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Number of items at this level: 610.

A

Anderson, Helen (2009) Beginnings of Art: 100,000 - 28,000 BP: A Neutral Approach. Doctoral thesis, University of East Anglia.

Aoyagi, M and Matsuda, Akira (2005) The Concept and System of World Heritage (Sekai isan no rinen to seido). In: World Heritage and the Study of History (Sekai isan to Rekishi gaku). Yamakawa Shuppan, Tokyo, pp. 5-25.

Aspinall, Kate (2013) Attitudes to drawing in Britain, 1918-1964. Doctoral thesis, University of East Anglia.

B

Baines, Roger, Marinetti, C and Perteghella, M (2011) Staging Translation: Text and Theatre Practice. Palgrave. ISBN 9780230228191

Barcelos Neto, Aristoteles (2007) Apapaatai. Sao Paulo: Laboratório de Imagem e Som em Antropol.

Barcelos Neto, Aristoteles (2008) Apapaatai: rituais de máscaras no Alto Xingu. São Paulo: University of São Paulo Press. ISBN 9788531410666

Barcelos Neto, Aristoteles (2002) A Arte dos Sonhos: uma Iconografia Amerindia. Assírio & Alvim/Museu Nacional de Etnologia. ISBN 9723706709

Barcelos Neto, Aristoteles (2011) Atujuwá, masques géants d'Amazonie. In: Índios no Brasil. Ludion/Europalia, Brussels, pp. 161-162.

Barcelos Neto, Aristoteles (2008) Choses (in)visibles et (im)périssables - Temporalité et matérialité des objets rituels dans les Andes et en Amazonie. Gradhiva:Revue d'Anthropologie et Museologie Paris, 8. pp. 112-129.

Barcelos Neto, Aristoteles (2006) Cruces Vivas, Cruces Protectoras. Sao Paulo: Laboratório de Imagem e Som em Antropol.

Barcelos Neto, Aristoteles (2006) De divinaçōes xamânicas e acusaçōes de feitiçaria: imagens wauja da agência letal. Mana-Estudos de Antropologia Social, 12 (2). pp. 285-313.

Barcelos Neto, Aristoteles (2006) Des villages indigènes aux musées d’anthropologie: de la propriété et vente des objets rituels amazoniens. Gradhiva - Revue d’Anthropologie et Museologie, 4. pp. 87-95.

Barcelos Neto, Aristoteles (2007) Etnografias visuais de rituais ameríndios. Campos - Revista de Antropologia Social, 8 (2). pp. 131-133.

Barcelos Neto, Aristoteles (2011) L'art céramique wauja du Haut-Xingu. In: ĺndos no Brasil. Ludion/Europalia, Brussels, pp. 56-57.

Barcelos Neto, Aristoteles (2011) Le réveil des grands masques du Haut-Xingu: Iconographie et transformation. In: Masques des hommes, visages des dieux. Editions CNRS, Paris, pp. 27-52.

Barcelos Neto, Aristoteles (2010) O despertar das máscaras grandes do Alto Xingu: iconografia e transformação. Revista de Antropologia Social dos Alunos do PPGAS-UFSCar, 2 (2). pp. 43-66.

Barcelos Neto, Aristoteles (2012) Objetos de poder, pessoas de prestígio: a temporalidade biográfica do ritual xinguano e a cosmopolítica wauja. Mundo Amazónico, 3. pp. 17-42.

Barcelos Neto, Aristoteles (2011) Reeds: scarcity and abundance. UNSPECIFIED.

Barcelos Neto, Aristoteles (2012) Semana Santa en los Andes. UNSPECIFIED.

Barcelos Neto, Aristoteles (2004) Visiting the Wauja Indians: Masks and Other Living Objects from an Amazonian Collection. Lisbon: Museu Nacional de Etnologia. ISBN 9727761933

Barcelos Neto, Aristoteles (2007) Witsixuki: desejo alimentar, doença e morte entre os Wauja da Amazônia Meridional. Journal de la Société des Américanistes, 93 (1). pp. 73-95.

Barcelos Neto, Aristoteles (2011) Yawari: um ritual funerário no tempo das Plêiades. Revista de Antropologia, 3 (1). pp. 202-209.

Barcelos Neto, Aristoteles (2009) The (de)animalization of objects: food offerings and the subjectivization of masks and flutes among the Wauja of Southern Amazonia. In: The Occult Life of Things: Native Amazonian Theories of Materiality and Personhood. Tucson: University of Arizona Press, pp. 128-151. ISBN 9780816528745

Barcelos Neto, Aristoteles (2012) A origem da arte e o gosto estético entre os Wauja do Alto Xingu. In: Sujeito, saberes e prática. Editora da Universidade do Estado do Rio Grande do Norte, Mossoro, pp. 89-136.

Barcelos Neto, Aristoteles (2011) A serpente de corpo repleto de canções: um tema amazónico sobre a arte do trançado. Revista de Antropologia, 54 (2). pp. 981-1012.

Barcelos Neto, Aristoteles (2011) A whirlwind of straw: the piranha atujuwá mask from Amazonia. In: Basketry: making human nature. Sainsbury Centre for Visual Arts, Norwich, pp. 28-31.

Barcelos Neto, Aristoteles and Salazar, Jose Antonio (2011) Personajes y procesiones de una Semana Santa indio-mestiza en los Andes peruanos. Tellus. pp. 257-268.

Bell, Joshua (2007) The Gulf of Papua. In: Shadows of New Guinea: Art of the Great Island of Oceania from the Barbier-Mueller Collections. Somogy Editions d'Art, 0-00. ISBN 2757200267

Bell, Joshua (2003) Looking to See: Reflections on Visual Repatriation in the Purari Delta, Gulf Province, Papua New Guinea. In: Museums and Source Communities: A Routledge Reader. Routledge Press, pp. 111-122. ISBN 0415280524

Bell, Joshua (2006) Losing the Forest but not the Stories in the Trees: Contemporary Understandings of F. E. Williams' 1922 Photographs of the Purari Delta. Journal of Pacific History, 41 (2). pp. 191-206. ISSN 1469-9605

Bell, Joshua (2006) Marijuana, Guns, Crocodiles and Submarine: Economies of Desire in the Purari Delta. Oceania, 76 (3). pp. 220-234.

Bell, Joshua (2002) A New Hale for the Nation: The Center for Hawaiian Studies, Manoa Campus, University of Hawai’i. In: Pacific Art: Persistence, Change and Meaning. University of Hawai’i Press, pp. 114-125. ISBN 082482556X

Bell, Joshua (2006) ‘A gift of the first importance': A Preliminary Report on the Cambridge University Museum of Archaeology and Anthropology’s Papuan Gulf Photographic Collection. Journal of Museum Ethnographers, 17. pp. 179-190.

Berg, Kajsa (2009) Caravaggio and a neuroarthistory of engagement. Doctoral thesis, University of East Anglia.

Bescoby, D.J (2007) Geoarchaeological investigation at Roman Butrint. In: Roman Butrint: An assessment. Oxbow, Oxford, pp. 103-126.

Bescoby, D.J, Cawley, GC and Chroston, N (2006) Enhanced interpretation of magnetic survey data from archaeological sites using artificial neural networks. Geophysics, 71 (5). pp. 45-53. ISSN 1942-2156

Bescoby, D.J, Cawley, GC and Chroston, N (2004) Enhanced interpretation of magnetic survey sata using artificial neural networks: A case study from Butrint, Southern Albania. Archaeological Prospection, 11. pp. 189-199. ISSN 1099-0763

Bescoby, David and Bowden, William (2013) The detection and mapping of Saxon sunken-featured buildings at Caistor St Edmund, Norfolk. Archaeological Prospection, 20 (1). pp. 53-57. ISSN 1075-2196

Bowden, Will and Bescoby, D (2008) Mapping Venta Icenorum (Caistor-by-Norwich): the results of new geophysical survey. Journal of Roman Archaeology, 21. pp. 324-355.

Bowden, William and Mitchell, John (2004) The Christian topography of Butrint. In: Byzantine Butrint: Excavations and Survey 1994-1999. Oxbow, Oxford, pp. 104-125. ISBN 1842171585

Brooks, Nick and Clarke, Joanne (2014) Prehistory of the Western Sahara:A Synthesis of Fieldwork, 2002 to 2009. Oxbow Books. ISBN 9781782971726

Buck, Tim (2011) Reconfiguring the exotic and the modern: a study of some British artists’ engagement with empire in the 1920s. Doctoral thesis, University of East Anglia.

C

Cheetham, Brian and Edwards, Paul (1989) Interview Skills: A Complete Resource for Tutors, Trainers and Others Working with Candidates. National Extension College. ISBN 0860829340

Chick, Jane (2014) The large pavement at Qasr el-Lebia in Cyrenaica: episodes, narratives and transformations. Doctoral thesis, University of East Anglia.

Clark, Jonathan (2010) Towards a multidisciplinary practice for human remains: the conservation, collection, and display of human remains and objects made from them. Masters thesis, University of East Anglia.

Clarke, Joanne (2005) Archaeological Perspectives on the Transmission and Transformation of Culture: A View from the Eastern Mediterranean. Oxbow. ISBN 1842171682

Clarke, Joanne (2002) Ceramic Function in Neolothic Cypriot Society: the Validity of using Ethno-Archaeology in Interpretation. CNWS Publications. ISBN 9057890720

Clarke, Joanne (2010) Connections Between Cyprus and the Near East in the Later Neolithic. In: The Development of Pre-state Communities in the Ancient Near East: Studies in Honour of Edgar Peltenburg. Oxbow, pp. 197-206. ISBN 9781842174074

Clarke, Joanne (2010) Contextualising Neolithic Cyprus: Preliminary Investigations into Connections Between Cyprus and the Near East in the Later Neolithic. In: The Development of Pre-State Communities in the Ancient Near East. Studies in Honour of Edgar Peltenburg. Oxbow, Oxford, pp. 197-206.

Clarke, Joanne (2014) Cyprus During the Neolithic Period. In: The Oxford Handbook of the Archaeology of the Levant c. 8000-332 BCE. Oxford University Press, Oxford, pp. 177-93. ISBN 978-0-19-921297-2

Clarke, Joanne (2012) Decorating the Neolithic: An evaluation of the use of plaster in the enhancement of daily life in the Middle PPNB of the southern Levant. Cambridge Archaeological Journal, 22 (2). pp. 177-86. ISSN 1474-0540

Clarke, Joanne (2009) Excavations at Kalavasos-Kokkinogia, 2004-2007. Working Paper. Report of the Department of Antiquities, Cyprus.

Clarke, Joanne (2004) Gaza Research Project Report of 1999 and 2000 seasons of al-Moghraga. Levant, 36. pp. 31-36.

Clarke, Joanne (2002) Gender, Economy and Ceramic Production in Neolithic Cyprus. In: Engendering Aphrodite: Women and Society in Ancient Cyprus. Oxbow Books, pp. 251-263. ISBN 0-89757-059-6

Clarke, Joanne (2003) Insularity and Identity in Prehistoric Cyprus. In: Le Néolithique de Chypre. Ecole Francaise d'Athenes, pp. 203-218. ISBN 2869581440

Clarke, Joanne (2007) Site diversity in Cyprus in the late 5th millenium BC. Levant, 39. pp. 13-26.

Clarke, Joanne (2003) Style and Society in Ceramic Neolithic Cyprus. Levant, 33. pp. 65-80.

Clarke, Joanne (2017) The use of basketry in early agricultural communities in the Ancient Near East. In: Basketry and Beyond: Constructing Cultures. Brill. (In Press)

Clarke, Joanne, Brooks, N., Clarke, J., Garfi, S. and Pirie, A. (2009) The Archaeology of Western Sahara: Results of Environmental and Archaeological Reconnaissance. Antiquity, 83 (322). pp. 918-34. ISSN 1745-1744

Clarke, Joanne, Clarke, J., Croft, P. and McCartney, C. (2007) The 1940s Excavations at Kalavasos-Kokkinogia and Kalavasos-Pampoules. In: Report of the Department of Antiquities, Cyprus. Ministry of Communications & Works, Cyprus, pp. 45-86.

Clarke, Joanne, Clarke, J., Croft, P. and McCartney, C. (2007) New Light in Ancient Pits. The 1940s Excavations at Kalavasos-Pamboules, Cyprus. In: Report of the Department of Antiquities, Cyprus. Ministry of Communications & Works, Cyprus, pp. 45-88.

Clarke, Joanne, Steel, L, Manley, W P and Sadeq, M (2004) Egyptian Funerary Cones from el-Mogharaqa, Gaza. The Antiquaries Journal, 84. pp. 319-333. ISSN 1758-5309

Clarke, Joanne, Wasse, Alex and McCartney, Carole (2007) On the Margins of Southwest Asia: Cyprus in the 6th to 4th Millennia BC. Oxbow. ISBN 9781842172810

Corbett, David Peters (2011) An American Experiment:George Bellows and the Ashcan Painters. National Gallery, London & Yale University Press. ISBN 9781857095272

Corbett, David Peters (2011) ‘Art, Morality, and the National Interest: Theodore Winthrop, Frederic Church, and Martin Johnson Heade at the Tenth Street Studios in 1859’. European Journal of American Studies, 30 (1). pp. 57-72.

Corbett, David Peters (2012) Camden Town and Ashcan: Difference, Similarity and the 'Anglo-American' in the Work of Walter Sickert and John Sloan. In: Anglo-American: Artistic Exchange between Britain and the USA. Wiley-Blackwell.

Corbett, David Peters (2011) Camden Town and Ashcan: Difference, Similarity and the ‘Anglo-American’ in the Work of Walter Sickert and John Sloan. Art History, 34 (4). pp. 774-795. ISSN 1467-8365

Corbett, David Peters (2004) Edward Burne-Jones. Tate Publishing.

Corbett, David Peters (2001) English Art 1860-1914: Modern Artists and Identity. Barber Critical Perspectives in Art History . Manchester University Press.

Corbett, David Peters (2002) The Geographies of Englishness: Landscape and National Identity in English Art, 1880-1940,. Studies in British Art . Yale University Press.

Corbett, David Peters (2008) ‘Le Symbolisme dans les petites revues britanniques: The Dome et The Dial’. In: Les Revues illustrées en Europe entre deux siècles 1880-1920. Presses Universitaires de France, Paris, pp. 337-353.

Corbett, David Peters (2008) ‘Modern Themes in Camden Town Painting’. In: Camden Town. Tate Publishing, London, pp. 27-37.

Corbett, David Peters (1997) The Modernity of English Art, 1914-1930. Manchester University Press.

Corbett, David Peters (2009) ‘Nineteenth Century American and British Art and their Historiographies: A Comparison’. In: National and International Perspectives on American Art before 1945. Penn State Press, College Park, PA, pp. 67-89.

Corbett, David Peters (2009) ‘“Not Material Enough for the Age”: Pre Raphaelite Words and Images’. In: Writing the Pre-Raphaelites: The Textual Formation of a Victorian Avant-Garde. Ashgate Publishers, London.

Corbett, David Peters (2011) ‘The Problematic Past in the Work of Charles Sheeler, 1917-1927’. Journal of American Studies, 45 (3). pp. 559-580. ISSN 1469-5154

Corbett, David Peters (2012) ‘Sporting Life: Boxing 1907-1909’. In: George Bellows. National Gallery of Art, Washington, Washington DC.

Corbett, David Peters (2009) 'Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’. In: Modernist Magazines: A Critical and Cultural History, 1880-1945. Oxford University Press, Oxford, pp. 101-119.

Corbett, David Peters (2001) Walter Sickert. Tate Publishing & Princeton University Press.

Corbett, David Peters (2004) The World in Paint: Modern Art and Visuality in England, 1848-1914. Reconfiguring Modernism . Manchester University Press & Penn State Press.

Corbett, David Peters (1998) Wyndham Lewis and the Art of Modern War. Cambridge University Press.

Corbett, David Peters and Monks, Sarah (2012) Anglo-American: Artistic Exchange between Britain and the USA. In: Anglo-American: Artistic Exchange between Britain and the USA. Wiley-Blackwell, pp. 630-651.

Corbett, David Peters and Monks, Sarah (2011) Anglo-American: Artistic Exchange between Britain and the USA. Art History, 34 (4). pp. 630-651. ISSN 1467-8365

D

De Jong, Ferdinand (1998) De Verbeelding van Volkscultuur: Maskers, Maskerades en hun Representatie in Musea en Folklore. In: Yearbook Netherlands Open Air Museum. SUN/Nederlands Openluchtmuseum, Nijmegen/Arnhem, pp. 84-109.

De Jong, Ferdinand (2000) The Forbidden Masquerade: Ethnicity and the Management of Ritual in Senegal. In: Roots and Rituals: The Construction of Ethnic Identities. Het Spinhuis, Amsterdam, pp. 499-516.

De Jong, Ferdinand (2005) The Jola Museum: Poetics of Autochthony in Senegal. In: From Modern Myths to Global Encounters: Belongings and the dynamics of change in postcolonial Africa. CNWS Publications, Leiden, pp. 118-126.

De Jong, Ferdinand (2013) Le secret exposé:Révélation et reconnaissance d’un patrimoine immatériel au Sénégal. Gradhiva:Revue d'Anthropologie et Museologie Paris, 18. pp. 98-123.

De Jong, Ferdinand (1995) The Making of a Jola Identity: Jola Inventing their Past and Future. In: Popular Culture: Beyond Historial Legacy and Political Innocence (Proceedings of CERES/CNWS Summer School 1994). CERES, Utrecht, pp. 133-150.

De Jong, Ferdinand (2007) Masquerades of Modernity: Power and Secrecy in Casamance, Senegal. Indiana University Press.

De Jong, Ferdinand (1997) The Power of a Mask: A Contextual Analysis of the Senegalese Kumpo Mask performance. Focaal: European Journal of Anthropology. Special Issue on Globalization/Localization: Paradoxes of Cultural Identity. pp. 37-56. ISSN 0920-1297

De Jong, Ferdinand (1999) The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal. In: Modernity on a Shoestring: Dimensions of Globalization, Consumption and Development in Africa and Beyond. EIDOS in association with the African Studies Centre Leiden and the Centre of African Studies London, Leiden and London, pp. 315-340.

De Jong, Ferdinand (1998) The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal. Focaal: European Journal of Anthropology. Special Issue on Globalization/Localization: Paradoxes of Cultural Identity, 30-31. pp. 61-83. ISSN 0920-1297

De Jong, Ferdinand (2000) Secrecy and the State: The Kankurang Masquerade in Senegal. Mande Studies, 2. pp. 153-173.

De Jong, Ferdinand (1999) Trajextories of a Mask Performance: The Case of the Senegalese Kumpo. Cahiers d'Études africaines, 153. pp. 49-71. ISSN 1777-5353

De Jong, Ferdinand and Foucher, Vincent (2010) La tragédie du roi Abdoulaye? Néomodernisme et Renaissance africaine dans le Sénégal contemporain. Politique africaine, 118. pp. 187-204.

De Jong, Ferdinand and Gasser, Geneviève (2005) Canadian Journal of African Studies: Contested Casamance/Discordante Casamance, special issue on the civil war in the Casamance region of Senegal. Canadian Journal of African Studies, 39 (2). ISSN 1923-3051

De Jong, Ferdinand and Probst, Peter (2009) African Arts: special issue on Art and Heritage. African Arts, 42 (4). ISSN 1937-2108

De Jong, Ferdinand and Rowlands, Michael (2008) Journal of Material Culture: special issue on Postconflict Heritage. Journal of Material Culture, 13 (2). ISSN 1460-3586

DeLeonardis, Lisa and Lau, George F. (2004) Life, Death and Ancestors. In: Andean Archaeology. Blackwell Studies in Global Archaeology . Blackwell Publishing, pp. 77-115. ISBN 9780631234012

Dell, Simon (2007) The Image of the Popular Front in France: The Masses and the Media in interwar France. Palgrave Macmillan. ISBN 0230003281

Dell, Simon (2010) Immediacy and Mediation: The Press, the Popular Front in France and the Spanish Civil War. In: The Mexican Suitcase: The Rediscovered Spanish Civil War Negatives of Capa, Chim and Taro. International Photography Centre, New York.

Dell, Simon (2003) Internationalismus und die Kultur der Volksfront: John Heartfield und die Fotomontage. In: Kultur als Fenster zu einem besseren Leben und Arbeiten. Aisthesis Verlag: Bielefeld, pp. 369-384. ISBN 3895284432

Dell, Simon (2003) Love and Surrealism: Rene Magritte and Andre Breton in 1929. Word and Image, 19 (3). pp. 214-222. ISSN 1943-2178

Dell, Simon (2008) On Location: Art, Space and Place in the 1960s. [Show/Exhibition]

Dell, Simon (2008) On Location: Siting Robert Smithson and his Contemporaries. Black Dog Publishing. ISBN 9781906155599

Dell, Simon (2011) On the Difficult Conjunction of "Worker" and "Photography" in France. In: The Worker Photography Movement:1926-1939: Essays and Documents. Museo nacional centro de arte, Reina Sofia, Madrid.

Dell, Simon (2001) On the Metaphor and Practice of Photography: Social Realism, the Popular Front in France and the Dynamics of Cultural Unity. History of Photography, 25 (1). pp. 52-60. ISSN 2150-7295

Dell, Simon (2013) Yeyap’s resources:Representation and the arts of the Bamum in Cameroon and France, 1902-1935. In: World Art and the Legacies of Colonial Violence. Ashgate, Farnham, pp. 31-58. ISBN 978-1-4094-5588-2

Denner, Antje (2010) Under the Shade Tree: Mortuary Rituals and Aesthetic Expression on the Anir Islands, New Ireland, Papua New Guinea. Doctoral thesis, University of East Anglia.

Durand, Marie (2013) The materiality of the kitchen house: building, food and history on Mere Lava, northern Vanuatu. Doctoral thesis, University of East Anglia.

de Jong, Ferdinand (2005) Contested Casamance: Introduction. Canadian Journal of African Studies, 39(2). ISSN 1923-3051

de Jong, Ferdinand (2001) Démasqué. Etnofoor, 14 (2). pp. 7-22.

de Jong, Ferdinand (2009) First Word: Hybrid Heritage. African Arts, 42 (4). 1,4-5. ISSN 1937-2108

de Jong, Ferdinand (2001) Il Museo Diola. Identitià locali, oggetti sacri e turismo nella Casamance. Etnosistemi, 8. pp. 91-101.

de Jong, Ferdinand (2005) A Joking Nation: Conflict Resolution in Senegal. Canadian Journal of African Studies, 39 (2). pp. 389-413. ISSN 1923-3051

de Jong, Ferdinand (2002) The Jola Museum: An appropriation of museum practice. Journal of Museum Ethnographers, 14 (2). 0-00.

de Jong, Ferdinand (2007) Masquerades of Modernity: Power and Secrecy in Casamance, Senegal (International African Library). Edinburgh University Press. ISBN 9780748633197

de Jong, Ferdinand (2007) A Masterpiece of Masquerading: Contradictions of Conservation in Intangible Heritage. In: Reclaiming Heritage: Alternative Inaginaries of Memory in West Africa. UNSPECIFIED, pp. 161-84. ISBN 9781598743074

de Jong, Ferdinand (2002) Politicians of the Sacred Grove: Citizenship and ethnicity in southern Senegal. Africa, 72 (02). pp. 203-220. ISSN 0001-9720

de Jong, Ferdinand (2007) Reclaiming Heritage: Alternative Imaginaries of Memory in West Africa. Left Coast Press. ISBN 978-1-598743074

de Jong, Ferdinand (2008) Recycling Recognition: The Monument as Objet Trouvé of the Postcolony. Journal of Material Culture, 13 (2). pp. 195-214. ISSN 1460-3586

de Jong, Ferdinand (2010) Remembering the Nation: The Mourid Maggal in Saint Louis, Senegal. Cahiers d'Études africaines, 197. pp. 123-151. ISSN 1777-5353

de Jong, Ferdinand (2009) Shining Lights: Self-fashioning in the Lantern Festival of Saint Louis, Senegal. African Arts, 42(4). pp. 38-53. ISSN 1937-2108

de Jong, Ferdinand (2004) The Social Life of Secrets. In: Situating Globality: African Agency in the Appropiation of Global Culture. Lieden: Brill Publishers, pp. 257-276. ISBN 90 04 13133 7

de Jong, Ferdinand (2003) Towards an Anthropology of Modernity. Studia Africana, 14. pp. 45-46.

de Jong, Ferdinand and Rowlands, Michael (2008) Postconflict Heritage. Journal of Material Culture, 13 (2). pp. 131-134. ISSN 1460-3586

E

Eckersley, Rosanna (2015) A study of Winifred Knights, 1915-1933. Doctoral thesis, University of East Anglia.

Edwards, Paul (1981) Afterword. In: The Apes of God. Black Sparrow Press, Santa Barbara, pp. 629-639. ISBN 978-0876855126

Edwards, Paul (1985) Afterword and Explanatory Notes. In: Rotting Hill (Wyndham Lewis - 1951). Black Sparrow Press, Santa Barbara. ISBN 9780876856468

Edwards, Paul (1986) Afterword and Explanatory Notes. In: The Caliph's Design: Architects! Where is Your Vortex? (Wyndham Lewis - 1919). Black Sparrow Press, Santa Barbara. ISBN 978-0876856659

Edwards, Paul (1985) Afterword and Explanatory Notes. In: The Vulgar Streak (Wyndham Lewis - 1941). Black Sparrow Press, Santa Barbara. ISBN 978-0876856284

Edwards, Paul (1993) Afterword, Textual Appendix and Explanatory Notes. In: Time and Western Man (Wyndham Lewis - 1927). Black Sparrow Press, Santa Rosa. ISBN 9780876858806

Edwards, Paul (2007) The Apes of God and the English Classical Tradition. In: Wyndham Lewis the Radical: Essays on Literature and Modernity. Peter Lang, Bern, pp. 91-107. ISBN 978-3039112005

Edwards, Paul (1980) The Apes of God: Form and Meaning. In: Wyndham Lewis: A Revaluation. Athlone Press, London, pp. 133-48. ISBN 978-0773505162

Edwards, Paul (2007) Artists as Activists: C.R.W.Nevinson and Wyndham Lewis. In: A Dilemma of English Modernism: Visual and Verbal Politics in the Life and Work of C.R.W.Nevinson (1889-1946). University of Delaware Press, Newark DE, pp. 72-88. ISBN 978-0874139426

Edwards, Paul (1987) Augustan and related Allusions in The Apes of God. Enemy News (24). pp. 17-21.

Edwards, Paul (2013) Blast and the Revolutionary Mood of Wyndham Lewis's Vorticism. In: Vorticism: New Perspectives. Open University Press, New York.

Edwards, Paul (2000) Blast: Vorticism, 1914-1918. Ashgate. ISBN 1840146478

Edwards, Paul (2005) British War Memoirs. In: The Cambridge Companion to the Literature of the First World War. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 15-33. ISBN 9780521528979

Edwards, Paul (1984) "Clodoveo" and "Belcanto": Wyndham Lewis and James Joyce. In: Blast 3. Black Sparrow Press, Santa Barbara, pp. 126-33.

Edwards, Paul (2010) Creation Myth: The Art and Writing of Wyndham Lewis. In: Wyndham Lewis 1882-1957. Fundación Juan March, Madrid, pp. 22-31. ISBN 978-8470755774

Edwards, Paul (2009) Cultural Criticism at the Margins: Wyndham Lewis, The Tyro (1920-21), The Enemy (1927-29). In: A Critical and Cultural History of Modernist Magazines. Oxford University Press, Oxford, pp. 552-69. ISBN 978-0-19-921115-9

Edwards, Paul (2004) "Dragon in a Cage": Wyndham Lewis, 1882 - 1957. In: The Bone beneath the Pulp: Drawings by Wyndham Lewis. Paul Holberton Publishing/Courtauld Institute of Art, London, pp. 7-19. ISBN 978-1903470268

Edwards, Paul (2013) False Bottoms: Wyndham Lewis's The Revenge for Love and the Incredible Real. In: Incredible Modernism: Literature, Trust and Deception. Ashgate, Aldershot. ISBN 978-1409439547

Edwards, Paul (2005) Futurism, Literature and the Market. In: The Cambridge History of Twentieth-Century English Literature. The New Cambridge History of English Literature . Cambridge University Press, Cambridge, pp. 132-51. ISBN 9780521820776

Edwards, Paul (1994) Gerald Brenan and the Heroine of Tarr. Lewisletter (1). p. 4.

Edwards, Paul (2009) The Great War in English Fiction. In: The Cambridge Companion to the Twentieth Century British Novel. Cambridge, Cambridge, pp. 56-70. ISBN 978-0521711159

Edwards, Paul (2006) The Imagery of Hulme's Poems and Notebooks. In: Hulme and the Question of Modernism. Ashgate, London, pp. 23-38. ISBN 978-0754640882

Edwards, Paul (1998) "In Fundamental Agreement": Yeats and Wyndham Lewis. In: Yeats Annual 13. Yeats Annual . Macmillan, Basingstoke, pp. 110-157. ISBN 9780333716397

Edwards, Paul (2009) Introduction. In: BLAST (facsimile reprint). Gingko Press, Berkley CA, v-xii. ISBN 978-1-58423-342-8

Edwards, Paul (2004) Introduction. In: The Revenge for Love (Wyndham Lewis - 1937). Penguin Classics . Penguin, London, vii-xiv. ISBN 978-0141187648

Edwards, Paul (2000) Introduction. In: Blast: Vorticism, 1914-18. Ashgate, London, pp. 9-13. ISBN 1840146478

Edwards, Paul (1989) Introduction and Explanatory Notes. In: Creatures of Habit and Creatures of Change: Essays on Art, Literature and Society, 1914-1956 (Wyndham Lewis). Black Sparrow Press, Santa Rosa. ISBN 9780876857694

Edwards, Paul (1988) The Invisible Poet. Enemy News (27). pp. 4-5.

Edwards, Paul (2009) "It's Time for Another War": The Historical Unconscious and the Failure of Modernism. In: Wyndham Lewis and the Art of Modern War. Cambridge University Press, Cambridge, pp. 124-53. ISBN 9780521107907

Edwards, Paul (1979) Lewis and Kleist: Two views of perfection. Enemy News (10). pp. 10-11.

Edwards, Paul (1996) Lewis's Myth of the Artist: from Bohemia to the Underground. In: Volcanic Heaven. Black Sparrow Press, Santa Rosa, pp. 25-39.

Edwards, Paul (1981) Lewis, (Percy) Wyndham. In: Makers of Modern Culture. Routledge & Kegan Paul, London, pp. 308-9. ISBN 0710007329

Edwards, Paul (1983) Reappraisal: Wyndham Lewis. The Fiction Magazine, 2 (3). pp. 51-3.

Edwards, Paul (2002) Relativity of Consciousness in the Aesthetics of Wyndham Lewis and Virgina Woolf. Wyndham Lewis Annual, IX-X. pp. 57-64. ISSN 1356-9341

Edwards, Paul (2001) Science in Hapgood and Arcadia. In: The Cambridge Companion to Tom Stoppard. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 171-84. ISBN 978-0521645928

Edwards, Paul (1982) Signifying Nothing: The Revenge for Love. Enemy News (15). pp. 13-22.

Edwards, Paul (1995) Sir Percy Wyndham: Soldier of Fortune. Lewisletter (5). pp. 1-2.

Edwards, Paul (2006) Solipsism, Narrative and Love in Enduring Love. In: Ian McEwan's Enduring Love. Routledge Guides to Literature . Routledge, London, pp. 78-90. ISBN 978-0415345590

Edwards, Paul (1997) "The Strange Actor" and "Semitic Discourse". Wyndham Lewis Annual, 4. pp. 32-38. ISSN 1356-9341

Edwards, Paul (2010) A Strange Synthesis: Wyndham Lewis's Vorticism. In: The Vorticists: Rebel Artists in London and New York, 1914-1918. Tate Publishing, London.

Edwards, Paul (1995) Time, Romanticism, Modernism and Moderation in Ian McEwan's The Child in Time. English, 44 (178). pp. 41-55. ISSN 0013-8215

Edwards, Paul (2005) Timon Rediscovered: The Projected Max Goschen Edition, 1914. Wyndham Lewis Annual, XI. pp. 13-17. ISSN 1356-9341

Edwards, Paul (2012) An Unknown Portrait by Wyndham Lewis. The Journal of Wyndham Lewis Studies, 3. pp. 1-3.

Edwards, Paul (1994) What were Red Duet? Wyndham Lewis Annual. pp. 34-8. ISSN 1356-9341

Edwards, Paul (2011) Wyndham Lewis. In: The Blackwell Encyclopedia of Twentieth Century Fiction. Blackwell, Oxford. ISBN 978-1405192446

Edwards, Paul (1982) Wyndham Lewis and Nietzsche: How Much Truth Does a Man Require? In: Wyndham Lewis: Letteratura/Pittura. Sellerio editore, Palermo, pp. 203-17. ISBN 9788838900815

Edwards, Paul (1988) Wyndham Lewis and the Filth Bazaar. Enemy News (26). pp. 12-14.

Edwards, Paul (2002) Wyndham Lewis and the Rappel à l'ordre: Classicism and Significant Form, 1919 - 21. In: The Geographies of Englishness: Landscape and the National Past 1880 - 1940. Yale University Press, New Haven and London, pp. 141-68. ISBN 978-0300094886

Edwards, Paul (2011) Wyndham Lewis and the Uses of Shellshock: Meat and Postmodernism. In: Wyndham Lewis and the Cultures of Modernity. Ashgate, Aldershot, pp. 221-40. ISBN 978-1-4094-0054-7

Edwards, Paul (2002) Wyndham Lewis at the Second Post-Impressionist Exhibition: Reproductions of the Three Lost Works. Wyndham Lewis Annual. pp. 73-9. ISSN 1356-9341

Edwards, Paul (2010) Wyndham Lewis the Artist. In: Wyndham Lewis 1882-1957. Fundación Juan March, Madrid, pp. 96-293. ISBN 978-8470755774

Edwards, Paul (2010) Wyndham Lewis the Writer. In: Wyndham Lewis 1882-1957. Fundación Juan March, Madrid, pp. 302-37. ISBN 978-8470755774

Edwards, Paul (1994) Wyndham Lewis versus James Joyce: Shaun versus Shem? Irish Studies Review, 2 (7). pp. 11-17. ISSN 0967-0882

Edwards, Paul (1998) Wyndham Lewis versus James Joyce: Shaun versus Shem? In: Reviewing Ireland: Essays and Interviews from 'Irish Studies Review'. Sulis Press, Bath, pp. 164-73. ISBN 978-0952685654

Edwards, Paul (2010) Wyndham Lewis y el Timon de Atenas. In: William SHakespeare and Thomas Middleton, Timon de Atenas (tr.Angel-Luis Pujante). Fundación Juan March, Madrid, pp. 11-21.

Edwards, Paul (1997) Wyndham Lewis's Narrative of Origins: "The Death of the Ankou". The Modern Language Review, 92 (1). pp. 22-35.

Edwards, Paul (1998) Wyndham Lewis's Timon of Athens Portfolio: The Emergence of Vorticist Abstraction. Apollo, CXLVIII (440). pp. 34-40. ISSN 0003-6536

Edwards, Paul (1983) Wyndham Lewis: An Ego and its Own. In: Wyndham Lewis: Drawings and Watercolours 1910 - 1920 (catalogue of an exhibition at the Anthony D'Offay Gallery, April - May, 1983. Anthony D'Offay Gallery, London. ISBN 9780950398983

Edwards, Paul (1992) Wyndham Lewis: Art and War. Lund Humphries. ISBN 978-0853316114

Edwards, Paul (2000) Wyndham Lewis: Painter and Writer. Yale University Press. ISBN 9780300082098

Edwards, Paul (2000) You Must Speak with Two Tongues. In: Blast: Vorticism, 1914-18. Ashgate, London, pp. 113-20. ISBN 1840146478

Edwards, Paul and Humphreys, Richard (2008) Wyndham Lewis Portraits. National Portrait Gallery Publications.

Edwards, Paul, Humphreys, Richard, Gasiorek, Andrzej, Morato, Yolanda and Munton, Alan (2013) Wyndham Lewis (1882-1957). [Show/Exhibition]

Edwards, Paul and Walker, S (1975) Lewis's Critique of Relativity in One-Way Song. Lewisletter (3). pp. 3-6.

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Fairweather-Tait, S J, Wright, A J, Cooke, J and Franklin, J (1985) Studies of zinc metabolism in pregnant and lactating rats. British Journal of Nutrition, 54 (2). pp. 401-413. ISSN 0007-1145

Francis, K.D., Bescoby, D.J. and Gjipali, I. (2009) A Preliminary Investigation of Two Prehistoric Cave Sites in Southern Albania. Annual of the British School at Athens, 104. pp. 9-26.

Franklin, Jill (2013) The aisleless cruciform church: its occurrence and meanings in romanesque Europe. Doctoral thesis, University of East Anglia.

G

Garfi, Salvatore (2014) An archaeology of colonialism, conflict, and exclusion : conflict landscapes of Western Sahara : in two volumes: volume one. Doctoral thesis, University of East Anglia.

Gosselain, O, Haour, Anne, MacDonald, K and Manning, Kat (2010) Introduction. In: African pottery roulettes past and present: techniques, identification, and distribution. Oxbow, Oxford, pp. 1-34.

Green, Anna (2007) French Paintings of Childhood and Adolescence, 1848-1886. Ashgate. ISBN 978-0754654605

Green, Anna (2017) Introduction. In: The Norwich School of Painters. East Publishing, Norwich. (In Press)

Green, Anna (2013) The Norwich School Women. In: The Norwich School of Painters. East Publishing, Norwich.

Green, Anna (2003) 'Rivers of Lemonade and Mountains of Sugar': Representations of Country adn City in nineteenth-century French Children's Literature. In: Soil and Stone: Impressionism, Urbanism, Environment. Ashgate, Aldershot. ISBN 978-0754636854

Green, Anna (2007) 'Seen but not Heard': Youthful Views of Parisian Modernity in the Nineteenth Century. In: Proceedings of the 7th Joint Conference of Art Historians from Britain and Poland, Warsaw, September 2004. Polish Academy of Arts and Sciences. ISBN 9788389101747

Greenhalgh, Paul (2010) Craft and the New Humanism. In: New Craft Future Voices Conference Proceedings 2010 Duncan of Jordanstone College of Art & Design. University of Dundee. ISBN 9781899837558

Greenhalgh, Paul (2010) The History of Craft. In: The Design History Reader. Berg, pp. 329-335. ISBN 9781847883889

Greenhalgh, Paul (2010) An Introduction to Modernism in Design. In: The Design History Reader. Berg, pp. 91-97. ISBN 9781847883889

Greenhalgh, Paul (2008) Preface Gallery Preface’, The Catalogue of Studio Furniture of the Renwick Preface, The Catalogue of Studio Furniture of the Renwick Gallery. In: The Catalogue of Studio Furniture of the Renwick Gallery. Fox Chapel Publishing. ISBN 9781565233678

Greenhalgh, Paul (2010) Recognising the Modern World: Art, Patronage and Optimism. In: Turner to Cezanne, Masterpieces of the Davies Collection National Museum Wales. Hudson Hills Press. ISBN 9781555952990

Greenhalgh, Paul (2009) Words in the World of the Lesser: Recent Publications on the Crafts. Journal of Design History, 22 (4). pp. 401-411. ISSN 1741-7279

Greenslade, Simon and Hodges, Richard (2013) The aristocratic oikos on the Vrina Plain, Butrint c. AD 830−1200. Byzantine and Modern Greek Studies, 37 (1). pp. 1-19. ISSN 0307-0131

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Haour, Anne (1999) Blank Page in Niger. Nyame Akuma, 52. pp. 44-49.

Haour, Anne (2006) Contributions to Peoples and Cultures of Africa, a six volume series on modern Africa and Africans. Bateman.

Haour, Anne (2006) Contributions to the Sahelian section of The City and Urban Life, Rogozinski, ed. A three volume reference work tracing the development of urban places from the first cities to the present day. M.E.Sharpe.

Haour, Anne (2006) Eating, dying and building walls in the central Sahel: aspects of archaeology of daily life at Kufan Kanawa, Niger. Nyame Akuma, 66. pp. 35-46.

Haour, Anne (2003) Ethnoarchaeology in the Zinder region, Republic of Niger: the site of Kufan Kanawa. Cambridge Monographs in African Archaeology 56 . Archaeopress. ISBN 1841715069

Haour, Anne (2010) Knotted strip roulette. In: African pottery roulettes past and present: techniques, identification and distribution. Oxbow, Oxford, pp. 177-180.

Haour, Anne (2010) Kufan Kanawa: the former Kano? The archaeology of a 600-year old site in Niger. In: Being and becoming Hausa: interdisciplinary perspectives. Brill, Leiden, pp. 141-163.

Haour, Anne (2004) L'ancienne Kano? Nouveaux résultats de Kufan Kanawa, Niger. In: Acts of the 11th Congress of the PanAfrican Association of Prehistory and Related Fields, Bamko Feburary 2001. Bamako, Mali, pp. 54-61.

Haour, Anne (2003) One hundred years of archaeology in Niger. Journal of World Prehistory, 17 (2). pp. 181-234. ISSN 1573-7802

Haour, Anne (2013) Outsiders and strangers: an archaeology of liminality in West Africa. Oxford University Press. ISBN 978-0199697748

Haour, Anne (2005) Power and permanence in precolonial Africa: a case study from the central Sahel. World Archaeology, 37 (4). pp. 552-565. ISSN 1470-1375

Haour, Anne (2011) Putting pots and people in the Sahelian empires. Azania (issue guest-edited in collaboration with K Manning), 46 (1). pp. 36-48.

Haour, Anne (2007) Rulers, warriors, traders and clerics: the Central Sahel and the North Sea. Oxford University Press (in the context of the British Academy Postdoctoral Fellows Monograph Scheme). ISBN 0197264115

Haour, Anne (2012) To the other shore: West African trade centres and the wics. In: From one sea to the other: trade centres in the European and Mediterranean Early Middle Ages. Brepols, Turnhout, pp. 441-456.

Haour, Anne (2003) Why these African walls? Some considerations from Kufan Kanawa, Niger. In: Researching Africa's Past: new perspectives from British archaeologists. School of Archaeology, Oxford University, Oxford, pp. 97-101.

Haour, Anne (2011) The archaeology of Hausaland. In: Gold, slaves and ivory - medieval empires in northern Nigeria. Römisch-Germanisches Zentralmuseum, Mainz, pp. 66-69.

Haour, Anne (2011) The early medieval slave trade of the central Sahel: archaeological and historical considerations. In: Comparative dimensions of slavery in Africa: archaeology and memory. Proceesings of the British Academy (168). Open University Press/British Academy, Oxford, pp. 61-78.

Haour, Anne (2000) The former Kano? Ethnoarchaeology of Kufan Kanawa, Niger. Antiquity, 74. pp. 767-768. ISSN 1745-1744

Haour, Anne (2008) A pottery sequence from Garumele (Niger) - a former Kanem-Borno capital? Journal of African Archaeology, 6 (1). pp. 3-20.

Haour, Anne, Banni Guene, Oumarou, Gosselain, Olivier, Livingstone Smith, Alexandre and N'Dah, Didier (2011) Survey Along the Niger River Valley at the Benin-Niger Border. Nyame Akuma, 76.

Haour, Anne, Blench, R, Driver, T and Hendrie, B (1998) Resource Conflict in Semi-Arid Africa: An Essay and Annotated Bibliography. Overseas Development Institute, London.

Haour, Anne and Gado, B (2009) Garumele, ville médiévale du Kanem-Borno? Une contribution archéologique. Journal of African History, 50. pp. 1-21. ISSN 1469-5138

Haour, Anne and Galpine, R (2005) Culture and technology in the pottery of the medieval Sahel. Journal of African Archaeology, 3 (1). pp. 127-137.

Haour, Anne and Keita, D (2010) Folded strip roulette. In: African pottery roulettes past and present: techniques, identification, and distribution. Oxbow, Oxford, pp. 169-176.

Haour, Anne and Linseele, V (2010) Faunal remains at Garumele. Journal of African Archaeology, 8 (2). pp. 167-184.

Haour, Anne and Mitchell, P (2003) Introduction. In: Researching Africa's Past: new perspectives from British archaeologists. School of Archaeology, Oxford.

Haour, Anne and Moguen, C (2008) Afrique Oubliée; Translation (English to French) of Connah, G. 2004. Forgotten Africa: an introduction to its archaeology. L'Harmattan.

Haour, Anne and Pearson, John (2004) An Instance of Dental Modification on a human skeleton from Niger, West Africa. Oxford Journal of Archaeology, 24 (4). pp. 427-433. ISSN 1468-0092

Haour, Anne and Rossi, B (2010) Introduction: Hausa identity: language, history and religion. In: Being and becoming Hausa: interdisciplinary perspectives. Brill, Leiden, pp. 1-33.

Haour, Anne, Winton, V and Idé, O (2005) The Project SAHEL 2004: preliminary review of new work in the Parc W, Niger. Nyame Akuma, 64. pp. 50-54.

Haour, Anne, Winton, V, Idé, O, Rendell, H and Clarke, M (2006) The Project Sahel 2004: The archaeological sequence in the Parc W, Niger. Journal of African Archaeology, 4 (2). pp. 299-315.

Hardwick, Tom and Riggs, Christina (2010) The king as a falcon: A "lost" statue of Thutmose III rediscovered and reunited. Mitteilungen des Deutschen Archäologisches Instituts Abteilung Kairo, 66. pp. 107-119. ISSN 0342-1279

Heinze, Ulrich (2011) Cultural Habits of Radio and Television Use in Japan - A Trilateral Comparison with the Uk and Germany. Electronic Journal for Contemporary Japanese Studies (EJCJS).

Heinze, Ulrich (2006) Hautkontakt der Schriftsysteme. Japan im Zeichen der Globalisierung: Geldflüsse und Werbetexte (Signs of Global Trade: Advertisement and Money as Economical Media). Transcript. ISBN 978-3-89942-513-0

Heinze, Ulrich (2013) Japanese Blickwelten:Manga, Medien und Museen im Zeichen künstlicher Realität. Transcript. ISBN 978-3-8376-2149-5

Heinze, Ulrich (2012) Japanische Bruchkanten: konturen der kankei nai-Kultur (Japanese Breaking Edges: Sociological Aspects of Contemporary Japan). LIT Verlag. ISBN 13978-3825896522

Heinze, Ulrich (2012) Marking History Herstory: Nelson's Son and Siebold's Daughter in Japanese Shōjo Manga. In: Manga and the Representation of History. Routledge Contemporary Japan Series . Routledge, London, pp. 102-120. ISBN 978-0-415-69423-0

Heinze, Ulrich (2012) Nippon's nostalgic national narrative: Ishihara Shintarō’s kamikaze film Ore. Contemporary Japan, 24 (1). pp. 71-94. ISSN 1869-2729

Heinze, Ulrich (2013) System Theory as Global Sociology - Japanese Remifications of Parsonian and Luhmannian Thought. The American Sociologist, 44 (1). pp. 54-75. ISSN 1936-4784

Heinze, Ulrich (2012) Time Travel Topoi in Japanese Manga. Japan Forum ISSN Print: 0955-5803, 24 (2). pp. 191-212.

Helmer, Matthew (2014) The Archaeology of an Ancient Seaside Town: Performance and Community at Samanco, Nepeña Valley, Peru Volume 1. Doctoral thesis, University of East Anglia.

Hernandez, David and Mitchell, John (2012) The western cemetery: survey of the Roman tombs along the Vivari Channel. In: Butrint 4: The Archaeologies and Histories of an Ionian Town. Oxbow Books, Oxford, pp. 183-201. ISBN 978-1-84217-980-2

Heslop, T A (2004) Art and the Man: Archbishop Wulfstan and the York Gospelbook. In: Wulfstan Archbishop of York: The Proceedings of the Second Alcuin Conference (Studies in the Early Middle Ages). Brepols, Turnhout, pp. 293-322. ISBN 2503522246

Heslop, T A (2010) Attending at Calvary: An early fifteenth-century English Panel Painting. In: Tributes to Nigel Morgan. Contexts of Medieval Art: Images, Objects and Ideas. Harvey Miller/Brepols, Turnhout, pp. 278-292. ISBN 9781905375295

Heslop, T A (2001) Contemplating Chimera in Medieval Imagination: St. Anselm's Crypt at Canterbury. In: Raising the Eyebrow: John Onians and World Art Studies. An Album Amicorum in his honour. BAR International Series (996). Archaeopress, Oxford, pp. 153-168. ISBN 1841712779

Heslop, T A (2005) The English origins of the Coronation of the Virgin. Burlington Magazine, 147 (1233). pp. 790-797.

Heslop, T A (2008) The Implication of the Utrecht Psalter in English Romanesque Art. In: Romanesque: Art & Thought in the Twelfth Century, Essays in Honor of Walter Cahn. Occasional Papers of the Index of Christian Art (10). Penn State University Press, Princeton, pp. 267-290. ISBN 0976820269

Heslop, T A (2007) Manuscript Illumination at Worcester c. 1055-65: the origins of the Pembroke Lectionary and the Caligula Troper. In: The Cambridge Illuminations: The Conference Proceedings. Harvey Miller, London, pp. 65-75. ISBN 150432565

Heslop, T A (2009) Regarding the Spectators of the Bayeux Tapestry: Bishop Odo and his Circle. Art History, 32 (2). pp. 222-249. ISSN 1467-8365

Heslop, T A (2005) Swaffham Parish Church: Community Building in Fifteenth Century Norfolk. In: Medieval East Anglia. Boydell & Brewer, Woodbridge, pp. 246-271. ISBN 1843831511

Heslop, T A (2001) Worcester Cathedral Chapterhouse and the Harmony of the Testaments. In: New Offerings, Ancient Treasures. Studies in Medieval Art presented to George Henderson. Alan Sutton, Stroud, pp. 280-311. ISBN 0750915714

Heslop, T.A (2012) The Alabaster Tomb at Ashwellthorpe, Norfolk: its Workmanship, Cost and Location. In: Patrons and Professionals in the Middle Ages. Harlaxton Medieval Studies vol.XXII . Donington, pp. 333-346.

Heslop, T.A (2000) Art, Nature and St Hugh's Choir at Lincoln. In: England and the Continent in the Middle Ages: Studies in Memory of Andrew Martindale, Proceedings of the 1996 Harlaxton Symposium. Shaun Tyas, Stamford, pp. 60-74.

Heslop, T.A (2012) Constantine and Helena: the Roman in English Romanesque. In: Architecture and Interpretation: Essays for Eric Fernie. The Boydell Press, Woodbridge, pp. 163-175.

Heslop, T.A (2010) Les monastères clunisiens anglais et leurs sceaux: vers 1090-1120. In: Cluny: onze siècles de rayonnement. Centre des monuments nationaux, pp. 380-387.

Heslop, T.A (2011) The Nave of Attleborough, Norfolk, and the Architecture of Unknowing. In: Architecture, Liturgy and Identity. Liber Amicorum Paul Crossley. Brepols, Turnhout, pp. 47-60.

Heslop, T.A (2011) St Anselm, Church Reform and the Politics of Art. In: Anglo-Norman Studies, Proceedings of the Battle Conference for 2010. Woodbridge, pp. 103-126.

Heslop, T.A (2000) Weeting Castle, a Twelfth-Century Hall-House in Norfolk. In: Architectural HIstory. Society of Architectural Historians of Great Britain, pp. 42-57.

Heslop, T.A (2002) Weeting Castle, a Twelfth-Century Hall-House in Norfolk (reprinted). In: La Maison médiévale en Normandie et Angleterre, Actes des tables rondes de Rouen et de Norwich (1998-99). Rouen, pp. 131-141.

Hobart, Michelle, Campana, Stefano, Hodges, Richard and Mitchell, John (2012) Monasteri di contesa nella Tuscia Longobarda: il case di S.Pietro d'Asso, Montalcino. Archeologia Medievale, 39. pp. 175-213.

Hodges, R and Bescoby, D.J (2003) Medieval Europe. In: The Encyclopedia of World Environmental History. Routledge, New York, pp. 493-497.

Hodges, Richard (2010) AD 536: The year Merlin (supposedly) died. In: Climate Crises in Human History. Diane Publishing Co. for American Philosophical Society, Philadelphia, pp. 73-84. ISBN 9781606189214

Hodges, Richard (2008) AD 774 and after: the archaeology of Charlemagne's Italy. In: 774, Ipotesi su una transizione. Brepols, Brussels, pp. 161-174. ISBN 9782503528168

Hodges, Richard (2012) Adriatic sea trade in a European perspective. In: From One Sea to Another. Trading Places in the European and Mediterranean Early Middle Ages. Brepols, Brussels.

Hodges, Richard (2008) Aistulf and the Adriatic Sea. Acta Archaeologica, 79 (1). pp. 274-281. ISSN 1600-0390

Hodges, Richard (2011) Archaeologists as placemakers:Making the Butrint National Park. In: Butrint 4: the archaeology and histories of an Ionian town. Oxbow Books, Oxford. ISBN 9781842174623

Hodges, Richard (2006) Between text and territory. Survey and excavations in the terra of San Vincenzo al Volturno. British School at Rome. ISBN 0904152480

Hodges, Richard (2013) Butrint's northern frontier in the eleventh century? The dema wall. Annual of the British School at Athens, 108. pp. 323-327.

Hodges, Richard (2005) Byzantine Butrint: Excavations and Surveys 1994-1999. Oxbow Books. ISBN 1842171585

Hodges, Richard (2010) Cinquante ans apres Dunning: reflexion sur les emporia, leur origine et leur developpement. In: Quentovic. Environnement, Archeologie, Histoire. Editions Du Conseil Scientifique de L'Universite Lille (3). Universite Charles de Gaulle, Lille, pp. 307-316. ISBN 9782844671233

Hodges, Richard (2009) Creando il parco archeologico a Butrinto. Archeologia Medievale, 36. pp. 45-57.

Hodges, Richard (2012) Dark Age Economics - a new audit. Bloomsbury Academic. ISBN 9780715636794

Hodges, Richard (2009) Decoding Butrint's Fortifications. Expedition, 51 (3). pp. 18-20.

Hodges, Richard (2006) Eternal Butrint: A UNESCO world heritage site in Albania. General Penne UK, London. ISBN 1905680015

Hodges, Richard (2013) Excavating away the 'poison': the topographic history of Butrint, ancient Buthrotum. In: Butrint 4. The archaeology and histories of an Ionian town. Oxbow Books, Oxford.

Hodges, Richard (2008) Fifty Years After Dunning: reflections on emporia, their origin and development, in T. Abramson. In: Two Decades of Discovery. Studies in Early Medieval Coinage, 1 (1). Boydell Press, Woodbridge, pp. 113-118. ISBN 9781843833710

Hodges, Richard (2008) Fifty Years after Dunning: Reflections on emporia, their origin and development. In: Studies in Early Medieval Coinage 1: Two Decades of Discovery. Boydell Press, pp. 113-118. ISBN 9781843833710

Hodges, Richard (2006) Goodbye to the Vikings? Re-reading Early Medieval Archaeology. Gerald Duckworth & Co. Ltd.. ISBN 0715634291

Hodges, Richard (2011) The Great Place-maker. In: Ricardo Francovich e I grandi temi del dibattito Europeo. All Insegna del Giglio, Florence, pp. 109-111.

Hodges, Richard (2011) Introducing Medieval Archaeology to Molise. Post-Classical Archaeologies, 1. pp. 481-492. ISSN 2039-7895

Hodges, Richard (2008) L'elefante nel salotto. In: Chiese e Insediamenti. Insegna del Giglio, Florence, pp. 435-442.

Hodges, Richard (2007) Making memory into history? Journal of Roman Archaeology, 20. pp. 706-711.

Hodges, Richard (2009) Nikita Khruschchev's Visit to Butrint, May 1959. Expedition, 51 (3). pp. 24-26.

Hodges, Richard (2007) The Origins of the Rural Parish. Journal of Roman Archaeology, 20. pp. 712-715.

Hodges, Richard (2004) Rejecting Reflexivity? Making post-Stalinist archaeology in Albania. In: Material Engagements: Studies in Honour of Colin Renfrew (McDonald Institute Monographs,). McDonald Institute, Cambridge, pp. 145-64. ISBN 1902937260

Hodges, Richard (2010) Ripensando San Vincenzo al Volturno. Archeologia Medievale, 37. pp. 487-498. ISSN 0390-0592

Hodges, Richard (2008) The Rise and Fall of Byzantine Butrint/ Shkelqimi dhe renia e Butrintit bizantin. Butrint Foundation. ISBN 9780953555673

Hodges, Richard (2008) The University of Pennsylvania museum: Changing Paradigms. Arts of Asia, 38 (5).

Hodges, Richard (2012) A new topographic history of Butrint, ancient Buthrotum. In: Le Ricerche delle Missioni Archeologiche nella ricorrenza dei dieci anni di scavi a Phoinike (2000-2010). Ante Quem, Bologna. ISBN 978-88-7849-067-3

Hodges, Richard and Bowden, Will (2012) An 'Ice Age settling on the Roman Empire':Post-Roman Butrint between strategy and serendipity. In: Urbes Extinctae. Ashgate Publishing, Aldershot. ISBN 9780754665625

Hodges, Richard, Bowden, Will and Sebastiani, A (2011) La transizione urbana a Butrinto nel V secolo: ricerche recenti e nuove questioni. In: Le trasformazioni del V secolo. L'Italia, I barbari e l'Occidente romano. Brepols, Brussels.

Hodges, Richard, Campana, S and Hobart, M (2011) In Search of San Pietro d'Asso. Expedition (53). pp. 30-32.

Hodges, Richard, Carvajal, José Cristóbal, Palanco, Ana and Molla, Nevila (2010) El Castillo de Ali Pacha en Butrinti. Revista de Arqueologia, 31 (349). pp. 22-31. ISSN 0212-0062

Hodges, Richard and Francis, Karen (2011) Ditaret e humbur te Luigi Cardini. In: Butrint through the Ages. Albanian Heritage Foundation, Tirana.

Hodges, Richard, Francis, Karen and Mitchell, John (2002) Contro la nuova interpretazione del’atrio di San Vincenzo al Volturno. Archeologia Medievale, 29. pp. 557-560.

Hodges, Richard and Kamani, S (2009) L'assedio di Butrinto nell'800 d.C. Archeologia Viva, 11. pp. 60-63.

Hodges, Richard, Kamani, S., Logue, M. and Vroom, J. (2009) The Sack of Butrint, c.AD 800. Antiquity, 83 (320). ISSN 1745-1744

Hodges, Richard, Leppard, Sarah and Mitchell, John (2012) Reconstructing the later eighth-century claustrum at San Vincenzo al Volturno. Papers of the British School at Rome, 80. pp. 145-55. ISSN 0068-2462

Hodges, Richard, Leppard, Sarah and Mitchell, John (2011) San Vincenzo 5. San Vincenzo Maggiore and its workshops. British School at Rome.

Hodges, Richard and Riccardo Francovich, [No Value] (2003) Villa to Village. The Transformation of the Roman Landscape in Italy. Gerald Duckworth & Co. Ltd.. ISBN 0715631926

Hooper, Steven (2007) Embodying Divinity: the Life of A'a. Journal of the Polynesian Society, 116 (2). pp. 131-179.

Hooper, Steven (2006) Exhibition: Pacific Encounters: Art and Divinity in Polynesia 1760-1860. [Show/Exhibition]

Hooper, Steven (2007) La Collecte comme Iconoclasme: La London Missionary Society en Polynésie. Gradhiva:Revue d'Anthropologie et Museologie Paris, 7. pp. 120-133.

Hooper, Steven (2002) Memorial Images of Eastern Fiji: materials, metaphors and meanings. In: Pacific Art: Persistance, Change and Meaning. University of Hawaii Press, pp. 309-323. ISBN 082482556X

Hooper, Steven (2005) On Looking at a Tahitian God-Horse. Journal of Museum Ethnography, 17. pp. 89-100.

Hooper, Steven (2006) Pacific Encounters: Art and Divinity in Polynesia 1760-1860. British Museum Press, London. ISBN 9780714125756

Hooper, Steven (2008) Polynésie: Arts et Divinités 1760-1860. Réunion des musées nationaux. ISBN 2915133840

Hooper, Steven, Jacobs, Karen, Jessop, Maia and Nuku, George (2012) Encounters with Polynesia in Britain: Art, ANcestors, Artists and Curators. Museum Anthropology, 35 (1). pp. 10-22.

Horvath, Gyongyver (2010) From sequence to scenario : The historiography and theory of visual narration. Doctoral thesis, University of East Anglia.

Hudson, Katherine (2013) ‘The Grin upon the Deathshead’: A Study of Satire in 1920s British Art. Doctoral thesis, University of East Anglia.

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Jacobs, Karen (2009) Artists in Residence: Polynesian engagement with the past. Journal of Museum Ethnography, 21. pp. 112-126.

Jacobs, Karen (2013) Beaten drums: a Kamoro carver's perspective. In: Melanesia: Art and Encounter. British Museum Press, London. ISBN 978-0714125961

Jacobs, Karen (2012) Collecting Kamoro: Objects, Encounters and Representation on the Southwest coast of Papua. Mededelingen van het Rijksmuseum voor Volkenkunde . Sidestone Press and National Museum of Ethnology. ISBN 978-90-8890-088-4

Jacobs, Karen (2009) Encounters with Polynesia: exhibiting the past in the present (Special issue). The Journal of Museum Ethnography, 21.

Jacobs, Karen (2011) Transacting Creations: The Kamoro Arts Festival (1998-2006) in Papua. The Asia Pacific Journal of Anthropology, 12 (4). pp. 363-382. ISSN 1444-2213

Jacobs, Karen (2008) United Colours of Papua: Kamoro arts and cultural appropriation. In: Identity Theft. Cultural Compensation, contemporary art. Liverpool University Press, pp. 175-96. ISBN 978-1846311031

Jancovich, Mark and Brown, Shane (2012) The Screen’s Number One and Number Two Bogeymen”: The Critical Reception of Boris Karloff and Bela Lugosi in the 1930s and 1940s. Palgrave Macmillan. ISBN 9781137291776

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Kaner, Simon, Nagase, F, Tsujita, J, Matsuda, Akira and Rousmaniere, Nicole (2009) Re-excavating the Power of Dogu (Dogû no Chikara Saihakkutsu). Cultural Resource Studies (Bunka Shigengaku), 8. pp. 1-8.

Khalaf, Nadia (2016) A Field Survey and Geographical Information Systems (GIS) Based Investigation of the Archaeological Landscape in the Niger River Valley, Republic of Benin. Doctoral thesis, University of East Anglia.

Kitzinger, Erns (2002) Studies in Late Antique, Byzantine and Medieval Western Art. Pindar Press. ISBN 1899828435

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Lagat, Ivan K. (2014) Remembering the 1998 Nairobi terror attack: cultural and trauma memory and the reconciliation of a nation. Doctoral thesis, University of East Anglia.

Lane, A, Bescoby, D, Gilkes, O and O'Hara, S (2005) The Environs of Butrint: The 1995-1996 Environmental Survey. In: Byzantine Butrint: Excavations and Surveys 1994-2004. Oxbow, Oxford, pp. 27-46.

Lau, George (2008) Ancestor Images in the Andes. In: The Handbook of South American Archaeology. Springer New York, pp. 1025-1043. ISBN 978038774907551

Lau, George (2010) Ancient Community and Economy at Chinchawas (Ancash, Peru). Yale Peabody Museum. ISBN 978-0913516263

Lau, George (2011) Andean Expressions: Art and Archaeology of the Recuay Culture. University of Iowa Press. ISBN 978-1587299735

Lau, George (2005) Core-periphery relations in the Recuay hinterlands: economic interaction at Chinchawas, Peru. Antiquity, 79 (303). pp. 78-99. ISSN 1745-1744

Lau, George (2002) Feasting and ancestor veneration at Chinchawas, North Highlands of Ancash, Peru. Latin American Antiquity, 13 (3). pp. 279-304.

Lau, George (2010) Fortifications as Warfare Culture: The Hilltop Centre at Yayno (Ancash, Peru), AD 400-800. Cambridge Archaeological Journal, 20. pp. 419-448. ISSN 1474-0540

Lau, George (2010) House forms and Recuay culture: residential compounds at Yayno (Ancash, Peru), a fortified hilltop town, AD 400-800. Journal of Anthropological Archaeology, 29. pp. 327-351. ISSN 1090-2686

Lau, George (2004) Object of contention: A revaluation of Recuay-Moche combat imagery. Cambridge Archaeological Journal, 14 (2). pp. 163-184. ISSN 1474-0540

Lau, George (2004) The Recuay Culture of Peru's North-Central Highlands. Journal of Field Archaeology, 29. pp. 177-202. ISSN 2042-4582

Lau, George (2006) Recuay Tradition Sculptures from Chinchawas, North Highlands of Ancash, Peru. KAVA, Kulturen 1, 1. pp. 183-250.

Lau, George (2010) The work of surfaces: object worlds and techniques of enhancement in the ancient Andes. Journal of Material Culture, 15 (3). pp. 259-286. ISSN 1460-3586

Lau, George F. (2013) Ancient Alterity in the Andes:A Recognition of Others. Routledge. ISBN 9780415519229

Leclerc-Caffarel, Stephanie (2013) Exchange relations between Fijians and Euro-Americans (1774-1854), with reference to museum collections Doctoral thesis, University of East Anglia.

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Mack, John (2001) Africa: Arts and Cultures. British Museum Press. ISBN 0714125482

Mack, John (2007) The Art of Small Things. British Museum Press. ISBN 9780714150468

Mack, John (2012) Drawing Degree zero: The Indigenous encounter with pencil and paper. World Art, 2 (1). pp. 70-105. ISSN 2150-0908

Mack, John (2003) "Ethnography" in the Enlightenment. In: Enlightening the British: Knowledge, discovery & the museum in the Eighteenth Century. British Museum Press, pp. 114-118. ISBN 071415010X

Mack, John (2002) "Exhibiting Cultures" Revisited: Translation and Representation. FOLK: Journal of the Danish Ethnographic Society, 43. pp. 195-209.

Mack, John (2011) Fetish? Magic Figures from Central Africa. Journal of Art Historiography, 5. pp. 1-14. ISSN 2042-4752

Mack, John (2011) Healing words:Becoming a spirit-host in Madagascar. Anthropology and Medicine, 18 (2). pp. 231-243. ISSN 1469-2910

Mack, John (2007) The Land Viewed from the Sea. Azania, 62. pp. 1-14.

Mack, John (2012) Making and seeing: Matisse and the understanding of Kuba pattern. Journal of Art Historiography, 7. pp. 1-19. ISSN 2042-4752

Mack, John (2003) Medicine and Anthropology in Wellcome's Collection. In: Medicine Man, the Forgotten Museum of Henry Wellcome. British Museum Press, pp. 213-233. ISBN 0714127949

Mack, John (2003) Museum of the Mind, Art and Memory in World Cultures. British Museum Press. ISBN 0714126373

Mack, John (2009) The Object of Memory. In: Preserving the cultural heritage of Africa. Crisis or Renaissance? James Curry Boydell and Brewer. ISBN 9781868885398

Mack, John (2008) Preserving the Cultural Heritage of Africa: Crisis or Renaissance? James Currey Publications. ISBN 0852559828

Mack, John (2011) The Sea: A Cultural History. Reaktion Books. ISBN 1861898098

Mack, John and , Fundacion la caxia d estalvis & pensions of Barcelona (2004) El Arte de Benin. In: Africa. La Figura Imaginada. Fundacio la Caxia, Barcelona, pp. 26-36. ISBN 8476648510

Maguire, Richard (2012) Late Antique Basilicas on Cyprus sources, contexts, histories. Doctoral thesis, University of East Anglia.

Mark, Peter, De Jong, Ferdinand and Chupin, Clémence (1998) Ritual and Masking Traditions in Jola Men's Initiation. African Arts, 31 (1). 36-47-94-95. ISSN 1937-2108

Martiarena, Laurie M (2014) The Social Life of Death: Mortuary Practices in the North-Central Andes, 11th-18th centuries. Doctoral thesis, University of East Anglia.

Matsuda, Akira (2011) Archaeology by the (Far) East in the West: what do local people think if Japanese archaeologists excavate the 'Villa of Augustus' in Italy? In: New Perspectives in Global Public Archaeology. Springer, New York, pp. 167-181.

Matsuda, Akira (2010) Excavating Roman London. Kodaigaku Kenkyû, 184. pp. 66-67.

Matsuda, Akira (2007) La prima guida di Somma: omaggio a “Fifino” dalla missione archeologica dell'Università di Tokyo. In: Antiquitates Summae. Fusco, Salerno, pp. 92-93.

Matsuda, Akira (2010) Public Archaeology in Somma Vesuviana. In: Festshrift for Tsuboi Kiyotari on the Occasion of His Ninetieth Birthday: Between Management and Research of Cultural Properties. Meishinsha, Nara, pp. 515-524.

Matsuda, Akira (2005) Public archaeology at archaeological sites: case studies in Britain and applicability in Japan. Journal of the Japanese Society for Cultural Heritage (Isekigaku Kenkyû), 2. pp. 90-101.

Matsuda, Akira (2011) Situating an archaeological site in the present ('Genzi' ni ichizukerareru iseki). Journal of the Japanese Society for Cultural Heritage (Isekigaku Kenkyû), 8. pp. 178-183.

Matsuda, Akira (2005) Vano 33. In: Annual Report of the Center for Evolving Humanities: Study of Cultural Exchange 18: VRC01 Preliminary Report (excavation report). Tokyo, University of Tokyo.

Matsuda, Akira (2010) When a local legend is (mis)appropriated in the interpretation of an archaeological site. Archaeologies, 6 (3). pp. 447-467.

Matsuda, Akira (2004) The concept of ‘the public’ and the aims of public archaeology. Papers from the Institute of Archaeology, 15. pp. 66-75. ISSN 2041-9015

Matsuda, Akira and Okamura, K (2009) Archaeologists at the crossroads 4: towards an engaged archaeology (Gendai shakai to sekkyokutekini kakawatteiku kôkogaku wo mezashite). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (4). pp. 117-120.

Matsuda, Akira and Okamura, K (2011) Introduction: new perspectives in global public archaeology. In: New Perspectives in Global Public Archaeology. Springer, New York, pp. 1-18.

Matsuda, Akira and Okamura, K (2005) The frontier of public archaeology. Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 52 (1). pp. 100-103.

McIntyre, Ian S. (2008) Judgement by eye : the art collecting life of E.J. Power, 1950 to 1990. Masters thesis, University of East Anglia.

Mitchell, John (2012) An 8th-century casting matrix for a gilt-bronze letter from Comacchio. In: From One Sea to Another. Trading Places in the European and Mediterranean Early Middle Ages. UNSPECIFIED.

Mitchell, John (2004) Arkeologjia e pelegrinazhit gjatë antikitetit të vonë në shqipëri: baxilika e dyzet shenjtorëve - The archaeology of pilgrimage in late antique Albania: The Basilica of the Forty Martyrs. Monumentet. pp. 5-30.

Mitchell, John (2002) Artistic patronage and cultural strategies in Lombard Italy. In: Towns and their Territories between Late Antiquity and the Early Middle Ages. Brill, pp. 347-370. ISBN 9004118691

Mitchell, John (2012) Believing is seeing: the natural image in Late Antiquity. In: Architecture and Interpretation: Studies in Honour of Eric Fernie. Boydell and Brewer, Woodbridge, pp. 16-41.

Mitchell, John (2012) The Bible in public art of the early Middle Ages, 600-1050. In: New Cambridge History of the Bible 2: c. 600-1450. CUP, Cambridge, pp. 755-84.

Mitchell, John (2011) Butrint. In: Encyclopedia of Early Christian Art and Archaeology. Wm.B.Erdmans Publishing Co, Grand Rapids.

Mitchell, John (2008) The Butrint Baptistery and Its Mosaics. Butrint Foundation. ISBN 0953555658

Mitchell, John (2003) Contributions to Gothic: Art for England 1400-1547 (rood screen at Kersey, Suffolk; painted panels from St.Michael at Plea, Norwich; panel with risen Christ, Binham). In: Gothic: Art for England 1400-1547. Victoria and Albert Museum, London.

Mitchell, John (2010) England in the eighth century: state formation, secular piety and the visual arts in Mercia. In: L’VIII secolo: un secolo inquieto. Commmune di Cividale del Friuli, Cividale del Friuli, pp. 427-432.

Mitchell, John (2007) Ernst Kitzinger, 27 September 1912. 22 January 2003. Proceedings of the American Philosophical Society, 151 (3). pp. 346-350.

Mitchell, John (2011) Giudizio sul Mille: Rome, Monte Cassino, San Vincenzo al Volturno and the beginnings of the Romanesque. In: Rome across Time and Space: Cultural Transmission and the Exchange of Ideas, c. 500-1400. CUP, Cambridge, pp. 167-181.

Mitchell, John (2012) Gli intonaci dipinti della cripta della Cattedrale. In: Archeologia in Piazza dei Miracoli: Gli scavi 2003-2009. Felici Editore, Ghezzano, pp. 264-7.

Mitchell, John (2001) The High Cross and monastic strategies in eighth- century Northumbria. In: New Offerings, Ancient Treasures: Studies in Medieval Art for George Henderson. Alan Sutton, Far Thrupp, pp. 88-114. ISBN 0750915714

Mitchell, John (2001) Introduction to the first session of the conference. In: Il colore nel Medioevo: arte, simbolo, tecnica: La vetrata in Occidente dal IV all’XI secolo. Istituto Storico Lucchese/Scuola Normale Superiore di Pisa/Corpus Vitrearum Medii Aevi Italia, Lucca, pp. 27-30.

Mitchell, John (2009) Iscrizioni tardoantiche, altomedievali e medievali (pp. 57-68), Reperti marmorei e in pietra calcare di eta tardoantica, altmedievale e medievale (pp. 117-42), Pitture altomedievale (pp. 175-6). In: L’antica basilica in San Lorenzo in Damaso vol. 2. Reperti. De Luca Editore, Rome.

Mitchell, John (2007) Keeping the demons out of the house: the archaeology of magic in Late Antiquity. In: Objects in Context, Objects in Use: Material Spatiality in Late Antiquity (Late Antique Archaeology 5). Brill, Leiden, pp. 273-311. ISBN 9789004165502

Mitchell, John (2004) The Mosaic pavements of the Baptistery. In: Byzantine Butrint: Excavation and Surveys 1994-1999. Oxbow, Oxford, pp. 202-218. ISBN 1842171585

Mitchell, John (2012) Of eyes and dogs: a late Roman amulet from Butrint. In: Le plaisir de l’art du moyen âge: commande, production et reception de l’oeuvre d'art. Mélanges offerts à Xavier Barral i Altet. Picard, Paris, pp. 61-8.

Mitchell, John (2006) The Painted Wall Plaster (pp. 245-8); The Tiles (pp. 249-52); Worked Stone (p. 258); The Roman Inscriptions (p. 249). In: Between Territory and Text: Survey and Excavations in the Terra of San Vincenzo al Volturno. British School at Rome, London.

Mitchell, John (2017) Past and present in Mercia in the age of Offa. In: The Past Presented. Turnhout, Brepols. (In Press)

Mitchell, John (2008) The Power of Patronage and the Iconography of Quality in the Era of 774. In: 774, Ipotesi Su Una Transizione. Seminari del Centro interuniversitario per la storia e l’archeologia dell’alto medioevo . Brepols, Turnhout, pp. 263-288. ISBN 978-2503528168

Mitchell, John (2008) The Power of Patronage and the Issue of Quality in the Era of 774. In: L'Anno 774: Atti del Seminario sull' VIII-XI secolo, Poggibonsi (Siena), 16-18 February 2006. Turnhout, Brepols, pp. 1-26.

Mitchell, John (2006) Preliminary report on the Early Christian basilica on the Vrina Plain, Albania. Archeologia Medievale, 33. pp. 397-408.

Mitchell, John (2006) The San Vincenzo Community in Capua. In: Between Territory and Text: Survey and Excavations in the Terra of San Vincenzo al Volturno. British School at Rome, London, pp. 269-278. ISBN 0904152480

Mitchell, John (2007) San Vincenzo al Volturno nell’Alto Medioevo (also French, German and Spanish editions). In: Benedetto: L’eredità artistica. JacaBook, Milan, pp. 81-94.

Mitchell, John (2003) San Vinchenzo al Volturno: The Archaeology of the arts and magic at an early medieval monastery. In: I Longobardi dei ducati di Spoleto e di Benevento: Atti del XVI Congresso Internazionale di studio sull'alto medioevo, Spoleto Oct 2002. Centro Italiano di Studi sull'Alto Medioevo, Spoleo, pp. 1099-1124. ISBN 88-7988-115-9

Mitchell, John (2002) Script about the cross: The Tombstones of San Vincenzo al Volturno. In: Roman, Runes and Ogham: Medieval Inscriptions in the Insular World and on the Continent. Shaun Tyas, Donington, pp. 158-174. ISBN 190028944X

Mitchell, John (2013) St. Johann at Müstair. The painted decoration in context. In: Wandel und Konstanz zwischen Bodensee und Lombardei zur Zeit Karls des Grossen. vdf Hochschulvlg, Zürich, pp. 367-90. ISBN 978-3-7281-3583-4

Mitchell, John (2006) Strategies for salvation: the mosaic pavement of the Triconch church at Antigoneia. In: New Directions in Albanian Archaeology. Essays dedicated to Muzafer Korkuti. International Centre for Albanian Archaeology, ICAA, Tirana, pp. 261-276.

Mitchell, John (2011) Who’s the boss? Patterns of patronage at San Vincenzo al Volturno in the 9th century. In: Medioevo: I Committenti. Atti del Convegno internazionale di studi, Parma, 21-26 settembre 2010. Electa, Milan, pp. 43-55.

Mitchell, John (2004) The archaeology of pilgramage in late antique Albania: the Basilica of the Forty Martyrs. In: The Archaeology of Landscape in Late Antiquity. Brill, Leiden, pp. 145-186. ISBN 900413607X

Mitchell, John (2001) The asymmetry of sanctity. In: Raising the Eyebrow. BAR Int.Ser.996 . Archaeopress, Oxford, pp. 209-222. ISBN 1841712779

Mitchell, John (2013) The crypt reappraised – la crypta reconsiderata. In: La cripta dell’Abate Epifanio a San Vincenzo al Volturno. Un secolo di studi (1896-2007). Volturnia Edizioni, Cerro al Volturno, pp. 410-67. ISBN 978-88-96092-16-3

Mitchell, John (2009) The main chapel of the Durres amphitheatre: decoration and chronology. Melanges d'archeologie et d'histoire de l'ecole française de Rome, antiquité, 121 (2). pp. 571-97.

Mitchell, John (2011) The mosaic pavements and painted walls of the domus. In: Excavations at the Triconch Palace, Butrint. Oxbow, Oxford, pp. 231-276.

Mitchell, John and Bowden, W. (2007) The Triconch Palace at Butrint: the life and death of a late Roman domus. In: Housing in Late Antiquity: From Palaces to Shops (Late Antique Archaeology 3.2). Brill, Leiden, pp. 455-474. ISBN 9789004162280

Mitchell, John and Bowden, William (2002) The Church of the Forty Martyrs – The Recovery of a Forgotten Master-Building from the End of Antiquity. Minerva, 13 (2). pp. 31-33. ISSN 1573-1871

Mitchell, John, Brogiolo, G, Gheroldi, V and Ibsen, M (2010) The painted decoration of San Salvatore II in context. Hortus Artium Medievalium, 16. pp. 219-242.

Mitchell, John, Gilkes, O. and Çondi, D. (2005) A new Christian basilica at Butrint. Candavia, 2. pp. 107-130.

Mitchell, John, Guest, P, Nallbani, E and Gongecaj, S (2004) The small finds and coins. In: Byzantine Butrint: Excavations and Survey 1994-1999. Oxbow, Oxford, pp. 293-304. ISBN 1842171585

Mitchell, John and Hansen, Inge Lyse (2001) San Vincenzo al Volturno 3. The Finds from the 1980-86 Excavations (2 volumes). Centro Italiano di Studi sull'Alto Medioevo. ISBN 8879884824

Mitchell, John, Hodges, Richard and Leppard, Sarah (2011) The sack of San Vincenzo al Volturno: 10th October 881 reconsidered. Acta Archaeologica, 82. pp. 291-306. ISSN 1600-0390

Mitchell, John, Hodges, Richard, Leppard, Sarah and Sebastiani, Alessandro (2010) Le officine di San Vincenzo al Volturno: fasi di produzione e dinamiche del mondo del IX secolo. In: Medioevo: le officine. Atti del Convegno internazionale di studi, Parma, 22-27 settembre 2009. Electa, Milan, pp. 105-17. ISBN 978883707847

Monks, Sarah (2012) Between Country, Court and City: Art, the Thames and the Tides of Royal Power. In: Royal River: Power, Pageantry and the Thames. Scala Publishers, London and New York, pp. 26-32.

Monks, Sarah (2008) Fishy Business: Richard Wright’s The Fishery (1764), Marine Painting, and the Limits of Refinement. Eighteenth Century Studies, 41(2). pp. 405-21. ISSN 1086-315X

Monks, Sarah (2010) Making Love: Thomas Banks's Camadeva and the Discourses of British India c.1790. Visual Culture in Britain, 11 (2). pp. 195-218. ISSN 1941-8361

Monks, Sarah (2018) Marine Painting in Britain, 1650-1850: Framing Space, Power and Modernity. Routledge. ISBN 978-1409439653 (In Press)

Monks, Sarah (1998) National heterotopia: Greenwich as spectacle, 1694-1869. Rising East: The Journal of East London Studies, 2(1). pp. 156-66.

Monks, Sarah (2005) Our Man in Havana: Representation and Reputation in Lieutenant Philip Orsbridge’s Britannia’s Trium. In: Conflicting Visions: War and Visual Culture 1600-1850. Ashgate. ISBN 978-0754605751

Monks, Sarah (2010) Suffer a Sea-Change: Turner, Painting, Drowning. Tate Research Papers, 14.

Monks, Sarah (2009) Turner goes Dutch. In: Turner and the Masters. Tate Britain, pp. 73-85. ISBN 9781854378651

Monks, Sarah (2011) Visual Culture and British India. Visual Culture in Britain, 12 . Taylor & Francis.

Monks, Sarah (2006) The Visual Economies of the Downriver Thames in Eighteenth-Century British Art. Visual Culture in Britain, 7(1). pp. 1-20. ISSN 1941-8361

Monks, Sarah (2012) The Wolfe Man: Benjamin West's Anglo American Accent. In: Anglo-American: Artistic Exchange between Britain and the USA. Wiley-Blackwell, pp. 652-674. ISBN 978-1-4443-5143-9

Monks, Sarah (2011) The Wolfe Man: Benjamin West's Anglo-American Accent. Art History, 34 (4). pp. 652-673. ISSN 1467-8365

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Newman, Scott, Howarth, Karen D., Greenman, Christopher, Bignell, Graham R., Tavaré, Simon and Edwards, Paul A. W. (2013) The Relative Timing of Mutations in a Breast Cancer Genome. PLoS ONE, 8 (6). ISSN 1932-6203

Nunez Laiseca, Monica (2006) Arte y política en la España del desarrollismo. CSIC. ISBN 9788400084592

Núñez Laiseca, Mónica (2001) Arte de América y España y la alternativa europeísta a la política artística de la Hispanidad. In: I Congreso Internacional de Patrimonio Iberoamericano. R&R, Madrid, pp. 505-509.

Núñez Laiseca, Mónica (2003) El realismo español fuera de España: transmisión y lectura de una identidad estética durante la Guerra Fría. In: El Arte Español fuera de España. CSIC, Madrid, pp. 131-142. ISBN 8400081285

Núñez Laiseca, Mónica (2004) Los caminos del arte español en Italia: una evocación de la resistencia. In: Caminería hispánica: Actas del VI Congreso Internacional Italia - España 2002. CEDEX, Madrid, pp. 737-753. ISBN 8477903956

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Okamura, K and Matsuda, Akira (2010) Archaeological Heritage Management in Japan. In: Cultural Heritage Management: A Global Perspective. University of Florida, Gainesville, pp. 99-110.

Okamura, K and Matsuda, Akira (2008) Archaeologists at the crossroads 1: where are we now? (Watashitachi wa doko ni iruka). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (1). pp. 81-84.

Okamura, K and Matsuda, Akira (2008) Archaeologists at the crossroads 2: how should we communicate with the general public? (Nani ga katareruka, nani wo kataru bekika). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (2). pp. 97-100.

Okamura, K and Matsuda, Akira (2008) Archaeologists at the crossroads 3: re-considering the role of archaeology in modern Japanese society (Kôkogaku wo hakkutsu suru). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (3). pp. 106-109.

Onians, John (2003) Alberti and the neuropsychology of style. In: Leon Battista Alberti e il Quattrocento, Studi in Onore di Cecil Grayson e Ernst Gombrich. Casa Editrice Leo S.Olschki, pp. 239-250. ISBN 8822249577

Onians, John (2002) Architecture and painting: the biological connection. In: The built surface.Vol. 1 Architecture and the pictorial arts from Antiquity to the Enlightenment. Ashgate, pp. 1-14. ISBN 075460022X

Onians, John (2004) Atlas of World Art. Laurence King Publishing. ISBN 1856693775

Onians, John (2006) Compression vs. Expression: Containing and Explaining the World's Art. Yale University Press. ISBN 0300097905

Onians, John (2003) Gombrich and biology. In: E. H. Gombrich in Memoriam. EUNSA EDICIONES UNIVERSIDAD DE NAVARRA, pp. 95-119. ISBN 8431321253

Onians, John (2002) The Greek Temple and the Greek brain. In: Body and Building. Essays on the changing relation of body and architecture. The MIT Press, pp. 44-63. ISBN 0262041952

Onians, John (2007) Neuroarchaeology and the Origins of Representation in the Grotte de Chauvet: a Neural Approach to Archaeology. In: Image and Imagination: a Global Prehistory of Figurative Representation. McDonald Institute, pp. 307-320. ISBN 9781902937489

Onians, John (2007) Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki. Yale. ISBN 9780300126778

Onians, John (2003) A natural anthropology of art. International Journal of Anthropology, 18 (4). pp. 259-264. ISSN 1824-3096

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Partridge, Josephine (2010) Representations and Transformations of Synagoga In Latin Christendom c.1050 – 1250. Doctoral thesis, University of East Anglia.

Peduzzi, Nicole (2011) Travelling Miniatures: Kerry and Co’s Postcards of the Pacific, 1893-1917. Doctoral thesis, University of East Anglia.

Peters Corbett, David (2013) Painting American frontiers:"Encounter" and the borders of American identity in Nineteenth-Century art. Perspective, La revue de l'INHA: Actualitiés de la recherche en histoire de (1). pp. 129-152. ISSN 1777-7852

Peters Corbett, David and Arnold, Dana (2013) A Companion to British Art, 1600 to the Present. Wiley-Blackwell.

Peters Corbett, David and Tickner, Lisa (2012) British Art and the Cultural Field, 1939-1969. Wiley-Blackwell.

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Rengifo, Carlos (2014) Moche social boundaries and settlement dynamics at Cerro Castillo (c. AD 600-1000), Nepeña Valley, Peru Volume 1. Doctoral thesis, University of East Anglia.

Riggs, Christina (2010) Ancient Egypt in the Museum: Concepts and Constructions. In: A Companion to Ancient Egypt, vol. II. Wiley-Blackwell, pp. 1129-53. ISBN 978-1405155984

Riggs, Christina (2006) Archaism and Artistic Sources in Roman Egypt: The Coffins of the Soter Family and the Temple of Deir el-Medina. Bulletin de l'Institut Francais d'Archeologie Orientale, 106. pp. 315-332.

Riggs, Christina (2005) The Beautiful Burial in Roman Egypt: Art, Identity, and Funerary Religion (Oxford Studies in Ancient Culture & Representation). Oxford University Press. ISBN 019927665X

Riggs, Christina (2010) The Body. UCLA Encylopedia of Egyptology.

Riggs, Christina (2013) Colonial Visions: Egyptian Antiquities and Contested Histories in the Cairo Museum. Museum Worlds: Advances in Research, 1 (1). pp. 65-84. ISSN 2049-6729

Riggs, Christina (2002) Facing the Dead: Recent Research on the Funerary Art of Ptolemaic and Roman Egypt. American Journal of Archaeology, 106 (1). pp. 85-101.

Riggs, Christina (2010) Funerary Rituals. UCLA Encyclopedia of Egyptology.

Riggs, Christina (2008) Gilding the lily: Shrouds, sculpture, and the representation of women in Ptolemaic and early Roman Egypt. In: Egypt and Beyond: Essays Presented to Leonard H. Lesko. Providence, RI: Brown University, pp. 285-304. ISBN 0980206502

Riggs, Christina (2013) Greco-Roman Egypt. In: World Archaeology at the Pitt Rivers Museum: A Characterization. Archaeopress, Oxford, pp. 115-21.

Riggs, Christina (2009) Lions, pylons, and feet: A small-scale linen shroud in the Bolton Museum and Art Gallery. Journal of Egyptian Archaeology, 95. pp. 249-54.

Riggs, Christina (2013) Mourning women and decorum in ancient Egyptian art. In: Decorum and experience: Essays in ancient culture for John Baines. UNSPECIFIED, Oxford, pp. 156-62. ISBN 978-0-900416-92-7

Riggs, Christina (2012) The Oxford Handbook of Roman Egypt. Oxford University Press. ISBN 978-0-19-957145-1

Riggs, Christina (2012) Portraits, Prestige, Piety: Images of Women in Roman Egypt. In: A Companion to Women in the Ancient World. Wiley-Blackwell, Oxford, pp. 423-36.

Riggs, Christina (2013) A Roman Period child's mummy in the Saffron Walden Museum. Journal of Egyptian Archaeology, 99. pp. 265-70.

Riggs, Christina (2010) Tradition and innovation in the burial practices of Roman Egypt. In: Tradition and Transformation. Egypt under Roman Rule. Brill Leiden. ISBN 9789004183353

Riggs, Christina (2014) Unwrapping Ancient Egypt. Bloomsbury Academic. ISBN 9780857855077

Riggs, Christina and Baines, John (2001) Archaism and Kingship: A Late Royal Statue and its Early Dynastic Model. The Journal of Egyptian Archaeology, 87. pp. 103-118.

Riggs, Christina and Baines, John (2012) Ethnicity. UCLA Encyclopedia of Egyptology.

Riggs, Christina and Stadler, M.A. (2003) A Roman Shroud and its Demotic Inscriptions in the Museum of Fine Arts, Boston. Journal of the American Research Centre in Egypt, 40. pp. 69-87.

Rousmaniere, Nicole (2002) A.W Franks, N.Ninagawa and the British Museum: Collecting Japanese Ceramics in Victorian Britain. Orientations, 33/2. pp. 26-34. ISSN 0030-5448

Rousmaniere, Nicole (1997) The Accessioning of Japanese Art in Early Nineteenth-Century America: Ukiyo-e Prints in the Peabody Essex Museum, Salam. Apollo, 145. pp. 23-29. ISSN 0003-6536

Rousmaniere, Nicole (2003) Arts of Japan: Five Centuries of Decoration and Display. The Lady, 11-17. pp. 40-41.

Rousmaniere, Nicole (2002) Arts of Kazari: Japan on Display. In: Kazari: Decoration and Display in Japan 15th-19th Centuries. British Museum Press, pp. 20-31. ISBN 978-0810967489

Rousmaniere, Nicole (2007) Augustus Wollaston Franks (1826-17) and James Lord Bowes (1834-1899). In: Collecting Japan in Victorian England, Biographical Portraits. Global Oriental in association with the Japan Society, pp. 262-270. ISBN 978-905246-33-5

Rousmaniere, Nicole (2007) Bijustsu wa âto de wa naku kurafuto wa kôgei de wa nai (Bijustu is not Art and Craft is not Kôgei). In: An International Forum, Arts Crafts and Society, 5th International Design History Forum, 2007-01-01.

Rousmaniere, Nicole (2009) Bijutsu is not Art and Craft is not Kôgei: thoughts on the display of ceramics in art museums. In: Words for Design II, Comparative Etymology and Terminology of Design and its Equivalents. Japan Society for the Promotion of Science, Osaka, pp. 123-136.

Rousmaniere, Nicole (2008) 'Bijutsu=Âto dewa naku, Kurafuto=Kôgei dewa nai: Bijutsukan ni okeru tôjiki no tenji ni tsuite no kôsatsu’ (Bijutsu is not Art and Craft is not Kôgei: Thoughts on the Display of Ceramics in Art Museums). Bunka Shigen Gaku 2007 (Cultural Recourses Studies 2007), 6. pp. 15-22. ISSN 1880-7232

Rousmaniere, Nicole (2001) Buying up a Storm. Asian Art in London Journal. pp. 18-21.

Rousmaniere, Nicole (2001) China Mania: The Passion for China (Karamono) and Chinese Influence on Japanese Porcelains. The Museum of East Asia Art Journal, 4. pp. 5-10.

Rousmaniere, Nicole (2007) Contiunity and Change - Understanding Japanese art crafts in context. In: Crafting Beauty in Modern Japan. British Museum Press, pp. 12-33. ISBN 978-0714124483

Rousmaniere, Nicole (2007) 'Craft in Britain and Japan: Cross Cultural Perspectives', Contemporary Crafts in Japan. In: Traditional Japanese Arts and Crafts in the 21st Century, Reconsidering the Future from an International Perspective. International Symposium 27. International Research Centre for Japanese Studies, Kyoto, pp. 29-45.

Rousmaniere, Nicole (2010) Crafts in the 21st Century: Traditions and Belief. In: Art Crafts in the 21st Century: A View from Abroad (exhibition catalogue). Japan Art Crafts Association Eastern Japan Branch, Tokyo, pp. 10-12.

Rousmaniere, Nicole (2007) Daiei Hakubutsukan no naka no Nihon: Nihon Gyarari no shin jôsetsuten to Hôton Gyarari no tokubetsuten wo tôshite’ (Exhibiting Japan at the British Museum: through the new permanent Japanese Galleries and the special exhibition to be held at the Houtung Gallery). Tanko. pp. 54-60. ISSN 0289-3908

Rousmaniere, Nicole (1997) Defining Tenmoku: Jian Ware Teabowls Imported into Japan. In: Hare’s Fur, Tortoiseshell and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400 (2nd edition). Harvard University Press, pp. 43-58. ISBN 978-0916724887

Rousmaniere, Nicole (2009) Dining on China in Japan: Shifting Taste for Chinese Ceramics in 15th to 17th century Japan. In: Transfer: the Influence of China on World Ceramics, Colloquies on Art & Archaeology in Asia. Percival David Foundation of Chinese Art, SOAS, pp. 47-58.

Rousmaniere, Nicole (2001) Eikoku Bikutoria Jidai no Nihon Tôjiki Shûshû (in Japanese with English Abstract). Bujutsu Forum 21, 5. pp. 97-110. ISSN 0386-9393

Rousmaniere, Nicole (2002) An Interview with Bill Clark. Asian Art. pp. 2-4. ISSN 0004-4083

Rousmaniere, Nicole (2000) Japanese Art and the World in the 17th Century. The Japan Society Proceedings, 135. pp. 26-38. ISSN 0952-2050

Rousmaniere, Nicole (2012) Japanese Art in Norwich, Sir Robert and Lady Sainsbury's Collection in the Sainsbury Centre for Visual Arts, UK. In: Kobayashi Tadashi Sensei Koki Kinen Ronbunshu. Geika Shoin, Tokyo.

Rousmaniere, Nicole (2003) The Japanese Market for Porcelain in the 16th-17th Centuries. In: Nihon bijutsu no kukan to keishiki: Kawai Masatomo kyoju kanreki kinen ronbunshu. Kankokai, Tokyo.

Rousmaniere, Nicole (2007) New Displays in the Japanese Galleries at the British Museum and the Special Exhibition Crafting Beauty in Modern Japan. Arts of Asia, 37 (4). pp. 87-91.

Rousmaniere, Nicole (2002) Nezumi Shino Budômon Ôhachi’ [Nezumi-shino Bowl with Grape Design in the Mary Griggs Burke Collection](in Japanese with English Abstract). Kokka, 1286. pp. 34-35. ISSN 0023-2785

Rousmaniere, Nicole (1998) 'Ornament and Edo Culture' and 28 entries. In: Edo: Art in Japan 1615-1868. National Gallery Washington, pp. 49-67. ISBN 978-0300077964

Rousmaniere, Nicole (2000) Porcelains in the British Museum. Transactions of the Oriental Ceramic Society, 65. pp. 83-92. ISSN 0306-0926

Rousmaniere, Nicole (1998) Recreating China: Design Motifs on Imported Chinese Porcelains and Their Early Japanese Counterparts. In: The International Asian Art Fair, 1998-03-01.

Rousmaniere, Nicole (2009) Rediscovering Dogu in the Twentieth Century. In: The Power of Dogu: Ceramic Figures from Ancient Japan (exhibition catalogue). British Museum Press, pp. 70-83.

Rousmaniere, Nicole (2009) 'Rethinking Kakiemon Style Wares in the United Kingdom from the 18th Century to the Present Focussing on Issues of Design, Reputation and Interpretation' in Studies of Hinzen Porcelain: on Research Issues in England and Germany, Kakiemon-style Ceramic Art Research Centre. In: Kyushu Sangyo University 21st Century COE Programme, 2009-03-01.

Rousmaniere, Nicole (2009) Sainsbury Centre for Visual Arts: Sir Robert and Lady Sainsbury's Collection of Japanese Art. Arts of Asia, 39 (4). pp. 60-71.

Rousmaniere, Nicole (2003) The Sainsburys, Japanese Art and the Creation of an Institute. In: Sainsbury Centre for the Visual Arts 25 Years. University of East Anglia, Norwich, pp. 53-58. ISBN 0946009503

Rousmaniere, Nicole (1998) The Shibata Gift of Porcelain to the British Museum. Apollo, 147/443. pp. 23-27. ISSN 0003-6536

Rousmaniere, Nicole (2004) Taming the Exotic: Imports, Transformations and Kazari in Pre-modern Japan. Orientations, 35/4. pp. 42-46. ISSN 0030-5448

Rousmaniere, Nicole (2002) The Tea Ceremony, Tea Utensils and Ceramics. In: Japan's Golden Age: Momoyama (new edition). Yale University Press, pp. 203-35.

Rousmaniere, Nicole (1999) Towards a New Suburbia? Insight Japan, 8/1. pp. 24-25. ISSN 0966-8071

Rousmaniere, Nicole (2009) Towards the Discovery of a Fan Painting by Sharaku. In: Sharaku and Other Hidden Japanese Masterworks from the Land of NAUSICAA (exhibition catalogue). Edo-Tokyo Museum and Yomiuri Shimbun, Tokyo, pp. 35-38.

Rousmaniere, Nicole (2006) Vessels for Painting: New Styles of Artistic Expression on Early Modern Ceramics in the John C Weber Collection. Orientations, 37/7. pp. 72-77. ISSN 0030-5448

Rousmaniere, Nicole (1996) Vessels of Influence: A Re-examination of Early Japanese Porcelain Motifs. In: Transactions of the International Conference of Orientalists in Japan (Tokyo). Monumenta Serica, pp. 69-79.

Rousmaniere, Nicole (2012) Vessels of Influence: China and Porcelain in Medieval and Early Modern Japan. Bloomsbury Academic. ISBN 978-0715634639

Rousmaniere, Nicole (1993) Visions of the Other in Seventeenth-Century Fuzoku-ga. Philosophy (Tokyo), 95. pp. 137-152.

Rousmaniere, Nicole (1995) Yanagi in America: Soetsu Yanagi’s Two Extended Stays in the United States and Their Impact on America. In: Mingei: Two Centuries of Japanese Folk Art. Japan Folk Crafts Museum, pp. 48-62. ISBN B000GFB4WW

Rousmaniere, Nicole (1996) Yanagi in America: Soetsu Yanagi’s Two Extended Stays in the United States and Their Impact on America (revised version). Studio Potter, 25 (1). pp. 10-12.

Rousmaniere, Nicole (2007) The history of the Japanese ceramics collection at the British Museum (Daiei hakubutsukan shozo Nihon no Toki korekushon no rekishi). In: Women and Leadership Programme Ninth International Japanese Studies Symposium - Exploration and Dialogue on Japanese Studies II (Nihon gaku kenkyu no taiwa to shinka II), 2007-07-01.

Rousmaniere, Nicole and Kaner, Simon (2002) Collecting Japan in 19th-Century Europe. In: Europe and the Asia-Pacific. Routledge Curzon, pp. 195-211. ISBN 978-0415297240

Rousmaniere, Nicole and Masa'aki, Arakawa (2000) Nihon no Kindai Tôgei ni okeru Rinpa Ishô no Tenkai. Idemitsu Museum of Arts Bulletin, 108. pp. 31-42. ISSN 0389-0902

Rousmaniere, Nicole and Meech, Julia (2006) 11 entries in Arts of Japan - The John C. Weber Collection, Melanie Trede (editor), Museum of East Asia Art. ISBN: 3-88609-537-1. National Museums in Berlin.

Rowlands, Michael and De Jong, Ferdinand (2007) Reconsidering Heritage and Memory. In: Reclaiming Heritage: Alternative Imaginaries of Memory in West Africa. Left Coast Press, Walnut Creek CA, pp. 13-29.

Rycroft, Daniel (2011) After Images: Visual Cultures and Subaltern Pasts. Visual Culture in Britain, 12 (3). pp. 367-386. ISSN 1941-8361

Rycroft, Daniel (2000) Around Modernist Traditions. In: Drawing Space: Contemporary Indian Drawing. InIVA, London, pp. 12-17.

Rycroft, Daniel (2012) Art and Swadeshi (1909-1911) Ananda K. Coomaraswamy: Considerations for Art Historical and Ethnographic Interpretation. In: Fifty Key Texts in Art History. Routledge, Abingdon, pp. 63-86.

Rycroft, Daniel (2011) Beyond Resistance: Idioms and Memories of Insurgency in the Adivasi Movement in Jharkhand. In: Narratives from the Margins: Aspects of Adivasi History in India. Primus Books, New Delhi, pp. 257-276.

Rycroft, Daniel (1996) Born from the Soil: the indigenous mural aesthetic of Kheroals in Jharkhand, eastern India. South Asian Studies, 12. pp. 67-81. ISSN 0266-6030

Rycroft, Daniel (2004) Capturing Birsa Munda: the virtuality of a colonial-era photograph. Indian Folklore Research Journal, 1 (4). pp. 53-68.

Rycroft, Daniel (2013) Co-existence and art historical apprehensions. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 231-251. ISBN 9781409455882

Rycroft, Daniel (2011) From History to Heritage: Adivasi identity and Hul Sengel. In: Voices from the Periphery: subalternity and empowerment in India. Routledge, New Delhi, pp. 48-74.

Rycroft, Daniel (2014) Historical Anthropology and "The Primitive": Rethinking the 1931 Census of India. In: Politics of Ethnicity in India, Nepal and China. Primus Books, New Delhi, pp. 25-54. ISBN 9380607873

Rycroft, Daniel (2013) Imperial tensions: a conceptual introduction. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 1-28. ISBN 978-1-4094-5588-2

Rycroft, Daniel (2012) India's Adivasis (Indigenous/Tribal Peoples) and Anthropological Heritage. In: Anthropologists, Indigenous Scholars and the REsearch Endeavour: Seeking Bridges towards Mutual Respect. Routledge, Abingdon, pp. 80-93.

Rycroft, Daniel (2012) Indian anthropology and the construction of 'tribal ethnicity' before independence. In: Nationhood and Identity Movements in Asia: Colonial and Postcolonial Times. Manohar Publishers, New Delhi, pp. 141-165.

Rycroft, Daniel (2011) Representing Colonial Authority: The Visual Environment of Walter Sherwill in 1851. In: The British Empire and the Natural World: Environmental Encounters in South Asia. Oxford University Press, New Delhi, pp. 43-67. ISBN 13: 978-0-19-806970-6

Rycroft, Daniel (2006) Representing Rebellion: Visual Aspects of Counter-Insurgency in Colonial India. Oxford University Press India. ISBN 0195675894

Rycroft, Daniel (2009) Revisioning Birsa Munda: visual constructions of the vanavasi in Jharkhand. In: Identity, Cultural Pluralism and the State. India: Macmillan, pp. 261-80. ISBN 9780230638594

Rycroft, Daniel (2006) Santalism: reconfiguring 'the Santal' in Indian art and politics. Indian Historical Review, 33 (1). pp. 150-174. ISSN 0975-5977

Rycroft, Daniel (2012) Through the Eye of the Ancestors. [Performance]

Rycroft, Daniel (2012) When Was Modernism in Indian Art (1995) Geeta Kapur: Reading Possibilities for World Art Studies. In: Fifty Key Texts in Art History. Routledge, Abingdon, pp. 206-210.

Rycroft, Daniel and Dasgupta, Sangeeta (2011) Indigenous Pasts and the Politics of Belonging. In: The Politics of Belonging in India: Becoming Adivasi. Routledge, Abingdon, pp. 1-13.

Rycroft, Daniel and Dasgupta, Sangeeta (2011) The Politics of Belonging in India: Becoming Adivasi. Routledge Contemporary South Asia Series . Routledge. ISBN 978-0-415-60082-8

Rycroft, Daniel and Joy Raj Tudu, [No Value] (2005) Hul Sengel: The Spirit of the Santal Revolution. [Performance]

Rycroft, Daniel, Lau, George and Sekules, Veronica (2011) Editorial. World Art, 1 (1). pp. 1-7. ISSN 2150-0894

Rycroft, Daniel, Lau, George and Sekules, Veronica (2011) Editorial. World Art, 1 (2). pp. 151-160. ISSN 2150-0908

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Sadler, N and Matsuda, Akira (2010) Introduction. Archaeologies, 6 (3). pp. 425-430.

Salter, Gregory (2013) Domesticity And Masculinity In 1950s British Painting. Doctoral thesis, University of East Anglia.

Sebastiani, A, Gooney, D, Mitchell, John, Papadopoulou, P, Reynolds, P, Vaccaro, E and Vroom, J (2012) The medieval church and cemetery at the Well of Rufina. In: Butrint 4: The Archaeologies and Histories of an Ionian Town. Oxbow Books, Oxford, pp. 215-244. ISBN 978-1-84217-980-2

Sheales, Fiona (2011) Sights/Sites of Spectacle: Anglo/Asante Appropriations, Diplomacy and Displays of Power 1816-1820. Doctoral thesis, University of East Anglia.

Sillence, Matthew James (2005) The Two Effigies of Archbishop Walter de Gray (d. 1255) in York Minster. Church Monuments, 20. 5-30, plate 6. ISSN 0268-7518

Sillence, Matthew James (2008) '...in quella era Unico al Mondo': A Reassessment of Cinquecento Seal Engraving and the Seal Matrices of Lautizio da Perugia. In: Good Impressions: Image and Authority in Medieval Seals. British Museum Press, London, pp. 100-105. ISBN 978-086159-168-8

Stevenson, Christine and Heslop, T.A (2012) Introduction. In: Architecture and Interpretation: Essays for Eric Fernie. The Boydell Press, Woodbridge, pp. 1-14.

Sugiyama, K, Matsuda, Akira, Iwaki, A and Mukai, T (2006) The Roman Archaeological Site in Somma Vesuviana. Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 52 (4). pp. 109-112.

Sule Sani, Abubakar (2013) An archaeological investigation of the Kirfi area, northern Nigeria: craft, identity and landscape. Doctoral thesis, University of East Anglia.

Summers, Dominic (2011) Norfolk church towers of the later middle ages. Doctoral thesis, University of East Anglia.

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Thofner, Margit (2007) A Common Art: Urban Ceremonials in Antwerp and Brussels During and After the Dutch Revolt. Waanders Publishers. ISBN 9040082952

Thofner, Margit (2012) Framing the Sacred: Lutheran Church Furnishings in the Holy Roman Empire. In: Lutheran Churches in Early Modern Europe. Ashgate, Farnham, pp. 97-131. ISBN 9780754665830

Thofner, Margit (2004) Helena Fourment's het pelsken. Art History, 27 (1). pp. 1-33. ISSN 1467-8365

Thofner, Margit (2008) How to Look Like a (Female) Saint:The Early Iconography of St Theresa of Avila. In: Female Monasticism in Early Modern Europe. Catholic Christendom, 1300–1700 . Ashgate, pp. 59-80. ISBN 0754653374

Thofner, Margit (2002) Let your desire be to see God': Teresian Mysticism and Otto van Veen’s Amoris Divini Emblemata. Emblemata: An Interdisciplinary Journal for Emblem Studies, 12. pp. 83-103.

Thofner, Margit (2003) Making a chimera: invention, collaboration and the production of Otto Vaenius's Emblemata Horatiana. Emblems of the Low Countries: A Book Historical Perspective, 8. pp. 17-44.

Thofner, Margit (2009) Material Time: The Art of Mourning in Early Modern Europe. Daphnis, 38 (1-2). pp. 181-215. ISSN 0300-693X

Thofner, Margit (2011) The Netherlands. In: Cheap Print in Britain and Ireland to 1660. The Oxford History of Popular Print Culture (1). Oxford University Press, Oxford, pp. 196-204. ISBN 9780199287048

Thofner, Margit (2006) ”Spirito, Acqua e Sangue”. Gli Arredi delle Chiese Luterane (XVI-XVII secolo). Quaderni Storici, New series, 123. pp. 519-548.

Thofner, Margit and Garcia Garcia, B. J. (2010) Burials fit for the Dukes of Burgundy: Obsequies in Brussels for Emperor Charles V (1558) and Archduke Albert (1622). In: Burgundian Influences. Fondacion Carlos de Amberes, Madrid, Spain, pp. 653-672. ISBN 9788492820245

Thofner, Margit, Heslop, Sandy, Davies, John and Moore, Andrew (2010) The Art of Faith:3500 Years of Art and Belief in Norfolk. [Show/Exhibition]

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Van Bockhaven, Vicky (2013) The Leopard Men of the Eastern Congo (ca. 1890-1940): history and colonial representation. Doctoral thesis, University of East Anglia.

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Wilson, Bronwen (2011) The Appeal of Horror: Francesco Cairo's Herodias and the Head of John the Baptist. Oxford Art Journal, 34 (3 Special Issue: Early Modern Horror). pp. 355-372. ISSN 0142-6540

Wilson, Bronwen (2012) Assembling the Archipelago: Early Modern Isolarii and the Horizons of Public Making. In: Making Space Public in Early Modern Europe: Geography, Performance, Privacy. Routledge.

Wilson, Bronwen (2012) Bedroom Politics: the vexed spaces of late medieval public making. History Compass, 10 (9). pp. 608-621. ISSN 1478-0542

Wilson, Bronwen (2010) The Confusion of Faces: The Politics of Physiognomy, Concealed Hearts, and Public Visibility. In: Making Publics in early modern Europe: people, things and forms of knowledge. Routledge, pp. 177-192. ISBN 978-0415896085

Wilson, Bronwen (2005) Costume and the Boundaries of Bodies. In: The World in Venice: print, the city, and early modern identity. University of Toronto, Toronto. ISBN 978-0802087256

Wilson, Bronwen (2007) Foggie diverse di vestire de 'Turchi': Turkish costume illustration and cultural translation. Journal of Medieval and Early Modern Studies, 37 (1). pp. 97-139. ISSN 1082-9636

Wilson, Bronwen (2013) Francesco Lupazzolo's Isolario (1638): the Aegean Archipelago and Early Modern Historical Anthropology. In: Reflections on Renaissance Venice: A Celebration of Patricia Fortini Brown. Five Continents, Milan. ISBN 9788874396344

Wilson, Bronwen (2014) Giovanni Battista Moroni, Portraiture, and the Ethics of Early Modern Conversation. In: Heidegger and the Work of Art History. Ashgate, pp. 79-101. ISBN 9781409456131

Wilson, Bronwen (1999) 'Il bel sesso e l'austero Senato': The Coronation of Dogaressa Morosina Morosini Grimani. Renaissance Quarterly, 52 (1). pp. 73-139. ISSN 0034-4338

Wilson, Bronwen (2006) La dama del vergiù: secrecy, vendetta, and sexual blackmail in a late medieval bedroom. In: Firenze alla virgilia del Rinascimento. Antonio Pucci e i suoi contemporanei. Cadmo, Turin, pp. 369-88. ISBN 978-8879234474

Wilson, Bronwen (2003) Learning how to Read: Giovanni Battista Della Porta, Physiognomy, and Printed Portrait Books. In: Visual Knowledges, 2003-09-17 - 2003-09-20.

Wilson, Bronwen (2010) The Origins of the Modern Public. CBC.ca.

Wilson, Bronwen (2000) Reconstruction drawings for Debra Pincus, The Tombs of the Doges of Venice. Cambridge University Press, Cambridge.

Wilson, Bronwen (2003) Reflecting on the Turk in Sixteenth-Century Venetian Portrait Books. Word & Image: A Journal of Verbal/Visual Enquiry, 19 (1-2). pp. 38-58. ISSN 0266-6286

Wilson, Bronwen (2007) The Renaissance Portrait: from resemblance to representation. In: The Renaissance World. Routledge, pp. 452-80. ISBN 978-0415455114

Wilson, Bronwen (2004) Reproducing the Contours of Venetian Identity in Late Sixteenth-Century Costume Books. Studies in Iconography, 25. ISSN 0148-1029

Wilson, Bronwen (2012) Social Networking: the album amicorum and early modern public-making. In: Oltre la sefra pubblica/Beyond the public sphere: opinions, publics, spaces in Early Modern Europe. Il Mulino, Bologna, pp. 1-19. ISBN 978-0415661096

Wilson, Bronwen (2007) Terchi allo specchio: i libri dei ritratti veneziani. In: Mediterra-noesis: voci dal medioevo e rinascimento mediterraneo. Salerno Editrice, Turin, pp. 93-128. ISBN 978-8884025524

Wilson, Bronwen (2006) Venice, Print, and the Early Modern Icon. Urban History, 33 (1). pp. 39-64. ISSN 0963-9268

Wilson, Bronwen (2012) Visual Knowledge/Facing Blindness. In: Seeing Across Cultures: visualities in the Early Modern World. Transculturalisms, 1400–1700 . Ashgate, pp. 97-123. ISBN 978-1-4094-1189-5

Wilson, Bronwen (2012) The Work of Realism. Art History, 35 (5). pp. 1058-1073. ISSN 1467-8365

Wilson, Bronwen (2005) The World in Venice: print, the city, and early modern identity. University of Toronto Press. ISBN 978-0802087256

Wilson, Bronwen and Vanhaelen, Angela (2012) The Erotics of Looking: Materiality and Solicitation in Netherlandish Visual Culture. Art History, 35 (5). pp. 874-885. ISSN 1467-8365

Wilson, Bronwen and Yachnin, Paul (2010) Introduction. In: Making Publics in early modern Europe: people, things and forms of knowledge. Routledge, pp. 1-24. ISBN 978-0415896085

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Yelin, Hannah (2016) Subjectivity for sale: the gender politics of ghosted celebrity memoir. Doctoral thesis, University of East Anglia.

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