Items where School is "Faculty of Arts and Humanities > School of Film,Television and Media

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Number of items at this level: 524.

A

Ahmed, Michael (2013) Corrupted, Tormented and Damned: Reframing British Exploitation Cinema and The films of Robert Hartford-Davis. Doctoral thesis, University of East Anglia.

Atakav, Eyelem (2007) '‘The Human Province: Metaphors of Prison in the Cities of Demirkubuz’'. Cinemascope, 8.

Atakav, Eyelem (2007) '‘Mona Lisa in Veils: Cultural Identity, Religion, Politics and Feminism in Turkey’'. Feminist Theory, 14(3). pp. 11-21. ISSN 1741-2773

Atakav, Eyelem (2001) 'Su Damlasi (Water Drop). Ileri Kitabevi, Istanbul.

Atakav, Eyelem (1999) Yasanan Degil, Yasayan Tarih (Not Lived But Living History). Ileri Kitabevi, Istanbul.

Atakav, Eylem (2012) Cinema: Turkish Women's Contributions. In: The Oxford Encycopaedia of Islam and Women. Open University Press, New York.

Atakav, Eylem (2014) “Do One’s Dreams Become Smaller As One Becomes Bigger?”:Memory, Trauma and the Child in Turkish Cinema. In: New Cinema, New Media: Reinventing Turkish Cinema. Cambridge Scholars Press, pp. 158-165. ISBN 978-1-4438-5688-1

Atakav, Eylem (2015) Feminism and Women’s Film History in 1980s Turkey. In: Doing Women's Film History. University of Illinois Press, pp. 127-138. ISBN 978-0-252-03968-3

Atakav, Eylem (2013) 'Honour is Everything for Muslims': Vendetta Song, Religious Identity and Gender Politics in Turkey. In: New Turkish Cinema and Religion. Cambridge Scholars Press, pp. 49-67.

Atakav, Eylem (2012) Kiz Kulesi Asiklari, Edge of Heaven and Block C. In: World Film Location: Istanbul. World Film Locations . Intellect Ltd. ISBN 9781841505671

Atakav, Eylem (2010) Let’s Do It! Let’s Do It’ The Critical Reception and a Feminist Reading of Victoria Wood’s Midlife Christmas. Feminist Media Studies, 10 (3). ISSN 1468-0777

Atakav, Eylem (2010) Representations and/or Interpretations: Women in Middle Eastern Film. Near East Quarterly, 1 (1).

Atakav, Eylem (2011) Savas Arslan, Cinema in Turkey: A New Critical History. Screen, 52 (4). ISSN 1460-2474

Atakav, Eylem (2011) There are Ghosts in these Houses! New Turkish Cinema: Belonging, Identity and Memory. Inter Asia Cultural Studies, 12 (1).

Atakav, Eylem (2012) Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation. Routledge Studies in Middle East Film and Media . Routledge. ISBN 978-0-415-67465-2

Atakav, Eylem (2013) The critical reception of Certified Copy: Original art or copy of a rom-com? In: Watching Films. Intellect Ltd. ISBN 9781841505114

Aveyard, Karina (2011) Australian films at the cinema: rethinking the role of distribution and exhibition. Media International Australia, 138. pp. 36-45.

Aveyard, Karina (2012) Big Screen to Small Screen: Australasian film and its new formats (Special edition - Guest editor). Studies in Australasian Cinema, 6 (2).

Aveyard, Karina (2012) Cinema on the Edge: Improvised Film Exhibition and Digital Projection in Rural Australia. Studies in Australasian Cinema, 6 (2). pp. 189-201.

Aveyard, Karina (2009) Coming to a cinema near you: Digital cinema, exhibition and audiences in Australia. Studies in Australisian Cinema, 3 (2). pp. 191-203.

Aveyard, Karina (2009) Digitizing and Contextualizing Australian audio-visual content: australianscreen online. Studies in Australasian Cinema, 3 (2). pp. 205-222.

Aveyard, Karina (2014) The Lure of the Big Screen:Cinema in Rural Australia and the United Kingdom. Intellect Books. ISBN 9781783203826

Aveyard, Karina (2011) More Than Making Do: rethinking cinema attendance in regional and rural Australia. Studies in Australasian Cinema, 5 (1). pp. 7-18.

Aveyard, Karina (2012) Observation, Mediation and Intervention: an Account of Methodological Fusion in the Study of Rural Cinema Audiences in Australia. Participations: Journal of Audience and Reception Studies, 9 (2).

Aveyard, Karina (2011) The Place of Cinema and Film in Contemporary Rural Australia. Participations: Journal of Audience and Reception Studies, 8 (2).

Aveyard, Karina (2009) Rethinking cinema-going in rural Australia. Researching Australian Film Exhibition and Distribution.

Aveyard, Karina (2011) What the country tells us - the place of the ‘rural’ in contemporary studies of cinema. Media International Australia, 139. pp. 124-132.

Aveyard, Karina and Moran, Albert (2011) Cinema Going, Audiences and Exhibition (Special Edition - Guest editor). Media International Australia, 139.

Aveyard, Karina and Moran, Albert (2011) Cinema-going, Audiences and Exhibition. Media International Australia, 139. pp. 73-79.

B

Barker, Martin (1990) Action: The Story of a Violent Comic. Titan Books.

Barker, Martin (2011) "America hurting": making movies about Iraq. In: Screens of Terror: Representation of War and Terrorism in Film and Television since 9/11. Abramis, London, pp. 37-50.

Barker, Martin (2008) Analysing Discourse. In: Research Methods for Cultural Studies. Edinburgh University Press, Edinburgh, pp. 150-72.

Barker, Martin (2003) Assessing the "quality" in qualitative research: the case of text-audience relations. European Journal of Communication, 18 (3). pp. 315-35.

Barker, Martin (1998) Audiences R Us. In: Approaches to Audiences. Arnold.

Barker, Martin (1991) BIFF: man bites god. Magazine of Cultural Studies, 4. pp. 26-29.

Barker, Martin (1982) Biology and ideology: the uses of reductionism. In: Against Biological Determinism. Allison & Busby, pp. 9-29.

Barker, Martin (2009) Changing Lives, Challenging Concepts: Some Findings and Lessons from the Lord of the Rings Project. International Journal of Cultural Studies, 12 (4). pp. 375-94. ISSN 1460-356X

Barker, Martin (1989) Comics: Ideology, Power and the critics. Manchester University Press.

Barker, Martin (2003) Crash, theatre audiences, and the idea of "liveness". Studies in Theatre and Performance, 23 (1). pp. 21-39.

Barker, Martin (2002) Crashing out. Screen, 43 (1). pp. 74-8. ISSN 1460-2474

Barker, Martin (1995) Drawing attention to the image: computers and comics. In: The Photographic Image in Digital Culture. Routledge, pp. 188-213.

Barker, Martin (1983) Empiricism and racism. Radical Philosophy, 33. pp. 6-15.

Barker, Martin (2006) Envisaging 'Visualisation': Some Challenges from the International Lord of the Rings Audience Project. Film-Philosophy, 10 (3). pp. 1-25. ISSN 1466-4615

Barker, Martin (2009) Fantasy audiences versus fantasy audiences. In: Film Theory and Contemporary Hollywood Movies. Routledge, London, pp. 286-309.

Barker, Martin (1998) Film audience research: making a virtue out of necessity. IRIS (French/American Film Journal), 26. pp. 131-48.

Barker, Martin (1999) Fredric Wertham - the sad case of the unhappy humanist. In: Pulp Demons: International Dimensions of the Postward Anti-Comics Campaign. Fairleigh Dickinson University Press, pp. 215-33.

Barker, Martin (2000) From Antz to Titanic: Reinventing Film Analysis. Pluto Press.

Barker, Martin (1999) Getting a conviction: or, how the British horror comics campaign only just succeeded. In: Pulp Demons: International Dimensions of the Postwar Anti-Comics Campaign. Fairleigh Dickinson University Press, pp. 69-92.

Barker, Martin (1984) A Haunt of Fears: The Strange History of the British Horror Comics Campaign. Pluto Press.

Barker, Martin (1981) Human biology and the possibility of socialism. In: Issues in Marxist Philosophy. Harvester, pp. 43-82.

Barker, Martin (2006) I have seen the future and it is not here yet...; or, on being ambitious for audience research. The Communication Review, 9 (2). pp. 123-41. ISSN 1071-4421

Barker, Martin (1997) Ill Effects: The Media-Violence Debate. Routledge.

Barker, Martin (1991) Iwo Jima: the photograph as symbol. Magazine of Cultural Studies, 4. pp. 13-16.

Barker, Martin (1978) Kant as a problem for Marxism. Radical Philosophy, 19. pp. 24-29.

Barker, Martin (1980) Kant as a problem for Weber. The British Journal of Sociology, 31 (2). pp. 224-45. ISSN 1468-4446

Barker, Martin (2002) Kicked in the Gutters: or, "My Dad doesn't read comics, he studies them". International Journal of Comic Art. pp. 64-77.

Barker, Martin (2012) "Live To Your Local Cinema": the Remarkable Rise of Livecasting. Palgrave Macmillan. ISBN 978-1137288684

Barker, Martin (2005) The Lord of the Rings and "identification": a critical encounter. European Journal of Communication, 20 (3). pp. 353-78.

Barker, Martin (1992) Lost directions? Cultural studies and the turn to ethnography (Keynote address). In: Signifying Others: Selected Papers from the Second Cultural Studies Association of Australia Conference. University of South Queensland Press, pp. 1-6.

Barker, Martin (2005) Loving and Hating Straw Dogs: The Meanings of Audience Responses to a Controversial Film (Part 1). Participations: online Journal of Audience and Reception Studies, 2 (2).

Barker, Martin (2006) Loving and Hating Straw Dogs: The Meanings of Audience Responses to a Controversial Film (Part 2). Participations: online Journal of Audience and Reception Studies, 3 (1).

Barker, Martin (2006) Making Middle-earth Sound Real: the Cultural Politics of the BBC Radio Edition. In: The Lord of the Rings: Popular Culture in Global Context. Wallflower Press, London, pp. 61-70.

Barker, Martin (1987) Mass media studies and the question of ideology. Radical Philosophy, 46. pp. 27-33.

Barker, Martin (1981) The New Racism: Conservatives and the Ideology of the Tribe. Junction Books.

Barker, Martin (2004) News, Reviews, Clues, Interviews and Other Ancillary Materials - a Critique and Research Proposal. Scope. ISSN 1465-9166

Barker, Martin (2003) The Newson Report: A case study in "common-sense" (reprinted from Ill Effects). In: The Audience Studies Reader. Routledge, London, pp. 74-90.

Barker, Martin (2006) On being a 1960s Tolkien reader. In: From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings. Rodopi, Amsterdam, pp. 81-100.

Barker, Martin (1993) On seeing how far you can see: the fans of "Judge Dredd". In: Reading Audiences: Young People and the Media. Manchester University Press, pp. 159-83.

Barker, Martin (2001) On the problems of being a "trendy travesty". In: Ill Effects: The Media/Violence Debate (2nd edition). Routledge, London, pp. 202-24.

Barker, Martin (1993) POSY: Three go mad in the Guardian. Magazine of Cultural Studies, 5. pp. 16-19.

Barker, Martin (2011) Playing with Gollum: Uncovering the Cultural Life and Trasnational Travels of a Complex Character. Scope, 19. ISSN 1465-9166

Barker, Martin (2008) The Pleasures of Watching an "Off-beat" Film: the Case of Being John Malkovich. Scope, 11. ISSN 1465-9166

Barker, Martin (2001) The Problems with Racism. In: Race Critical Theories: Text and Context. Basil Blackwell, Oxford, pp. 80-90.

Barker, Martin (1992) Reading into Cultural Studies. Routledge.

Barker, Martin (2012) The Reception of Joe Sacco's Palestine. Participations, 9 (2). ISSN 1749-8716

Barker, Martin (2001) Reflections on "The Problems with Racism". In: Race Critical Theories: Text and Context. Basil Blackwell, Oxford, pp. 471-80.

Barker, Martin (1990) Sunlight on Salman. Magazine of Cultural Studies, 1. pp. 9-11.

Barker, Martin (1997) Taking the extreme case: understanding a fascist fan of Judge Dredd. In: Trash Aesthetics: Popular Culture and its Audience. Pluto Press, London, pp. 14-30.

Barker, Martin (1988) Television and the miners' strike. Media, Culture & Society, 10 (1). pp. 107-112. ISSN 1460-3675

Barker, Martin (2011) A 'Toxic Genre': The Iraq War Films. Pluto Press.

Barker, Martin (2010) "Typically French"?: mediating screened rape to British audiences. In: Rape in Art Cinema. Continuum, New York, pp. 145-58.

Barker, Martin (2005) Understanding vernacular experiences of film in an academic environment. Art, Design and Communication in Higher Education, 4 (1). pp. 49-71.

Barker, Martin (1995) Very nearly in front of the children: the story of Alternity. In: In Front of the Children: Screen Entertainment and Young Audiences. British Film Institute, pp. 201-16.

Barker, Martin (1984) The Video Nasties: Freedom and Censorship in the Arts. Pluto Press.

Barker, Martin (1995) Violence. Sight and Sound. pp. 10-14.

Barker, Martin (2004) Violence redux. In: New Hollywood Violence. Manchester University Press, Manchester, pp. 57-79.

Barker, Martin (2011) Watching Rape, Enjoying Watching Rape... How Does a Study of Audiences Cha(lle)nge Film Studies Approaches? In: The New Extremism in Cinema: from France to Europe. Edinburgh University Press, Edinburgh, pp. 105-16.

Barker, Martin (2007) Watching the Lord of the Rings: Tolkien's World Audiences. Peter Lang.

Barker, Martin, Arthurs, Jane and Harindranath, Ramaswami (2001) The Crash Controversy: Censorship Campaigns and Film Reception. Wallflower Press.

Barker, Martin and Austin, Thomas (2000) Reply to Brereton's review of From Antz To Titanic. Film-Philosophy, 4 (27).

Barker, Martin and Beezer, Anne (1983) Scarman and the language of racism. International Socialism, 18. pp. 108-25.

Barker, Martin, Beezer, Anne and Grimshaw, Jean (1983) Methods for cultural studies students. In: Introduction to Contemporary Cultural Studies. Longman.

Barker, Martin and Brooks, Kate (1999) Bleak futures by proxy. In: Identifying Hollywood's Audiences: Cultural Identity and the Movies. British Film Institute, London.

Barker, Martin and Brooks, Kate (1998) Knowing Audiences: Judge Dredd, its Friends, Fans and Foes. University of Luton Press.

Barker, Martin and Brooks, Kate (1998) On looking into Bourdieu's black box. In: Approaches to Audiences. Arnold.

Barker, Martin, Egan, Kate and Mathijs, Ernest (2006) De mondiale receptievan The Lord of the Rings; een methodologische uitdaging. Tijdschrift voor Communiatiewetenschap, 34 (1). pp. 7-27.

Barker, Martin and Mathijs, Ernest (2012) Researching world audiences: the experience of a complex methodology. Participations, 9 (2). pp. 664-689. ISSN 1749-8716

Barker, Martin and Mathijs, Ernest (2007) Seeing The Promised Land From Afar: The Perception of New Zealand by Overseas The Lord of the Rings Audiences. In: How We Became Middle-earth: A Collection of Essays on The Lord of the Rings. Walking Tree Publications, Switzerland, pp. 10-28.

Barker, Martin, Mathijs, Ernest, Egan, Kate, Sexton, Jamie, Hunter, Russ and Selfe, Melanie (2007) Audiences and Receptions of Sexual Violence in Contemporary Cinema - Report to the British Board of Film Classification. The British Board of Film Classification.

Barker, Martin, Mathijs, Ernest and Mendik, Xavier (2006) Menstrual monsters: the reception of the Ginger Snaps cult horror franchise. Film International, 4 (3). pp. 68-77.

Barker, Martin and Petley, Julian (2001) Introduction: from bad research to good - a guide to the perplexed. In: Ill Effects: The Media/Violence Debate (2nd edition). Routledge, London, pp. 1-26.

Barker, Martin and Sabin, Roger (1996) The Lasting of the Mohicans: History of an Amercian Myth. University Press of Mississippi.

Barker, Martin and Sabin, Roger (2007) A Very American Fable: the Making of a Mohicans Adaptation. In: 19th Century American Fiction on Screen. Cambridge University Press, Cambridge, pp. 9-28.

Bennett, James and Holmes, Su (2010) The "Place" of television in Celebrity Studies. Celebrity Studies, 1 (1). pp. 65-80. ISSN 1939-2397

Brown, Shane (2014) DIFFERENT FROM THE OTHERS A Comparative Analysis of Representations of Male Queerness and Male-Male Intimacy in the Films of Europe and America, 1912-1934. Doctoral thesis, University of East Anglia.

C

Cassidy, Angela and Mills, Brett (2012) 'Fox Tots Attack Shock': Urban Foxes, Mass Media and Spacial Boundaries. Environmental Communication, 6 (4). pp. 494-511. ISSN 1752-4032

Cornea, Christine (2010) 2-D Performance and the re-Animated Actor. In: Genre and Performance: Film and Television. Manchester University Press, pp. 148-165. ISBN 9780719079801

Cornea, Christine (2006) The American Musical since the 1960s. In: Contemporary American Cinema. Open University Press, pp. 53-56. ISBN 0335218326

Cornea, Christine (2006) Arnold Schwarzenegger. In: Contemporary American Cinema. Open University Press, pp. 284-288. ISBN 0335218326

Cornea, Christine (2011) British Science Fiction Television in the Discursive Context of Second Wave Feminism. Genders Journal, 54 (Summer).

Cornea, Christine (2003) David Cronenberg’s Crash and Performing Cyborgs. Velvet Light Trap, 52 (1). pp. 4-14.

Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2010) Editor's Introduction. In: Genre and Performance: Film and Television. Manchester University Press, pp. 1-17. ISBN 9780719079801

Cornea, Christine (2005) The Figuration of the Cyborg in Science Fiction Novels and Films. In: Companion to Science Fiction (Blackwell Companions to Literature & Culture). Blackwell Publishing, pp. 275-288. ISBN 9781405112185

Cornea, Christine (2011) Frankenheimer and the Science Fiction/Horror Film. In: A Little Solitaire: John Frankenheimer and American Film. Rutgers University Press, pp. 229-243. ISBN 9780813550602

Cornea, Christine (2010) Genre and Performance: Film and Television. Manchester University Press. ISBN 9780719079801

Cornea, Christine (2006) The Hollywood Musical. In: Contemporary American Cinema. Open University Press, pp. 53-61. ISBN 0335218326

Cornea, Christine (2008) In Focus: The Practitioner Interview in Film and Television Studies. Cinema Journal, 47(2). pp. 117-154.

Cornea, Christine (2008) Introduction: Interviews in Film and Television Studies. Cinema Journal, 47(2). pp. 117-23.

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2014) Re-Viewing 'Survivors' (BBC, 1975-77): Gender, Genre and National Anxiety. Quarterly Review of Film and Video, 31 (5). pp. 401-414. ISSN 1543-5326

Cornea, Christine (2007) Science Fiction Cinema: Between Fantasy and Reality. Rutgers University Press. ISBN 9780813541730

Cornea, Christine (2009) Showrunning the Doctor Who Franchise. In: Production Studies: Cultural Studies of Media Industries. Routledge. ISBN 9780415997966

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

Cornea, Christine (2006) Star Wars IV: A New Hope(1977). In: Understanding Film Genres. McGraw-Hill College. ISBN 0072563699

Cornea, Christine (2005) Techno-Orientalism and the Postmodern Subject. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, pp. 72-81. ISBN 1904764347

Cornea, Christine, Bowater, Laura and Bowater, Richard (2012) Visualizing Science Fiction and relating it to Science Fact. The Biochemist, 34 (6). pp. 4-8. ISSN 0954-982X

Cornea, Christine, Bowater, Laura, James, Helen and Bowater, Richard (2012) Using science fiction to teach science facts. The Biochemist, 34 (6). pp. 15-20. ISSN 0954-982X

D

Dare-Edwards, Helena Louise (2015) Interrogating tweendom online: ‘Fangirl as Pathology’, gender/age, and iCarly fandom. Doctoral thesis, University of East Anglia.

Denison, Rayna (2011) Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy. International Journal of Cultural Studies, 14 (5). pp. 449-466. ISSN 1460-356X

Denison, Rayna (2010) Anime Tourism: The Studio Ghibli Art Museum and Global Audiences for Anime. Japan Forum ISSN Print: 0955-5803, 22 (3-4). pp. 545-563.

Denison, Rayna (2010) Bollywood Blends: Genre and Performance in Shahrukh Khan's Post-Millenial Films. In: Genre and Performance: Film and Television. Manchester University Press, Manchester, pp. 184-204.

Denison, Rayna (2009) "British to a fang, British to a Whisker": Reconsidering The Muppet Show's National Identity and Authorship through its British Reception. In: Kermit Culture: Perspectives on Jim Henson's Muppets. MacFarland, Jefferson, NC, pp. 154-169.

Denison, Rayna (2005) Disembodied Voices: The Soundscape and Stars of Princess Mononoke. Scope. ISSN 1465-9166

Denison, Rayna (2007) Global Markets for Japanese Film: Transforming Miyazaki Hayao's Sen to Chihiro no Kamikakushi into Spirited Away. In: Japanese Cinema: Texts & Contexts. Routledge, London, pp. 308-322. ISBN '0415328489

Denison, Rayna (2010) Gurinder Chadha. In: Fifty Contemporary Filmakers (Revised Edition). Routledge, London, pp. 98-106.

Denison, Rayna (2010) Hayao Miyazaki. In: Fifty Contemporary Filmmakers (Revised Edition). Routledge, London, pp. 288-295.

Denison, Rayna (2007) It's a Bird! It's a Plane! No, it's DVD! Superman, Smallville and the Production (of) Melodrama. In: Film and Comic Books. University Press of Mississippi, pp. 160-179. ISBN 9781578069774

Denison, Rayna (2008) The Language of the Blockbuster: Marketing, Princess Mononoke and the Daihitto in Japanese Film Culture. In: East Asian Cinemas: Transnational Connections on Film. I B Tauris, pp. 103-122. ISBN 1845116143

Denison, Rayna (2007) The Muppet Show: Sex and Violence: Investigating the Complexity of the Television Body. Mysterious Bodies: Intensities Journal, 4.

Denison, Rayna (2011) No Tights, No Flights: Smallville's Special Effects and the Inter-media Adaptation of the "Super". In: Investigating Smallville: A Superhero for the Teenage Generation. Scarecrow Press, pp. 65-86.

Denison, Rayna (2006) (Trans)National X Factor: Patrick Stewart, Britishness and the Promotion of X-Men. Critical Survey, 18 (3). pp. 65-82.

Denison, Rayna (2010) Transcultural Creativity in Anime: Hybrid Identities in the Production, Distribution, Texts and Fandom of Japanese Anime. Creative Industries Journal, 3 (3). pp. 221-235.

Denison, Rayna and Furukawa, Hiroko (2012) From Manga to Movies: New Trends in Collaborative Production in Japanese Media Franchise. In: MeCCSA Conference, 2012-01-01.

Denison, Rayna and Furukawa, Hiroko (2012) Japanese Cinema Now: Production Trends in Contemporary Japanese Cinema. In: Keeping Japan on the Map, Great Britain Sasakawa Foundation Conference, 2012-01-01.

Denison, Rayna and Jancovich, Mark (2007) Mysterious Bodies (A Special Edition of Intensities Journal). Intensities Journal, 4.

E

Ellison, Hannah (2014) ‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010. Doctoral thesis, University of East Anglia.

F

FitzGerald, Louise and Williams, Melanie (2012) Facing our Waterloo: evaluating Mamma Mia! The Movie. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I.B.Tauris & Co Ltd. ISBN 9781848859418

Fitzgerald, Louise (2009) Negotiating lone motherhood : gender, politics and family values in contemporary popular cinema. Doctoral thesis, University of East Anglia.

Fitzgerald, Louise and Godfrey, Sarah (2013) ‘Them over there’: Motherhood and Marginality in Shane Meadows’ Films. In: Critical Essays on Shane Meadows. Edinburgh University Press. ISBN 9780748676392

Fradley, Martin, Godfrey, Sarah and Williams, Melanie (2013) Shane Meadows:Introduction. Journal of British Cinema and Television, 10 (4). pp. 1-6. ISSN 1743-4521

Friedman, Sam, Mills, Brett and Phillips, Tom (2011) Comedy Audiences - Editor's Introduction: Foregrounding The Comedy Audience. Participations, 8 (2). pp. 120-127. ISSN 1749-8716

Frith, Paul (2014) Realism, Fantasy, and the ‘H’ Certificate: Rethinking Horror Cinema in Britain during the 1940s. Doctoral thesis, University of East Anglia.

Fuller, Stephanie (2013) Romance, revolution and regulation: colonialism and the US-Mexico border in American Cold War film. Doctoral thesis, University of East Anglia.

G

Ganjaei, Sara (2010) Representations of Iran in British Documentary, 1920s – 2006. Doctoral thesis, University of East Anglia.

Giannini, Erin (2012) The big shill: branding and niche programming on American television. Doctoral thesis, University of East Anglia.

Godfrey, Sarah (2013) 'I'm a Casualty, but it's cool': Masculinity in TwentyFourSeven. Journal of British Cinema and Television, 10. pp. 846-862. ISSN 1743-4521

Godfrey, Sarah (2010) Nowhere Men: Representations of Masculinity in Nineties British Cinema. Doctoral thesis, University of East Anglia.

Godfrey, Sarah (2012) The hero of my dreams:Framing fatherhood in Mamma Mia! In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I.B.Tauris. ISBN 9781848859425

Gruner, Oliver (2010) Public politics/personal authenticity: a tale of two sixties in Hollywood cinema, 1986-1994. Doctoral thesis, University of East Anglia.

H

Halliday, Sophie (2014) Representations of gender and subjectivity in 21st century American science fiction television. Doctoral thesis, University of East Anglia.

He, Ting (2013) American family entertainment and the only child generation in contemporary urban China. Doctoral thesis, University of East Anglia.

Heinze, Ulrich and Wuestner, Kerstin (2007) Attitudes Towards Preimplantation Genetic Diagnosis: A German and Japanese Comparison. New Genetics and Society, 26 (1). pp. 1-27. ISSN 1469-9915

Higson, Andrew (2001) Britain's finest contribution to the screen: Flora Robertson and character acting. In: British Stars and Stardom: from Alma Taylor to Sean Connery. Manchester University Press, pp. 68-79. ISBN 0719058414

Higson, Andrew (2006) Crossing over: exporting indigenous heritage to the USA. In: Trading Culture: Global Traffic and Local Cultures in Film and Television. John Libbey Publishing, pp. 203-217. ISBN 0861966694

Higson, Andrew (2003) English Heritage, English Cinema: Costume Drama since 1980. Oxford University Press. ISBN 019925902X

Higson, Andrew (2004) English Heritage, English literature, English cinema: selling Jane Austen to movie audiences in the 1990's. In: Janespotting and Beyond. Narr Dr. Gunter, pp. 35-50. ISBN 3823360965

Higson, Andrew (2006) Fiction and the Film Industry. In: A Concise Companion to Contemporary British Fiction. Blackwell Publishing, pp. 58-79. ISBN 1405120010

Higson, Andrew (2001) Figures in a landscape: the performance of Englishness in Hepworth's Tansy. In: The Showman, the Spectacle and the Two-Minute Silence: Performing British Cinema Before 1930. Flicks Books, pp. 53-62. ISBN 1862360235

Higson, Andrew (2002) The Flag Lieutenant: Waving the flag differently in Britain and America. In: Crossing the Pond of Ireland. Flick, pp. 82-91. ISBN 1862360294

Higson, Andrew (2001) Heritage cinema and television. In: British Cultural Studies. Oxford University Press, pp. 249-260. ISBN 0198742061

Higson, Andrew (2006) Rural Spaces and British Cinema. In: Representing the Rural: Space, Place and Indentity in Films about the land. Wayne State University Press, pp. 240-255. ISBN 0814333052

Higson, Andrew (2002) Young and Innocent? The Cinema in Britain 1896-1930. University of Exeter Press. ISBN 0859897176

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Understanding Reality Television. Routledge, pp. 111-135. ISBN 0415317959

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950s British Television. Screen, 42 (2). pp. 167-187. ISSN 1460-2474

Holmes, Su (2008) Ask the fastidious woman from Surbiton to hand-wash the underpants of the ageing Oldham skinhead…': Why not Wife Swap? In: Rethinking Documentary: A Documentary Reader. Open University Press, pp. 59-74. ISBN 0335221912

Holmes, Su (2007) The BBC and Television Fame in the 1950's: Living with The Grove Family (1954-7) and going Face to Face (1959-62) with television. European Journal of Cultural Studies, 10 (4). pp. 427-446. ISSN 1460-3551

Holmes, Su (2005) British TV and Film Culture of the 1950s: Coming to a TV Near You! Intellect Books. ISBN 1841501212

Holmes, Su (2007) ‘But The Question is – is it all Worth Knowing?’: Quiz Shows on 1950s British Television. Media, Culture and Society, 49 (1). pp. 65-86. ISSN 1460-3675

Holmes, Su (2004) 'But this time You Choose!':Approaching the Interactive Audience of Reality TV. International Journal of Cultural Studies, 7 (2). pp. 213-231. ISSN 1460-356X

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 1465-3451

Holmes, Su (2008) Entertaining Television: The BBC and Popular Television Culture in the 1950's. Manchester University Press. ISBN 9780719077913

Holmes, Su (2007) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Re-viewing Television History. IB Tauris, pp. 67-81. ISBN 1845111885

Holmes, Su (2006) 'The "Give-Away" Shows - Who is Really Paying?": 'Ordinary' People and the Development of the British Quiz Show (1945-58). Journal of British Cinema & Television, 3 (2). pp. 284-303. ISSN 1755-1714

Holmes, Su (2001) The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 1465-3451

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. ISBN 0415377102

Holmes, Su (2005) “It’s a Woman!”: The Question of Gender in Who Wants to be a Millionaire. Screen, 46 (2). pp. 155-173. ISSN 1460-2474

Holmes, Su (2009) Jade's back and this time she's famous: Narratives of Celebrity in the Celebrity Big Brother 'race' row. Entertainment and Sports Law Journal, 7(1).

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. ISSN 1543-5326

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching. pp. 12-19.

Holmes, Su (2006) A Night in at the Cinema: The Film Première on 1950s British Television. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). pp. 483-503. ISSN 1460-3551

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in Heat Magazine. Journal of Media and Cultural Studies, 19 (1). pp. 21-38.

Holmes, Su (2004) ‘The Only Place where “Success” Comes Before "Work" is in the Dictionary…?’: Conceptualising Fame in Reality TV. M/C Journal, 7.

Holmes, Su (2008) Outrageously Bad Taste: The BBC, the Critics and the Controversy over This is Your Life in the 1950's. In: Narrating Media History. Routledge. ISBN 978-0415419161

Holmes, Su (2008) The Quiz Show. Edinburgh University Press. ISBN 9780748627523

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309

Holmes, Su (2004) Reality Goes Pop!’: Reality TV, Popular Music and Narratives of Stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1552-8316

Holmes, Su (2010) Reality TV and 'Ordinary' People: Re-visiting Celebrity, Performance and Authenticity. In: Trans-Reality Television: The Transgression of Reality, Genre, Politics and Audience. Lexington Books, Plymouth, pp. 251-274. ISBN 978-0-7391-3188-6

Holmes, Su (2008) Riveting and Real - a family in the raw:(Re)visiting The Family (1974) after Reality TV. International Journal of Cultural Studies, 11 (2). pp. 193-210. ISSN 1460-356X

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture. Westminster Papers in Communication and Culture, 2 (2). pp. 6-21. ISSN 1744-6716

Holmes, Su (2009) Television Talent Shows. ‘”Thank You, Voters”: Approaching the Audience for Music and Television in the Reality-Pop Phenomenon. In: Sound and Music in Film and Visual Media A Critical Overview A Critical Overview. Continuum. ISBN 9780826458247

Holmes, Su (2008) A Term Rather Too General to be Helpful': Struggling with Genre in Reality TV. In: The Shifting Definitions of Genre, Generic Canons. McFarland, pp. 21-39. ISBN 0786434309

Holmes, Su (2009) This outlet for criticism could ginger up the whole climate in which television is watched: (Re)viewing Points of View - Audience, Access and Participation. Critical Studies in Television, 4(1). pp. 4-25. ISSN 1749-6039

Holmes, Su (2006) When Will I be Famous?: Reappraising the Debate about Fame in Reality TV. In: Essays on Truth and Representation: How Real is Reality TV? McFarland and Company, pp. 6-21. ISBN 0786426241

Holmes, Su (2011) 'Whoever heard of anyone being a screaming success for doing nothing?': 'Sabrina', the BBC and television fame in the 1950s. Media History, 17 (1). pp. 33-48. ISSN 1368-8804

Holmes, Su (2009) The television audience cannot be expected to bear too much reality…The Family (BBC, 1974) and Reality TV. In: The Tube Has Spoken, Reality TV as History. University Press of Kentucky, pp. 98-123. ISBN 978-0813125534

Holmes, Su (2008) 'An unmarried mother sat in a wing-backed chair on TV last night…' BBC asks Is This Your Problem? (1955-57). Television and New Media, 9 (3). pp. 175-196. ISSN 1552-8316

Holmes, Su (2008) 'The viewers have ... taken over the airwaves'? Participation, reality TV and approaching the audience-in-the-text. Screen, 49 (1). pp. 13-31. ISSN 1460-2474

Holmes, Su and Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57.

Holmes, Su and Negra, Diane (2008) Going Cheap? Female Celebrity in the Tabloid, Reality and Scandal Genres. Genders.

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Jancovich, Mark (2004) Bloody Bloody and Bloody Boring: Action, Stasis and Middlebrow Taste in the Reception of the 1950s Spectacular. In: Action and Adventure Cinema. Routledge, pp. 84-99. ISBN 0415235073

Jancovich, Mark (2004) Charlton Heston is an Axiom: Spectacle and Performance in the Development of the Blockbuster. In: Film Stars: Hollywood and Beyond. MUP, pp. 51-70. ISBN 0719056454

Jancovich, Mark (2007) "Cinema Comes to Life at the Cornerhouse, Nottingham": "American" Exhibition, Local Politics and Global Culture in the Reception of the Urban Entertainment Center. In: Going to the Movies. Exeter University Press, pp. 383-393. ISBN 0859898121

Jancovich, Mark (2000) Consumption. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (1990) Contemporary Communications and the Restructuring of Social, Political and Economic Life: Challenges and Problems of American Communications Studies. Over Here, 10 (1). pp. 62-69.

Jancovich, Mark (2007) The Crack-Up: Psychological Realism, Generic Transformation and the Demise of the Paranoid Woman's Film. Irish Journal of Gothic and Horror Studies. ISSN 2009-0374

Jancovich, Mark (2002) Cult Fictions: Cult Movies, Subcultural Capital and the Production of Cultural Distinctions. Cultural Studies, 16 (2). pp. 306-322. ISSN 1466-4348

Jancovich, Mark (2000) Cult Film and Television. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2006) The Cultural Politics of the New Criticism (reprinted). Cambridge University Press. ISBN 9780521416528

Jancovich, Mark (1993) The Cultural Politics of the New Criticism. Cambridge University Press. ISBN 0521416523

Jancovich, Mark (1992) David Morley, the Nationwide Studies. In: Reading into Cultural Studies. Routledge, pp. 134-147. ISBN 0415063779

Jancovich, Mark (2003) Defining Cult Movies. Manchester University Press. ISBN 071906631X

Jancovich, Mark (2005) Eine fortschrittliche Stadt und ihre Kinos: Technologie, Moderne and das Spektekel de Reichtums. In: Umwidmungen: architektonische und Kinematographische Räume. Vorwerk 8, pp. 230-244. ISBN 3930916703

Jancovich, Mark (2011) "The English Master of Movie Melodrama": Hitchcock, Horror and the Women's Film. Film International, 9 (3). pp. 51-67.

Jancovich, Mark (2008) Female Monsters: Horror, the “Femme Fatale” and World War II. European Journal of American Culture, 27. pp. 133-49.

Jancovich, Mark (2007) Film Histories: An Introduction and Reader. Edinburgh University Press. ISBN 9780748619078

Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098

Jancovich, Mark (2000) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of Silence of the Lambs. In: Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. BFI Publishing, pp. 33-44. ISBN 978-0851708102

Jancovich, Mark (2001) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of the Silence of Lambs. In: Horror, The Film Reader. Routledge, pp. 150-161. ISBN 0415235626

Jancovich, Mark (1992) Horror. Batsford Cultural Studies . B T Batsford Ltd. ISBN 9780713468205

Jancovich, Mark (1998) Horror (Japanese Translation). Seikya-sha. ISBN 978-0713468205

Jancovich, Mark (2001) Horror, the Film Reader. Routledge. ISBN 0415235626

Jancovich, Mark (1990) An Introduction to the American Horror Novel Since 1945: Ten Key Novels. MOCS: The Magazine of Cultural Studies, 1. pp. 12-13.

Jancovich, Mark (2010) 'An Italianmade Spectacle Film Dubbed in English': Cultural Distinctions, National Cinema and the Critical Reception of the Postwar Historical Epic. In: The Epic Film in World Culture. Routledge, New York. ISBN 9780415990189

Jancovich, Mark (2008) Kulturní geografie filmové konzumpce. Iluminace: Casopis Pro Teorii, Historii a Estetiku Filmu, 1.

Jancovich, Mark (2004) Les adolescents et les indépendants: AIP et ses rivaux. Rendez-Vous Avec La Peur: Revue de Cinéma Fantastique, 1. pp. 23-35.

Jancovich, Mark (2008) Master of Concentrated Suspense: Horror, Gender and Fantasy in Lang’s 1940s Films. Studies in European Cinema, 5(3). pp. 171-183.

Jancovich, Mark (2005) The Meaning of Mystery: Genre, Marketing and the Universal Sherlock Holmes Series of the 1940's. Film International, 3 (17). pp. 34-45.

Jancovich, Mark (1992) Modernity and Subjectivity in The Terminator: The Machine as Monster in Contemporary American Culture. The Velvet Light Trap, 30. pp. 3-17. ISSN 0149-1830

Jancovich, Mark (2000) Moral Panics. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2001) Naked ambition: Pornography, Taste and the Problem of the Middlebrow. Scope. 0-00. ISSN 1465-9166

Jancovich, Mark (2007) Oh, the Horror. the Guardian Newspaper’s Comment is Free, November 26th.

Jancovich, Mark (2000) Othering Conformity in Post-War America: Intellectuals, the New Middle Classes and the Problem of Cultural Distinctions. In: Containing America: Cultural Production and Consumption in Fifties America. Birmingham University Press, pp. 12-28. ISBN 1902459067

Jancovich, Mark (2008) Pale Shadows: Narrative Hierarchies in the History of 1940s Horror. In: Shifting Definitions of Genre. McFarland, pp. 15-32. ISBN 0786434309

Jancovich, Mark (2010) Phantom Ladies: the War Worker, the Slacker and the "Femme Fatale". New Review of Film and Television Studies, 8 (2). pp. 164-178. ISSN 1740-0309

Jancovich, Mark (2001) Placing Sex: Sexuality, Taste and Middlebrow Culture in the Reception of Playboy Magazine. Intensities: A Journal of Cult Media. pp. 1-14.

Jancovich, Mark (2006) Playboy, Lifestyle and Cold War Culture. In: Historicising Lifestyle. Ashgate, pp. 70-87. ISBN 0754644413

Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0

Jancovich, Mark (2000) "The Purest Knight of All": Nation, History and Representation in El Cid. Cinema Journal, 40 (1). pp. 79-103. ISSN 0009-7101

Jancovich, Mark (2003) Quality Popular Television: Cult TV, the Industry and Fans. British Film Institute Publishing. ISBN 0851709419

Jancovich, Mark (1996) Rational Fears: American Horror in the 1950s. Manchester University Press. ISBN 978-0719036248

Jancovich, Mark (2004) Re-examining the 1950s Invasion Narratives (reprint from Rational Fears). In: Liquid Metal: The Science Film Reader. Wallflower Press, pp. 325-336. ISBN 1903364876

Jancovich, Mark (2000) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. Continuum, 14 (1). pp. 22-35. ISSN 1030-4312

Jancovich, Mark (2001) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. In: The Film Cultures Reader. Routledge, pp. 469-480. ISBN 0415252822

Jancovich, Mark (2011) Realistic Horror: Film Noir and the 1940s Horror Cycle. In: Billy Wilder, Movie-Maker. McFarland, pp. 56-69. ISBN 9780786442119

Jancovich, Mark (2007) "Rebecca’s Ghost": Horror, the Gothic and the du Maurier Film Adaptations. In: The Daphne du Maurier Companion. Virago Press, pp. 312-319. ISBN 9781844082353

Jancovich, Mark (2002) Regional Film Theatres Need Clear Local Role. Urban Environment Today, 146. pp. 6-7.

Jancovich, Mark (2012) Relocating Lewton: Cultural Distinctions and Generic Negotiations in the Critical Reception of the Val Lewton Horror Films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671

Jancovich, Mark (1991) Robert Penn Warren as New Critic: Against Propaganda and Irresponsibility. The Southern Literary Journal, XXIV (1). pp. 53-65.

Jancovich, Mark (2010) "Samuel Bronston’s Latest Epic": Spectacle, Heterogeneity and Nation in the Critical Reception of El Cid (1961). Comparative American Studies, 8 (4). pp. 300-15.

Jancovich, Mark (1995) Screen Theory. In: Approaches to Popular Film. Manchester University Press, Manchester, pp. 121-150. ISBN 071904393X

Jancovich, Mark (1992) Serial Killers and Female Heroes: Re-examining the Slasher Movie. Over Here, 12 (1). pp. 67-74.

Jancovich, Mark (2009) Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s. Participations, 6(1). pp. 1-27.

Jancovich, Mark (2008) Shifting Definitions of Genre. McFarland. ISBN 978-0786434305

Jancovich, Mark (2000) The Southern New Critics. In: The Cambridge History of Literary Criticism. Cambridge University Press, pp. 200-218. ISBN 0521300126

Jancovich, Mark (2012) "Terrifyingly Real": Psychology, Realism and Generic Transformation in the Demise of the 1940s Horror Cycle. European Journal of American Culture, 31 (1). pp. 25-39.

Jancovich, Mark (2009) "Thrills and Chills": Horror, the Woman’s Film and the Origins of Film Noir. New Review of Film and Television Studies, 7 (2). pp. 157-171. ISSN 1740-0309

Jancovich, Mark (2011) Time, Scheduling and Cinemagoing. Media International Australia, 139. pp. 88-95.

Jancovich, Mark (2010) 'Two Ways of Looking': Affection and Aversion in the Critical Reception of 1940s Horror. Cinema Journal, 49 (3). ISSN 0009-7101

Jancovich, Mark (2007) "An Unidentified Species": Horror, The Body and Early Television. Intensities: A Journal of Cult Media, Mysterious Bodies, Special Issue.

Jancovich, Mark (2011) 'Vicious Womanhood'; Genre, the 'Femme Fatale' and Postwar America. Canadian Journal of Film Studies, 19 (2). pp. 100-114. ISSN 0847-5911

Jancovich, Mark and Faire, Lucy (2003) The Best Place to See a Film: The Blockbuster and the Transformation of Exhibition. In: Movie Blockbusters. Routledge, pp. 190-201. ISBN 0415256097

Jancovich, Mark, Faire, Lucy and Subbings, Sarah (2003) The Place of the Audience: Cultural Geographies of Film Consumption. British Film Institute Publishing. ISBN 0851709427

Jancovich, Mark, Gordon, Ian and McAllister, Matt (2006) Blockbuster Meets Superhero Comic, or Art House Meets Graphic Novel? The Contradictory Relationship between Film and Comic Art. Journal of Popular Film and Television, 34. pp. 108-114. ISSN 0195-6051

Jancovich, Mark and Hollows, Joanne (1995) Introduction: Popular Film and Cultural Distinctions. In: Approaches to Popular Film. Manchester University Press, pp. 1-14. ISBN 071904393X

Jancovich, Mark and Hunt, Nathan (2004) The Mainstream, Distinctions and Cult TV. In: Cult Television. University of Minnesota Press, pp. 27-44. ISBN 0816638314

Jancovich, Mark and Johnson, Derek (2009) Film and TV: the 1950s. In: The Routledge Companion to Science Fiction. Routledge, pp. 71-79. ISBN 041545378X

Jancovich, Mark and Johnston, Derek (2011) Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Television during the 1950s. In: It Came from the 1950s. Palgrave Macmillan, pp. 90-107. ISBN 9780230272217

Jancovich, Mark and Lyons, James (2002) John Sayles: Independence, Integrity and the Borders of identity. In: 50 Contemporary Film Directors. Routledge, pp. 280-289. ISBN 0415189748

Jancovich, Mark and Snelson, Tim (2010) Horror at the Crossroads: Class, Gender and Taste at the Rialto Cinema (Times Square) in the 1940s. In: From the Art House to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow. ISBN 9780810876545

Jancovich, Mark and Snelson, Tim (2011) "No Hits, No Runs, Just Terrors": Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s. In: The New Cinema History. Blackwells, pp. 199-211.

Johnston, Derek (2009) Genre, taste and the BBC : the origins of British television science fiction. Doctoral thesis, University of East Anglia.

Johnston, Keith (2009) Coming Soon: Film Trailers and the Selling of Hollywood Technology. McFarland & Co Inc. ISBN 9780786444328

Johnston, Keith (2011) Science Fiction Film: A Critical Introduction. Berg. ISBN 978-1847884763

Johnston, Keith (2010) Underground, Overground: Remembering The Wombles. In: Culture and Society in 1970s Britain: The Lost Decade. Cambridge Scholars Publishing, Cambridge, pp. 154-163. ISBN 9781443817349

Johnston, Keith M (2008) 'The Coolest Way to Watch Movie Trailers in the World': Trailers in the Digital Age. Convergence: The International Journal of Research into New Media Technologies, 14 (2). pp. 145-60. ISSN 1354-8565

Johnston, Keith M (2010) Ealing's Colour Aesthetic: Saraband for Dead Lovers. Journal of British Cinema and Television, 7 (1). pp. 21-33. ISSN 1755-1714

Johnston, Keith M (1995) From the Wedding to the Grave. Focus, 15. pp. 18-29.

Johnston, Keith M (2011) "Now is the time (to put on your glasses)": 3-D Film Exhibition in Britain, 1951-55. Film History, 23 (1). pp. 93-103. ISSN 1553-3905

Johnston, Keith M (2012) Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV. Convergence: The International Journal of Research into New Media Technologies, 18 (4).

Johnston, Keith M (2007) Selling Genre in the 1930's: The Universal Horror Trailer. Film International.

Johnston, Keith M (2008) "Three Times as Thrilling!": The Lost History of 3-D Trailer Production, 1953-54. Journal of Popular Film and Television, 36 (3). pp. 150-160. ISSN 1930-6458

Johnston, Keith M (2011) 'An intelligent and effective use of the rival screen’: Re-discovering early British television trailers. Media History, 17 (4). pp. 377-388. ISSN 1368-8804

Johnston, Keith M (2012) 'A riot of all the colours in the rainbow': Ealing Studios in Colour. In: Ealing Revisited. British Film Institute, London, pp. 195-205. ISBN 9781844575107

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Kennedy, Melanie (2012) Bratz, BFFs, princesses and popstars: femininity and celebrity in tween popular culture. Doctoral thesis, University of East Anglia.

Kramer, Peter (2010) 2001: A Space Odyssey. BFI Film Classics . British Film Institute. ISBN 9781844572861

Kramer, Peter (1998) Bad Boy: Notes on a Popular Figure in American Cinema, Culture and Society, 1959-1905. In: Celebrating 1895: The Centenary of Cinema. John Libbey, London, pp. 117-30. ISBN 1864620153 (hbk)

Kramer, Peter (2007) Battered Child: Buster Keaton's Stage Performance and Vaudeville Stardom in the Early 1900s. New Review of Film and Television Studies, 5 (3). pp. 253-67. ISSN 1740-7923

Kramer, Peter (2002) The Best Disney film Disney never made': Children's Films and the family audience in American Cinema Since the 1960's. In: Genre and Contemporary Hollywood. British Film Institute, pp. 185-200. ISBN 0851708870 (pbk) 0815708862 (hbk)

Kramer, Peter (1999) Bibliographical Notes. In: Screen Acting. Routledge, London, pp. 165-70. ISBN 041518293X (hbk) 0415182948 (pbk)

Kramer, Peter (2005) Big Pictures: Studying Contemporary Hollywood Cinema Through Its Greatest Hits. In: Screen Methods: Comparative Readings in Film Studies. Wallflower, London, pp. 124-32. ISBN 1904764355 (hbk) 1904764347 (pbk)

Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.

Kramer, Peter (2001) Clean, dependable slapstick': Comic Violence and the Emergence of Classical Hollywood Cinema. In: Violence and American Cinema. Routledge, pp. 103-16. ISBN 0415928095 (hbk) 0415928109 (pbk)

Kramer, Peter (2011) A Clockwork Orange (1971) and American Culture. In: ZeitRäume: Potsdamer Almanach des Zentrums fur Zeithisthorische Forschung. Wallsteinverlag, Gottingen, pp. 96-106. ISBN 9783835309388

Kramer, Peter (2011) A Clockwork Orange. Palgrave. ISBN 9780230302129

Kramer, Peter (2000) 'A Cutie with more than beauty': Audrey Hepburn, the Hollywood Musical and Funny Face. In: Musicals: Hollywood and Beyond. Intellect, Exeter, pp. 62-9. ISBN 1841500038 (pbk)

Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9

Kramer, Peter (2009) 'Dear Mr. Kubrick': Audience Responses to 2001: A Space Odyssey in the Late 1960s. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 1-20.

Kramer, Peter (2003) Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton's The Blacksmith (partial reprint in The Velvet Light Trap, no.23, Spring 1989). In: Hollywood Comedians: The Film Reader. Routledge, pp. 43-53. ISBN 0415235510 (hbk) 0415235529 (pbk)

Kramer, Peter (1989) Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton’s The Blacksmith. The Velvet Light Trap, 23. pp. 101-116. ISSN 0149-1830

Kramer, Peter (2006) Disney and Family Entertainment. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 265-79. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter (2004) Drei Deutsche in Hollywood. Patriotismus, historisches Trauma und 'harmlose' Unterhaltung. In: Die Spur durch den Spiegel. Der Film in der Kultur der Morderne. Bertz, Berlin, pp. 132-45. ISBN 3-86505-155-3

Kramer, Peter (2000) Entering the Magic Kingdom: The Walt Disney Company, The Lion King and the Limitations of Criticism. Film Studies (2). pp. 44-50. ISSN 2054-2496

Kramer, Peter (2000) 'Faith in Relations Between People': Audrey Hepburn, Roman Holiday and European Integration. In: 100 Years of Cinema: Entertainment or Ideology? Manchester University Press, Manchester, pp. 195-206. ISBN 0719058716 (hbk) 0719058724 (pbk)

Kramer, Peter (1999) The Fall and Rise of Slapstick Films: Physical Comedy in American Cinema, 1907-1913. In: The Birth of Film Genres. Forum, Udine, pp. 253-66. ISBN 8886756666

Kramer, Peter (2004) Far across the distance...': Historical Films, Film History and Titanic (1997). In: The Titanic in Myth and Memory: Representations in Visual and Literary Culture. IB Tauris, London, pp. 163-72. ISBN 185043431x (hbk) 185043428 (pbk)

Kramer, Peter (2012) The Good German? Oskar Schindler and the Movies, 1951-1993. In: Hollywood's Chosen People: The Jewish Experience in American Cinema. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 125-40. ISBN 978-0814334829

Kramer, Peter (2009) ‘He’s very good at work not involving little creatures, you know’: Schindler’s List, E.T. and the Shape of Steven Spielberg's Career. New Review of Film and Television Studies, 7 (1). pp. 23-32. ISSN 1740-7923

Kramer, Peter (2011) Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and Outside the United States Since the 1970s. In: Explorations in New Cinema History: Approaches and Case Studies. Wiley-Blackwell, Oxford, pp. 171-84. ISBN 9781405199490 (hbk) 9781405199506 (pbk)

Kramer, Peter (2008) Hollywood and the Germans: A Very Special Relationship. In: The Contemporary Hollywood Film Industry. Blackwell, pp. 240-50. ISBN 9781405133876; 9781405133883

Kramer, Peter (2002) Hollywood in Germany/Germany in Hollywood. In: The German Cinema Book. BFI, pp. 227-37. ISBN 0851709451 (hbk) 091570946X (pbk)

Kramer, Peter (2001) 'It's aimed at kids - the kid in everybody': George Lucas, Star Wars and Children's Entertainment. Scope. ISSN 1465-9166

Kramer, Peter (2004) It's aimed at kids - the kid in everybody': George Lucas, Star Wars and Children's entertainment (slightly revised reprint of essay first published in Scope: An Online Journal of Film Studies, December 2001). In: Action and Adventure Cinema. Routledge, pp. 358-70. ISBN 0415235065 (hbk) 0415235073 (pbk)

Kramer, Peter (2005) Karrierefrauen in Hollywood: Die (Dar) Stellung von Frauen im amerikanischen Kino. Sowi: Das Journal fur Geschichte, Politik, Wirtschaft und Kultur, 3 (05). pp. 75-83.

Kramer, Peter (1999) Keaton, Buster. In: American National Biography. Oxford University Press, New York, pp. 429-31. ISBN 0195206355

Kramer, Peter (2012) The Limits of Autonomy: Stanley Kubrick, Hollywood and Independent Filmmaking, 1950-53. In: American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 153-64. ISBN 978-0415684293

Kramer, Peter (1996) The Lure of the Big Picture: Film, Television and Hollywood. In: Big Picture, Small Screen: The Relations Between Film and Television. John Libbey Media, Luton, pp. 9-46. ISBN 1860200052

Kramer, Peter (2004) The Making of a Comic Star: Buster Keaton and The Saphead (partial and slightly revised reprint of essay first published in Classical Hollywood Comedy, ed.Kristine Brunovska Karnick and Henry Jenkins). In: The Silent Cinema Reader. Routledge, London, pp. 279-89. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter (1995) The Making of a Comic Star: Buster Keaton and The Saphead. In: Classical Hollywood Comedy. Routledge, New York, pp. 190-210. ISBN 0415906393 (hbk) 0415906407 (pbk)

Kramer, Peter (2004) The Many Faces of Holly Golightly: Truman Capote, Breakfast at Tiffany's and Hollywood. Film Studies, 5. pp. 58-65. ISSN 2054-2496

Kramer, Peter (2011) 'Movies that make people sick': Audience Responses to Stanley Kubrick's A Clockwork Orange in 1971/72. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 416-30.

Kramer, Peter (2005) The New Hollywood:From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 1904764584

Kramer, Peter (2008) O (nad)casovosti satiry. Recepce filmu Dikator v zapadnim Nemecku v obdobi 1952-1973 (The (Un) Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973). Iluminace, 20 (1). pp. 51-67.

Kramer, Peter (2000) Post-classical Hollywood. In: American Cinema and Hollywood: Critical Approaches. Oxford University Press, Oxford, pp. 63-83. ISBN 0198742819 (pbk)

Kramer, Peter (1998) Post-classical Hollywood. In: The Oxford Guide to Film Studies. Oxford University Press, Oxford, pp. 289-309. ISBN 0198711158 (hbk) 0198711247 (pbk)

Kramer, Peter (2000) Post-classical Hollywood (partial reprint of essay first published in The Oxford Guide to Film Studies, ed.John Hill and Pamela Church Gibson, Oxford: Oxford University Press, 1998). In: The Film Studies Reader. Arnold, London, pp. 174-80. ISBN 0340692782 (hbk) 0340692790 (pbk)

Kramer, Peter (1999) A Powerful Cinema-going Force? Hollywood and Female Audiences since the 1960s. In: Identifying Hollywood's Audiences: Cultural Identity and the Movies. British Film Institute, London, pp. 98-112. ISBN 0851707386 (hbk) 0851707394 (pbk)

Kramer, Peter (2004) The Rise and Fall of Sandra Bullock: Notes on Starmaking and Female Stardom in Contemporary Hollywood. In: Film Stars: Hollywood and Beyond. Manchester University Press, pp. 89-112. ISBN 0719056454 (pbk) 07190564456446 (hbk)

Kramer, Peter (1992) Screen Sermons: The Uses of Religion in Early Cinema After 1907. In: An Invention of the Devil? Religion and Early Cinema. Les Presses de l’Université Laval, Sainte-Foy, pp. 187-196. ISBN 2763773001/2601031107

Kramer, Peter (1997) A Slapstick Comedian at the Crossroads: Buster Keaton, the Theatre and the Movies 1916/17. Theatre History Studies (17). pp. 133-46.

Kramer, Peter (2008) The Spectre of History in the Age of Golbalization: Notes on German Hit Movies and Hit Makers at Home and in the US. In: Shifting Landscapes: Film and Media in European Context. Newcastle: Cambridge Scholars Publishing, pp. 68-85. ISBN 9781847184733/1847184731 (hbk) 9781443805926/1443805920 (pbk)

Kramer, Peter (1999) Star Wars. History Today, 49 (3). pp. 41-7.

Kramer, Peter (2000) Star Wars (slightly revised reprint of essay first published in History Today, vol.49, no.3, March 1999). In: The Movies as History: Visions of the Twentieth Century. Sutton Publishing, Stroud, pp. 44-53. ISBN 0750923318 (pbk)

Kramer, Peter (2010) Steven Spielberg. In: Fifty Contemporary Film Directors. Second Edition. Routledge, London, pp. 372-80. ISBN 9780415497664 (hbk) 9780415554336 (pbk) 9780203844342 (ebk)

Kramer, Peter (2006) Steven Spielberg. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 166-9. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter (2002) Steven Spielberg. In: Fifty Key Contemporary Filmmakers. Routledge, pp. 319-28. ISBN 0415189748 (pbk) 041518973X (hbk)

Kramer, Peter (1988) Vitagraph, Slapstick and Early Cinema. Screen, 29 (2). pp. 98-104. ISSN 1460-2474

Kramer, Peter (2003) 'Want to take a ride?': Reflections on the Blockbuster Experience in Contact (1997). In: Movie Blockbusters. Routledge, London, pp. 128-40. ISBN 0415256089 (hbk) 0415256097 (pbk)

Kramer, Peter (2009) Welterfolg und Apokalypse: Überlegungen zur Transnationalität des zeitgenössischen Hollywood. In: Film transnational: europäische und amerikanische Perspektiven. Paderborn: Wilhelm Fink Verlag, pp. 171-184. ISBN 9783770548033

Kramer, Peter (2007) When 'Hanoi Jane' Conquered Hollywood: Jane Fonda's Films and Activism, 1977-1981. In: The New Film History: Sources, Methods, Approaches. Palgrave, Basingstoke, pp. 104-16. ISBN 9780230001695/0230001696 (hbk) 0230594487/9780230594487 (pbk)

Kramer, Peter (1998) Women First: Titanic (1997), Action-Adventure Films and Hollywood's Female Audience. Historical Journal of Film, Radio and Television, 18 (4). pp. 599-618. ISSN 0143-9685

Kramer, Peter (1999) Women First: Titanic, Action-Adventure Films and Hollywood's Female Audience (reprint of essay first published in the Historical Journal of Film, Radio and Television, vol.18, no.4, October 1998). In: Titanic: Anatomy of a Blockbuster. Rutgers University Press, New Brunswick, pp. 108-131. ISBN 081352668X (hbk) 0813526698 (pbk)

Kramer, Peter (1998) Would You Take Your Child To See This Film? The Cultural and Social Work of the Family-Adventure Movie. In: Contemporary Hollywood Cinema. Routledge, London, pp. 294-311. ISBN 0415170095 (hbk) 0415170109 (pbk)

Kramer, Peter (2003) A woman in a male dominated world': Jodie Foster, Stardom and 90s Hollywood. In: Contemporary Hollywood Stardom. Arnold, London, pp. 205-18. ISBN 0340809361 (hbk) 034080937X (pbk)

Kramer, Peter and Grieveson, Lee (2004) Cinema and Reform. In: The Silent Cinema Reader. Routledge, London, pp. 135-43. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Classical Hollywood Cinema. In: The Silent Cinema Reader. Routledge, London, pp. 271-8. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) European Cinemas. In: The Silent Cinema Reader. Routledge, London, pp. 329-38. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Feature Films and Cinema Programmes. In: The Silent Cinema Reader. Routledge, London, pp. 187-95. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Film Projection and Variety Shows. In: The Silent Cinema Reader. Routledge, London, pp. 31-9. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Introduction. In: The Silent Film Reader. Routledge, London, pp. 1-9. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Prologue. In: The Silent Cinema Reader. Routledge, London, pp. 11-4. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Grieveson, Lee (2004) Storytelling and the Nickelodeon. In: The Silent Cinema Reader. Routledge, London, pp. 77-85. ISBN 0415252830 (hbk) 0415252849 (pbk)

Kramer, Peter and Lovell, Alan (1999) Introduction. In: Screen Acting. Routledge, London, pp. 1-9. ISBN 041518293X (hbk) 0415182948 (pbk)

Kramer, Peter and Quinn, Eithne (2006) Blaxploitation. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 184-98. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter and van Dooren, Ine (1995) The Politics of Direct Address. In: Film and the First World War. Amsterdam University Press, Amsterdam, pp. 97-107. ISBN 9053560645

Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419

Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161

Krämer, Peter (2012) ighting the Evil Empire: Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1

M

Manley, Sebastian (2011) The cinema of Hal Hartley: place, cultural identity and indie authorship. Doctoral thesis, University of East Anglia.

Manning, Robert (2015) Re-examining the maladjusted text: post-war America, the Hollywood Left and the problem with Film Noir. Doctoral thesis, University of East Anglia.

Mantzari , Despoina (2014) Women Directors in ‘Global’ Art Cinema: Negotiating Feminism and Representation. Doctoral thesis, University of East Anglia.

Mcculloch, Richard (2013) Towards Infinity And Beyond Branding, Reputation, and the Critical Reception of Pixar Animation Studios. Doctoral thesis, University of East Anglia.

Mickwitz, Nina (2014) Comics and/as Documentary: the implications of graphic truth-telling. Doctoral thesis, University of East Anglia.

Mills, Brett (2008) After the Interview. Cinema Journal, 47 (2). pp. 148-53.

Mills, Brett (2012) 'American Remake—Shudder': Online Debates about Life on Mars and 'British-ness'. In: Life on Mars: From Manchester to New York. University of Wales Press, Cardiff. ISBN 978-0708323595

Mills, Brett (2013) The Animals Went in Two by Two: Heteronormativity in Television Wildlife Documentaries. European Journal of Cultural Studies, 16 (1). pp. 100-114. ISSN 1367-5494

Mills, Brett (2010) Being Rob Brydon: Performing the Self in Comedy. Celebrity Studies, 1 (2). pp. 190-202. ISSN 1939-2400

Mills, Brett (2004) Comedy Verite: Contemporary Sitcom Form. Screen, 45 (1). pp. 63-78. ISSN 1460-2474

Mills, Brett (2010) Contemporary Comedy Performance in British Sitcom. In: Genre and Performance: Film and Television. Manchester University Press.

Mills, Brett (2011) Days of Future Past: Documenting the Future. Journal of British Cinema and Television, 8 (1). pp. 81-98. ISSN 1743-4521

Mills, Brett (2004) 'Grange Hill', 'Till Death Us Do Part/All in the Family', 'I Love Lucy', 'Brass Eye', 'The Simpsons', 'Monty Python's Flying Circus',. Hodder Arnold.

Mills, Brett (2011) The Guardians of the General Interest: Discourses of Knowledge in QI. Television and New Media, 12 (2). pp. 136-153. ISSN 1552-8316

Mills, Brett (2010) I'm Anti-Little Britain, and I'm Worried I Might Start Laughing: Audience Responses to Little Britain. In: Reading 'Little Britain': Comedy Matters on Contemporary Television: Yeah But Groundbreaking TV Comedy. IB Tauris, pp. 147-70. ISBN 9781845119393

Mills, Brett (2013) Invalid Animals:Finding the Non-Human Funny in Special Needs Pets. Journal of Literary and Cultural Disability Studies, 7 (3). pp. 321-335. ISSN 1757-6458

Mills, Brett (2011) Invisible Television: The Television Programmes No-One Talks About Even Though Lots of People Watch Them. Critical Studies in Television, 5 (1). ISSN 1749-6039

Mills, Brett (2008) My House was on Torchwood!: Media, Place and Identity. International Journal of Cultural Studies, 11 (4). pp. 379-99. ISSN 1460-356X

Mills, Brett (2004) New Jokes: Kath and Kim and Recent Golbal Sitcom. Metro 140, 140. pp. 100-103.

Mills, Brett (2010) On Television Comedy as an Invented Tradition. Media International Australia, 134 (1). pp. 64-73.

Mills, Brett (2008) 'Paranoia, paranoia, everybody's coming to get me':Peep Show, sitcom, and the surveillance society. Screen, 49 (1). pp. 51-64. ISSN 1460-2474

Mills, Brett (2009) Reading Media Theory. London: Pearson Education. ISBN 9781405821995

Mills, Brett (2009) The Sitcom. EUP. ISBN 9780748637522

Mills, Brett (2001) Studying Comedy’ and ‘Humour Theory’. In: The Television Genre Book. British Film Institute, pp. 61-63. ISBN 0851708498

Mills, Brett (2003) Tabloid Tales: Other News, Other Voices. Journal of the Institute of Justice and International Studies, 1 (2). pp. 23-32.

Mills, Brett (2005) Television Sitcom. British Film Institute. ISBN 1844570886

Mills, Brett (2010) Television wildlife documentaries and animals' right to privacy. Journal of Media and Cultural Studies, 12 (2). pp. 193-202.

Mills, Brett (2010) Those Pig-Men Things. Media Culture Journal, 13 (5).

Mills, Brett (2009) Welsh/From Wales: Representations of the Welsh in Contemporary Television Sitcom. Cyfrwng: Media Wales Journal, 6 (1). pp. 47-60.

Mills, Brett (2007) What Happens When Your Home is on Television. Media/Culture Journal, 10 (4).

Mills, Brett (2010) Why We Should consider the Privacy of Animals. The Guardian Online.

Mills, Brett (2007) “Yes, It’s War!”: Chris Morris and Comic Acceptability. In: Experimental British Television. Routledge, pp. 180-194. ISBN 0719075548

Mills, Brett (2011) 'A pleasure working with you': Humour Theory and Joan Rivers. Comedy Studies, 2 (2). pp. 151-160.

Mills, Brett and Barlow, David (2012) Reading Media Theory: Thinkers, Approaches, Contexts. 2nd edition. Pearson Education. ISBN 978-1-4082-8525-1

Mizsei Ward, Rachel Louise (2013) A world of difference: media translations of fantasy worlds. Doctoral thesis, University of East Anglia.

Mullik, Gopalan (2015) Cinema and wild meaning: phenomenology, classical Indian theories and embodiment in cinema. Doctoral thesis, University of East Anglia.

N

Negra, Diane (2002) Early Woman Stars. Camera Obscura, 16 (3). 0-00.

Negra, Diane (2003) A Feminist Reader in Early Cinema. Duke University Press. ISBN 0822329999

Negra, Diane (2006) The Irish in Us: Irishness, Performativity and Popular Culture. Duke University Press. ISBN 0822337401

Negra, Diane (2001) Off-White Hollywood: American Culture and Ethnic Female Stardom. Routledge. ISBN 0415216788

Negra, Diane (2004) Quality Postfeminism? Sex and the Single Girl on HBO. Genders, 39. 0-00.

Negra, Diane (2004) 'Queen of the Indies': Parker Posey's Niche Stardom and the Taste Cultures of Independent Film. In: American Independent Cinema. Routledge, p. 320. ISBN 0415254868

Negra, Diane (2001) Romance and/as tourism: Heritage Whiteness and the (Inter)national Imagery in the New Woman's Film. In: Keyframes: Popular Cinema and Cultural Studies. Routledge, pp. 82-97. ISBN 0415202825

Negra, Diane and Tasker, Yvonne (2007) Interrogating Postfeminism: Gender and the Politics of Popular Culture. Duke University Press. ISBN 978-0822340324

P

Pearlman, Susan (2013) Reframing (im)maturity : interrogating representations of the transition to adulthood in contemporary American film and television. Doctoral thesis, University of East Anglia.

Phillips, Tom (2010) Embracing the “Overly Confessional”: Scholar-Fandom and Approaches to Personal Research. Flow, 13 (5).

Phillips, Tom (2013) Fandom and beyond: online community, culture and Kevin Smith fandom. Doctoral thesis, University of East Anglia.

Phillips, Tom (2012) Too Fat to Fly: A Case Study of Unsuccessful Fan Mobilization. Transformative Works and Cultures, 10. ISSN 1941-2258

Phillips, Tom (2011) When Film Fans Become Fan Family: Kevin Smith Fandom and Communal Experience. Participations, 8 (2). pp. 478-496. ISSN 1749-8716

Powell, Elizabeth (2011) The trauma aesthetic: (re)mediating absence, emptiness and nation in post-9/11 American film and literature. Doctoral thesis, University of East Anglia.

R

Rimmer, Mark (2010) Harte Musik und weiche Jungs, Kulturaustausch: Großbritannien. EPRINTS-JOURNAL, 1.

Rimmer, Mark (2009) Instrumental' playing? Cultural policy and young people's community music participation. International Journal of Cultural Policy, 15(1). pp. 71-90. ISSN 1477-2833

Rimmer, Mark (2010) Listening to the monkey: class and youth in the formation of a musical habitus. Ethnography, 11 (2). pp. 255-283.

Rimmer, Mark (2012) The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies. Journal of Youth Studies, 15 (3). pp. 329-350. ISSN 1367-6261

Rimmer, Mark and Phillips, Tom (2013) Community Arts: Sustainability in Austerity. Working Paper. UEA, Norwich.

S

Shiau, Hongchi and Aveyard, Karina (2011) Private sponsorships and independent film exhibition in Taiwan. Media International Australia, 139. pp. 133-139.

Snelson, Tim (2012) From Juke Box Boys to Bobby Sox Brigade:Female youth, moral panics and subcultural style in wartime Times Square. Cultural Studies, 26 (6). pp. 872-894. ISSN 0950-2386

Snelson, Tim (2014) The (Re)possession of the American Home: Negative Equity, Gender Inequality, and the Housing Crisis Horror Story. In: Gendering the Recession: Media and Culture in an Age of Austerity. Duke University Press, pp. 161-180. ISBN 978-0-8223-5687-5

Snelson, Tim and Sutton, Emma (2013) A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh. ISBN 978-0748676392

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Tasker, Yvonne (2003) Action. In: Handbook of Popular Culture/Handbuch Populare Kultur. Metzler, Germany.

Tasker, Yvonne (2010) Action Television/Crime Television: Sensation and Attraction. Flow, 13 (2).

Tasker, Yvonne (2004) Action and Adventure Cinema. Routledge. ISBN 0415235073

Tasker, Yvonne (2006) Action and Adventure Films. In: Schirmer Encyclopedia of Film. Schirmer G Books. ISBN 0028657918

Tasker, Yvonne (2010) "Aging and Action Authenticity". In Media Res.

Tasker, Yvonne (1996) Approaches to the New Hollywood. In: Cultural Studies and Communication. Edward Arnold, London, pp. 213-228.

Tasker, Yvonne (2000) Bigger than Life (originally published in Sight and Sound, May 1999). In: Action/Spectacle: A Sight and Sound Reader. British Film Institute, London, pp. 195-200.

Tasker, Yvonne (2012) Bodies and Genres in Transition:Girlfight and Real Women have Curves. In: Genre and Gender: Cross-Currents in Postwar Cinema. University of Illinois Press.

Tasker, Yvonne (2009) "Comic Situations/Endless War: MASH and war as entertainment". In: War isn't Hell, It's Entertainment. McFarland, pp. 132-49. ISBN 9780786435586

Tasker, Yvonne (2007) "Contemporary Women Directors". In: The Cinema Book (3rd Edition). BFI, pp. 68-74. ISBN 9781844571932

Tasker, Yvonne (1993) Criminelles: Thelma et Louise et autres delinquantes. In: 20 ans de theories feministes sue le cinema. Cinema Action Editions du Cent, Paris, pp. 92-95.

Tasker, Yvonne (1993) Dumb Movies for Dumb People: Masculinity, The Body and the Voice in Contemporary Action Cinema. In: Screening the Male: Exploring Masculinities in the Hollywood Cinema. Routledge, London, pp. 230-244.

Tasker, Yvonne (2011) Dynamic Erections on the Road to Nowhere? Lead essay for booklet accompanying DVD release of Little Malcolm and his Struggle Against the Eunuchs (1974). BFI Flipside.

Tasker, Yvonne (2011) Enchanted by Postfeminism. In: Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. Routledge.

Tasker, Yvonne (2006) Enforced Talk: Crime and Confessional in Family Forensics. Flow, 4 (5). 0-00.

Tasker, Yvonne (2004) The Family in Action. In: Action and Adventure Cinema. Routledge, London, pp. 252-266.

Tasker, Yvonne (2006) "Fantasizing Gender and Race: Women in Contemporary US Action". In: Contemporary American Cinema. Open University Press, pp. 410-428. ISBN 0335218326

Tasker, Yvonne (1990) Feminist Crime-Writing and the Politics of Genre. Culture Matters, 4 . Perpetuity Press (originally published by School of Cultural Studies, Sheffield Hallam University).

Tasker, Yvonne (2010) Fifty Contemporary Film Directors. Routledge.

Tasker, Yvonne (2002) Fifty Contemporary Filmmakers. Routledge. ISBN 0415189748

Tasker, Yvonne (1997) Fists of Fury: Discourses of Race and MAsculinity in the Martial Arts Cinema. In: Race and the Subject of Masculinities. Duke University Press, Durham, pp. 315-336.

Tasker, Yvonne (2011) Haunting Crime: the Gothic, the Grotesque and the Paranormal. Flow, 13 (7).

Tasker, Yvonne (1991) Having It All: Feminism and the Pleasures of the Popular. In: Off-Centre: Feminism and Cultural Studies. Routledge, London, pp. 85-96.

Tasker, Yvonne (2006) Meet the Dead- Live!: Paranormal Programming. Flow, 4 (6). 0-00.

Tasker, Yvonne (2011) Permissive British Cinema? Essay for booklet accompanying DVD release of Deep End (1970). BFI Flipside.

Tasker, Yvonne (2008) "Practically Perfect People: Postfeminism, Masculinity and Male Parenting in Contemporary Cinema". In: A Family Affair. Wallflower Press, pp. 175-188. ISBN 9781905674558

Tasker, Yvonne (1994) Pussy Galore: Lesbian Images and Lesbian Desire in the Popular Cinema. In: The Good, The Bad and the Gorgeous: popular culture's romance with lesbianism. Pandora, London, pp. 172-183.

Tasker, Yvonne (2001) Re-Orienting the television western: Kung Fu. In: TV Action Series. Routledge, London, pp. 115-126.

Tasker, Yvonne (2002) The Silence of the Lambs. British Film Institute. ISBN 0851708714

Tasker, Yvonne (2002) Soldiers Stories: Women and Military Masculinities in Courage Under Fire. Quarterly Review of Film and Video, 19 (3). pp. 209-222. ISSN 1543-5326

Tasker, Yvonne (2011) Soldiers' Stories:Military Women in Cinema and Television since WWII. Duke University Press.

Tasker, Yvonne (1993) Spectacular Bodies: Gender, Crime and the Action Cinema. Routledge.

Tasker, Yvonne (2007) Violence, Duty and Choice: the Military Woman in Contemporary Hollywood Cinema. In: Women Willing to Fight: The Fighting Woman in Film. Cambridge Scholars Press, pp. 78-94. ISBN 9781847181428

Tasker, Yvonne (2010) Vision and Visibility:Women Filmmakers, Contemporary Authorship and Feminist Film Studies. In: Reclaiming the Archive: Feminism and Film History. Wayne State University Press.

Tasker, Yvonne (1998) Working Girls: Gender and Sexuality in Popular Cinema. Routledge.

Tasker, Yvonne and Atakav, Eylem (2010) The Hurt Locker: Male intimacy, violence and the Iraq war movie. Sine, 1 (2).

Tasker, Yvonne and Hill, Val (1992) Tonight I Made No Difference. Over Here, 10 (2).

Tasker, Yvonne and Negra, Diane (2006) Postfeminism and the Archive for the Future. Camera Obscura, 62. pp. 171-176.

Thomas, Rhys O. (2014) Liminal identity in contemporary American television science fiction. Doctoral thesis, University of East Anglia.

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Underwood, David William. (2013) American socio-politics in fictional context: transformers and the representation of the United States. Masters thesis, University of East Anglia.

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Vollans, Edwin (2015) Cross media promotion: entertainment industries and the trailer. Doctoral thesis, University of East Anglia.

W

Warner, Helen (2010) ‘Perfect Fit’: industrial strategies, textual negotiations and celebrity culture in fashion television. Doctoral thesis, University of East Anglia.

Warr, Nicholas Alexander (2013) PECULIAR THEORY: THE PROBLEM OF PHILOSOPHY IN SIEGFRIED KRACAUER’S THEORY OF FILM. Doctoral thesis, University of East Anglia.

Watson, Clare (2009) Babies, Kids, Cartoons and Comedies: Children and Pathescope’s 9.5mm Home Cinema in Britain. In: Movies on Home Ground: Explorations in Amateur Cinema,. Cambridge Scholars Publishing.

Watson, Clare (2008) Underworld: Crime and Deviancy in the British Silent Film. Journal of British Cinema and Television, 5(1). pp. 157-161. ISSN 1755-1714

Williams, Melanie (2008) ‘Brief Encounter’, ‘The Wicked Lady’ and ‘A Hard Day’s Night’. In: 50 Key British Films. Routledge.

Williams, Melanie (2009) British Women's Cinema. Routledge. ISBN 9780415466974

Williams, Melanie (2012) Dawn of the Kitchen Sink. Sight and Sound, 22 (8).

Williams, Melanie (2011) Entering the paradise of anomalies: studying female character acting in British cinema. Screen, 52 (1). pp. 97-104. ISSN 1460-2474

Williams, Melanie (2012) A Feminine Touch? Ealing's Women. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Williams, Melanie (2009) A Girl Alone in a Man's World: Ice Cold in Alex (1958) and the place of women in the 1950s British war film cycle. Feminist Media Studies, 9 (1). pp. 95-108. ISSN 1471-5902

Williams, Melanie (2003) ''‘Housewives’ choice’: Woman in a Dressing Gown'' and ''Yield to the Night’'. In: British Cinema of the Fifties. MUP.

Williams, Melanie (2005) '‘”I'm not a lady!”: Tiger Bay and transitional girlhood in British cinema on the cusp of the 1960s’'. Screen, 46(3). pp. 361-72. ISSN 1460-2474

Williams, Melanie (2005) '‘Julie Christie: Honey-Glow Girl’'. Sight and Sound, 15(12). p. 36.

Williams, Melanie (2002) '‘Light on a dark lovely: Yvonne Mitchell and stardom in British cinema’'. Quarterly Review of Film and Video, 19(1). ISSN 1543-5326

Williams, Melanie (2012) Mamma Mia!'s female authorship. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I.B.Tauris & Co Ltd. ISBN 9781848859418

Williams, Melanie (2002) ‘Michael Winterbottom and the unpopular British cinema’'. Journal of Popular British Cinema, 5.

Williams, Melanie (2005) '‘No Love for Johnnie’'. In: 24 Frames: The Cinema of Britain and Ireland. Wallflower. ISBN 978-1904764380

Williams, Melanie (2009) Prisoners of Gender: Women in the Films of J. Lee Thompson: A new approach to British cinema of the 1950s. VDM Verlag Dr. Müller. ISBN 9783639116946

Williams, Melanie (2009) Twilight women of 1950s British cinema. In: The British Cinema Book,. British Film Institute, London. ISBN 9781844572755

Williams, Melanie (2002) ‘Women in prison and women in dressing gowns: rediscovering the 1950s films of J. Lee Thompson’'. Journal of Gender Studies, 11(1). pp. 5-15. ISSN 1465-3869

Williams, Melanie (2012) 'Women in the British film industry', 'The Seventh Veil', 'Bhaji on the Beach' and 'Fish Tank'. In: Directory of World Cinema: Britain. Directory of World Cinema Series (14). Intellect. ISBN 978-1841505572

Williams, Melanie (2007) ''The creative producer: Frank Godwin interviewed by Melanie Williams''. Journal of British Cinema and Television, 4(1). pp. 140-49. ISSN 1755-1714

Williams, Melanie (2006) "The most explosive object to hit Britain since the V2!": the British films of Hardy Kruger and Anglo-German Relations in the 1950s. Cinema Journal, 46 (1). pp. 85-107.

Williams, Melanie and Bell, Melanie (2009) The hour of the cuckoo: reclaiming the British women's film. In: British Women's Cinema. Routledge, London, pp. 1-18. ISBN 9780415466974

Williams, Melanie, Duguid, Mark, Freeman, Lee and Johnston, Keith M (2012) Introduction: Revisiting Ealing. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Williams, Melanie and Newland, Paul (2010) Staccato and wrenchingly modern: reflections of the 1970s stardom of Glenda Jackson. In: Don't Look Now? British Cinema in the 1970s. Intellect Press.

Williams, Melanie and Wright, Ellen (2011) Betty Grable: an American icon in Britain, 1939-1945. Historical Journal of Film, Radio and Television, 31 (4). pp. 543-560. ISSN 0143-9685

Wintle, Heather (2013) Wandering into the Wasteland: White American Masculinities in the Apocalyptic Science Fiction Road Narrative. Doctoral thesis, University of East Anglia.

Woollock, Stephen (2010) “Coming to a town near you?”: cultural policy and identity in local art-house exhibition. Doctoral thesis, University of East Anglia.

Wright, Ellen (2014) Female sexuality, taste and respectability: an analysis of transatlantic media discourse surrounding Hollywood glamour and film star pin-ups during WWII. Doctoral thesis, University of East Anglia.

Wroot, Jonathan (2013) Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010. Doctoral thesis, University of East Anglia.

This list was generated on Mon Sep 25 01:06:40 2017 BST.