1-8. ISSN 2046-3820

De Jong, Ferdinand, Quinn, Brian and Bach, Jean-Nicolas (2014) Ruines d'Utopies:L’École William Ponty et L’Université du Futur africain. Politique africaine, 135. pp. 71-94.

Dell, Simon (2016) After the Portrait?:N.E. Thing Co.’s Portfolio of Piles. In: Paper Cities. Leuven. ISBN 9789462700581

Dell, Simon (2018) ‘Forward from Wigan Pier’: Remaking Documentary Photography in the 1930s. Visual Culture in Britain, 19 (2). pp. 168-188. ISSN 1471-4787

Dell, Simon (2010) Immediacy and Mediation: The Press, the Popular Front in France and the Spanish Civil War. In: The Mexican Suitcase: The Rediscovered Spanish Civil War Negatives of Capa, Chim and Taro. International Photography Centre, New York.

Dell, Simon (2011) On the Difficult Conjunction of "Worker" and "Photography" in France. In: The Worker Photography Movement:1926-1939: Essays and Documents. Museo nacional centro de arte, Reina Sofia, Madrid.

Dell, Simon (2019) Visualising Labour: The Problem and a Case Study, USSR in Construction 1931. Labour History Review. ISSN 0961-5652 (In Press)

Dell, Simon (2018) ‘The Work of Photography Re-imagined: The Soviet Moment in France, 1928-34’. History of Photography, 42 (4). pp. 356-375. ISSN 0308-7298

Dell, Simon (2013) Yeyap’s resources:Representation and the arts of the Bamum in Cameroon and France, 1902-1935. In: World Art and the Legacies of Colonial Violence. Ashgate, Farnham, pp. 31-58. ISBN 978-1-4094-5588-2

de Jong, Ferdinand (2018) Archive of Darkness:William Kentridge's Black Box/Chambre Noire. African Arts, 51 (1). pp. 10-23. ISSN 0001-9933

de Jong, Ferdinand (2016) Cultural Festivals in Senegal: Archives of Tradition, Mediations of Modernity. In: The First World Festival of Negro Arts, Dakar 1966. Postcolonialism Across the Disciplines 20 . Liverpool University Press, pp. 166-179. ISBN 9781781383162

de Jong, Ferdinand (2009) First Word: Hybrid Heritage. African Arts, 42 (4). 1,4-5. ISSN 1937-2108

de Jong, Ferdinand (2010) Remembering the Nation: The Mourid Maggal in Saint Louis, Senegal. Cahiers d'Études africaines, 197. pp. 123-151. ISSN 1777-5353

de Jong, Ferdinand (2009) Shining Lights: Self-fashioning in the Lantern Festival of Saint Louis, Senegal. African Arts, 42(4). pp. 38-53. ISSN 1937-2108

de Jong, Ferdinand and Quinn-Valente, Brian (2018) Infrastructures of utopia: ruination and regeneration of the African future. Africa, 88 (2). pp. 332-351. ISSN 0001-9720

E

Edwards, Paul (1981) Afterword. In: The Apes of God. Black Sparrow Press, Santa Barbara, pp. 629-639. ISBN 978-0876855126

Edwards, Paul (1985) Afterword and Explanatory Notes. In: Rotting Hill (Wyndham Lewis - 1951). Black Sparrow Press, Santa Barbara. ISBN 9780876856468

Edwards, Paul (1985) Afterword and Explanatory Notes. In: The Vulgar Streak (Wyndham Lewis - 1941). Black Sparrow Press, Santa Barbara. ISBN 978-0876856284

Edwards, Paul (1986) Afterword and Explanatory Notes. In: The Caliph's Design: Architects! Where is Your Vortex? (Wyndham Lewis - 1919). Black Sparrow Press, Santa Barbara. ISBN 978-0876856659

Edwards, Paul (1993) Afterword, Textual Appendix and Explanatory Notes. In: Time and Western Man (Wyndham Lewis - 1927). Black Sparrow Press, Santa Rosa. ISBN 9780876858806

Edwards, Paul (2007) The Apes of God and the English Classical Tradition. In: Wyndham Lewis the Radical: Essays on Literature and Modernity. Peter Lang, Bern, pp. 91-107. ISBN 978-3039112005

Edwards, Paul (1980) The Apes of God: Form and Meaning. In: Wyndham Lewis: A Revaluation. Athlone Press, London, pp. 133-48. ISBN 978-0773505162

Edwards, Paul (2007) Artists as Activists: C.R.W.Nevinson and Wyndham Lewis. In: A Dilemma of English Modernism: Visual and Verbal Politics in the Life and Work of C.R.W.Nevinson (1889-1946). University of Delaware Press, Newark DE, pp. 72-88. ISBN 978-0874139426

Edwards, Paul (1987) Augustan and related Allusions in The Apes of God. Enemy News (24). pp. 17-21.

Edwards, Paul (2013) Blast and the Revolutionary Mood of Wyndham Lewis's Vorticism. In: Vorticism: New Perspectives. Open University Press, New York. ISBN 9780199937660

Edwards, Paul (2000) Blast: Vorticism, 1914-1918. Ashgate, London. ISBN 1840146478

Edwards, Paul (2005) British War Memoirs. In: The Cambridge Companion to the Literature of the First World War. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 15-33. ISBN 9780521528979

Edwards, Paul (1984) "Clodoveo" and "Belcanto": Wyndham Lewis and James Joyce. In: Blast 3. Black Sparrow Press, Santa Barbara, pp. 126-33.

Edwards, Paul (2010) Creation Myth: The Art and Writing of Wyndham Lewis. In: Wyndham Lewis 1882-1957. Fundación Juan March, Madrid, pp. 22-31. ISBN 978-8470755774

Edwards, Paul (2009) Cultural Criticism at the Margins: Wyndham Lewis, The Tyro (1920-21), The Enemy (1927-29). In: A Critical and Cultural History of Modernist Magazines. Oxford University Press, Oxford, pp. 552-69. ISBN 978-0-19-921115-9

Edwards, Paul (2004) "Dragon in a Cage": Wyndham Lewis, 1882 - 1957. In: The Bone beneath the Pulp: Drawings by Wyndham Lewis. Paul Holberton Publishing/Courtauld Institute of Art, London, pp. 7-19. ISBN 978-1903470268

Edwards, Paul (2013) False Bottoms: Wyndham Lewis's The Revenge for Love and the Incredible Real. In: Incredible Modernism: Literature, Trust and Deception. Ashgate, Aldershot. ISBN 978-1409439547

Edwards, Paul (2005) Futurism, Literature and the Market. In: The Cambridge History of Twentieth-Century English Literature. The New Cambridge History of English Literature . Cambridge University Press, Cambridge, pp. 132-51. ISBN 9780521820776

Edwards, Paul (1994) Gerald Brenan and the Heroine of Tarr. Lewisletter (1). p. 4.

Edwards, Paul (2009) The Great War in English Fiction. In: The Cambridge Companion to the Twentieth Century British Novel. Cambridge, Cambridge, pp. 56-70. ISBN 978-0521711159

Edwards, Paul (2006) The Imagery of Hulme's Poems and Notebooks. In: Hulme and the Question of Modernism. Ashgate, London, pp. 23-38. ISBN 978-0754640882

Edwards, Paul (1998) "In Fundamental Agreement": Yeats and Wyndham Lewis. In: Yeats Annual 13. Yeats Annual . Macmillan, Basingstoke, pp. 110-157. ISBN 9780333716397

Edwards, Paul (2009) Introduction. In: BLAST (facsimile reprint). Gingko Press, Berkley CA, v-xii. ISBN 978-1-58423-342-8

Edwards, Paul (2004) Introduction. In: The Revenge for Love (Wyndham Lewis - 1937). Penguin Classics . Penguin, London, vii-xiv. ISBN 978-0141187648

Edwards, Paul (2000) Introduction. In: Blast: Vorticism, 1914-18. Ashgate, London, pp. 9-13. ISBN 1840146478

Edwards, Paul (1989) Introduction and Explanatory Notes. In: Creatures of Habit and Creatures of Change: Essays on Art, Literature and Society, 1914-1956 (Wyndham Lewis). Black Sparrow Press, Santa Rosa. ISBN 9780876857694

Edwards, Paul (1988) The Invisible Poet. Enemy News (27). pp. 4-5.

Edwards, Paul (2009) "It's Time for Another War": The Historical Unconscious and the Failure of Modernism. In: Wyndham Lewis and the Art of Modern War. Cambridge University Press, Cambridge, pp. 124-53. ISBN 9780521107907

Edwards, Paul (1979) Lewis and Kleist: Two views of perfection. Enemy News (10). pp. 10-11.

Edwards, Paul (1996) Lewis's Myth of the Artist: from Bohemia to the Underground. In: Volcanic Heaven. Black Sparrow Press, Santa Rosa, pp. 25-39.

Edwards, Paul (1981) Lewis, (Percy) Wyndham. In: Makers of Modern Culture. Routledge & Kegan Paul, London, pp. 308-9. ISBN 0710007329

Edwards, Paul (1983) Reappraisal: Wyndham Lewis. The Fiction Magazine, 2 (3). pp. 51-3.

Edwards, Paul (2002) Relativity of Consciousness in the Aesthetics of Wyndham Lewis and Virgina Woolf. Wyndham Lewis Annual, IX-X. pp. 57-64. ISSN 1356-9341

Edwards, Paul (2001) Science in Hapgood and Arcadia. In: The Cambridge Companion to Tom Stoppard. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 171-84. ISBN 978-0521645928

Edwards, Paul (1982) Signifying Nothing: The Revenge for Love. Enemy News (15). pp. 13-22.

Edwards, Paul (1995) Sir Percy Wyndham: Soldier of Fortune. Lewisletter (5). pp. 1-2.

Edwards, Paul (2006) Solipsism, Narrative and Love in Enduring Love. In: Ian McEwan's Enduring Love. Routledge Guides to Literature . Routledge, London, pp. 78-90. ISBN 978-0415345590

Edwards, Paul (1997) "The Strange Actor" and "Semitic Discourse". Wyndham Lewis Annual, 4. pp. 32-38. ISSN 1356-9341

Edwards, Paul (2010) A Strange Synthesis: Wyndham Lewis's Vorticism. In: The Vorticists: Rebel Artists in London and New York, 1914-1918. Tate Publishing, London.

Edwards, Paul (1995) Time, Romanticism, Modernism and Moderation in Ian McEwan's The Child in Time. English, 44 (178). pp. 41-55. ISSN 0013-8215

Edwards, Paul (2005) Timon Rediscovered: The Projected Max Goschen Edition, 1914. Wyndham Lewis Annual, XI. pp. 13-17. ISSN 1356-9341

Edwards, Paul (2012) An Unknown Portrait by Wyndham Lewis. The Journal of Wyndham Lewis Studies, 3. pp. 1-3.

Edwards, Paul (1994) What were Red Duet? Wyndham Lewis Annual. pp. 34-8. ISSN 1356-9341

Edwards, Paul (2011) Wyndham Lewis. In: The Blackwell Encyclopedia of Twentieth Century Fiction. Blackwell, Oxford. ISBN 978-1405192446

Edwards, Paul (1982) Wyndham Lewis and Nietzsche: How Much Truth Does a Man Require? In: Wyndham Lewis: Letteratura/Pittura. Sellerio editore, Palermo, pp. 203-17. ISBN 9788838900815

Edwards, Paul (1988) Wyndham Lewis and the Filth Bazaar. Enemy News (26). pp. 12-14.

Edwards, Paul (2002) Wyndham Lewis and the Rappel à l'ordre: Classicism and Significant Form, 1919 - 21. In: The Geographies of Englishness: Landscape and the National Past 1880 - 1940. Yale University Press, New Haven and London, pp. 141-68. ISBN 978-0300094886

Edwards, Paul (2011) Wyndham Lewis and the Uses of Shellshock: Meat and Postmodernism. In: Wyndham Lewis and the Cultures of Modernity. Ashgate, Aldershot, pp. 221-40. ISBN 978-1-4094-0054-7

Edwards, Paul (2002) Wyndham Lewis at the Second Post-Impressionist Exhibition: Reproductions of the Three Lost Works. Wyndham Lewis Annual. pp. 73-9. ISSN 1356-9341

Edwards, Paul (2010) Wyndham Lewis the Artist. In: Wyndham Lewis 1882-1957. Fundación Juan March, Madrid, pp. 96-293. ISBN 978-8470755774

Edwards, Paul (2010) Wyndham Lewis the Writer. In: Wyndham Lewis 1882-1957. Fundación Juan March, Madrid, pp. 302-37. ISBN 978-8470755774

Edwards, Paul (1994) Wyndham Lewis versus James Joyce: Shaun versus Shem? Irish Studies Review, 2 (7). pp. 11-17. ISSN 0967-0882

Edwards, Paul (1998) Wyndham Lewis versus James Joyce: Shaun versus Shem? In: Reviewing Ireland: Essays and Interviews from 'Irish Studies Review'. Sulis Press, Bath, pp. 164-73. ISBN 978-0952685654

Edwards, Paul (2010) Wyndham Lewis y el Timon de Atenas. In: William SHakespeare and Thomas Middleton, Timon de Atenas (tr.Angel-Luis Pujante). Fundación Juan March, Madrid, pp. 11-21.

Edwards, Paul (1997) Wyndham Lewis's Narrative of Origins: "The Death of the Ankou". The Modern Language Review, 92 (1). pp. 22-35.

Edwards, Paul (1998) Wyndham Lewis's Timon of Athens Portfolio: The Emergence of Vorticist Abstraction. Apollo, CXLVIII (440). pp. 34-40. ISSN 0003-6536

Edwards, Paul (1983) Wyndham Lewis: An Ego and its Own. In: Wyndham Lewis: Drawings and Watercolours 1910 - 1920 (catalogue of an exhibition at the Anthony D'Offay Gallery, April - May, 1983. Anthony D'Offay Gallery, London. ISBN 9780950398983

Edwards, Paul (1992) Wyndham Lewis: Art and War. Lund Humphries, London. ISBN 978-0853316114

Edwards, Paul (2000) Wyndham Lewis: Painter and Writer. Yale University Press. ISBN 9780300082098

Edwards, Paul (2000) You Must Speak with Two Tongues. In: Blast: Vorticism, 1914-18. Ashgate, London, pp. 113-20. ISBN 1840146478

Edwards, Paul and Humphreys, Richard (2008) Wyndham Lewis Portraits. National Portrait Gallery Publications, London.

Edwards, Paul, Humphreys, Richard, Gasiorek, Andrzej, Morato, Yolanda and Munton, Alan (2013) Wyndham Lewis (1882-1957). [Show/Exhibition]

Edwards, Paul and Walker, S (1975) Lewis's Critique of Relativity in One-Way Song. Lewisletter (3). pp. 3-6.

G

Gibson, Shimon, Kingsley, Sean, Clarke, Joanne, Rowan, Yorke M., Finkielsztejn, Gerald, Hawari, Mahmoud and Auld, Sylvia (1999) Town and Country in the Southern Carmel: Report on the Landscape Archaeology Project at Dor (LAPD). Levant, 31 (1). pp. 71-121.

Goude, Gwenaëlle, Clarke, Joanne, Webb, Jennifer M., Frankel, David, Georgiou, Giorgos, Herrscher, Estelle and Lorentz, Kirsi O. (2018) Exploring the potential of human bone and teeth collagen from Prehistoric Cyprus for isotopic analysis. Journal of Archaeological Science: Reports, 22. pp. 115-122. ISSN 2352-409X

Green, Anna (2007) French Paintings of Childhood and Adolescence, 1848-1886. Ashgate. ISBN 978-0754654605

Green, Anna (2013) The Norwich School Women. In: The Norwich School of Painters. East Publishing, Norwich.

Green, Anna (2003) 'Rivers of Lemonade and Mountains of Sugar': Representations of Country adn City in nineteenth-century French Children's Literature. In: Soil and Stone: Impressionism, Urbanism, Environment. Ashgate, Aldershot. ISBN 978-0754636854

Green, Anna (2007) 'Seen but not Heard': Youthful Views of Parisian Modernity in the Nineteenth Century. In: Proceedings of the 7th Joint Conference of Art Historians from Britain and Poland, Warsaw, September 2004. Polish Academy of Arts and Sciences. ISBN 9788389101747

Greenhalgh, Paul (2010) Craft and the New Humanism. In: New Craft Future Voices Conference Proceedings 2010 Duncan of Jordanstone College of Art & Design. University of Dundee. ISBN 9781899837558

Greenhalgh, Paul (2010) The History of Craft. In: The Design History Reader. Berg Publishers, pp. 329-335. ISBN 9781847883889

Greenhalgh, Paul (2010) An Introduction to Modernism in Design. In: The Design History Reader. Berg Publishers, pp. 91-97. ISBN 9781847883889

Greenhalgh, Paul (2008) Preface Gallery Preface’, The Catalogue of Studio Furniture of the Renwick Preface, The Catalogue of Studio Furniture of the Renwick Gallery. In: The Catalogue of Studio Furniture of the Renwick Gallery. Fox Chapel Publishing. ISBN 9781565233678

Greenhalgh, Paul (2010) Recognising the Modern World: Art, Patronage and Optimism. In: Turner to Cezanne, Masterpieces of the Davies Collection National Museum Wales. Hudson Hills Press. ISBN 9781555952990

Greenhalgh, Paul (2009) Words in the World of the Lesser: Recent Publications on the Crafts. Journal of Design History, 22 (4). pp. 401-411. ISSN 1741-7279

Greenslade, Simon and Hodges, Richard (2013) The aristocratic oikos on the Vrina Plain, Butrint c. AD 830−1200. Byzantine and Modern Greek Studies, 37 (1). pp. 1-19. ISSN 0307-0131

H

Haour, A., Christie, A., Jaufar, S. and Vigoureux, D. (2017) Back to ibn Battuta’s island – excavations in the Maldives, 2017. Nyame Akuma, 88 (33-40).

Haour, Anne, Christie, Annalisa and Jaufar, Shiura (2016) Tracking the Cowrie Shell: Excavations in the Maldives, 2016. Nyame Akuma, 85. pp. 69-77.

Hartnell, Jack (2019) The Body Inside-Out:Anatomical Memory at Maubuisson Abbey. Art History, 42 (2). pp. 242-273. ISSN 0141-6790

Hartnell, Jack (2017) Epilogue: Touching Ivory Online. In: Gothic Ivory Sculpture. Courtauld Books Online, pp. 143-158. ISBN 978-1-907485-09-1

Hartnell, Jack (2016) Medicine's Image. In: The Routledge Companion to Medieval Iconography. Routledge Art History and Visual Studies Companions . Routledge, pp. 322-339. ISBN 978-1-4724-5947-3

Hartnell, Jack (2018) Medieval Bodies:Life, Death and Art in the Middle Ages. Wellcome Collection. ISBN 978-1781256794

Hartnell, Jack (2017) Scanning Saint Amandus: Medical Technologies and Medieval Anatomies. postmedieval: a journal of medieval cultural studies, 8 (2). 218–233. ISSN 2040-5960

Hartnell, Jack (2017) Surgical Saws and Cutting Edge Agency. In: The Agency of Things in Medieval and Early Modern Art. Routledge, London, pp. 156-171. ISBN 9781138054226

Hartnell, Jack (2017) Tools of the Puncture. Skin, Knife, Bone, Hand. In: Flaying in the Pre-Modern World. Boydell & Brewer, Woodbridge, pp. 20-50. ISBN 9781843844525

Hartnell, Jack (2017) Wording the Wound Man. British Art Studies (6). ISSN 2058-5462

Hartnell, Jack and Johnston, Cynthia (2015) Extraordinary Collections of The Industrial Northwest, exhibition catalogue. Two Temple Place, London. ISBN 978-0-9570628-4-9

Heslop, T A (2010) Attending at Calvary: An early fifteenth-century English Panel Painting. In: Tributes to Nigel Morgan. Contexts of Medieval Art: Images, Objects and Ideas. Harvey Miller/Brepols, Turnhout, pp. 278-292. ISBN 9781905375295

Heslop, T. A. (2017) Saint Anselm’s “Grand Tour” and the Full-Page Picture Cycle in the Markyate Psalter. In: St. Albans and the Markyate Psalter. Studies in Iconography: Themes and Variations . Medieval Institute Publications. ISBN 9781580442589

Heslop, T.A (2012) The Alabaster Tomb at Ashwellthorpe, Norfolk: its Workmanship, Cost and Location. In: Patrons and Professionals in the Middle Ages. Harlaxton Medieval Studies vol.XXII . Donington, pp. 333-346.

Heslop, T.A (2012) Constantine and Helena: the Roman in English Romanesque. In: Architecture and Interpretation: Essays for Eric Fernie. The Boydell Press, Woodbridge, pp. 163-175.

Heslop, T.A (2010) Les monastères clunisiens anglais et leurs sceaux: vers 1090-1120. In: Cluny: onze siècles de rayonnement. Centre des monuments nationaux, pp. 380-387.

Heslop, T.A (2011) The Nave of Attleborough, Norfolk, and the Architecture of Unknowing. In: Architecture, Liturgy and Identity. Liber Amicorum Paul Crossley. Brepols, Turnhout, pp. 47-60.

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Hodges, Richard (2010) AD 536: The year Merlin (supposedly) died. In: Climate Crises in Human History. Diane Publishing Co. for American Philosophical Society, Philadelphia, pp. 73-84. ISBN 9781606189214

Hodges, Richard (2008) AD 774 and after: the archaeology of Charlemagne's Italy. In: 774, Ipotesi su una transizione. Brepols, Brussels, pp. 161-174. ISBN 9782503528168

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Hodges, Richard (2008) Aistulf and the Adriatic Sea. Acta Archaeologica, 79 (1). pp. 274-281. ISSN 1600-0390

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Hodges, Richard (2006) Between text and territory. Survey and excavations in the terra of San Vincenzo al Volturno. British School at Rome. ISBN 0904152480

Hodges, Richard (2013) Butrint's northern frontier in the eleventh century? The dema wall. Annual of the British School at Athens, 108. pp. 323-327.

Hodges, Richard (2005) Byzantine Butrint: Excavations and Surveys 1994-1999. Oxbow Books. ISBN 1842171585

Hodges, Richard (2010) Cinquante ans apres Dunning: reflexion sur les emporia, leur origine et leur developpement. In: Quentovic. Environnement, Archeologie, Histoire. Editions Du Conseil Scientifique de L'Universite Lille (3). Universite Charles de Gaulle, Lille, pp. 307-316. ISBN 9782844671233

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Hodges, Richard (2012) Dark Age Economics:A New Audit. Bloomsbury Academic, London. ISBN 9780715636794

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Hodges, Richard (2006) Eternal Butrint: A UNESCO world heritage site in Albania. General Penne UK, London. ISBN 1905680015

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Hodges, Richard, Campana, Stefano and Hobart, Michelle (2011) In Search of San Pietro d'Asso. Expedition (53). pp. 30-32.

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Lau, George (2015) The Dead and the Longue Durée in Peru’s North Highlands. In: Living with the Dead in the Andes. Tucson: University of Arizona Press, pp. 200-244. ISBN 978-0-8165-2977-3

Lau, George (2014) On textiles and alterity in the Recuay culture (AD 200-700), Ancash, Peru. In: Textiles, Technical Practice and Power in the Andes. Archetype, London, pp. 327-344.

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Lau, George (2018) Rise of the Cordillera Blanca: orogeny and imagination in ancient Ancash, Peru. In: Powerful Places in the Ancient Andes. University of New Mexico Press, Albuquerque (NM), pp. 91-127. ISBN 978-0-8263-5994-0

Lau, George (2017) South America - Andes. In: Oxford Handbook of Prehistoric Figurines. UNSPECIFIED, Oxford, pp. 391-415. ISBN 9780199675616

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Lau, George and Lidchi, Henrietta (2017) Editorial note. World Art, 7 (1). p. 1. ISSN 2150-0894

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Lau, George F. (2019) An Inka Offering at Yayno (North Highlands, Peru): Objects, Subjects and Gifts in the Ancient Andes. Cambridge Archaeological Journal, 29 (1). pp. 159-179. ISSN 0959-7743

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Thofner, Margit (2007) A Common Art: Urban Ceremonials in Antwerp and Brussels During and After the Dutch Revolt. Waanders Publishers. ISBN 9040082952

Thofner, Margit (2012) Framing the Sacred: Lutheran Church Furnishings in the Holy Roman Empire. In: Lutheran Churches in Early Modern Europe. Ashgate, Farnham, pp. 97-131. ISBN 9780754665830

Thofner, Margit (2004) Helena Fourment's het pelsken. Art History, 27 (1). pp. 1-33. ISSN 1467-8365

Thofner, Margit (2008) How to Look Like a (Female) Saint:The Early Iconography of St Theresa of Avila. In: Female Monasticism in Early Modern Europe. Catholic Christendom, 1300–1700 . Ashgate, pp. 59-80. ISBN 0754653374

Thofner, Margit (2002) Let your desire be to see God': Teresian Mysticism and Otto van Veen’s Amoris Divini Emblemata. Emblemata: An Interdisciplinary Journal for Emblem Studies, 12. pp. 83-103.

Thofner, Margit (2003) Making a chimera: invention, collaboration and the production of Otto Vaenius's Emblemata Horatiana. Emblems of the Low Countries: A Book Historical Perspective, 8. pp. 17-44.

Thofner, Margit (2009) Material Time: The Art of Mourning in Early Modern Europe. Daphnis, 38 (1-2). pp. 181-215. ISSN 0300-693X

Thofner, Margit (2011) The Netherlands. In: Cheap Print in Britain and Ireland to 1660. The Oxford History of Popular Print Culture (1). Oxford University Press, Oxford, pp. 196-204. ISBN 9780199287048

Thofner, Margit (2006) ”Spirito, Acqua e Sangue”. Gli Arredi delle Chiese Luterane (XVI-XVII secolo). Quaderni Storici, New series, 123. pp. 519-548.

Thofner, Margit and Garcia Garcia, B. J. (2010) Burials fit for the Dukes of Burgundy: Obsequies in Brussels for Emperor Charles V (1558) and Archduke Albert (1622). In: Burgundian Influences. Fondacion Carlos de Amberes, Madrid, Spain, pp. 653-672. ISBN 9788492820245

Thofner, Margit, Heslop, Sandy, Davies, John and Moore, Andrew (2010) The Art of Faith:3500 Years of Art and Belief in Norfolk. [Show/Exhibition]

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Wilson, Bronwen (2011) The Appeal of Horror: Francesco Cairo's Herodias and the Head of John the Baptist. Oxford Art Journal, 34 (3 Special Issue: Early Modern Horror). pp. 355-372. ISSN 0142-6540

Wilson, Bronwen (2012) Assembling the Archipelago: Early Modern Isolarii and the Horizons of Public Making. In: Making Space Public in Early Modern Europe: Geography, Performance, Privacy. Routledge.

Wilson, Bronwen (2012) Bedroom Politics: The Vexed Spaces of Late Medieval Public Making. History Compass, 10 (9). pp. 608-621. ISSN 1478-0542

Wilson, Bronwen (2010) The Confusion of Faces: The Politics of Physiognomy, Concealed Hearts, and Public Visibility. In: Making Publics in early modern Europe: people, things and forms of knowledge. Routledge, pp. 177-192. ISBN 978-0415896085

Wilson, Bronwen (2005) Costume and the Boundaries of Bodies. In: The World in Venice: print, the city, and early modern identity. University of Toronto, Toronto. ISBN 978-0802087256

Wilson, Bronwen (2007) Foggie diverse di vestire de 'Turchi': Turkish costume illustration and cultural translation. Journal of Medieval and Early Modern Studies, 37 (1). pp. 97-139. ISSN 1082-9636

Wilson, Bronwen (2013) Francesco Lupazzolo's Isolario (1638): the Aegean Archipelago and Early Modern Historical Anthropology. In: Reflections on Renaissance Venice: A Celebration of Patricia Fortini Brown. Five Continents, Milan. ISBN 9788874396344

Wilson, Bronwen (2014) Giovanni Battista Moroni, portraiture, and the ethics of early modern conversation. In: Heidegger and the Work of Art History. Ashgate, pp. 79-101. ISBN 9781409456131

Wilson, Bronwen (1999) 'Il bel sesso e l'austero Senato': The Coronation of Dogaressa Morosina Morosini Grimani. Renaissance Quarterly, 52 (1). pp. 73-139. ISSN 0034-4338

Wilson, Bronwen (2006) La dama del vergiù: secrecy, vendetta, and sexual blackmail in a late medieval bedroom. In: Firenze alla virgilia del Rinascimento. Antonio Pucci e i suoi contemporanei. Cadmo, Turin, pp. 369-88. ISBN 978-8879234474

Wilson, Bronwen (2003) Learning how to Read: Giovanni Battista Della Porta, Physiognomy, and Printed Portrait Books. In: Visual Knowledges, 2003-09-17 - 2003-09-20.

Wilson, Bronwen (2010) The Origins of the Modern Public. CBC.ca.

Wilson, Bronwen (2000) Reconstruction drawings for Debra Pincus, The Tombs of the Doges of Venice. Cambridge University Press, Cambridge.

Wilson, Bronwen (2003) Reflecting on the Turk in Sixteenth-Century Venetian Portrait Books. Word & Image: A Journal of Verbal/Visual Enquiry, 19 (1-2). pp. 38-58. ISSN 0266-6286

Wilson, Bronwen (2007) The Renaissance Portrait: from resemblance to representation. In: The Renaissance World. Routledge, pp. 452-80. ISBN 978-0415455114

Wilson, Bronwen (2004) Reproducing the Contours of Venetian Identity in Late Sixteenth-Century Costume Books. Studies in Iconography, 25. ISSN 0148-1029

Wilson, Bronwen (2012) Social Networking: the album amicorum and early modern public-making. In: Oltre la sefra pubblica/Beyond the public sphere: opinions, publics, spaces in Early Modern Europe. Il Mulino, Bologna, pp. 1-19. ISBN 978-0415661096

Wilson, Bronwen (2007) Terchi allo specchio: i libri dei ritratti veneziani. In: Mediterra-noesis: voci dal medioevo e rinascimento mediterraneo. Salerno Editrice, Turin, pp. 93-128. ISBN 978-8884025524

Wilson, Bronwen (2006) Venice, Print, and the Early Modern Icon. Urban History, 33 (1). pp. 39-64. ISSN 0963-9268

Wilson, Bronwen (2012) Visual Knowledge/Facing Blindness. In: Seeing Across Cultures: visualities in the Early Modern World. Transculturalisms, 1400–1700 . Ashgate, pp. 97-123. ISBN 978-1-4094-1189-5

Wilson, Bronwen (2012) The Work of Realism. Art History, 35 (5). pp. 1058-1073. ISSN 1467-8365

Wilson, Bronwen (2005) The World in Venice: print, the city, and early modern identity. University of Toronto Press, Toronto. ISBN 978-0802087256

Wilson, Bronwen and Vanhaelen, Angela (2012) The Erotics of Looking: Materiality and Solicitation in Netherlandish Visual Culture. Art History, 35 (5). pp. 874-885. ISSN 1467-8365

Wilson, Bronwen and Yachnin, Paul (2010) Introduction. In: Making Publics in early modern Europe: people, things and forms of knowledge. Routledge, pp. 1-24. ISBN 978-0415896085

Woodall, Alexandra (2019) On Object Dialogue Boxes: silence, empathy and unknowing. International Journal of Heritage Studies, 25 (1). pp. 96-111. ISSN 1352-7258

This list was generated on Tue May 21 11:58:04 2019 BST.