Items where School is "School of Music

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Number of items at this level: 67.


Ashworth, Amanda Pauline (2011) THE PORTRAYAL OF WATER AND WAVE PATTERNS IN THE MUSIC OF CLAUDE DEBUSSY. Masters thesis, University of East Anglia.


Backovic, Jovana (2014) Between two worlds : approaching Balkan oral music tradition through the use of technology as a compositional and performing medium. Doctoral thesis, University of East Anglia.

Bateman, Ian, Harwood, Amii, Mace, Georgina, Watson, Sir Robert, Abson, David J., Andrews, Barnaby, Binner, Amy, Crowe, Andrew, Day, Brett, Dugdale, Stephen, Fezzi, Carlo, Foden, Jo, Hadley, David, Haines-Young, Roy, Hulme, Michael, Kontoleon, Andreas, Lovett, Andrew, Munday, Paul, Pascual, Unai, Paterson, Jeremy, Perino, Grischa, Sen, Antara, Siriwardena, Gavin, van Soest, Daan and Termansen, Mette (2013) Bringing Ecosystem Services into Economic Decision-Making: Land Use in the United Kingdom. Science, 341 (6141). pp. 45-50. ISSN 0036-8075

Bennett, Stephen (2009) Computer Orchestration Tips and Tricks. PC-Publishing.

Bennett, Stephen (2003) Emagic Logic Virtual Instruments: A User's Guide. PC-Publishing.

Bennett, Stephen (1998) Fast Guide to Emagic Logic. PC-Publishing, UK.

Bennett, Stephen (2009) The Fire Thieves 'Back to Stereo'. Chaos.

Bennett, Stephen (2001) Henry Fool 'Henry Fool'. Cyclops.

Bennett, Stephen (2002) Henry Fool 'Pills in the afternoon' (Piotr Kosinski compilation). Muzyczne Pejzaze.

Bennett, Stephen (2009) Logic Pro: Tips and Tricks (third edition). PC-Publishing.

Bennett, Stephen (2002) Making Music With Emagic Logic Audio (second edition). PC-Publishing, UK.

Bennett, Stephen (2005) Making Music with Logic Pro. PC-Publishing.

Bennett, Stephen (2005) Making Music with your Computer. PC-Publishing.

Bennett, Stephen (2011) Memories of Machines 'Warm Winter'. Mascot Records.

Bennett, Stephen (2012) No-man 'Love and Endings'. Burning Shed.

Bennett, Stephen (2003) No-man 'Together We're Stranger'. Snapper.

Bennett, Stephen (2006) Rhinoceros 'Tiny Ghosts'. Burning Shed.

Bennett, Stephen (2000) Splattercell (David Torn) 'Remiksis Ah'. CellDivide.

Bennett, Stephen (2007) Tim Bowness 'My Hotel Year'. One Little Indian.

Bennett, Stephen (2002) User's Guide to Logic Audio 5. Muska & Lipman Publishing.


Case, Jonathan (2014) Deterioration and Noise in Technologies of Audio Reproduction. Masters thesis, University of East Anglia.

Choa, S. (2011) Bohuslav Martinů's symphony no. 4 (1945) evaluation of the sources and effects on performance. Hudebni Veda, 48 (2-3). pp. 209-220. ISSN 0018-7003

Choa, Sharon (2001) Battling with the Piano: Three Missing Bars in the Largo of Martinu's Symphony No. 4 (1945). Czech Music, 21. pp. 79-106.

Choa, Sharon (2004) Mahler's Das Lied von der Erde (World premiere) Chinese vsn. [Performance]

Choa, Sharon (2003) New edition of Martinu's Symphony No.4 & commercial recording of edition by the Czech Philharmonic, Supraphon SU 3631-2031 (Sept. 2003). Boosey & Hawkes London.

Choa, Sharon (2009) Performing Early Britten: Signs of Promise and Achievement in Poème 4 and 5. In: Benjamin Britten: New Perspectives on His Life and Work. Boydell and Brewer. ISBN 9781843835165

Choa, Sharon (2007) Rejuvenating Britten: A First Report on the Production of Britten's Web-Based Thematic Catalogue. Brio, 44 (1). pp. 25-31.

Choa, Sharon (2005) World premiere of Arnold Griller's Octet. UNSPECIFIED.


de Sapio, J., Monod, P., Howard, A., August, A., Pike, D.L. and Bourke, J. (2011) Reviews. The London Journal, 36 (2). pp. 186-193. ISSN 0305-8034


Evans, A R, Absolon, P J, Kaye, G and Snow, P A (1985) A study of the use of free-text fields within a computer medical records system. International Journal of Bio-Medical Computing, 17 (2). pp. 155-70. ISSN 0020-7101

Evans, A R, Wilkes, E R, Absolon, P J, Denner, T J and Kaye, G (1985) An interactive computerised protocol for the management of hypertension. Methods of Information in Medicine, 24 (1). pp. 21-26. ISSN 0026-1270


Gedge, Maxie (2014) Action, Repetition and Distance: Exploring Sound and The Body/Sounding The Body. Doctoral thesis, University of East Anglia.


Heringer Salles, Lelia (2010) Expression in Adorno's Aesthetic Theory. Masters thesis, University of East Anglia.

Hobson, Vic (2009) The Blues and the Uptown Brass Bands of New Orleans. In: Early Twentieth Century Brass Idioms. Lanham, Maryland: Scarecrow Press..

Hobson, Vic (2008) “Buddy Bolden’s Blues”. The Jazz Archivist: A Newsletter of the William Ransom Hogan Jazz Archive, XXI.

Hobson, Vic (2011) New Orleans Jazz and the Blues. Jazz Perspectives, 5 (1). ISSN 1749-4079

Hobson, Vic (2008) Reengaging blues narratives :Alan Lomax, Jelly Roll Morton and W.C. Handy. Doctoral thesis, University of East Anglia.

Howard, A. (2012) The sources of John Blow's Ode on the Death of Mr Henry Purcell (1696). Musical Times, 153 (1918). pp. 61-86. ISSN 0027-4666

Howard, Alan (2009) Manuscript Publishing in the Commonwealth Period: A Neglected Source of Consort Music by Golding and Locke. Music and Letters, 90(1). pp. 35-67. ISSN 1477-4631

Howard, Alan and Herissone, Rebecca (2009) Understanding Musical Creativity in Seventeenth-Century England. Early Music Performer, 23. pp. 19-20.


Impett, J. (2010) Let's dance architecture:Improvisation, technology and form. Leonardo Music Journal, 20. pp. 85-88. ISSN 0961-1215

Impett, Jonathan (2001) Hypermusic and the sighting of sound: a nomadic studio report. In: UNSPECIFIED.

Impett, Jonathan (2001) Interaction, simulation and invention: a model for interactive music. In: ALMMA 2001 Workshops on Artificial Life Models for Music Applications. Editoriale Bios: Consenza, pp. 108-119. ISBN 8877403217

Impett, Jonathan (2005) Interactivity, Ubiquitous Technology and Music Performance. Proceedings of the International Computer Music.

Impett, Jonathan (2004) Jonathan Impett, Paul Dunmall, Phil Gibbs, Paul Rogers and Andrew Ball. UNSPECIFIED.

Impett, Jonathan (2009) Making a Mark: The Psychology of Composition. In: The Oxford Handbook of Music Psychology. Oxford University Press.

Impett, Jonathan (2008) Nonos Tragödie des Hörens. Musik und Äesthetik, 12(48). pp. 22-36.

Impett, Jonathan (2007) Shadow Boxing: Sequenza X for trumpet and piano resonance. In: Berio's Sequenzas: Essays on Performance, Composition and Analysis. Ashgate, pp. 83-96. ISBN 9780754654452

Impett, Jonathan (2004) The Tragedy of listening: Nono, Carriari, critical thought and compositional practice. Radical Philosophy, 125. pp. 29-36.


Kawabata, Maiko (2004) The Concerto That Wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1 (1). pp. 67-114. ISSN 2044-8414

Kawabata, Maiko (2013) Paganini:The 'Demonic' Virtuoso. Boydell & Brewer/University of Rochester Press. ISBN 978-1843837565

Kawabata, Maiko (2010) Paganini’s Legacy. In: Nicolò Paganini Diabolus in Music. Studies on Italian Music History (Centro Studi Opera Omnia Luigi Boccherini) (6). Brepols, pp. 353-58.

Kawabata, Maiko (2007) Violinists 'Singing': Paganini, Operatic Voices, and Virtuosity. Ad Parnassum, 5 (9). pp. 7-39.

Kawabata, Maiko (2007) Virtuosity, the Violin, the Devil…What Really made Paganini 'Demonic? Current Musicology, 83. pp. 85-108.

Kawabata, Maiko (2004) Virtuoso Codes of Violin Performance: Power, Military Heroism, and Gender (1789-1830). Nineteenth Century Music, 28 (2). pp. 89-107.


Nielsen, Nanette and Hibberd, Sarah (2002) Music in Melodrame: 'the Burden of Ineffable Expression'? Nineteenth Century Theatre and Film, 29 (2). pp. 30-39. ISSN 2048-2906


Palermo, Dario (2014) Timbre hybridization processes and strategies. A Portfolio of Compositions. Doctoral thesis, University of East Anglia.

Papatzikis, Efthymios (2008) A Conceptual Analysis of Otakar Ševčík’s Method : A Cognitive Approach to Violin Teaching and Learning. Doctoral thesis, University of East Anglia.

Perkins, Ed (2018) Live Electronic Ensemble Practice : Developing Tools and Strategies for Performance and Composition. Doctoral thesis, University of East Anglia.

Puga Iglesias, Amelia (2010) Percussion in an electronic environment. Masters thesis, University of East Anglia.


Rayman, Josh (2014) Experimental Approaches to the Composition of Interactive Video Game Music. Masters thesis, University of East Anglia.


Tarpey, Patrick S, Smith, Raffaella, Pleasance, Erin, Whibley, Annabel, Edkins, Sarah, Hardy, Claire, O'meara, Sarah, Latimer, Calli, Dicks, Ed, Menzies, Andrew, Stephens, Phil, Blow, Matt, Greenman, Christopher, Xue, Yali, Tyler-smith, Chris, Thompson, Deborah, Gray, Kristian, Andrews, Jenny, Barthorpe, Syd, Buck, Gemma, Cole, Jennifer, Dunmore, Rebecca, Jones, David, Maddison, Mark, Mironenko, Tatiana, Turner, Rachel, Turrell, Kelly, Varian, Jennifer, West, Sofie, Widaa, Sara, Wray, Paul, Teague, Jon, Butler, Adam, Jenkinson, Andrew, Jia, Mingming, Richardson, David, Shepherd, Rebecca, Wooster, Richard, Tejada, M Isabel, Martinez, Francisco, Carvill, Gemma, Goliath, Rene, De Brouwer, Arjan P M, Van Bokhoven, Hans, Van Esch, Hilde, Chelly, Jamel, Raynaud, Martine, Ropers, Hans-hilger, Abidi, Fatima E, Srivastava, Anand K, Cox, James, Luo, Ying, Mallya, Uma, Moon, Jenny, Parnau, Josef, Mohammed, Shehla, Tolmie, John L, Shoubridge, Cheryl, Corbett, Mark, Gardner, Alison, Haan, Eric, Rujirabanjerd, Sinitdhorn, Shaw, Marie, Vandeleur, Lucianne, Fullston, Tod, Easton, Douglas F, Boyle, Jackie, Partington, Michael, Hackett, Anna, Field, Michael, Skinner, Cindy, Stevenson, Roger E, Bobrow, Martin, Turner, Gillian, Schwartz, Charles E, Gecz, Jozef, Raymond, F Lucy, Futreal, P Andrew and Stratton, Michael R (2009) A systematic, large-scale resequencing screen of X-chromosome coding exons in mental retardation. Nature Genetics, 41 (5). pp. 535-543. ISSN 1061-4036


Vine, William (2014) Composing the instrument: An alternative approach to musical relationships between composer, instrument, performer and audience. Doctoral thesis, University of East Anglia.


Waters, Simon (2005) Extended Flute Project - Virtual/Physical feedback flute/Soundspotter flute. [Performance]

Waters, Simon (2006) Making the Archive and Archiving the Making: Insights and outcomes from a major research project. Organised Sound, 11 (2). pp. 143-147. ISSN 1469-8153

Waters, Simon (2007) Performance Ecosystems: Ecological approaches to musical interaction. In: UNSPECIFIED.

Waters, Simon (2003) Thinking the unheard: Hybrid thought in Musical Practice. In: Hybrid Thought. Department of Telematics, Open University, pp. 163-188. ISBN 0954559312

This list was generated on Tue Mar 24 21:26:47 2020 GMT.