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Adams, Ann (2016) Revisiting the Monument: Fifty Years Since Panofsky's Tomb Sculpture. Courtauld Books On-Line. ISBN 978-1-907485-06-0

Ahmed Giade, Asma'U (2016) An archaeological investigation in Shira region, Bauchi, northeast Nigeria. Doctoral thesis, University of East Anglia.

Antunes, Filipa (2014) Children and Horror after PG-13: The Case of The Gate. Networking Knowledge, 6 (4). ISSN 1755-9944

Armijos, Maria Teresa, Phillips, Jeremy, Wilkinson, Emily, Barclay, Jenni, Hicks, Anna, Palacios, Pablo, Mothes, Patricia and Stone, Jonathan (2017) Adapting to changes in volcanic behaviour: Formal and informal interactions for enhanced risk management at Tungurahua Volcano, Ecuador. Global Environmental Change, 45. pp. 217-226. ISSN 0959-3780

Arnold, Dana (2016) UNSPECIFIED In: UNSPECIFIED Urban Flux, Beijing China, pp. 180-183. ISBN 1008-2832

Arnold, Dana (2017) The Cultural Landscape and Public Space from a Transnational Perspective. In: Cultural Heritage and Sustainable Development. Technical University of Crete, Chania, Crete, pp. 105-113. ISBN 978-960-8475-24-3

Arnold, Dana (2017) Misprisions of London. Art History at 40: Image and Memory 40 years of Art-Historical Writing, 40 (4). 770–783.

Arnold, Dana (2016) Unreason and the Ambiguities of Silence. In: Foucault on the Arts and Letters. Global Aesthetic Research . Rowman and Littlefield International, London and New York, pp. 3-25. ISBN 9781783485734

Atakav, Eylem (2016) Growing Up Married. UNSPECIFIED.

Atakav, Eylem (2018) Growing Up Married: Representing Forced Marriage on Screen. Journal of Critical Discourse Studies. (In Press)

Atakav, Eylem (2017) The Republican Woman is Being Destroyed! Save your republic! Gender Politics and Turkish Television Adverts’. In: ‘I’m not a feminist but…’: Gender and 21st Century Visual Culture. UNSPECIFIED. (In Press)

Atakav, Eylem (2016) Women, Islam, and cinema:Gender politics and representation in Middle Eastern films and beyond. In: The Routledge Companion to Cinema and Gender. Taylor and Francis Inc., pp. 227-236. ISBN 9781138924956

Atakav, Eylem and Randell, Karen (2017) Women and Contemporary World Cinema. Palgrave. (In Press)

Attwood, Feona, Hakim, Jamie and Winch, Alison (2017) Mediated intimacies: bodies, technologies and relationships. Journal of Gender Studies, 26 (3). pp. 249-253. ISSN 0958-9236

Aveyard, Karina (2016) Film consumption in the 21st century: engaging with non-theatrical viewing. Media International Australia, 160 (1). pp. 140-149. ISSN 1329-878X

Aveyard, Karina (2017) Film education, technology and popular culture: Community cinema in rural areas of the United Kingdom. In: Cinema Beyond the City. Cultural Histories of Cinema . BFI Publishing. ISBN 9781844578467

Aveyard, Karina (2015) "Our Place": Women at the Cinema in Rural Australia. In: Doing Women's Film History: Reframing Cinemas, Past and Future. Women and Film History International . University of Illinois Press, Champaign IL, pp. 232-243. ISBN 978-0-252-03968-3

Aveyard, Karina (2018) The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia. In: Rural Cinema Exhibition and Audiences in a Global Context. Springer International Publishing, pp. 171-183. ISBN 978-3-319-66343-2

Aveyard, Karina and Moran, Albert (2016) From Marginal Trader to Corporate Giant: The Emergence of FremantleMedia. In: New Patterns in Global Television Formats. Intellect Books. ISBN 9781783207121

Aveyard, Karina, Moran, Albert and Vieth, Errol (2018) Historical Dictionary of Australian and New Zealand Cinema, 2nd edition. Rowman and Littlefield. ISBN 978-1-5381-1126-0

Ayers, Brian (2016) The German Ocean:Medieval Europe around the North Sea. Equinox Publishing Ltd. ISBN 9781904768494

Ayers, Brian (2016) Urban Culture in Medieval Wales. Edited by Helen Fulton. Cardiff University Press. 2012. xv + 334pp. £24.99. History, 101 (347). pp. 591-593. ISSN 0018-2648

Ayers, Brian, Haynes, Clare, Heslop, TA and Lunnon, Helen (2017) The parish churches of Norwich north of the River Wensum: city, community, architecture and antiquarianism. Church Archaeology, 18. pp. 1-20.


Barker, Jessica (2018) Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese Royal Monument. Art History, 41 (2). 220–245. ISSN 0141-6790

Barker, Jessica (2016) Introduction. In: Revisiting the Monument: Fifty Years Since Panofsky's Tomb Sculpture. Courtauld Books On-Line, London, pp. 11-15. ISBN 978-1-907485-06-0

Barker, Jessica (2017) Invention and Commemoration in Fourteenth-Century England:A Monumental “Family Tree” at the Collegiate Church of St. Martin, Lowthorpe. Gesta, 56 (1). pp. 105-128. ISSN 0016-920X

Barker, Jessica (2017) Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland. British Art Studies (6). ISSN 2058-5462

Barker, Jessica (2017) The Sculpted Epitaph. Sculpture Journal, 26 (2). 235–248. ISSN 1756-9923

Barker, Jessica (2016) Stone and Bone: The Corpse, the Effigy and the Viewer in Late-Medieval Tomb Sculpture. In: Revisiting the Monument: Fifty Years Since Panofsky's Tomb Sculpture. Courtauld Books On-Line, London, pp. 113-136. ISBN 978-1-907485-06-0

Barrow, Sarah (2007) Allegories of Identity in Bajo la piel (Francisco Lombardi 1996 Peru). In: A World Torn Apart: Representations of Violence in Latin American Narrative. Peter Lang. ISBN 978-3039113354

Barrow, Sarah (2008) Bhaji on the Beach (1993). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty Key American Films. Taylor & Francis. ISBN 9780415772969

Barrow, Sarah (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

Barrow, Sarah (2007) Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua by Jonathon Buchsbaum. Scope. ISSN 1465-9166

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). pp. 132-148. ISSN 1740-0309

Barrow, Sarah (2017) Contemporary Peruvian Cinema: History, Identity and Violence on Screen. IB Tauris. ISBN 9781784538217

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2012) Deconstructive Humour: Subverting Mexican and Chicano Stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2008) Drifters (1929). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2004) Duck Season (Fernando Eimbcke 2004, Mexico). UNSPECIFIED.

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana. Iberoamericana, 9 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah (2018) Growing Pains: Young People and Violence in Peru’s Fiction Cinema. In: New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures . Palgrave Macmillan, pp. 165-181. ISBN 978-3-319-89380-8

Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema Essays on Modernity, Gender and National Identity. McFarland & Co Inc. ISBN 978-0-7864-2004-9

Barrow, Sarah (2016) The Impossible Constellation: Practice as Research as a Viable Alternative. In: The Academic Book of the Future. Palgrave Macmillan UK, pp. 24-30. ISBN 978-1-349-88797-2

Barrow, Sarah (2006) Kukuli (Luis Figueroa 1961 Peru). University of Cambridge.

Barrow, Sarah (2016) Latin American Cinema by Stephen M. Hart. Viewfinder.

Barrow, Sarah (2008) Listen to Britain (1942). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) The Lodger (1926). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) London (1994). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. NECSUS. European Journal of Media Studies. ISSN 2215-1222

Barrow, Sarah (2003) Maria Full of Grace (Joshua Marston 2003 Columbia/US). UNSPECIFIED.

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty Key American Films. Routledge. ISBN 9780415772969

Barrow, Sarah (2017) Morality Tales? Visions of the Past in Spielberg’s History Plays. In: A Companion to Steven Spielberg. Wiley-Blackwell, pp. 307-319. ISBN 978-1-118-72691-4

Barrow, Sarah (2018) Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru. In: Contemporary Latin American Cinema. Palgrave Macmillan, pp. 119-134. ISBN 978-3-319-77009-3

Barrow, Sarah (2006) The New Brazilian Cinema edited by Lúcia Nagib. Scope (5). ISSN 1465-9166

Barrow, Sarah (2013) New configurations for Peruvian cinema: The rising star of Claudia Llosa. Transnational Cinemas, 4 (2). pp. 197-215. ISSN 2040-3526

Barrow, Sarah (2014) Out of the Shadows: ‘New’ Peruvian Cinema, National Identity and Political Violence. Modern Languages Open. ISSN 2052-5397

Barrow, Sarah (2007) Peruvian Cinema and the Struggle for International Recognition: Case Study on El Destino no tiene favoritos. In: Contemporary Latin American Cinema. Rowman & Littlefield Publishers. ISBN 978-0-7425-3914-3

Barrow, Sarah (2018) Peruvian wounds: Children and violence in the fiction cinema of the Chaski Group, Gregorio (1984) and Juliana (1988). In: The Feeling Child. Lexington Books. ISBN 978-1-4985-7440-2

Barrow, Sarah (2006) Political Violence, Cinematic Representation, and Peruvian National Identity: La Boca del Lobo (Francisco Lombardi, 1988) and La Vida es una Sola (Marianne Eyde, 1993). In: Political Violence and the Construction of National Identity in Latin America. Palgrave, pp. 131-148. ISBN 978-1-4039-7388-7

Barrow, Sarah (2018) Portfolio Careers and a New Common Cause:The Conditions for Screen Workers in Peru. In: The Precarious in the Cinemas of the Americas. Palgrave Macmillan, pp. 163-181. ISBN 978-3-319-76806-9

Barrow, Sarah (2008) Pressure (1975). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Ratcatcher (1999). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2015) Reframing transitions and contesting memories: The archive and the archival object in Peruvian cinema. New Cinemas, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488

Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European Cinema: Inside Out. Universitätsverlag Winter GmbH Heidelberg. ISBN 978-3-8253-1474-3

Barrow, Sarah (2002) Suddenly (Diego Lerman 2002). UNSPECIFIED.

Barrow, Sarah (2008) The Third Man (1949). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2017) Through Female Eyes: Reframing Peru on Screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. IB Tauris. ISBN 9781784537111

Barrow, Sarah (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Barrow, Sarah (2010) Transnational Financial Structures in the Cinema of Latin America: Programa Ibermedia in Study, Libia Villazana (2009). Transnational Cinemas. pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2003) The White Train (Nahuel García 2003 Argentina/Spain). UNSPECIFIED.

Basu, Paul and De Jong, Ferdinand (2016) Utopian archives, decolonial affordances:Introduction to special issue. Social Anthropology, 24 (1). pp. 5-19. ISSN 0964-0282

Behr, Adam, Brennan, Matt, Frith, Simon and Webster, Emma (2016) Live Concert Performance: An Ecological Approach. Rock Music Studies, 3 (1). pp. 5-23. ISSN 1940-1159

Bembridge, Steven (2017) ‘I could almost believe in God’: the evolution of American theology in American literary naturalism. Doctoral thesis, University of East Anglia.

Bennett, James and Hamad, Hannah (2015) Introduction: New faces, Recurrent themes and Research agendas. Celebrity Studies, 6 (2). pp. 252-253. ISSN 1939-2397

Bharat, Gauri (2015) An interdisciplinary approach to Santal architectural history. Doctoral thesis, University of East Anglia.

Bianchi, Giovanna, Mitchell, John, Agresti, Juri, Turbanti, Isabella Memmi, Osticioli, Iacopo, Siano, Salvatore and Pacini, Alessandro (2016) La Fibula di Montieri:Indagini archeologiche alla canonica di San Niccolò e la scoperta di un gioiello medievale. Prospettiva: Rivista di Storia Dell'arte Antica e Moderna, 155-156. pp. 100-113. ISSN 0394-0802

Bigsby, Chris and Temperley, Howard (2005) A New Introduction to American Studies. Longman. ISBN 0582894379

Bigsby, Christopher (2014) Ballygoran. Colney Books. ISBN 9781505468205

Bigsby, Christopher (2015) Flint. Bella Books. ISBN 9781517350796

Bigsby, Christopher (2018) Twenty-First Century American Playwrights. Cambridge University Press. ISBN 9781108419581

Bigsby, Christopher (2017) Writers in Conversation Volume Six. Boiler House Press.

Bingham, William (2016) Queer fan practices online: digital fan production as a negotiation of LGBT representation in Pretty Little Liars. Doctoral thesis, University of East Anglia.

Boness, Doron, Clarke, Joanne and Goren, Yuval (2015) Ceramic neolithic pottery in Cyprus - Origin, technology and possible implications for social structure and identity. Levant, 47 (3). pp. 233-254.

Boone, Katherine (2016) Negotiating ‘Turkishness’ in North Cyprus. Doctoral thesis, University of East Anglia.

Bove, Francesca (2018) Nurturing genius in a pigsty: George Morland and the making of the modern artist. Doctoral thesis, University of East Anglia.

Brogiolo, Gian Pietro and Dallemule, M. (2014) Wall-paintings in the Hermitage of San Colombano, Trambileno, near Rovereto, Val d’Adige. In: Chiese altomedievali in Trentino e arco alpino orientale. Edizioni Quasar.

Brogiolo, Gian Pietro, Gheroldi, Vincenzo, De Rubeis, Flavia and Mitchell, John (2014) Nuove ricerche sul sequenza, cronologia, e contesto degli affreschi di Santa Maria foris portas di Castelseprio. Hortus Artium Medievalium, 20 (2). pp. 720-737.

Brooks, Nick, Clarke, Joanne, Crisp, Jon, Crivellaro, Federica, Jousse, Hélène, Markiewicz, Emma, Nichol, Matt, Raffin, Margaret, Robinson, Rachel, Wasse, Alexander and Winton, Vicky (2006) Funerary sites in the 'Free Zone': report on the second and third seasons of fieldwork of the Western Sahara Project. Sahara, 17. pp. 73-94.

Brooks, Oliver (2015) ‘I’m a Free Bitch Baby’, a ‘Material Girl’: Interrogating Audience Interpretations of the Postfeminist Performances of Lady Gaga and Madonna. In: The Politics of Being a Woman. Palgrave Macmillan UK, pp. 67-90. ISBN 978-1-349-48098-2

Bross, Miriam (2016) Bridget Jones’s Legacy: gender and discourse in contemporary literature and romantic comedy adaptations. Doctoral thesis, University of East Anglia.

Burtenshaw-Zumstein, Julia (2014) Cupisnique, Tembladera, Chongoyape, Chavín? A Typology of Ceramic Styles from Formative Period Northern Peru, 1800-200 BC. Doctoral thesis, University of East Anglia.

Butler, Philip, Cowgill, Rachel, Duffy, Celia, Hand, Richard and Price, Deborah (2006) Multi-disciplinary Perspectives on the British Library's Archival Sound Recordings Project. Performance Research, 11 (4). pp. 117-126. ISSN 1352-8165

Bylina, Lisabeth (2017) Genre framing in discourses surrounding comedy television remakes between the UK and the US. Doctoral thesis, University of East Anglia.

Byrdon, Lavinia and Stead, Lisa (2017) The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities. SERIEs, III (1). pp. 101-114. ISSN 1869-4187


Cann, Victoria, Godfrey, Sarah and Warner, Helen (2018) Contemporary Girls Studies:Reflections on the Inaugural International Girls Studies Association Conference. Girlhood Studies, 11 (3). ISSN 1938-8209

Cann, Victoria, Godfrey, Sarah and Warner, Helen (2018) Contemporary Girls Studies:Reflections on the Inaugural International Girls Studies Association Conference. Girlhood Studies, 11 (3). vi–xxi. ISSN 1938-8209

Cann, Victoria and Horton, Erica (2015) Transition, crisis and nostalgia: Youth masculinity and postfeminism in contemporary Hollywood, an analysis of Superbad. Boyhood Studies, 8 (2). pp. 5-24. ISSN 2375-9240

Carbonara, Miriana (2016) Between cartography and representation: borders and maps of early modern Bologna and Modena. Doctoral thesis, University of East Anglia.

Carruthers, William (2010) Conference Report. Disciplinary Measures? Histories of Egyptology in Multi-Disciplinary Context conference, June 10–12, 2010, London. History of Anthropology Newsletter, 37 (1). pp. 20-21. ISSN 2572-2220

Carruthers, William (2015) Contentious Artifacts, Contentious Histories: Why Histories of Egyptology (and Archaeology) Matter. Routledge Archaeology and Museum Studies Blog.

Carruthers, William (2019) Credibility, Civility, and the Archaeological Dig House in Mid-1950s Egypt. Journal of Social Archaeology. ISSN 1741-2951

Carruthers, William (2017) Entangled Tensions. History of Anthropology Newsletter, 41. ISSN 2572-2220

Carruthers, William (2015) Grounding Ideologies:Archaeology, Decolonization and the Cold War in Egypt. In: Decolonization and the Cold War. New Approaches to International History . Bloomsbury Academic, London, pp. 167-182. ISBN 9781472571199

Carruthers, William (2015) Introduction:Thinking about Histories of Egyptology. In: Histories of Egyptology. Routledge, New York and Abingdon, pp. 1-15. ISBN 9780415843690

Carruthers, William (2010) Means to an End: Seeking Bryan Emery in Archives. Egyptian Archaeology, 36 (8-9). pp. 8-9.

Carruthers, William (2012) Mit Rahineh-Memphis and Egyptian Fieldwork after the Free Officers’ Coup of 1952. Antiquity, 86 (334). ISSN 0003-598X

Carruthers, William (2016) Multilateral Possibilities:Decolonization, Preservation, and the Case of Egypt. Future Anterior, 13 (1). pp. 37-48.

Carruthers, William (2016) On Heritage, Culture and Trading Zones. TRAFO: Blog for Transregional Research.

Carruthers, William (2015) The Planned Past:Policy and (Ancient) Egypt. Egyptian and Egyptological Documents, Archives, Libraries, 4. pp. 229-240.

Carruthers, William (2018) 'The Pursuit of Ruins' by Christina Bueno. History of Anthropology Newsletter, 42. ISSN 2572-2220

Carruthers, William (2018) Review of 'Artefacts of History' by Sudeshna Guha. History of Anthropology Newsletter, 42. ISSN 2572-2220

Carruthers, William (2012) Review of Jeffrey Abt: ‘American Egyptologist: The Life of James Henry Breasted and the Creation of His Oriental Institute'. British Journal for the History of Science, 45 (4). pp. 691-692. ISSN 0007-0874

Carruthers, William (2015) Review of ‘Contesting Antiquity in Egypt: Archaeologies, Museums & the Struggle for Identities from World War I to Nasser’ by Donald Malcolm Reid. Public Archaeology, 14 (3). pp. 221-222. ISSN 1753-5530

Carruthers, William (2014) A Review of ‘Dialogues with the Dead: Egyptology in British Culture and Religion, 1822–1922’. Bulletin of the History of Archaeology, 24. ISSN 2047-6930

Carruthers, William (2015) Review of ‘Unwrapping Ancient Egypt’ by Christina Riggs. Museum Anthropology Review, 9 (1-2). pp. 130-131.

Carruthers, William (2011) The Rise and Fall of Ancient Egypt? Egyptology’s Never-Ending Story. Antiquity, 85 (330). pp. 1444-1447. ISSN 0003-598X

Carruthers, William (2017) Rule of Objects:On the De-Peopling of Safe Havens. Review of Middle East Studies, 51 (2). pp. 228-233. ISSN 2151-3481

Carruthers, William (2017) Visualizing a Monumental Past:Archeology, Nasser’s Egypt, and the Early Cold War. History of Science, 55 (3). pp. 273-301. ISSN 0073-2753

Carruthers, William (2009) Walter Bryan Emery and the History of Egyptology. Antiquity, 83 (321). ISSN 0003-598X

Carruthers, William (2015) What We Are Talking about when We Talk about Tutankhamun’s Beard. The Max Weber Programme Blog.

Carruthers, William and Van Damme, Stéphane (2017) Disassembling Archeology, Reassembling the Modern World. History of Science, 55 (3). pp. 255-272. ISSN 0073-2753

Chaffe, Morwenna (2017) Untenanted lives: involuntary childlessness in nineteenth-century America. Doctoral thesis, University of East Anglia.

Challis, Ben, D'Arcy, Geraint, Dean, Robert, Hand, Richard, Smith, Rob and Traynor, Mary (2014) Wireless zombies! A re-creation of Golden Age radio drama for a contemporary audience. Studies in Theatre and Performance, 34 (3). pp. 252-259. ISSN 1468-2761

Chapman, Llewella (2017) Representing Henry’s Royal Palace: The Relationship between Film, Television and Hampton Court Palace. Doctoral thesis, University of East Anglia.

Christophe, Alice (2016) Exhibiting connections, connecting exhibitions: constructing trans-Pacific relationships through museum displays in Oceania (2006-2016). Doctoral thesis, University of East Anglia.

Chronopoulos, Themis (2018) Police Misconduct, Community Opposition, and Urban Governance in New York City, 1945–1965. Journal of Urban History, 44 (4). pp. 643-668. ISSN 0096-1442

Chronopoulos, Themis (2017) The Rebuilding of the South Bronx after the Fiscal Crisis. Journal of Urban History, 43 (6). pp. 932-959. ISSN 0096-1442

Chronopoulos, Themistoklis (2015) Urban Spatial Mobility in the Age of Sustainability. In: Incomplete streets: processes, practices and possibilities. Routledge, New York, pp. 54-76. ISBN 978-0-415-72587-3

Clark, Christopher W. (2014) Angels and Demons:Responses to HIV/AIDS in Contemporary American Literature. In: GLITS: 'Cardiovascular Culture: Responses to HIV/AIDS in Contemporary American Literature', 2014-03-13, Seminar Room A, Ground Floor, Warmington Tower, Goldsmiths.

Clark, Christopher W. (2017) Crossing Borders:Queer Movement and Memory in Junot Díaz's The Brief Wondrous Life of Oscar Wao and Akhil Sharma's Family Life. In: Queer Subjects and the Contemporary United States, 2017-08-05, University of East Anglia.

Clark, Christopher W. (2018) The Digital Banal: New Media and American Literature and Culture by Zara Dinnen. Columbia University Press, 2018. Journal of American Culture, 41 (3). ISSN 1542-7331

Clark, Christopher W. (2017) "A Distant Bruise, Thickening Across The Sky":Queer Violence and Legacies of Imperialist Homonationalism in Roy Scranton's War Porn. In: Conflicted Bodies: Feminist and Queer Responses to Militarism and Violence since 1900, 2017-09-30.

Clark, Christopher W. (2018) Hosting Digital Technologies: Pushing the Limits of Blackboard and Beyond. In: Learning and Teaching Day 2018, 2018-05-17, University of East Anglia.

Clark, Christopher W. (2018) Queer Transcultural Movements and Genre in The Brief Wondrous Life of Oscar Wao and Dragonfish. In: American Comparative Literature Association Annual Meeting, 2018-03-29 - 2018-04-01, UCLA.

Clark, Christopher W. (2016) Re-Imagining the American Landscape:Jonathan Hyman's Beyond Ground Zero. In: American Topographies, 2016-06-10, Goldsmiths.

Clark, Christopher W. (2014) Visiting the Body Artist:Bodily borders in Don DeLillo's The Body Artist. In: Textual Embodiment: Literature, the Body and Psychoanalysis, 2014-08-05, Small Cinema, Richard Hoggart Building, Goldsmiths.

Clark, Christopher W. (2017) What Comes to the Surface: Storms, Bodies and Community in Jesmyn Ward’s Salvage the Bones. Mississippi Quarterly, 68 (3-4). pp. 341-358. ISSN 0026-637X

Clark, Christopher W. (2017) "The Worst Kind of People":Queer Bodies, Transcultural Memory, and Guantánamo Diary. In: British Association for American Studies Annual Conference 2017, 2017-04-06 - 2017-04-08, Canterbury Christ Church University.

Clark, Christopher W., Gaine, Vincent M., O’Gorman, Daniel and Cameron, Danielle (2016) Frames of Memory After 9/11: Culture, Criticism, Politics, and Law, Lucy Bond (2015) Basingstoke: Palgrave Macmillan, 218 pp., ISBN: 9781137440099, h/bk, £63.00. European Journal of American Culture, 35 (3). pp. 229-241. ISSN 1466-0407

Clarke, J., Croft, P. and McCartney, C. (2007) New Light in Ancient Pits: The 1940s Excavations at Kalavasos-Pamboules, Cyprus. In: Report of the Department of Antiquities, Cyprus. Ministry of Communications & Works, Cyprus, pp. 45-88.

Clarke, Jo and Brooks, Nick (2018) The Archaeology of the Western Sahara. Oxbow Books. ISBN 9781782971726

Clarke, Joanne (1992) The Ceramic Neolithic Period in Northern Cyprus. Cahiers du Centre d'Etudes Chypriotes, 17 (1). pp. 3-16.

Clarke, Joanne (2016) Ceramics 1. Neolithic - Chalcolithic. In: Studies in Mediterranean Archaeology. SIMA LXXXI.10, 10 . Astroms Editions, Sweden, pp. 7-29.

Clarke, Joanne (2004) Excavations at Kalavasos-Kokkinoyia and Kalavasos-Pamboules 2002-3. Report of the Department of Antiquities, Cyprus. pp. 51-71.

Clarke, Joanne (2017) The use of basketry in early agricultural communities in the Ancient Near East. In: Basketry and Beyond: Constructing Cultures. Brill. (In Press)

Clarke, Joanne and Brooks, Nicholas (2019) Burial Practices in Western Sahara. In: Burials, Migration and Identity in the Ancient Sahara and Beyond. Cambridge University Press, Cambridge. ISBN 9781108634311

Clarke, Joanne, Brooks, Nick, Banning, Edward B., Bar-Matthews, Miryam, Campbell, Stuart, Clare, Lee, Cremaschi, Mauro, di Lernia, Savino, Drake, Nick, Gallinaro, Marina, Manning, Sturt, Nicoll, Kathleen, Philip, Graham, Rosen, Steve, Schoop, Ulf-Dietrich, Tafuri, Mary Anne, Weninger, Bernhard and Zerboni, Andrea (2016) Climatic changes and social transformations in the Near East and North Africa during the 'long 4th millennium BC: A comparative study of environmental and archaeological evidence. Quaternary Science Reviews, 136 (Mediterranean Holocene Climate, Environment and Human Societies). 96–121. ISSN 0277-3791

Clarke, Joanne, Rupp, David, D'Annibale, Cesare and Stewart, Sarah (1992) The Canadian Palaipaphos Survey Project: 1991 field season. Report of the Department of Antiquities, Cyprus. pp. 285-317.

Clarke, Joanne, Steel, Louise and Sadeq, Moain (2004) Gaza Research Project: 1998 Survey of the Old City of Gaza. Levant, 36 (1). pp. 31-36.

Clarke, Joanne T. (2001) Style and Society in Ceramic Neolithic Cyprus. Levant, 33 (1). pp. 65-80.

Collings, Beccy (2015) ‘Audrey Hollander and Otto Bauer: the perfect (pornographic) marriage?’. In: First Comes Love: Power Couples, Celebrity Kinship, and Cultural Politics. Bloomsbury Academic, New York. ISBN 9781628921212

Collings, Beccy (2014) #selfiecontrol: @CAZWELLnyc and the role of the ironic selfie in transmedia celebrity self-promotion. Celebrity Studies, 5 (4). pp. 511-513. ISSN 1939-2397

Collings, Rebecca (2015) Shedding Light on Dark Comedy: Humour and Aesthetics in British Dark Comedy Television. Doctoral thesis, University of East Anglia.

Cooper, Melissa (2017) Learning to Lobby: The Lessons of the NAACP’s 1930s Federal Anti-Lynching Campaign. Doctoral thesis, University of East Anglia.

Corbould, Clare and Emmett, Hilary (2018) Australian Afterlives of Atlantic Slavery: Belatedness and Transpacific American Studies. Journal of American Studies, 52 (3). pp. 602-617. ISSN 0021-8758

Cornea, Christine (2017) From Isolationism to Globalism: An Overview of Politics and Ethics in the Hollywood Science Fiction Film. In: Science Fiction, Ethics, and the Human Condition. Springer, pp. 159-179. ISBN 978-3-319-56575-0

Cornea, Christine (2017) Wie man Katastrophen überlebt:Die Zerstörung der Umwelt und Visionen einer postapokalyptischen Zukunft im amerikanischen Science-Fiction-Kino. In: Future Worlds. Bertz & Fischer, Berlin, pp. 39-49. ISBN 978-3-86505-250-6

Cotton, Simon A., Lunnon, Helen E. and Wrapson, Lucy J. (2014) UNSPECIFIED In: UNSPECIFIED Suffolk Institute of Archaeology and History, pp. 219-234.

Crane, Emily (2015) Navigating the void : international contemporary art and the triangle network. Doctoral thesis, University of East Anglia.


D'Arcy, Geraint and Hand, Richard J. (2012) Open Your Eyes/Shut Your Eyes: Staging Kandinsky's The Yellow Sound at Tate Modern. Performance Research, 17 (5). pp. 56-60. ISSN 1352-8165

Dalton, Bridget (2016) Kindness in Modernist American Poetry. Doctoral thesis, University of East Anglia.

Dare-Edwards, Helena Louise (2014) ‘Shipping bullshit’: Twitter rumours, fan/celebrity interaction and questions of authenticity. Celebrity Studies, 5 (4). pp. 521-524. ISSN 1939-2397

Dartey, Joyce Ampofoa (2018) Investigating Ancient Human Occupation at Zoboku: A Koma Site in Northern Ghana. Doctoral thesis, University of East Anglia.

Davy, Jack (2015) Dolphins at the British Museum: Zoomorphic Calusa Sinkers. Papers from the Institute of Archaeology, 25 (2). ISSN 0965-9315

Davy, Jack (2018) Lars Hætta’s miniature world: Sámi prison op-art autoethnography. Journal of Material Culture, 23 (3). pp. 280-294. ISSN 1359-1835

Davy, Jack (2015) A Lego snowmobile and the elements of miniaturization. Anthropology Today, 31 (6). pp. 8-11. ISSN 0268-540X

Davy, Jack William (2018) Miniature dissonance and the museum space: Reconsidering communication through miniaturisation. International Journal of Heritage Studies, 24 (9). pp. 969-983. ISSN 1352-7258

De Jong, Ferdinand (2016) Animating the Archive: The trial and testimony of a Sufi saint. Social Anthropology, 24 (1). pp. 36-51. ISSN 0964-0282

De Jong, Ferdinand (2014) Archiving after Empire:Saint-Louis and its Sufi Counter-Memory. Francosphères, 3 (1). pp. 25-41. ISSN 2046-3820

De Jong, Ferdinand (2016) At work in the archive: introduction to special issue. World Art, 6 (1). pp. 3-17. ISSN 2150-0894

De Jong, Ferdinand and Harney, Elizabeth (2015) Foreword:Art from the Archive. African Arts, 48 (2). pp. 1-4. ISSN 1937-2108

De Jong, Ferdinand and Murphy, David (2014) Introduction:Archiving the Postcolonial City. Francosphères, 3 (1). pp. 1-8. ISSN 2046-3820

De Jong, Ferdinand, Quinn, Brian and Bach, Jean-Nicolas (2014) Ruines d'Utopies:L’École William Ponty et L’Université du Futur africain. Politique africaine, 135. pp. 71-94.

Dean, Robert and Hand, Richard (2013) 'Bashed be bit by all with ears':Blue Jam and the Radio. In: No Known Cure. BFI. ISBN 978-1844574797

Degouveia, Antonio (2016) Hollywood’s End of Days: visions of Biblical apocalypse and the transposition of a secular science fiction film genre. Doctoral thesis, University of East Anglia.

Degouveia, Tony (2017) I Am Omega Man: Religious Repositioning of the Secular Apocalypse Film in I Am Legend. In: Science Fiction, Ethics and the Human Condition. Springer International Publishing, pp. 137-154. ISBN 978-3-319-56575-0

Dell, Simon (2016) After the Portrait?:N.E. Thing Co.’s Portfolio of Piles. In: Paper Cities. Leuven. ISBN 9789462700581

Dell, Simon (2018) ‘Forward from Wigan Pier’: Remaking Documentary Photography in the 1930s. Visual Culture in Britain, 19 (2). pp. 168-188. ISSN 1471-4787

Denison, Rayna (2017) Anime's Star Voices:Voice Actor (Seiyu) Performance and Stardom in Japan. In: Locating the Voice in Film. Oxford University Press, Oxford, pp. 101-118. ISBN 9780190261122

Denison, Rayna (2015) Anime:A Critical Introduction. Bloomsbury. ISBN 978-1-84788-479-4

Denison, Rayna (2018) Anime’s distribution worlds:Formal and informal distribution in the analogue and digital eras. In: Routledge Handbook of Japanese Media. Taylor and Francis, pp. 403-418. ISBN 9781138917415

Denison, Rayna (2018) Before Ghibli was Ghibli:Analysing the historical discourses surrounding Hayao Miyazaki’s Castle in the Sky (1986). East Asian Journal of Popular Culture, 4 (1). pp. 31-46. ISSN 2051-7084

Denison, Rayna (2017) Bollywood DVD: The Relationship Between Distributive Technology and Content in Transnational Cinema. In: Cult Media. Springer International Publishing AG, pp. 181-199. ISBN 978-3-319-63678-8

Denison, Rayna (2014) Franchising and Failure:Discourses of Failure within the Japanese-American Speed Racer Franchise. In: Mechademia. UNSPECIFIED, Minneapolis, pp. 269-281. ISBN 0816695350

Denison, Rayna (2016) Franchising and Film in Japan:Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Culture. Cinema Journal, 55 (2). pp. 67-88. ISSN 0009-7101

Denison, Rayna (2014) Japanese and Korean Film Franchising and Adaptation. Journal of Japanese and Korean Cinema, 6 (2). pp. 105-117. ISSN 1756-4905

Denison, Rayna (2015) Redistributing Japanese Television Dorama:The Shadow Economies and Communities around Online Fan Distribution of Japanese Media. Velvet Light Trap, 75. pp. 58-72.

Denison, Rayna (2016) Tracing Asian Franchises:Local and Transnational Reception of Hana Yori Dango. In: Media Across Borders. Routledge, pp. 51-66. ISBN 9781138809451

Derhy Kurtz, Benjamin (2018) Success and the TV industry: how practitioners apprehend the notion(s) of success in their discourses within the Anglophone Transatlantic Television Industry. Doctoral thesis, University of East Anglia.

Dooley, Brian (2018) Black and Green: The Fight for Civil Rights in Northern Ireland and Black America and accompanying critical analysis. Doctoral thesis, University of East Anglia.

de Jong, Ferdinand (2018) Archive of Darkness:William Kentridge's Black Box/Chambre Noire. African Arts, 51 (1). pp. 10-23. ISSN 0001-9933

de Jong, Ferdinand (2016) Cultural Festivals in Senegal: Archives of Tradition, Mediations of Modernity. In: The First World Festival of Negro Arts, Dakar 1966. Postcolonialism Across the Disciplines 20 . Liverpool University Press, pp. 166-179. ISBN 9781781383162

de Jong, Ferdinand and Quinn-Valente, Brian (2018) Infrastructures of utopia: ruination and regeneration of the African future. Africa, 88 (2). pp. 332-351. ISSN 0001-9720

d’Hont, Coco (2016) Brutal Bodies: Exploring transgression through the fiction of Chuck Palahniuk, Poppy Z. Brite, and Bret Easton Ellis. Doctoral thesis, u.


Edgington-Brown, Luke (2016) The international origins of Japanese archaeology: William Gowland and his Kofun collection at the British Museum. Doctoral thesis, University of East Anglia.

Emmett, Hilary (2017) Between Girls: Lateral Discipline in Henry Handel Richardson's The Getting of Wisdom. English, 66 (254). 242–260. ISSN 0013-8215

Emmett, Hilary (2015) Brownian Motion: Directions in Charles Brockden Brown Scholarship. Early American Literature, 50 (1). pp. 205-221. ISSN 0012-8163

Emmett, Hilary (2014) One of these things (is and) is not like the others: Comparative Australian-American Studies and ‘Enchanted’ Pedagogy. Australasian Journal of American Studies, 33 (2). pp. 121-137. ISSN 0705-7113

Emmett, Hilary (2017) Prophetic Reading: Sisterhood and Psychoanalysis in H.D.’s HERmione. Comparative American Studies, 14 (3-4). pp. 261-276. ISSN 1477-5700

Emmett, Hilary (2017) Troubling Language: Storytelling and Sovereignty in Kim Scott’s Benang. In: Teaching Australian and New Zealand Literature. MLA, pp. 165-176. ISBN 9781603292870

Emmett, Hilary (2014) A Valediction Forbidding Mo’nin?: Beloved Revisited. In: Living Language, Living Memory. Södertörns Högskola, Huddinge, pp. 95-106. ISBN 978-91-86069-95-7

Emmett, Hilary (2016) The ‘Willful’ Girl in the Anglo-World: Sentimental Heroines and Wild Colonial Girls, 1872–1923. In: Children, Childhood and Youth in the British World. Palgrave Studies in the History of Childhood . Palgrave Macmillan, pp. 201-217. ISBN 978-1-137-48940-1

Engel, Elisabeth and Grant, Nicholas (2018) Going South: Tracing Race and Region in the Post-Emancipation Black Atlantic. Journal of American Studies, 52 (2). pp. 269-273. ISSN 0021-8758

Engelhard, G.H., Blanchard, J.L., Pinnegar, J.K., van der Kooij, J., Bell, E.D., Mackinson, S. and Righton, D.A. (2013) Body condition of predatory fishes linked to the availability of sandeels. Marine Biology, 160 (2). pp. 299-308. ISSN 0025-3162


Farmer, Richard (2016) Cinema advertising and the Sea Witch ‘Lost Island’ film (1965). Historical Journal of Film, Radio and Television, 36 (4). pp. 569-586. ISSN 0143-9685

Farmer, Richard (2016) Cinemas and cinemagoing in wartime Britain, 1939-45:The utility dream palace. Studies in Popular Culture . Manchester University Press. ISBN 9780719091889

Farmer, Richard (2017) The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’. Contemporary British History, 31 (3). pp. 452-470. ISSN 1361-9462

Farmer, Richard (2016) Real War vs. Reel War: Veterans, Hollywood, and WWII. By Suzanne Broderick. Rowman and Littlefield. 2015. History, 101 (344). pp. 170-171. ISSN 0018-2648

Farmer, Richard (2016) “Remember the Torrin”: Positioning In Which We Serve. In: Long Shadows: The Second World War in British Fiction and Film. Cultural Expressions of World War II . Northwestern University Press. ISBN 978-0-8101-3328-0

Farmer, Richard (2018) Supplemental Income: British newspaper colour supplements in the 1960s. Media History. ISSN 1368-8804

Farmer, Richard (2017) ‘That Alien, New-fangled, Thick, Intractable Dodecagon’:The Design and Introduction of the 1937 British Threepenny Coin. History Workshop Journal, 83 (1). pp. 194-216. ISSN 1363-3554

Farmer, Richard (2018) ‘An almost continuous picture of sordid vice’: The Keeler Affair, the Profumo Scandal and ‘Political’ Film Censorship in the 1960s. Journal of British Cinema and Television, 15 (2). pp. 228-251. ISSN 1743-4521

Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press. ISBN 9781474423113 (In Press)

Fear-Segal, J. (2006) The man on the bandstand at Carlisle Indian industrial school:What he reveals about the children's experiences. In: Boarding School Blues. UNSPECIFIED, pp. 99-122. ISBN 9780803244467

Fear-Segal, Jacqueline (2018) Death, Power, and Silence:Native Nations’ Ancestral Remains at the Carlisle Barracks, Pennsylvania. In: A Companion to the Anthropology of Death. Wiley-Blackwell, pp. 357-369. ISBN 978-1-119-22229-3

Fear-Segal, Jacqueline (2013) Dismemberment and Display: Plaster Cast Indians at the National Museum. In: Indigenous Bodies. State University of New York, Albany, NY, pp. 33-52. ISBN 978-1-4384-4821-3

Fear-Segal, Jacqueline (2017) Facing the Binary: Native American Students in the Camera's Lens. In: Before-and-After Photography. Bloomsbury. ISBN 9781474253116

Fear-Segal, Jacqueline (2016) The History and Reclamation of a Sacred Space:The Indian School Cemetery. In: Carlisle Indian Industrial School. Indigenous Education Series . University of Nebraska Press, Lincoln, Nebraska.

Fear-Segal, Jacqueline (2016) The Lost Ones:Piecing Together the Story. In: Carlisle Indian Industrial School. Indigenous Education Series . University of Nebraska Press, Lincoln, Nebraska.

Fear-Segal, Jacqueline (2018) Two-Faced Photographs Regenerated in Warp and Weft: Shan Goshorn’s Carlisle Baskets. In: Shan Goshorn. Trout Gallery, Carlisle, PA, pp. 44-54. ISBN 9780986126352

Fear-Segal, Jacqueline (2007) White Man's Club: Schools, Race, and the Struggle of Indian Acculturation:hardcover. University of Nebraska Press. ISBN 978-0-8032-2024-9

Fear-Segal, Jacqueline and Rose, Susan (2016) Introduction. In: Carlisle Indian Industrial School. Indigenous Education Series . University of Nebraska Press, Lincoln, Nebraska.

Fear-Segal, Jacqueline and Tillett, Rebecca (2013) Introduction. In: Indigenous Bodies. State University of New York, New York. ISBN 978-1-4384-4821-3

Fradley, Martin, Godfrey, Sarah and Williams, Melanie (2013) Shane Meadows:Introduction. Journal of British Cinema and Television, 10 (4). pp. 1-6. ISSN 1743-4521

Frampton, Daniel (2017) The ‘Old Western Men’: A Religious Mode of Response to the Conditions of ‘Secular’ Modernity, 1900-1970. Doctoral thesis, University of East Anglia.

Fraser, Rebecca (2016) Gender and Race in Antebellum Popular Culture. By Sarah N. Roth. Cambridge University Press. 2014. x + 320pp. £69.99. History, 101 (348). pp. 813-814. ISSN 0018-2648

Fraser, Rebecca (2017) Gender and the Home: Domestic Spaces and Families in Nineteenth century America. In: A Cultural History of the Home in the Age of Empire. Bloomsbury. (In Press)

Fraser, Rebecca (2016) Home and Belonging in the Letters of Sarah Hicks Williams. In: The Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing. Edinburgh University Press, Edinburgh. ISBN 9780748692927

Fraser, Rebecca (2019) ‘Lets us Begin Life Anew, and Learn to Live in Earnest!’ Free Black Women and the Challenges of Freedom in the Civil War Era. In: The Civil War and Slavery. Routledge. ISBN 9780367181222

Fraser, Rebecca J. (2018) ‘I must speak, I must think, I must act.’ [Laura Simmes, 1864] the Christian Recorder, literary activism, and the black female intellectual. Slavery and Abolition, 39 (4). pp. 663-684. ISSN 0144-039X

Frith, Paul (2018) ‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’. Historical Journal of Film, Radio and Television. ISSN 0143-9685

Frolova, Ksenia (2016) TV or not TV? Contemporary experiences of digital television as a medium and technology for parents and children living in mediated homes. Doctoral thesis, University of East Anglia.

Fryers, Mark (2015) British National Identity and Maritime Film and Television, 1960-2012. Doctoral thesis, University of East Anglia.

Furukawa, Hiroko and Denison, Rayna (2015) Disaster and relief:The 3.11 Tohoku and Fukushima disasters and Japan’s media industries. International Journal of Cultural Studies, 18 (2). pp. 225-241. ISSN 1460-356X


Gander, Catherine (2016) Mixed messages:American correspondences in visual and verbal practices. Manchester University Press. ISBN 978-1-5261-0180-8

Gander, Catherine and Garland, Sarah (2016) Envoi. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Gander, Catherine and Garland, Sarah (2016) Introduction. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Garland, Sarah (2017) Beckett in a box: Texts for Nothing 8 in Brian O’Doherty’s Aspen 5+6. In: Samuel Beckett and Contemporary Art. Ibidem, Stuttgart. ISBN 9783838210797

Garland, Sarah (2016) 'Being kept in the dark can be a critical gesture':Arakawa and Madeline Gins' Mechanism of Meaning. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Garland, Sarah (2016) A Hungry Eye: Henry Miller’s Tropic of Cancer, Text and Context. Nexus: The International Henry Miller Journal, 11.

Garland, Sarah (2015) A Surrealist Duet:Word and image in Into the Night Life with Henry Miller and Bezalel Schatz. In: Henry Miller. Bloomsbury. ISBN 9781628921267

Gibson, Shimon, Kingsley, Sean, Clarke, Joanne, Rowan, Yorke M., Finkielsztejn, Gerald, Hawari, Mahmoud and Auld, Sylvia (1999) Town and Country in the Southern Carmel: Report on the Landscape Archaeology Project at Dor (LAPD). Levant, 31 (1). pp. 71-121.

Gill, Rosalind, Hamad, Hannah, Kauser, Mariam, Negra, Diane, Roshini, Nayomi and Littler, Jo (2016) UNSPECIFIED In: UNSPECIFIED Taylor & Francis, pp. 726-736.

Godfrey, Sarah (2018) Authenticity and Aspiration: Exploring the CBBC Television Tween. Girlhood Studies, 11 (1 (Spring)). pp. 8-24. ISSN 1938-8209

Godfrey, Sarah and Hamad, Hannah (2011) Save the Cheerleader, Save the Males:Resurgent Protective Paternalism in Popular Film and Television after 9/11. In: The Handbook of Gender, Sex and Media. Wiley-Blackwell, Oxford, pp. 157-173. ISBN 978-1-4443-3854-6

Godfrey, Sarah and Holmes, Su (2016) 'Surely the most natural scenario in the world’: Representations of ‘Family’ in BBC Pre-school Television. Critical Studies in Television, 11 (1). pp. 59-77. ISSN 1749-6039

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp:Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

Gomolka, Agata (2016) Petrified passions: bodily rhetoric in architectural sculpture, c.1100–c.1270. Doctoral thesis, University of East Anglia.

Goncalves Antunes, Filipa (2015) Children Beware! Children’s horror, PG-13 and the emergent Millennial pre-teen. Doctoral thesis, University of East Anglia.

Gooding, Paul (2013) The Digitized Divide: Mapping Access to Subscription-Based Digitized Resources. In: Digital Humanities, 2013-07-16 - 2013-07-19, Nebraska.

Gooding, Paul (2014) Exploring Usage of Digital Newspaper Archives through Web Log Analysis: A Case Study of Welsh Newspapers Online. In: Digital Humanities 2014, 2014-07-08.

Gooding, Paul (2016) Exploring the information behaviour of users of Welsh Newspapers Online through web log analysis. Journal of Documentation, 72 (2). pp. 232-246. ISSN 0022-0418

Gooding, Paul (2016) Historic Newspapers in the Digital Age: 'Search All About It'. Digital Research in the Arts and Humanities . Routledge. ISBN 9781472463388

Gooding, Paul (2012) Mass Digitization and the Garbage Dump: The Conflicting Needs of Quantitative and Qualitative Methods. Literary and Linguistic Computing, 28 (3). pp. 425-431. ISSN 1477-4615

Gooding, Paul (2011) The Myth of the New: Mass Digitization, Distant Reading and the Future of the Book. In: The Future Perfect of the Book, 2011-11-25, Senate House.

Gooding, Paul (2017) "A Trace of this Journey": Citations of Digitised Newspapers in UK History PhD Theses. In: Digital Humanities 2017, 2017-08-09 - 2017-08-11, McGill University.

Gooding, Paul and Bennett, Stephen (2015) "A Link to the Past": Remastered Videogames and the Material Archive. In: Objects in Motion: Material Culture in Transition, 2015-06-18 - 2015-06-20, CRASSH, University of Cambridge.

Gooding, Paul and Terras, Melissa (2008) 'Grand Theft Archive': A Quantitative Analysis of the State of Computer Game Preservation. International Journal of Digital Curation, 3 (2). pp. 19-41. ISSN 1746-8256

Gooding, Paul and Terras, Melissa (2017) Inheriting library cards to Babel and Alexandria: Contemporary metaphors for the digital library. International Journal on Digital Libraries, 18 (3). 207–222. ISSN 1432-1300

Gooding, Paul, Terras, Melissa and Warwick, Claire (2012) The Myth of the New: Mass Digitization, Distant Reading and the Future of the Book. In: Digital Humanities 2012, 2012-07-16 - 2012-07-22, University of Hamburg.

Gooding, Paul, Terras, Melissa and Warwick, Claire (2013) The Myth of the New: Mass Digitization, Distant Reading, and the Future of the Book. Literary and Linguistic Computing, 28 (4). ISSN 1477-4615

Goude, Gwenaëlle, Clarke, Joanne, Webb, Jennifer M., Frankel, David, Georgiou, Giorgos, Herrscher, Estelle and Lorentz, Kirsi O. (2018) Exploring the potential of human bone and teeth collagen from Prehistoric Cyprus for isotopic analysis. Journal of Archaeological Science: Reports, 22. pp. 115-122. ISSN 2352-409X

Grant, Nicholas (2016) Bourgeois Radicals: The NAACP and the Struggle for Colonial Liberation, 1941–1960 by Carol Anderson (Cambridge University Press, 2014), 372pp. Radical Americas, 1 (1). pp. 79-84. ISSN 2399-4606

Grant, Nicholas (2014) Crossing the Black Atlantic:The Global Antiapartheid Movement and the Racial Politics of the Cold War. Radical History Review, 2014 (119). pp. 72-93. ISSN 0163-6545

Grant, Nicholas (2016) The National Council of Negro Women and South Africa: Black Internationalism, Motherhood, and the Cold War. Palimpsest: A Journal on Women, Gender, and the Black International, 5 (1). pp. 59-87. ISSN 2165-1612

Grant, Nicholas (2018) The Negro Digest: Race, Exceptionalism and the Second World War. Journal of American Studies, 52 (2). pp. 358-389. ISSN 0021-8758

Grant, Nicholas (2013) Review of Digital Harlem: Everyday Life 1915-1930. Reviews in History. ISSN 1749-8155

Grant, Nicholas (2012) Robert TrentVinson, The Americans Are Coming! Dreams of African American Liberation in Segregationist South Africa (Athens: Ohio University Press, 2012, $26.36). Pp. 236. isbn978 0 8214 1986 1. Journal of American Studies, 46 (4). p. 2. ISSN 0021-8758

Grant, Nicholas (2014) Shawn LeighAlexander, An Army of Lions: The Civil Rights Struggle before the NAACP. Politics and Culture in Modern America (Philadelphia: University of Pennsylvania Press, 2012, $49.95). Pp. 408. isbn978 0 8122 4375 8. Journal of American Studies, 48 (1). ISSN 0021-8758

Grant, Nicholas (2017) Winning Our Freedoms Together:African Americans and Apartheid, 1945-1960. University of North Carolina Press. ISBN 978-1-4696-3528-6

Green, Anna (2013) Introduction. In: The Norwich School of Painters. East Publishing, Norwich.

Green, James (2017) Material Values of the Teke Peoples of West Central Africa (1880–1920). Doctoral thesis, University of East Anglia.


Haikal, Fayza, Quirke, Stephen, El Daly, Okasha, Carruthers, William, Helmy, Marwa, Laziridis, Nikolaos and Exell, Karen (2011) Egyptologists Speak Out. New Statesman ("Cultural Capital" Blog).

Hair, Ross (2015) Afterword. In: The Book of the Green Man by Ronald Johnson. Uniformbooks, Axminster, Devon, pp. 89-93. ISBN 978–1–910010–04–4

Hair, Ross (2015) All Eyes in Shoreham:On Ronald Johnson, Geoffrey Grigson and Samuel Palmer. In: Reliquiae. Corbel Stone Press, Cumbria, pp. 10-18. ISBN 978-0-9934310-0-5

Hair, Ross (2016) Avant-Folk: Small Press Poetry Networks from 1950 to the Present. Liverpool University Press. ISBN 9781781383292

Hair, Ross (2016) Avant-Folk:Publishing in the Vernacular. UEA Publishing Project, Devon.

Hair, Ross (2018) “But most by numbers judge a poet’s song": A Review of Randall Couch’s Peal. Jacket2. ISSN 2167-2326

Hair, Ross (2018) Exquisite Garble:Acousmatic Sound and Binocular Vision in Ronald Johnson's ARK. Contemporary Literature, 59 (2). ISSN 1548-9949 (In Press)

Hair, Ross (2015) First Reading of Basil Bunting’s Performance of Thomas Wyatt’s ‘Blame Not My Lute’ (3). Jacket2. ISSN 2167-2326

Hair, Ross (2017) First reading of Lorine Niedecker's 'Popcorn-can cover' (2). Jacket2. ISSN 2167-2326

Hair, Ross (2016) Folding the Last Sheep. Thomas A Clark /Moschatel Press, Pittenweem.

Hair, Ross (2017) 'Hemi-demi-semi Barbaric Yawps': Jonathan Williams and Black Mountain. In: Jonathan Williams: Lord of Orchards. Prospecta Press, pp. 134-166. ISBN 978-1-63226-087-1

Hair, Ross (2019) “Moschatel Press: Craft, Concrete, and Constructivism in the Cotswolds”. Word & Image: A Journal of Verbal/Visual Enquiry. ISSN 0266-6286 (In Press)

Hair, Ross (2016) "Volk Roots and Hiart Leaves": John Fahey and the Anthology of American Folk Music. In: Harry Smith's Anthology of American Folk Music: America changed through music. Routledge. ISBN 9781472479204

Hair, Ross and Smith, Thomas Ruys (2016) Introduction:America Changed Through Music. In: Harry Smith's Anthology of American Folk Music. Routledge. ISBN 9781472479204

Hakim, James (2018) 'The Spornosexual': the affective contradictions of male body-work in neoliberal digital culture. Journal of Gender Studies, 27 (2). pp. 231-241. ISSN 0958-9236

Hakim, Jamie (2015) Affect and Popular Zionism in the British Jewish Community after 1967. European Journal of Cultural Studies, 18 (6). pp. 672-689. ISSN 1367-5494

Hakim, Jamie (2017) Chemsex: anatomy of a sex panic. In: Affect and Social Media. Rowman and Littlefield International. (In Press)

Hakim, Jamie (2015) ‘Fit is the new rich’: male embodiment in the age of austerity. Soundings: A Journal of Politics and Culture, 61 (Winter). pp. 84-94. ISSN 1741-0797

Hakim, Jamie (2019) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies, 33 (2). pp. 249-275. ISSN 0950-2386

Hakim, Jamie, Gupta, Rahila and Cardullo, Paolo (2014) Sociology, Politics, Thinking and Acting: a festschrift for Nira Yuval-Davis. Centre for research on Migration, Refugees and Belonging.

Hakim, Jamie and Yuval-Davis, Nira (2015) Anti-Jewish and Anti-Muslim Racisms and the Question of Palestine/Israel Online Paper Series Introduction. Centre for research on Migration, Refugees and Belonging,

Hallsworth, Alan and Hodgett, Susan (2018) Down but Not Out: British Academics Resolutely Determined to Explore Canada. In: Promoting Canadian Studies Abroad. Global Public Diplomacy (1). Palgrave Macmillan, New York, pp. 73-95. ISBN 978-3-319-74026-3

Hamad, Hannah (2013) Age of austerity celebrity expertise in UK reality television. Celebrity Studies, 4 (2). pp. 245-248. ISSN 1939-2397

Hamad, Hannah (2010) 'Attack of Boss-Zilla!':Female Conflict and Generational Discord in Postfeminism's New Monstrous Feminine. Flow, 11 (6).

Hamad, Hannah (2007) Book review: Acting Irish in Hollywood by Ruth Barton. Irish Studies Review, 15 (3). pp. 389-391. ISSN 0967-0882

Hamad, Hannah (2007) Book review: Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood by Stella Bruzzi. Film Quarterly, 61 (1). pp. 77-79. ISSN 0015-1386

Hamad, Hannah (2010) Book review: Good Girls and Wicked Witches: Women in Disney's Feature Animations. Feminist Review (95). e19-e21. ISSN 0141-7789

Hamad, Hannah (2007) Book review: Hollywood Divas, Indie Queens and TV Heroines: Contemporary Screen Images of Women. Scope (7). ISSN 1465-9166

Hamad, Hannah (2016) Book review: Tom Cruise: performing masculinity in post-Vietnam Hollywood. Feminist Media Studies, 16 (1). pp. 186-187. ISSN 1468-0777

Hamad, Hannah (2014) Conference Report: Sex and the City Ten Years On: Landmark Television and its Legacy. CST Online.

Hamad, Hannah (2016) Contemporary medical television and crisis in the NHS. Critical Studies in Television, 11 (2). pp. 136-150. ISSN 1749-6020

Hamad, Hannah (2009) DAD TV:Postfeminism and the Paternalization of US Television Drama. Flow, 11 (2).

Hamad, Hannah (2014) ‘Don't let him take Britain back to the 1980s’: Ashes to Ashes as postfeminist recession television. Continuum, 28 (2). pp. 201-212. ISSN 1030-4312

Hamad, Hannah (2015) Eddie Murphy's Baby Mama Drama and Smith Family Values:The (Post-) Racial Familial Politics of Hollywood Celebrity Couples. In: First Comes Love. UNSPECIFIED, London, pp. 116-132. ISBN 978-1628921212

Hamad, Hannah (2011) Extreme Parenting:Recuperating Fatherhood in Steven Spelberg's War of the Worlds. In: Feminism at the Movies. Routledge, London and New York, pp. 241-253. ISBN 9780415895880

Hamad, Hannah (2014) Fairy Jobmother to the Rescue?:Postfeminism and the Recessionary Cultures of Reality TV. In: Gendering the Recession. Duke University Press, Durham and London, pp. 223-245. ISBN 978-0-8223-5696-7

Hamad, Hannah (2011) Greer Garson: Gallant Ladies and British Wartime Femininity. In: What Dreams Were Made Of. Rutgers University Press, New Brunswick, New Jersey, pp. 142-165. ISBN 9780813549644

Hamad, Hannah (2013) Hollywood Fatherhood:Paternal Postfeminism in Contemporary Popular Cinema. In: Postfeminism & Contemporary Hollywood Cinema. Palgrave Macmillan, Basingstoke and New York, pp. 99-115. ISBN 9781137376527

Hamad, Hannah (2010) ‘Hollywood's hot dads’:tabloid, reality and scandal discourses of celebrity post-feminist fatherhood. Celebrity Studies, 1 (2). pp. 151-169. ISSN 1939-2397

Hamad, Hannah (2015) "I'm Not Past My Sell By Date Yet!":Sarah Jane's Adventures in Postfeminist Rejuvenation and the Later-Life Celebrity of Elisabeth Sladen. In: Women, Celebrity and Cultures of Ageing. UNSPECIFIED, Basingstoke and New York, pp. 162-177. ISBN 978-1137495112

Hamad, Hannah (2016) Introduction: gal pals, gamers and hacktivists in contemporary cultures of celebrity. Celebrity Studies, 7 (2). pp. 280-281. ISSN 1939-2397

Hamad, Hannah (2016) Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape. Celebrity Studies, 7 (3). pp. 419-420. ISSN 1939-2397

Hamad, Hannah (2016) Introduction: transgender celebrity, celebrity political endorsements, and the practice of celebrity public relations. Celebrity Studies, 7 (1). pp. 113-114. ISSN 1939-2397

Hamad, Hannah (2018) Introduction: ‘new’ celebrity feminisms, media users’ responses to celebrity coming out narratives and the photographic celebrity memoir. Celebrity Studies, 9 (1). pp. 97-98. ISSN 1939-2397

Hamad, Hannah (2015) Introduction:intersections of fame, politics and power in the contemporary celebrity mediascape. Celebrity Studies, 6 (4). pp. 601-602. ISSN 1939-2397

Hamad, Hannah (2011) 'My Wife Calls Him My Boyfriend':Gary Barlow and Robbie Williams' Reconciliatory Bromance. Flow, 13 (9).

Hamad, Hannah (2018) The One with the Feminist Critique: Revisiting Millennial Postfeminism with Friends. Television and New Media, 19 (8). pp. 692-707. ISSN 1527-4764

Hamad, Hannah (2014) Paternalising the Rejuvenation of Later Life Masculinity in Twenty- First Century Film. In: Ageing, Popular Culture and Contemporary Feminism. Palgrave Macmillan, pp. 78-92. ISBN 978-1-137-37652-7

Hamad, Hannah (2007) 'The Position of Annoying Talking Animal Has Alredy Been Taken!':The Unspeakability of Race in the Re-Articulated Star Personaof Eddie Murphy. In: The Limits of Representation. Cambridge Scholars Press, Newcastle, pp. 45-62. ISBN 9781847181923

Hamad, Hannah (2013) Postfeminism and Paternity in Contemporary US Film:Framing Fatherhood. Routledge. ISBN 978-0415899925

Hamad, Hannah (2010) Postfeminist Primary Colors:Coding Feminities in Media Culture. Flow, 11 (11).

Hamad, Hannah (2015) Review: 'Girlfriends and Postfeminist Sisterhood' by Alison Winch, Basingstoke and New York: Palgrave Macmillan, 2013, x + 222 pp., AU$91.62 (ebk), ISBN 0230348750. Australian Feminist Studies, 30 (83). pp. 99-101. ISSN 0816-4649

Hamad, Hannah (2015) Review: The Television Entrepreneurs: Social Change and Public Understanding of Business by Raymond Boyle and Lisa W Kelly. Journal of British Cinema and Television, 12 (1). pp. 138-140. ISSN 1743-4521

Hamad, Hannah (2016) Ryan Coogler Gets in the Ring with Cultural Moynihanism in Fruitvale Station and Creed. In Media Res: A Media Commons Project.

Hamad, Hannah (2011) 'A Tear For Sarah Jane': A Feminist Aca-Obit. Flow, 13 (13).

Hamad, Hannah (2010) A Whoniverse of Runaway Brides. Flow, 13 (4).

Hamad, Hannah and Taylor, Anthea (2015) Introduction: Feminism and contemporary celebrity culture. Celebrity Studies, 6 (1). pp. 124-127. ISSN 1939-2397

Hand, Richard (2005) Aesthetics of Cruelty:Traditional Japanese Theatre and the Horror Film. In: Japanese Horror Cinema. Edinburgh University Press. ISBN 9780748619955

Hand, Richard (1989) Anthologized Clare and the Problem of Death Date. Notes and Queries, 36 (2). pp. 181-182. ISSN 0029-3970

Hand, Richard (2016) ‘Brand New Ancient Legends’: Creating Werewolves for a Welsh Halloween. Revenant, 1 (2). pp. 146-173. ISSN 2397-8791

Hand, Richard (1991) ’Character is Fate’ Thomas Hardy’s The Mayor of Casterbridge and Shakespeare’s Antony and Cleopatra. The Region and Nation Newsletter, 2 (4). pp. 3-12.

Hand, Richard (2000) Christopher Hampton’s Adaptation of The Secret Agent. Conradiana, 32 (3). pp. 195-202. ISSN 0010-6356

Hand, Richard (2001) Conrad and the Reviewers: "The Secret Agent" on Stage. The Conradian, 26 (2). pp. 1-67.

Hand, Richard (2006) Conrad’s Drama in a World Theatrical Context. In: Beyond the Roots. Columbia University Press. ISBN 978-0880335751

Hand, Richard (2018) The Devil at Midnight. [Performance]

Hand, Richard (2004) Dissecting the Gash: Sexual Horror in the 1980s and the Manga of Suehiro Maruo. M/C Journal, 7 (4). ISSN 1441-2616

Hand, Richard (2018) Edgar Allan Poe radio adaptations:5 x 30 minute radio adaptations of Poe short stories in serialised form. [Performance]

Hand, Richard (2018) The Empty House:The Ghost of a Memory, The Memory of a Ghost. Revenant, 1 (3). pp. 72-78. ISSN 2397-8791

Hand, Richard (2012) Entries on these horror films: ‘Jekyll and Hyde’; ‘Dead of Night’; ‘Invasion of the Body Snatchers’; ‘Curse of the Demon’; ‘Psycho’; ‘Plague of the Zombies’; ‘Night of the Living Dead’; ‘Theatre of Blood’; ‘Count Yorga’; ‘The Thing’; ‘The Mist’. In: Graphic Horror: Movie Monster Memories. UNSPECIFIED. ISBN 9780764340826

Hand, Richard (2006) “Escape with Joseph Conrad! The Adaptation of Joseph Conrad’s Fiction on American Old Time Radio. Conradiana. ISSN 0010-6356

Hand, Richard (2018) Frankenstein and a Little Twist of Fate. [Performance]

Hand, Richard (2005) Gennaro from Lucretia Borgia. In: Classical Monologues for Men. Methuen: London. ISBN 9780413775337

Hand, Richard (2002) Grand-Guignol: The French Theatre of Horror. University of Exeter Press. ISBN 978-0859896962

Hand, Richard (2006) History, Homage, and Horror:Fassbinder, Raab, Lommel and the Tenderness of Wolves (1973). In: Caligari's Heirs. Scarecrow Press. ISBN 0810858789

Hand, Richard (2019) A Household Name. [Performance] (In Press)

Hand, Richard (2018) How Black Mirror combines a disturbing future with a familiar past. The Conversation.

Hand, Richard (2010) 'It must all change now!':Victor Hugo’s Lucretia Borgia and Adaptation Practices in Theatre. In: Redefining Adaptation Studies. Scarecrow Press. ISBN 978-0-8108-7298-1

Hand, Richard (1993) John Clare on Stage: Edward Bond’s ‘The Fool’ and the Issue of Faction. John Clare Society Journal, 12. pp. 57-61. ISSN 1356-7128

Hand, Richard (1989) John Clare’s Intense Regionalism. The Region and Nation Newsletter, 2 (1). pp. 21-27.

Hand, Richard (2008) La proliferazione dell’horror:Survival horror e la serie di Resident Evil. In: Intermedialita. Unicopli. ISBN 9788840012704

Hand, Richard (2010) Labyrinths of the Taboo:Theatrical Journeys of Eroticism and Death in Parisian Culture. In: Eroticism and Death in Theatre and Performance. University of Hertfordshire Press, pp. 64-79. ISBN 978-1-902806-92-1

Hand, Richard (2014) Listen in Terror:British Horror Radio from the Advent of Broadcasting to the Digital Age. Manchester University Press. ISBN 978-0-7190-8148-4

Hand, Richard (2003) Loving and Killing: the two great adventures in life’: Maurice Tourneur’s 1919 screen version of Joseph Conrad’s Victory. Conradiana, 35 (3). pp. 52-64. ISSN 0010-6356

Hand, Richard (2004) Lucrece Borgia. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (2005) 'Lucretia' from Lucretia Borgia. In: Classical Monologues for Women [Audition Speeches]. Methuen: London. ISBN 9780413775344

Hand, Richard (2018) A Memory of Sammy. [Performance]

Hand, Richard (2010) Mike Schneider in interview with Richard Hand:Night of the Living Dead: Reanimated (2009). Journal of Adaptation in Film and Performance, 3 (2). ISSN 1753-6421

Hand, Richard (2015) ‘Octave Mirbeau’s The Epidemic’. Journal of Adaptation in Film and Performance, 8 (1). pp. 73-91. ISSN 1753-6421

Hand, Richard (2002) Producing Laughing Anne. Conradiana, 34 (1-2). pp. 43-62. ISSN 0010-6356

Hand, Richard (2004) Proliferating Horrors:Survival Horror and the Resident Evil franchise. In: Horror Film. University Press of Mississippi. ISBN 978-1578066926

Hand, Richard (2017) Radio Adaptation. In: The Oxford Handbook of Adaptation Studies. Oxford University Press, Oxford. ISBN 9780199331000

Hand, Richard (2005) Reanimating Peyton Farquhar: The Adaptations of Ambrose Bierce’s ‘An Occurrence at Owl Creek Bridge’. Ambrose Bierce Project Journal, 1 (1). ISSN 1939-4578

Hand, Richard (2004) Ruy Blas. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (1994) 'Self-Adaptation’: Hardy’s Tess of the D’Urbervilles. Swansea Review. pp. 274-286. ISSN 0269-8374

Hand, Richard (2004) Shakespeare, Soccer, and Spin-Doctors: Staging a Contemporary "Henry V". College Literature, 31 (4). pp. 60-71. ISSN 0093-3139

Hand, Richard (2018) Sound-Stories: Audio Drama and Adaptation. In: The Routledge Companion to Adaptation. Routledge, London. ISBN 9781138915404

Hand, Richard (2000) "The Stage Is a Terribly Searching Thing" Joseph Conrad's Dramatization of 'The Secret Agent'. Conradiana, 32 (1). pp. 57-65. ISSN 0010-6356

Hand, Richard (2001) Staging an ‘unbearable spectacle’: Joseph Conrad's Laughing Anne. Studies in Theatre and Performance, 21 (2). pp. 109-117. ISSN 1468-2761

Hand, Richard (2018) Súčasné fóra desivých zážitkov. Časopisu Kød – Konkrétne o Divadle, 12 (5). pp. 2-3. ISSN 1337-1800

Hand, Richard (2018) Talos II Science Fiction Festival of London:Live Radio Play - Prometheus; Frankenstein. [Performance]

Hand, Richard (2005) Theatres of Interactivity:Video Games in the Drama Studio. In: Digital Gameplay. McFarland. ISBN 978-0-7864-2292-0

Hand, Richard (2017) Thrills and Chills!:An Evening of Old-Time Horror Radio. [Performance]

Hand, Richard (2018) Uncanny Audio:The place and use of sound in Gothic performance. In: Contemporary Gothic Drama. Palgrave Macmillan, pp. 125-138. ISBN 978-1-349-95358-5

Hand, Richard (2011) Undead Radio:Zombies and the Living Dead on Live American Radio Drama in the 1930-40s. In: Better Off Dead. Fordham University Press. ISBN 9780823234462

Hand, Richard (2013) Zappa and horror:screamin’ at the monster. In: Frank Zappa and the And. Ashgate. ISBN 9781138246300

Hand, Richard (2018) ‘every sound terrified me’::Frankenstein on live radio. In: UNSPECIFIED.

Hand, Richard and Carr, Paul (2012) Canciones, estrellas y bandas sonoras: cine y rock británico (1956-1976). L’Atalante: Revista de Estudios Cinematográficos, 14. pp. 20-27. ISSN 1885-3730

Hand, Richard and Carr, Paul (2007) Frank Zappa and musical theatre: ugly ugly o'phan Annie and really deep, intense, thought-provoking Broadway symbolism. Studies in Musical Theatre, 1 (1). pp. 41-56. ISSN 1750-3159

Hand, Richard and Carr, Paul (2008) ‘Twist ‘n frugg in an arrogant gesture’: Frank Zappa and the Musical-Theatrical Gesture. Popular Musicology Online. ISSN 1357-0951

Hand, Richard and Hancock, Danielle (2018) Beware the Untruths:Podcast Audio Horror in Post-Truth America. In: Make America Hate Again. Routledge. (In Press)

Hand, Richard and Wilson, Michael (2000) The Grand-Guignol: Aspects of Theory and Practice. Theatre Research International, 25 (3). pp. 266-275. ISSN 0307-8833

Hand, Richard and Wilson, Michael (2007) London's Grand Guignol and the Theatre of Horror. University of Exeter Press. ISBN 978-0859897921

Hand, Richard and Wilson, Michael (2012) Transatlantic Terror! French Horror Theater and American Pre-Code Comics. Journal of Popular Culture, 45 (2). pp. 301-319. ISSN 0022-3840

Hand, Richard J. (2012) Adaptation and Modernism. In: A Companion to Literature, Film, and Adaptation. Blackwell-Wiley, pp. 52-69. ISBN 978-1-4443-3497-5

Hand, Richard J. (2010) Captured Ghosts:Horror Acting in the 1970s British Television Drama. In: Genre and Performance. Manchester University Press. ISBN 978-0-7190-7980-1

Hand, Richard J. (2014) Conrad adapted. In: The New Cambridge Companion to Joseph Conrad. Cambridge University Press. ISBN 9781107610378

Hand, Richard J. (2016) Disruptive Corpses:Tales of the Living Dead in Horror Comics of the 1950s and Beyond. In: Vampires and Zombies. University Press of Mississippi. ISBN 978-1-4968-0474-7

Hand, Richard J. (2018) Frankenstein's Pulse:An Afterword. In: Adapting Frankenstein. Manchester University Press. ISBN 978-1-5261-0890-6

Hand, Richard J. (2012) German Expressionism. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2013) Half-Masks and Stage Blood:Translating, Adapting and Performing French Historical Theatre Forms. In: Translation and Adaptation in Theatre and Film. Routledge. ISBN 9780415829687

Hand, Richard J. (2013) Octave Mirbeau: Two Plays:"Business is Business" and "Charity". Intellect Books. ISBN 9781841504865

Hand, Richard J. (2017) ‘A Perfect Demon’: Michael Eaton’s Charlie Peace: His Amazing Life & Astounding Legend. In: Neo-Victorian Villains. Brill, pp. 51-70. ISBN 9789004322240

Hand, Richard J. (2017) Populism and ideology: nineteenth-century fiction and the cinema. In: Interventions. Manchester University Press. ISBN 978-1-7849-9510-2

Hand, Richard J. (2012) Radio. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2017) The Sound of War: Audio, Radio and the First World War. In: The Edinburgh Companion to the First World War and the Arts. Edinburgh University Press, Edinburgh. ISBN 9781474401630

Hand, Richard J. (2017) Spirits on the Air: Ghosts, Sound and the Radio. In: The Routledge Handbook to the Ghost Story. Routledge, London. ISBN 9781138184763

Hand, Richard J. (2009) 'Stay Tuned for Tricks, Treats and Terror':Halloween and Horror Radio in the Era of American Live Broadcasting. In: Treat or Trick? Cambridge: Cambridge Scholars Press, pp. 214-226. ISBN 978-1-4438-0153-9

Hand, Richard J. (2006) Terror on the Air!:Horror Radio in America, 1931-1952. McFarland. ISBN 978-0786469192

Hand, Richard J. (2005) The Theatre of Joseph Conrad:Reconstructed Fictions. Palgrave. ISBN 978-1-4039-1899-4

Hand, Richard J. and Purssell, Andrew (2014) Adapting Graham Greene. Palgrave Macmillan. ISBN 9780230579040

Hand, Richard J. and Traynor, Mary (2011) The Radio Drama Handbook:Audio Drama in Practice and Context. Continuum. ISBN 9781441147431

Hand, Richard J. and Wilson, Michael (2016) Performing Grand-Guignol:Playing the Theatre of Horror. University of Exeter Press. ISBN 9780859899963

Hans, Rosalie (2018) Museums in the making - emerging modalities in East African independent museums. Doctoral thesis, University of East Anglia.

Haour, A., Christie, A., Jaufar, S. and Vigoureux, D. (2017) Back to ibn Battuta’s island – excavations in the Maldives, 2017. Nyame Akuma, 88 (33-40).

Haour, Anne, Christie, Annalisa and Jaufar, Shiura (2016) Tracking the Cowrie Shell: Excavations in the Maldives, 2016. Nyame Akuma, 85. pp. 69-77.

Harrison, Rebecca (2016) "The Coming of the Projectionettes”: Women’s Work and Changing Modes of Spectatorship in British Cinemas in the Second World War. Feminist Media Histories, 2 (2). pp. 47-70. ISSN 2373-7492

Harrison, Rebecca (2009) Haunted Screens and Spiritual Scenes: Film as a Medium in the Cinema of Carl Theodor Dreyer. Scandinavica, 48 (1). pp. 31-36.

Harrison, Rebecca (2014) Inside the Cinema Train: Britain, Empire and Modernity in the Twentieth Century. Film History, 26 (4). pp. 32-57. ISSN 1553-3905

Harrison, Rebecca (2015) Writing history on the page and screen: Mediating conflict through Britain’s First World War ambulance trains. Historical Journal of Film, Radio and Television, 35 (4). pp. 559-578. ISSN 0143-9685

Hartnell, Jack (2017) Epilogue: Touching Ivory Online. In: Gothic Ivory Sculpture. Courtauld Books Online, pp. 143-158. ISBN 978-1-907485-09-1

Hartnell, Jack (2016) Medicine's Image. In: The Routledge Companion to Medieval Iconography. Routledge Art History and Visual Studies Companions . Routledge, pp. 322-339. ISBN 978-1-4724-5947-3

Hartnell, Jack (2018) Medieval Bodies:Life, Death and Art in the Middle Ages. Wellcome Collection. ISBN 978-1781256794

Hartnell, Jack (2017) Scanning Saint Amandus: Medical Technologies and Medieval Anatomies. postmedieval: a journal of medieval cultural studies, 8 (2). 218–233. ISSN 2040-5960

Hartnell, Jack (2017) Surgical Saws and Cutting Edge Agency. In: The Agency of Things in Medieval and Early Modern Art. Routledge, London, pp. 156-171. ISBN 9781138054226

Hartnell, Jack (2017) Tools of the Puncture. Skin, Knife, Bone, Hand. In: Flaying in the Pre-Modern World. Boydell & Brewer, Woodbridge, pp. 20-50. ISBN 9781843844525

Hartnell, Jack (2017) Wording the Wound Man. British Art Studies (6). ISSN 2058-5462

Hartnell, Jack and Johnston, Cynthia (2015) Extraordinary Collections of The Industrial Northwest, exhibition catalogue. Two Temple Place. ISBN 978-0-9570628-4-9

Havas, Julia Eva (2016) Invocations of feminism: cultural value, gender, and American quality television. Doctoral thesis, University of East Anglia.

Haygarth, Natalie (2018) U.K. Press Discourses Surrounding Representations of Rape in Film and the Subject of Male Violence against Women. Doctoral thesis, University of East Anglia.

Herron, Adam (2018) “A Charismatic Authority in Excess of the Narrative Realism of This Very English Picture”: The Cult Stardom of Vincent Price in East Anglia. In: Cine-Excess XII: I Know What You Starred In Last Summer: Global Perspectives on Cult Performance, 2018-11-08 - 2018-11-10, Birmingham City University.

Herron, Adam (2018) Conference Report: Cine-Excess XII: I Know What You Starred in Last Summer: Global Perspectives on Cult Performance. Alternate Takes.

Herron, Adam (2018) Last of the Final Girls? It Follows and Postfeminism. In: "It Is True, We Shall Be Monsters": New Perspectives on Horror, Science-Fiction, and the Monstrous On-Screen, 2018-06-13 - 2018-06-13, De Montfort University.

Herron, Adam (2018) Review: "It Is True, We Shall Be Monsters": New Perspectives in Science-Fiction, Horror, and the Monstrous On-Screen. U.S Studies Online.

Herron, Adam (2018) Seeing is Believing: Realism and Generic Hybridity in the Promotional Campaigns of Snuff Fiction. In: Researching Past Cinema Audiences: Archives, Memories and Methods, 2018-03-26 - 2018-03-28, Aberystwyth University.

Herron, Adam (2018) Seeing is Believing: Realism in the Paratexts of Snuff Fiction. In: Horror, Cult and Exploitation Media II: A Research Workshop for PhDs and Early Career Researchers, 2018-05-04 - 2018-05-04, Northumbria University.

Herron, Adam (2018) "Yeah, I Thought President Obama Fixed All That": Black Queers, White Fears, and Intersectionality in Dear White People. In: Critically Queer Symposium, 2018-04-30 - 2018-04-30, University of East Anglia.

Heslop, T. A. (2017) Saint Anselm’s “Grand Tour” and the Full-Page Picture Cycle in the Markyate Psalter. In: St. Albans and the Markyate Psalter. Studies in Iconography: Themes and Variations . Medieval Institute Publications. ISBN 9781580442589

Hicks, Anna, Armijos, Maria Teresa, Barclay, Jenni, Stone, Jonathan, Robertson, Richard and Cortés, Gloria Patricia (2017) Risk communication films: Process, product and potential for improving preparedness and behaviour change. International Journal of Disaster Risk Reduction, 23. pp. 138-151. ISSN 2212-4209

Hill, Sarah (2015) The Ambitious Young Woman and the Contemporary British Sports Film. Assuming Gender, 5 (1). pp. 37-58. ISSN 2042-387X

Hill, Sarah (2015) Young Femininity in Contemporary British Cinema: 2000-2015. Doctoral thesis, University of East Anglia.

Hodgett, Susan (2018) 21st Century Area Studies:Blurring Genres, Evolutionary Thought and the Production of Theory. In: The Rebirth of Area Studies. I B Tauris, London. (In Press)

Hodgett, Susan (2018) Towards the Good Society:Expanding Women’s Capabilities through Community-Education and European Social Policy in Northern Ireland. In: Women and Careers. Routledge. ISBN 9781138633735

Hodgett, Susan and Clark, David (2019) The Integrated Capabilities Framework:Exploring Multiculturalism and Well-Being in Participatory Settings. In: The Capability Approach, Empowerment and Participation. Palgrave. ISBN 978-1-137-35229-3 (In Press)

Hodgett, Susan and Doran, Peter (2018) Societal Wellbeing – Catalyst for Systems and Social Change in Northern Ireland? In: The Politics of Wellbeing. Palgrave. ISBN 978-3-319-58393-8

Hodgett, Susan and James, Patrick (2018) Necessary Travel:New Area Studies and Canada in Comparative Perspective. Lexington Press USA. ISBN 978-1-4985-4514-3

Holmes, Su (2016) Between Feminism and Anorexia: An Autoethnography. International Journal of Cultural Studies, 19 (2). pp. 193-207. ISSN 1460-356X

Holmes, Su (2016) ‘Blindness to the obvious’?: Treatment experiences and feminist approaches to eating disorders. Feminism and Psychology, 26 (4). pp. 464-486. ISSN 0959-3535

Holmes, Su (2015) ‘I’m certainly not one of these women’s libbers’: Revisiting Gender in The Family. Journal of British Cinema and Television, 12 (3). pp. 300-320. ISSN 1743-4521

Holmes, Su (2015) ‘Little Lena’s a Big Girl Now’: Lena Zavaroni and the Anorexic Star. Feminist Media Studies, 15 (5). pp. 813-828. ISSN 1468-0777

Holmes, Su (2017) 'My anorexia story': Girls constructing narratives of identity on YouTube. Cultural Studies, 31 (1). pp. 1-23. ISSN 0950-2386

Holmes, Su (2018) Responses to warnings about the impact of eating disorders on fertility: A qualitative study. Sociology of Health & Illness, 40 (4). pp. 670-686. ISSN 0141-9889

Holmes, Su (2016) Revisiting Play School: A historical case study of the BBC’s address to the pre-school audience. Journal of Popular Television, 4 (1). pp. 29-47. ISSN 2046-987X

Holmes, Su (2015) ‘That perfect girl is gone’:Pro-ana, Anorexia and Frozen (2013) as an ‘Eating Disorder’ Film. Participations: Journal of Audience and Reception Studies, 12 (2). pp. 98-120.

Holmes, Su (2018) (Un)twisted: talking back to media representations of eating disorders. Journal of Gender Studies, 27 (2). pp. 149-164. ISSN 0958-9236

Holmes, Su (2018) The role of sociocultural perspectives in eating disorder treatment: A study of health professionals. Health, 46 (1). 158–171. ISSN 1363-4593

Holmes, Su and Clayton, Stephanie (2018) ‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s). Journal of Gender Studies. ISSN 0958-9236

Holmes, Su, Drake, Sarah, Odgers, Kelsey and Wilson, Jon (2017) Feminist approaches to Anorexia Nervosa: a qualitative study of a treatment group. Journal of Eating Disorders, 5. ISSN 2050-2974

Holmes, Su and Jermyn, Deborah (2015) Here, There and Nowhere:Ageing, Gender and Celebrity Studies. In: Women, Celebrity and Cultures of Ageing. Palgrave Macmillan, Basingstoke, pp. 11-24. ISBN 978-1-349-58090-3

Holmes, Su, Ralph, Sarah and Redmond, Sean (2015) Swivelling the Spotlight: Stardom, Celebrity and “Me”. Celebrity Studies, 6 (1). pp. 100-117. ISSN 1939-2397

Holmes, Susan (2018) The solo mum, feminism and the negotiation of ‘choice’. Women's Studies International Forum, 69. pp. 40-48. ISSN 0277-5395

Horton, Erica (2015) “Luxury Items”: Discourses of Cultural Value in Creating Channel 4 Comedy. Doctoral thesis, University of East Anglia.

Husemann, Manuela (2015) Approaching Africa: The Reception of African Visual Culture in Germany 1894-1915. Doctoral thesis, University of East Anglia.


Imanjaya, Ekky (2016) The Cultural Traffic of Classic Indonesian Exploitation Cinema. Doctoral thesis, University of East Anglia.

Inthorn, Sanna (2017) Audience responses to representations of family-assisted suicide on British television. Participations, 14 (2). pp. 153-174. ISSN 1749-8716

Inthorn, Sanna (2018) Representations of intergenerational care on BBC children’s television. Social Semiotics, 28 (1). pp. 77-89. ISSN 1035-0330

Inthorn, Sanna and Inthorn, Julia (2015) Dementia Care And Families: Care Decisions And Emotions In Popular Magazines. In: Media, Margins and Popular Culture. Palgrave Macmillan, pp. 139-152. ISBN 9781137512802

Inthorn, Sanna and Inthorn, Julia (2015) Respect for autonomy? The contribution of popular magazines to the public understanding of dementia care. In: Popularizing Dementia. Transcript, pp. 315-332. ISBN 978-3-8376-2710-7


Jackson, Alexander (2015) Progressive Restraint: Art Writing and Criticism in Harper’s Monthly 1867-1890. Masters thesis, University of East Anglia.

Jancovich, Mark (2015) The 1950’s Blockbuster:20,000 Leagues Under the Sea. Deletion.

Jancovich, Mark (2017) “Almost Psychopathic”: British Working Class Realism and the Horror Film in the late 1950s and early 1960s. Journal of Film and Video. ISSN 0742-4671 (In Press)

Jancovich, Mark (2018) ‘Another, More Sinister Reality’:Class, Youth and Psychopathology from Saturday Night and Sunday Morning (1960) to Endless Night (1972). Journal of British Cinema and Television. ISSN 1743-4521 (In Press)

Jancovich, Mark (2015) "Antique Chiller":Quality, Pretension, and History in the Critical Reception of The Innocents and The Haunting. In: Cinematic Ghosts. Bloomsbury Academic, New York, pp. 115-128. ISBN 9781628922141

Jancovich, Mark (2017) Beyond Hammer: the first run market and the prestige horror film in the early 1960s. Palgrave Communications, 3 (Special Issue on Horror and the Gothic). ISSN 2055-1045

Jancovich, Mark (2016) Frankenstein and Film. In: The Cambridge Companion to Frankenstein. Cambridge University Press, Cambridge, Cambridge, pp. 190-204. ISBN 9781107086197

Jancovich, Mark (2014) Horror in the 1940s. In: A Companion to the Horror Film. Wiley-Blackwell, Oxford, pp. 237-254. ISBN 9780470672600

Jancovich, Mark (2016) Ingrid Bergman. In: Lost Souls of Horror and the Gothic. McFarland, Jefferson, pp. 34-37. ISBN 97814776663142

Jancovich, Mark (2015) "The Murderer's Mind": Edward G. Robinson, Humphrey Bogart, and the Monstrous Psychologies of the 1940s Horror Film. In: Recovering 1940s Horror Cinema. Lexington Books, Lanham, pp. 161-178. ISBN 9781498503792

Jancovich, Mark (2015) Victims and Villains: Psychological Themes, Male Stars and Horror Films in the 1940s. In: Popular Media Cultures. Palgrave Macmillan, London, pp. 91-109. ISBN 978-1-349-46834-8

Jancovich, Mark (2017) "Where it Belongs":Television Horror, Domesticity, and Alfred Hitchcock Presents. In: Horror Television in the Age of Consumption. Routledge, New York, pp. 29-44. ISBN 9781138895652

Jancovich, Mark (2015) 'The theme of psychological destruction’: Horror stars, the crisis of identity and 1940s horror:Horror Stars, the Crisis of Identity and 1940s Horror. Horror Studies, 6 (2). pp. 163-175. ISSN 2040-3275

Jancovich, Mark and Manning, Robert (2016) 'A Poisonous Picture':The Big Sleep, The Hollywood Left and the Postwar Thriller. In: Howard Hawks. British Film Institute Publishing, pp. 82-93. ISBN 97818844575411

Jermyn, Deborah (2015) Women, Celebrity and Cultures of Ageing:Freezeframe. Palgrave Macmillan. ISBN 978-1-137-49511-2

Jerrard, Bob, Martin, Lynn and Wright, Lucy (2017) Gut Feeling in Small Design Consultancies. The Design Journal, 20 (5). pp. 577-594. ISSN 1756-3062

Johnston, Keith and Rickards, Carolyn (2017) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). ISSN 0036-9543 (In Press)

Johnston, Keith M (2015) 3D UK? 3D History and the Absent British Pioneers. Open Library of Humanities (OLH), 1 (1).

Johnston, Keith M (2014) Sound and (no) Vision:Locating the Radio Trailer. Music, Sound and the Moving Image, 8 (2). pp. 163-178. ISSN 1753-0768

Johnston, Keith M (2017) ‘The action is so real I thought I was cheating on my wife’:Realism and Nature in the 1970s 3-D Sex Film. In: Sex and 1970s World Cinema: From smut to softcore. MUP, Manchester. (In Press)

Johnston, Keith M and Phillips, Tom (2016) "A step into the abyss" Transmedia in the UK Games and Television Industries. International Journal of Gaming and Computer-Mediated Simulations, 8 (2). ISSN 1942-3888

Johnston, Keith M. (2017) "A friend to every exhibitor": National Screen Service and the British trailer industry. In: The Routledge Companion to British Cinema History. Routledge, pp. 311-329. ISBN 9780415706193

Johnston, Keith M., Vollans, Ed and Greene, Fred L. (2016) Watching the trailer: Researching the film trailer audience. Participations, 13 (2). pp. 56-85. ISSN 1749-8716

Jones, Timothy (2014) Animating Community: Reflexivity and Identity in Indian Animation Production Culture. Doctoral thesis, University of East Anglia.


Keller, Jessalynn (2011) Feminist Editors and the New Girl Glossies:Fashionable Feminism or Just Another Sexist Rag? Women's Studies International Forum, 34 (1). ISSN 0277-5395

Keller, Jessalynn (2014) Fiercely Real?:Tyra Banks and the making of new media celebrity. Feminist Media Studies, 14 (1). pp. 147-164. ISSN 1468-0777

Keller, Jessalynn (2015) Girl Power's Last Chance?:Tavi Gevinson, Feminism, and Popular Media Culture. Continuum, 29 (2). pp. 274-285. ISSN 1030-4312

Keller, Jessalynn (2015) Girls' Feminist Blogging in a Postfeminist Age. Routledge Studies in New Media and Cyberculture . Routledge. ISBN 131762775X

Keller, Jessalynn (2012) "It's a hard job being an Indian feminist":Mapping Girls' Feminist Identities and 'Close Encounters' on the Feminist Blogosphere. In: Feminist Media. Critical Media Studies . Transcript, pp. 136-146.

Keller, Jessalynn (2016) Making Activism Accessible:Exploring Girls' Blogs as sites of Contemporary Feminist Activism. In: Girlhood and the Politics of Place. Berghahn, New York. ISBN 978-0-85745-602-1

Keller, Jessalynn (2012) Virtual Feminisms:Girls' blogging communities, feminist activism, and participatory politics. Information, Communication & Society, 15 (3). ISSN 1369-118X

Keller, Jessalynn, Blue, Morgan, Kearney, Mary Celeste, Pike, Kirsten and Projansky, Sarah (2015) Mapping New Methodological Approaches to Girls' Media Studies:Reflections from the field. Journal of Children and Media, 9 (4). pp. 528-535. ISSN 1748-2801

Keller, Jessalynn and Ringrose, Jessica (2015) "But then feminism goes out the window!":Exploring teenage girls' critical response to celebrity feminism. Celebrity Studies, 6 (1). pp. 132-135. ISSN 1939-2397

Kent, Miriam (2016) Elektra:Critical Reception, Postfeminism and the Marvel Superheroine on Screen. In: Marvel Comics into Film. McFarland. ISBN 978-0-7864-4304-8

Kent, Miriam (2018) Gender and Comics:Representations of Heterosexuality in Marvel Superheroes. In: In Cinema and Comics. University of Texas Press. (In Press)

Kent, Miriam (2016) Marvel women: femininity, representation and postfeminism in films based on Marvel Comics. Doctoral thesis, University of East Anglia.

Kent, Miriam (2015) Unveiling Marvels:Ms. Marvel and the Reception of the New Muslim Superheroine. Feminist Media Studies, 15 (3). p. 522. ISSN 1468-0777

Khalaf, Nadia and Haour, Anne (2013) Excavations at Tin Tin Kanza (TTK), Northern Bénin. Nyame Akuma, 79. pp. 101-111.

Kohlert, Frederik (2019) “At This Point I Become Real”: Experimental Autobiography in Julie Doucet and Michel Gondry’s Comics/Video Hybrid My New New York Diary. In: The Comics of Julie Doucet and Gabrielle Bell. University Press of Mississippi, pp. 145-163. ISBN 9781496820570

Kohlert, Frederik (2014) Brown, Chester; Cruse, Howard; Doucet, Julie; Drawn & Quarterly; I Never Liked You; Louis Riel; Matt, Joe; Stuck Rubber Baby. In: Comics Through Time. Greenwood Publishing Group, Santa Barbara. ISBN 978-0-313-39750-9

Kohlert, Frederik (2011) The Chicago Literary Experience:Writing the City, 1893-1953. Museum Tusculanum Press. ISBN 978-87-635-0776-9

Kohlert, Frederik (2010) Contemporary Comics: A Symposium. In: Contemporary Comics: A Symposium, 2010-05-21, University of Copenhagen.

Kohlert, Frederik (2012) Ed the Happy Clown: The Definitive Ed Book; I Never Liked You: A Comic-Strip Narrative. In: Critical Survey of Graphic Novels. Salem Press, Ipswich, MA. ISBN 978-1-58765-950-8

Kohlert, Frederik (2012) Female Grotesques:Carnivalesque Subversion in the Comics of Julie Doucet. Journal of Graphic Novels and Comics, 3 (1). pp. 19-38. ISSN 2150-4865

Kohlert, Frederik (2013) Food & Trembling: An Entertainment by Jonah Campbell. CuiZine: The Journal of Canadian Food Culture, 4 (1). Online.

Kohlert, Frederik (2016) Serial Selves: Identity and Representation in Autobiographical Comics. Rutgers University Press. (In Press)

Kohlert, Frederik and Laursen, Ole Birk (2017) Introduction: Comics and the Anarchist Imagination. SubStance, 46 (2). pp. 3-10. ISSN 0049-2426

Kohlert, Frederik and Sousanis, Nick (2018) In the Cards: Collaboration and Comics-Making in the Traditional English Classroom. In: With Great Power Comes Great Pedagogy: Teaching, Learning, and Comic Books. University Press of Mississippi, Jackson, MS. (In Press)

Kramer, Peter (2015) Adaptation as Exploration: Stanley Kubrick, Literature, and A.I. Artificial Intelligence. Adaptation, 8 (3). pp. 372-382. ISSN 1755-0637

Kramer, Peter (2015) ’Complete total final annihilating artistic control’: Stanley Kubrick and Postwar Hollywood. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 48-61. ISBN 9781908966421

Kramer, Peter (2016) ’Could you tell us how to create a Star-Child?’: Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey. In: Special Effects in der Wahrnehmung des Publikums. Berlin: VS Verlag. ISBN 978-3-531-17465-5

Kramer, Peter (2014) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. British Film Institute. ISBN 9781844577781

Kramer, Peter (2016) The General (BFI Film Classics). British Film Institute. ISBN 9781844579150

Kramer, Peter (2016) ’I’ll be right here!’ Dealing with Emotional Trauma in and through E.T. The Extra-Terrestrial. In: Children in the Films of Steven Spielberg. UNSPECIFIED, pp. 91-121. ISBN 9781498518840

Kramer, Peter (2016) The Legacy of Dr. Strangelove: Stanley Kubrick, Science Fiction, and the Future of Humanity. In: The Apocalypse in Film: Dystopia, Disasters, and other Visions about the End of the World. UNSPECIFIED, pp. 45-60. ISBN 9781442260276

Kramer, Peter (2016) The Movie Audience in the Archive. In: Reflections on Archives Museum and Special Collections. UNSPECIFIED, pp. 60-61. ISBN 9781906908423

Kramer, Peter (2017) Stanley Kubrick and the internationalisation of post-war Hollywood. New Review of Film and Television Studies, 15 (2). pp. 250-269. ISSN 1740-0309

Kramer, Peter (2015) ’What’s it going to be, eh?’ Stanley Kubrick’s Adaptation of Anthony Burgess’s A Clockwork Orange. In: Stanley Kubrick: New Perspectives. UNSPECIFIED, pp. 218-235. ISBN 9781908966421

Kramer, Peter, Ljujic, Tatjana and Daniels, Richard (2015) Introduction. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 12-19. ISBN 9781908966421

Krcma, Ed (2012) Lightning and Rain: Phenomenology, Psychoanalysis and Matisse’s Hand. Tate Papers, 18.

Krcma, Ed (2017) Rauschenberg/Dante:Drawing a Modern Inferno. Yale University Press. ISBN 9780300221565

Krcma, Ed (2014) Tacita Dean and Still Life. Art History, 37 (5). pp. 960-977. ISSN 1467-8365

Krcma, Ed (2014) Wols and Smallness. Oxford Art Journal, 37 (3). pp. 245-264. ISSN 1741-7287

Krcma, Edward (2010) Cinematic Drawing in a Digital Age. Tate Papers, 14.

Krcma, Edward (2015) Compression. Enclave Books, Cork.

Krcma, Edward (2017) Dating the Dante Drawings: Rauschenberg and Method. Burlington Magazine, 159 (1377). pp. 964-975.

Krcma, Edward (2014) Do, Undo, Redo:On Recent Drawings by Peter Morrens. In: Peter Morrens: Covers. Posture Editions, Ghent, pp. 179-185. ISBN 9789491262104

Krcma, Edward (2013) Drawing Deformation: On Alice Maher’s Flora and Related Works. In: Alice Maher: Becoming. Irish Museum of Modern Art, Dublin, pp. 112-123. ISBN 978-1907020926

Krcma, Edward (2016) Drawing from Damaged Life. In: William Kentridge and Vivienne Koorland. Fruitmark Gallery, Edinburgh, pp. 158-167.

Krcma, Edward (2015) Eva Hesse’s Wanton Duality: Liquidity and Compression in the Mechanical Drawings of 1965. Master Drawings, 53 (3). pp. 365-384.

Krcma, Edward (2009) Figuring Futility. In: Susan Morris: Sontag/Montag. Five Years, London, pp. 57-75. ISBN 1903724031

Krcma, Edward (2011) Film, Drawing and the Body. Tate Publishing, London.

Krcma, Edward (2015) Ink Machines: Flüssiges in Eva Hesses ‚Maschinenzeichnungen‘. In: Verflüssigungen: Ästhetische und semantische Dimensionen eines Topos. Wilhelm Fink Verlag, Berlin, pp. 59-74. ISBN 978-3-7705-5852-0

Krcma, Edward (2012) Liquid Language. In: GRAPHOLOGY. Drawing Room, London, pp. 50-58. ISBN 095582995X

Krcma, Edward (2017) Marking Time, Moving Images: Drawing and Film. In: Companion to Contemporary Drawing. Blackwell Companions to Art History . Wiley. (In Press)

Krcma, Edward (2011) Moves, Throws, Plays:Tom Hackney and Lizi Sanchez. In: The Knight Turns its Head and Laughs. Stephen Lawrence Gallery, London, pp. 3-10.

Krcma, Edward (2016) Tate Introductions: Robert Rauschenberg. Tate Introductions . Tate Publishing. ISBN 1849764891

Krcma, Edward (2016) To Diagram Without Stilling: On Maud Cotter's Sculpture. DOMOBAAL, London.

Krcma, Edward (2016) “To use the very last minute in my life”: Dante Drawings and the Classical Past 1958-60. In: Robert Rauschenberg. Museum of Modern Art Press, New York. ISBN 1633450201

Krcma, Edward (2006) The Truant Hand and Cinematic Drawing in Matisse's Themes and Variations. Object (8). pp. 66-84.

Krcma, Edward (2013) Universal Fragments: On the Work of Trevor Shearer. Large Glass, London.

Krcma, Edward (2012) Viewing Platforms. In: Alison Turnbull: Sea the Stars. Talbot Rice Gallery, Edinburgh, pp. 48-57. ISBN 9781873108574

Krämer, Peter (2018) “Enter the World”: James Cameron’s Avatar (2009) and the Family-Adventure Movie. In: Fantasy/Animation. Taylor & Francis, New York. ISBN 9781351681414

Krčma, Ed (2018) Fortuna: Drawing, Technology, Contingency. O que nos faz pensar (40). ISSN 0104-6675

Kuper, Richard, McGeever, Brendan, Segal, Lynne, Hakim, Jamie and Little, Ben (2018) Antisemitism, anti-racism and the Labour Party. UNSPECIFIED.

Køhlert, Frederik Byrn (2017) Comics, Form, and Anarchy. SubStance, 46 (2). pp. 11-32. ISSN 0049-2426

Køhlert, Frederik Byrn (2014) In the Ghetto:Sociology, the Cagney Gangster, and the ‘Dead End’ Kids in Angels with Dirty Faces. Journal of Popular Culture, 47 (4). pp. 857-876. ISSN 1540-5931

Køhlert, Frederik Byrn (2015) Working it Through:Trauma and Autobiography in Phoebe Gloeckner’s A Child’s Life and The Diary of a Teenage Girl. South Central Review, 32 (3). pp. 124-142. ISSN 1549-3377


Lau, George (2012) The 1st millennium AD in north central Peru: Critical perspectives on a linguistic prehistory. In: Archaeology and Linguistics in the Andes. British Academy, London, pp. 163-196.

Lau, George (2011) Culturas y lenguas antiguas de la sierra norcentral del Peru: una investigación arqueolingüística. Boletín de Arqueología PUCP. pp. 141-164. ISSN 1029-2004

Lau, George (2015) The Dead and the Longue Durée in Peru’s North Highlands. In: Living with the Dead in the Andes. Tucson: University of Arizona Press, pp. 200-244. ISBN 978-0-8165-2977-3

Lau, George (2014) On textiles and alterity in the Recuay culture (AD 200-700), Ancash, Peru. In: Textiles, Technical Practice and Power in the Andes. Archetype, London, pp. 327-344.

Lau, George (2012) Visualising alterity: scalar views of predation in ancient Peru. World Art, 2 (1). pp. 119-134. ISSN 2150-0894

Lau, George (2014) A materiality of opposition: on ancient conflict and organization in Peru’s north highlands. In: Embattled Bodies, Embattled Places: War in Pre-Columbian America. Dumbarton Oaks, Washington D.C., pp. 315-340.

Lau, George and Sekules, Veronica (2012) Contingent arts, contingent worlds. World Art, 2 (2). pp. 147-152. ISSN 2150-0894

Lau, George and Sekules, Veronica (2012) Outside things? World Art, 2 (1). pp. 1-8. ISSN 2150-0894

Lau, George, Sekules, Veronica and Thofner, Margit (2013) Afterword: Why ‘Art Makes Society’. World Art, 3 (1). pp. 163-168. ISSN 2150-0894

Lau, George, Sekules, Veronica and Thofner, Margit (2014) A world (art) of senses, value and display. World Art, 4 (2). pp. 133-136. ISSN 2150-0894

Lawson, E., Thorne, C., Ahilan, S., Allen, D., Arthur, S., Everett, G., Fenner, R., Glenis, V., Guan, D., Hoang, L., Kilsby, C., Lamond, J., Mant, J., Maskrey, S., Mount, N., Sleigh, A., Smith, L. and Wright, N. (2014) UNSPECIFIED In: UNSPECIFIED WITPress, pp. 113-124. ISBN 9781845647841

Leal, B. (2013) Wall-paintings in S. Maria foris portas di Castelseprio and in the tower at Torba:Reflections and a reappraisal. In: Castelseprio – Torba – Siti Unesco. Edizioni SAP, Mantua, pp. 311-344.

Leal, Beatrice (2016) Representations of architecture in late antiquity. Doctoral thesis, University of East Anglia.

Li, Wei (2015) 'Dancing With Handcuffs and Shackles': How Product Placement Is Adopted By the Chinese Film Industry. Doctoral thesis, University of East Anglia.

Little, Ben and Winch, Alison (2017) Generation: the politics of patriarchy and social change. Soundings: A Journal of Politics and Culture (66: Beginning to see the light?). pp. 129-144. ISSN 1362-6620

Little, Ben and Winch, Alison (2018) “just hanging out with you in my back yard”: Mark Zuckerberg and Mediated Paternalism. Open Cultural Studies, 1 (1). pp. 417-427.

Littler, Jo and Winch, Alison (2016) Feminism and Childcare: A Roundtable with Sara de Benedictis, Gideon Burrows, Tracey Jensen, Jill Rutter and Victoria Showunmi. Studies in the Maternal, 8 (1). p. 2. ISSN 1759-0434

Long, Emma (2017) To endure for all time or to change with the times? The Supreme Court and the Second Amendment. In: The Second Amendment and Gun Control. Routledge, London, pp. 110-122. ISBN 9781138706286

Long, Emma (2017) Why So Silent? The Supreme Court and the Second Amendment Debate After DC v. Heller. European Journal of American Studies, 12 (2). ISSN 1991-9336

Long, Emma (2018) Yet Another Threat To Religious Freedom?: Continuity and Change in the Church-State Debate. Journal of Church and State, 60 (1). 1–21. ISSN 2040-4867

Lovelock, M. (2017) Acceptance, humanity and emotional excess: The politics of queer suffering in Big Brother UK. European Journal of Cultural Studies, 20 (4). pp. 449-463. ISSN 1367-5494

Lovelock, Michael (2017) Call Me Caitlyn: Making and making over the 'authentic' transgender body in Anglo-American popular culture. Journal of Gender Studies, 26 (6). pp. 675-687. ISSN 0958-9236

Lovelock, Michael (2017) Catching a Catfish: Constructing the ‘good’ social media user in reality television. Television and New Media, 18 (3). pp. 203-217. ISSN 1527-4764

Lovelock, Michael (2017) "I Am...": Caitlyn Jenner, Jazz Jennings and the cultural politics of transgender celebrity. Feminist Media Studies, 17 (5). pp. 737-754. ISSN 1468-0777

Lovelock, Michael (2016) Interrogating the politics of LGBT celebrity in British reality television. Doctoral thesis, University of East Anglia.

Lovelock, Michael (2017) ‘Is every YouTuber going to make a coming out video eventually?’: YouTube celebrity video bloggers and lesbian and gay identity. Celebrity Studies, 8 (1). pp. 87-103. ISSN 1939-2397

Lunnon, Helen (2015) Defining Porches in Medieval Norwich c.1250-1510. In: Medieval and Early Modern Art, Architecture and Archaeology in Norwich. Maney Publishing, Leeds, pp. 283-306. ISBN 978-1-909662-77-3

Lunnon, Helen (2017) Inventing St Stephen: art and dispute in early fourteenth century England. In: Saints and Cults in Medieval England. Paul Watkins Publishing. ISBN 978-1907730597

Lunnon, Helen (2017) Inventio Porticus - Imagining Solomon's Porches in Late Medieval England. British Art Studies (6). ISSN 2058-5462

Lunnon, Helen (2010) Observations on the Changing Form of Chancel Screens in Late Medieval Norfolk. Journal of the British Archaeological Association, 163 (1). pp. 110-131. ISSN 0068-1288

Lunnon, Helen E. (2012) 'I will have one porch of stone ... over my grave' Medieval parish church porches and their function as tomb canopies. Church Monuments, 27. pp. 53-65. ISSN 0268-7518

Lyle, Ben (2015) ‘An account and analysis of the culture and practices of screenplay development in the UK’. Doctoral thesis, University of East Anglia.


MacKisack, Matthew, Aldworth, Susan, Macpherson, Fiona, Onians, John, Winlove, Crawford and Zeman, Adam (2016) On Picturing a Candle: The Prehistory of Imagery Science. Frontiers in Psychology, 7. ISSN 1664-1078

Madgin, Rebecca, Webb, David, Ruiz, Pollyanna and Snelson, Tim (2018) Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft, London, UK. International Journal of Heritage Studies, 24 (6). pp. 585-598. ISSN 1352-7258

Marshall, Kingsley (2018) The Gulf War Aesthetic? Certain Tendencies in Image, Sound and the Construction of Space in Green Zone and The Hurt Locker. Doctoral thesis, University of East Anglia.

Martonfi, Anna (2017) An alternative comedy history – interrogating transnational aspects of humour in British and Hungarian comedies of the inter-war years. Doctoral thesis, University of East Anglia.

Mathieson, Ian, Bettles, Elizabeth, Clarke, Joanne, Duhig, Corinne, Ikram, Salima, Maguire, Louise, Quie, Sarah and Tavares, Ana (1997) The National Museums of Scotland Saqqara Survey Project 1993-1995. The Journal of Egyptian Archaeology, 83 (1). pp. 17-53. ISSN 0307-5133

Mathurin Sykes, Malorine (2015) Federal recognition, native space and indigenous performance: an ethnographic analysis of northeastern dance in the Shinnecock powwow. Masters thesis, University of East Anglia.

Mc Carthy, David (2015) A Necessary Difficulty: The Poethics of Proximity in John Ashbery and Michael Palmer. Doctoral thesis, University of East Anglia.

McKay, George (2016) 4WORD:AN.OK4U2@32+1984. In: The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music. Minor Compositions . Autonomedia, Colchester/New York, pp. 1-7. ISBN 9781570273186

McKay, George (2016) Gee Vaucher's punk painting as record sleeves. In: Gee Vaucher: Introspective. Firstsite, Colchester, pp. 64-74. ISBN 978-1-57027-315-5

McKay, George (2015) Punk Rock and Disability: Cripping Subculture. In: Oxford Handbook of Music and Disability Studies. Oxford Handbooks . Oxford University Press, New York, pp. 226-245. ISBN 9780199331444

McKay, George (2018) Skinny blues: Karen Carpenter, anorexia nervosa and popular music. Popular Music, 37 (1). pp. 1-21. ISSN 0261-1430

McKay, George (2014) Winifred Atwell and her 'other piano': 16 hit singles and a 'blanket of silence', sounding the limits of jazz. In: Black British Jazz: Routes, Ownership and Performance. Ashgate, Farnham, pp. 153-172. ISBN 9781472417565

McKay, George (2018) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies. ISSN 1352-7258

McKay, George (2015) 'The pose is ... a stance': popular music and the cultural politics of festival in 1950s Britain. In: The Pop Festival. Bloomsbury Academic, New York. ISBN 9781623569594

McKay, George and Webster, Emma (2016) From Glyndebourne to Glastonbury:The Impact of British Music Festivals. AHRC/UEA.

McLennan, Rachael (2016) Representations of Anne Frank in American Literature:In Different Rooms. Routledge. ISBN 9780415724708

McMahon, Wendy (2012) Dislocated Identities:Exile and the Self as (M)other in the Writing of Reinaldo Arenas. Iberian and Latin American Studies: The Arts, Literature, and Identity . Oxford: Peter Lang. ISBN 978303530943

McMahon, Wendy (2014) The Origins of Man:Contemporary Literary Representations of Masculinity in the Caribbean. In: Caribbeing. Brill, pp. 187-198. ISBN 9789042038851

McRoy, Jay (2007) Monstrous Adaptations:Generic and Thematic Mutations in Horror Film. Manchester University Press. ISBN 978-0-7190-7603-9

Mccarthy, Linda (2016) Your God had his chance and he blew it: modernity, tradition and alternative religion in 1960s and 1970s horror. Doctoral thesis, University of East Anglia.

Mcdonald, Lisa (2015) Creating Kastom : contemporary art in Port Vila, Vanuatu. Doctoral thesis, University of East Anglia.

Mckay, George (2018) Festivals:The History of European Jazz - The Music, Musicians and Audience in Context - Francesco Martinelli. In: The History of European Jazz. Equinox Publishing Ltd, Sheffield, pp. 707-718. ISBN 9781781794463

Mckay, George (2019) Jazz and disability. In: The Routledge Companion to Jazz Studies. Routledge, London, pp. 173-184. ISBN 9781138231160

Mckay, George (2015) The Pop Festival:History, Music, Media, Culture. Bloomsbury Academic. ISBN 9781623568207

Mckay, George (2016) Pop Music and the Disabled Body, film of inaugural lecture. UNSPECIFIED.

Mckay, George (2011) Radical Gardening:Politics, Idealism and Rebellion in the Garden. Frances Lincoln. ISBN 9780711235380

Mckay, George (2013) Shakin' All Over: Popular Music and Disability. Corporealities: Discourses of Disability . University of Michigan Press. ISBN 9780472052097

Mclaughlin, Malcolm (2018) American Recreation: Sportsmanship and the New Nationalism, 1900-1910. Journal of American Studies. ISSN 0021-8758 (In Press)

Mclennan, Rachael (2014) Aging, Adaptation, and the Curious Cases of Benjamin Button. Literature / Film Quarterly, 42 (4). pp. 635-648. ISSN 0090-4260

Mclennan, Rachael (2018) 'That's Not Enough': Ageing in Wes Anderson's Moonrise Kingdom and Rushmore. Texas Studies in Literature and Language, 60 (2). pp. 193-211. ISSN 0040-4691

Mclennan, Rachael (2014) To Count as a Girl: Misdirection in 10 Things I Hate About You. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, IX (1). ISSN 1554-6985

Mills, Brett (2017) Animals on Television:The Cultural Making of the Non-Human. Palgrave Macmillan UK. ISBN 978-1-137-51682-4

Mills, Brett (2016) ‘If this was a human…’: Pets, vets and medicine. Critical Studies in Television, 11 (2). pp. 244-256. ISSN 1749-6020

Mills, Brett (2016) Make Me Laugh: Creativity in the British television comedy industry. Humor, 29 (2). 157–174. ISSN 1613-3722

Mills, Brett (2016) Old Jokes:One Foot in the Grave, Comedy and the Elderly. In: British TV Comedies. Palgrave Macmillan, Basingstoke, pp. 265-277. ISBN 978-1-137-55294-5

Mills, Brett (2016) "Out There, In the World":Representations of the Zoo and Other Spaces in the Madagascar Trilogy. In: The Zoo and Screen Media. Palgrave Macmillan, pp. 137-152. ISBN 978-1-137-54342-4

Mills, Brett (2015) "Shoved Online":BBC Three, British Television and the Marginalisation of Young Adult Audiences. In: Media, Margins and Popular Culture. Palgrave Macmillan, Basingstoke, pp. 219-231. ISBN 978-1-137-51280-2

Mills, Brett (2014) Sitcoms. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 695-698. ISBN 9781412999090

Mills, Brett (2014) Sketch Comedy Shows. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 698-700. ISBN 9781412999090

Mills, Brett (2016) A Special Freedom:Regulating Comedy Offence. In: Taboo Comedy. Palgrave Studies in Comedy . Palgrave Macmillan, London, pp. 209-226. ISBN 978-1-137-59337-5

Mills, Brett (2015) The Television Sitcom. In: The Routledge Companion to British Media History. Routledge, London, pp. 451-459. ISBN 978-0-415-53718-6

Mills, Brett and Horton, Erica (2016) Creativity in the British Television Comedy Industry. Routledge. ISBN 9781138807211

Mills, Brett and Ralph, Sarah (2014) 'Trying to Ride a Naughty Horse': British Television Comedy Producers. In: Beyond the Bottom Line. Bloomsbury Academic, New York, pp. 161-174. ISBN 9781441172365

Mills, Brett and Rimmer, Mark (2017) Pure and Simple: Music as a Personal and Comedic Resource in Car Share. In: Music in Comedy Television. Routledge. ISBN 978-1138193581

Mistry, Kaeten (2016) Interventionism. In: America in the World, 1776 to the Present. Charles Scribner's Sons, pp. 519-523. ISBN 9780684325057

Mistry, Kaeten (2018) A Transnational Protest against the National Security State: Whistleblowing, Philip Agee and Networks of Dissent. Journal of American History. ISSN 0021-8723 (In Press)

Mitchell, John (2017) Past and present in Mercia in the age of Offa. In: The Past Presented. Turnhout, Brepols. (In Press)

Mitchell, John (2014) The painted decoration of San Salvatore di Brescia in context. In: Dalla corte regia al monastero di San Salvatore-Santa Giulia di Brescia. Edizioni SAP, pp. 169-201.

Mitchell, Jonathan (2017) The Empty Child: Dystopian Innocence in Samuel Delany's Hogg. European Journal of American Studies, 11 (3). ISSN 1991-9336

Mitchell, Stephen Mark (2014) Deconstructing National Identity: Character, Place, and Contemporary American Independent Cinema. Doctoral thesis, University of East Anglia.

Monks, Sarah (2018) Early American Painting. In: Conversations with the Collection. Terra Foundation for American Art, Chicago, pp. 16-26. ISBN 9780932171658

Monks, Sarah (2013) Life Study: Living with the Royal Academy, 1768-1848. In: Living with the Royal Academy. Ashgate Publishing Ltd, Burlington and Aldershot, pp. 1-23. ISBN 9781138249530

Monks, Sarah (2018) Marine Painting in Britain, 1650-1850: Framing Space, Power and Modernity. Routledge. ISBN 9781409439653

Monks, Sarah (2017) Rendering. In: Turner and the Whale. Shire Publications Ltd.. ISBN 9781784422851

Monks, Sarah (2016) Samuel Scott: Elite Masculinity and Aesthetic Experience in Eighteenth-Century British Marine Painting. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven. ISBN 9780300221572 (In Press)

Monks, Sarah (2013) "Un Peu Gascon": Dominic Serres and the Spectre of Alienation. In: Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848. Ashgate Publishing Ltd, Burlington and Aldershot, pp. 53-73. ISBN 9781138249530

Moreno, Dolores (2016) Cannes’ Best Screenplay Award: A Study on the Social Construction of Meaning and Value. Doctoral thesis, University of East Anglia.

Mortimer, Claire (2017) Battleaxes, spinsters and chars: the ageing woman in British film comedy of the mid-twentieth century. Doctoral thesis, University of East Anglia.

Murphy, Rachael (2017) Exhibiting Indigenous Australian collections in the UK. Doctoral thesis, University of East Anglia.


Newby, Lisa (2017) Assemblage in Practice: Artists, Ethnography and Display in Postwar London (1948-­‐85). Doctoral thesis, University of East Anglia.


O'Brien, Dai, Stead, Lisa and Nourse, Nicholas (2017) Bristol Deaf Memories: archives, nostalgia and the loss of community space in the deaf community in Bristol. Social & Cultural Geography. ISSN 1464-9365

Oey, Jennifer (2016) Practicing adaptation: one screenplay, five films. Doctoral thesis, University of East Anglia.

Onians, John (2018) Art, the visual imagination and neuroscience: The Chauvet Cave, Mona Lisa's smile and Michelangelo's terribilitá. Cortex, 105. pp. 182-188. ISSN 0010-9452

Onians, John (2016) The ‘masterpiece’: a social or neural phenomenon? World Art, 6 (2). pp. 187-201. ISSN 2150-0894


Peake, Jak and Mcmahon, Wendy (2019) American Networks: Radicals Under the Radar (1840–1968). Comparative American Studies. ISSN 1477-5700

Peters Corbett, David (2015) American Water: Memory and Projection in Mid-Nineteenth Century American Painting. In: Interdisciplinary Encounters. I B Taurus, London, pp. 137-155. ISBN 978-1780767024

Peters Corbett, David (2015) The Painting of Urban Life, 1880–1930. In: The Blackwell Companion to American Art. Wiley-Blackwell, Chichester, pp. 562-580. ISBN 978-0-470-67102-3

Pett, Emma (2019) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270 (In Press)

Pett, Emma (2017) Beyond the Metropolis: Immersive cinema in a rural context. In: Live Cinema. Bloomsbury, London. ISBN 9781501324833

Pett, Emma (2016) "Blood, Guts and Bambi Eyes":Urotsukidoji and the Transcultural Reception and Regulation of Anime. Journal of British Cinema and Television, 13 (3). pp. 390-408. ISSN 1743-4521

Pett, Emma (2015) Breaking the Rules: Film and Fashion in "Swinging Britain". Cinephile: The University of British Columbia's Film Journal, 11 (1). pp. 23-28.

Pett, Emma (2013) ‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 177-197.

Pett, Emma (2018) Homer, Ovid, Disney and Star Wars:The critical reception and transcultural popularity of Princess Mononoke. In: Princess Mononoke. Bloomsbury Academic, London. ISBN 9781501329746

Pett, Emma (2018) Movie migrations: transnational genre flows and South Korean cinema. Transnational Cinemas, 9 (1). pp. 123-124. ISSN 2040-3526

Pett, Emma (2013) "People Who Think Outside the Box": British Audiences and Asian Extreme Films. Cine-Excess eJournal.

Pett, Emma (2019) “Real Life is Rubbish”::The Subcultural Branding and Inhabitable Appeal of Secret Cinema’s The Empire Strikes Back. In: Disney's Star Wars. University of Iowa Press. ISBN 1609386434 (In Press)

Pett, Emma (2017) Review: Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship. Memory Studies, 10 (1). pp. 96-99. ISSN 1750-6980

Pett, Emma (2016) “Stay disconnected”:Eventising Star Wars for transmedia audiences. Participations: Journal of Audience and Reception Studies, 13 (1). pp. 152-169.

Pett, Emma (2015) Tourists, Vandals and Pilgrims: A study of participant responses to the Gromit Unleashed public art trail, Bristol, 2013. In: Media, Margins and Popular Culture. Palgrave, pp. 169-187. ISBN 978-1-137-51280-2

Pett, Emma (2017) Transnational Cult Paratexts: Exploring audience readings of Tartan’s Asia Extreme brand. Transnational Cinemas, 8 (1: Cult Cinema and the Transnational). pp. 35-48. ISSN 2040-3526

Pett, Emma (2015) A new media landscape? The BBFC, extreme cinema as cult, and technological change. New Review of Film and Television Studies, 13 (1). pp. 83-99. ISSN 1740-0309

Pett, Emma and Manchester, Helen (2015) Teenage Kicks: Exploring Cultural Value from a Youth Perspective. Cultural Trends, 24 (3). pp. 223-231. ISSN 0954-8963

Pett, Emma and Stokes, Melvyn (2017) Cinema Space and Postcolonial Audiences in 1960s Britain. In: Kinoerfahrungen. Avinus. ISBN 978-3-86938-086-5

Plowman, Alexander (2016) From Top of the Pops to Woodstock: mediatizations of rock music liveness, 1967-1973. Doctoral thesis, University of East Anglia.

Purcell, Hugh and Smith, Phyll (2012) The Last English Revolutionary: Tom Wintringham 1898-1949:Enlarged, Revised and Updated Edition. Cañada Blanch studies on contemporary Spain . Brighton: London School of Economics, Cañada Blanch Centre / Sussex Academic Press. ISBN 978-1-84519-448-2


Ralph, Sarah (2015) Using Stars, Not Just ‘Reading’ Them:The roles and functions of film stars in mother-daughter relations. Celebrity Studies, 6 (1). pp. 23-38. ISSN 1939-2397

Ralph, Sarah and Barker, Martin (2015) What a performance! Exploring audiences’ responses to film acting. Participations, 12 (1). pp. 739-761. ISSN 1749-8716

Ralph, Sarah and Mills, Brett (2015) ‘I Think Women Are Possibly Judged More Harshly with Comedy’: Women and British Television Comedy Production. Critical Studies in Television, 10 (2). pp. 102-117. ISSN 1749-6039

Redfern, Mary (2015) Crafting identities : tableware for the Meiji Emperor. Doctoral thesis, University of East Anglia.

Rendell, James and Denison, Rayna (2018) Introducing Studio Ghibli. East Asian Journal of Popular Culture, 4 (1). pp. 5-14. ISSN 2051-7084

Reynolds, Toby (2018) Starving sons and hungry daughters: A Post-Jungian Analysis of Fatherhood in Contemporary Cinema. Doctoral thesis, University of East Anglia.

Richards, Denzell (2007) 'Alias' DVD: Re-packaging American 'Quality' and 'Cult' Television Series. In: Investigating 'Alias': Secrets and Spies. Investigating Cult TV . I B Tauris, London, pp. 186-199. ISBN 978 1 84511 405 3

Richards, Denzell (2010) Cult TV and New Media. In: The Cult TV Book. Investigating Cult TV . I B Tauris, London, pp. 179-188. ISBN 978 1 84885 026 2

Richards, Denzell (2013) Old SF, New FX: Exploring the Reception of Replacement Special Effects for Older Episodes of 'Doctor Who' and 'Star Trek'. Critical Studies in Television, 8 (3). pp. 47-64. ISSN 1749-6039

Rickards, Carolyn (2014) A very British spectacle? : critical reception of the fantasy genre within contemporary British cinema. Doctoral thesis, University of East Anglia.

Riggs, Christina (2014) Ancient Egyptian Art and Architecture:A Very Short Introduction. Very Short Introductions . Oxford University Press. ISBN 9780199682782

Riggs, Christina (2018) Archaeology and photography. In: Routledge Handbook of Photography. Bloomsbury Academic. (In Press)

Riggs, Christina (2016) Beautiful Burials, Beautiful Skulls: The Aesthetics of the Egyptian Mummy. British Journal of Aesthetics, 56 (3). pp. 247-263. ISSN 0007-0904

Riggs, Christina (2014) Discussing knowledge in the making. In: Histories of Egyptology. Routledge Studies in Egyptology Series . Routledge, New York and London, pp. 129-138. ISBN 9780415843690

Riggs, Christina (2015) Egypt. In: The Oxford Handbook of Roman Sculpture. Oxford University Press, New York, pp. 552-568. ISBN 9780199921829

Riggs, Christina (2017) Egypt:Lost Civilizations. Reaktion Books. ISBN 9781780237268

Riggs, Christina (2017) In the Shadows: The Study of Ancient Egyptian Art. Orientalistische Literaturzeitung, 112 (4-5). 293–300. ISSN 0030-5383

Riggs, Christina (2017) Loose bodies: Reserve collections, curatorial reservations, and the ancient Egyptian dead. In: Museum Storage and Meaning: Tales from the Crypt. Routledge, London and New York, pp. 253-262. ISBN 9781138065970

Riggs, Christina (2017) Nuns and Guns: Thoughts on Heritage, Histories, and Egyptology. Review of Middle East Studies, 51 (2). pp. 221-227. ISSN 2151-3481

Riggs, Christina (2017) Objects in the photographic archive: Between the field and the museum in Egyptian archaeology. Museum History Journal, 10 (2). pp. 140-161. ISSN 1936-9816

Riggs, Christina (2019) Photographing Tutankhamun:Archaeology, Ancient Egypt, and the Archive. Bloomsbury Academic. ISBN 9781350038516

Riggs, Christina (2016) Photography and antiquity in the archive, or how Howard Carter moved the road to the Valley of the Kings. History of Photography, 40 (3). pp. 267-282. ISSN 0308-7298

Riggs, Christina (2017) Shouldering the past: Photography, archaeology, and collective effort at the tomb of Tutankhamun. History of Science, 55 (3). pp. 336-363. ISSN 0073-2753

Riggs, Christina (2017) Tutankhamun: The Original Photographs. Rupert Wace Ancient Art/The Gower Press. ISBN 9780957506442

Riggs, Christina (2016) An autopsic art: 'Dr Granville's mummy' in the Royal Society archives. Notes and Records, 70 (2). pp. 107-133. ISSN 0035-9149

Riggs, Christina (2017) The body in the box: archiving the Egyptian mummy. Archival Science, 17 (2). 125–150. ISSN 1389-0166

Rimmer, Mark (2018) Community Music and Youth: Delivering Empowerment? In: The Oxford Handbook of Community Music. Oxford University Press. ISBN 9780190219505

Rimmer, Mark (2015) ‘Doing what needs to be done’: Understandings of UK-based Community Music – reflections and implications. International Journal of Community Music, 8 (2). pp. 179-195.

Rimmer, Mark (2018) Harmony or Discord? Understanding children’s valuations of a Sistema-inspired initiative. British Journal of Music Education, 35 (1). pp. 43-55. ISSN 0265-0517

Rimmer, Mark (2017) Music, middle childhood and agency:The value of an interactional-relational approach. Childhood: A Global Journal of Child Research, 24 (4). pp. 559-573. ISSN 0907-5682

Rimmer, Mark (2018) The art of survival: community-based arts organisations in times of austerity. Community Development Journal. ISSN 0010-3802

Rimmer, Mark, Street, John and Phillips, Tom (2014) Understanding the Cultural Value of 'In Harmony-Sistema England'. pp. 1-57.

Ruiz, Pollyanna, Snelson, Timothy, Madgin, Rebecca, Webb, David, Whitter, Winstan and , Brazen Bunch (2016) You Can't Move History. vimeo.

Rupp, David, Fox, Sherry, Herscher, Ellen, McClellan, Murray, Clarke, Joanne, D'Annibale, Cesare, Gregory, Timothy and Critchley, John (1999) Prastio: Agios Savvas tis Karonis Monastery (Pafos District, Cyprus): 1994-1995 Field Season and 1992-1995 Artifact Analyses. Bulletin of the American Schools of Oriental Research, 316. pp. 23-88. ISSN 2161-8062

Rycroft, Daniel (2017) Adivasi Worlds:Encountering ‘Indian’ idealism in anthropology before independence. In: Environment and the Adivasi World. Alphabet Books, Kolkata, pp. 29-58. ISBN 9788192963525

Rycroft, Daniel (2018) Anthropological archives and ‘chiasmic’ time in modern India. Irish Journal of Anthropology, 16 (2). pp. 46-68. ISSN 1393-8592

Rycroft, Daniel (2017) Anthropology as Satyagraha (Truth-force):Elwin in pre-independence India. In: Pathways of Creative Research. Primus Books, New Delhi, pp. 9-30. ISBN 978-93-84082-05-5

Rycroft, Daniel (2018) Indian Anthropology and the Construction of 'Tribal Ethnicity' Before Independence. In: Revisiting Tribal Studies. Rawat Publications, New Delhi, pp. 41-56. ISBN 978-81-316-0936-1

Rycroft, Daniel (2014) Indigenous Studies and Fieldwork in India:A Dialogue. In: Fieldwork in South Asia. Sage Publications, New Delhi, pp. 339-359. ISBN 978-81-321-1742-1

Rycroft, Daniel (2014) Reinterpreting Adivasi History:Memory of the Santal Revolution in Village Bhognadih. In: Dissent, Disrimination and Dispossession. Manohar Publishers, New Delhi, pp. 51-71. ISBN 978-93-5098-043-9

Rycroft, Daniel J. (2015) Locating Adivasi Politics: Aspects of ‘Indian’ Anthropology after Birsa Munda. Anglistica, 19 (1). pp. 133-146. ISSN 2035-8504

Rycroft, Daniel J. (2014) Looking Beyond the Present:The Historical Dynamics of Adivasi (Indigenous and Tribal) Assertions in India. Journal of Adivasi and Indigenous Studies, 1 (1). pp. 1-17. ISSN 2394-5524

Rycroft, Daniel J. (2015) Looking Beyond the Present:The Historical Dynamics of Adivasi (Indigenous and Tribal) Assertions in India, Part 2. Journal of Adivasi and Indigenous Studies, 2 (1). pp. 1-10. ISSN 2394-5524


Scales, Adam (2015) Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture. Doctoral thesis, University of East Anglia.

Selby, Nick (2015) 'Answering "Each in His Nature": Some Ways out of The Cantos'. In: Exorcising Modernism. SWPS, Warsaw, pp. 142-185. ISBN 978-83-62609-48-2

Selby, Nick (2015) Editorial. Comparative American Studies, 13 (3). pp. 127-128. ISSN 1477-5700

Selby, Nick (2014) Editorial. Comparative American Studies, 12 (4). pp. 247-248. ISSN 1477-5700

Selby, Nick (2014) Editorial. Comparative American Studies, 12 (3). pp. 157-158. ISSN 1477-5700

Selby, Nick (2017) Editorial. Comparative American Studies, 15 (1-2). pp. 1-3. ISSN 1477-5700

Selby, Nick (2017) REVIEW of: Clemens Spahr, A Poetics of Global Solidarity: Modern American Poetry and Social Movements (New York: Palgrave Macmillan, 2015). American Literary History Online Review Series. (In Press)

Selby, Nick (2016) Review of David Herd, ed., Contemporary Olson (Manchester: Manchester University Press, 2015). Journal of American Studies, 50 (1). ISSN 0021-8758

Selby, Nick (2018) Riffing on Catullus: Robert Creeley’s Poetics of Adultery. In: Hip Sublime: Beat Writers and the Classical Tradition. Ohio State University Press. ISBN 978-0-8142-1355-1

Selby, Nick (2015) The Selected Letters of Robert Creeley. Rod Smith, Peter Baker, and Kaplan Harris, ed. Berkeley, Los Angeles, London: University of California Press, 2014. h/bk 467 pp. ISBN 978-0-520-24160-2. Price £44.95. Journal of American Studies of Turkey, 42. pp. 276-278.

Seller, Merlin (2016) Material memory: the work of late Sickert 1927-42. Doctoral thesis, University of East Anglia.

Selway, Matthew (2016) Mental disorder in the contemporary American biopic: representation and national identity. Doctoral thesis, University of East Anglia.

Sergi, Domenico (2016) Exploring the potential of museums and their collections in working practices with refugees. Doctoral thesis, University of East Anglia.

Shen, Shin-Yuu (2015) The Blooming Plum Blossom: the representation of women and the film and television in Taiwan (1985-2013). Doctoral thesis, University of East Anglia.

Sheppard, Rebekah (2017) A History of Encounter, an Encounter with History, The Emil Torday Expedition 1907-1909. Doctoral thesis, University of East Anglia.

Smith, C L, Dickinson, P, Craigon, M, Ross, A, Khondoker, M R, Forster, T, Ivens, A, Jackson, A, Lacaze, P, Stenson, B J and Ghazal, P (2010) 80 Microarray Investigation of Host Rna Expression Profiles in Neonatal Infection. In: UNSPECIFIED.

Smith, Phyll (2015) "Poisoning Their Daydreams":American Serial cinema, moral panic and the British children’s cinema movement. In: Serial Naratives. Könighausen & Neumann, Würzburg, pp. 39-54. ISBN 978-3-8260-5884-4

Smith, Phyll (2014) ‘Poisoning their daydreams’:American Serial Cinema, moral panic and the British Children’s Cinema Movement. Literatur in Wissenschaft und Unterricht, 47 (1). pp. 39-53. ISSN 0024-4643

Smith, Phyll (2017) Robert Etty: Passing the Story Down the Line. New Walk (14). ISSN 2044-9747

Smith, Phyll and Wright, Ellen (2013) Przelotne Spojrzenie za Ekranem:Biblia Tijuana i pornograficzne odreagowanie Hollywood. In: Skandal w Tekstach Kultury. Tabu - Trend - Transgresja, 2 . Uniwersytet Wrocławski Academia Medyczna im. Piastów Śląskich / Wydawnictwa DiG, Warszawa, Poland, pp. 148-170. ISBN 978-83-7181-759-5

Smith, Thomas (2016) The Dying Confession of Joseph Hare (1818):Transatlantic Highwaymen and Southern Outlaws in the Antebellum South. In: Oxford Handbook to the Literature of the US South. Oxford University Press. ISBN 9780199767472

Smith, Thomas (2015) Knowing the Mississippi. Open Rivers, 1 (1).

Smith, Thomas (2015) Roustabouts, Steamboats, and the Old Way to Dixie: The Mississippi River and the Southern Imaginary in the Early Twentieth Century. Southern Quarterly, 52 (3). pp. 10-29.

Smith, Thomas Ruys (2016) Dead Presidents: "Charles Guiteau", "White House Blues", and the Histories of Smithville. In: Harry Smith's Anthology of American Folk Music. Routledge. ISBN 9781472479204

Smith, Thomas Ruys (2016) Missing Ralph Keeler: Bohemians, Brahmins and Literary Friendships in the Gilded Age. Comparative American Studies, 14 (2). pp. 139-161. ISSN 1477-5700

Smith, Thomas Ruys (2015) “The Mississippi was a virgin field”: Reconstructing the River Before Mark Twain, 1865-1875. Mark Twain Journal, 53 (2). ISSN 0025-3499

Snelson, Tim (2018) Old Horror, New Hollywood and the 1960s True Crime Cycle. Film Studies, 19 (1). pp. 58-75. ISSN 1469-0314

Snelson, Tim (2015) Robert Siodmak. In: Fifty Hollywood Directors. Routledge, London, pp. 210-217. ISBN 9780415501392

Snelson, Tim (2017) ‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom. Historical Journal of Film, Radio and Television, 37 (3). pp. 455-474. ISSN 0143-9685

Snelson, Tim (2017) Where the exceptional and the everyday meet: Exploring cinema culture in British seaside towns. In: Cinema Beyond the City. Palgrave Macmillan. ISBN 9781844578467

Snelson, Timothy (2017) ‘To Be Continued…: Seriality, Cyclicality and the New Cinema History’. In: Routledge Companion to New Cinema History. Routledge. ISBN 1138955841

Stead, Lisa (2015) Adaptation, Authorship, and Contemporary Women Filmmakers. Australian Feminist Studies, 30 (85). pp. 314-316. ISSN 0816-4649

Stead, Lisa (2017) Archiving star labour: framing Vivien Leigh. Women's History Review. ISSN 0961-2025 (In Press)

Stead, Lisa (2010) Audiences from the Film Archive:Women’s Writing and Silent Cinema. In: Scope journal of film and TV studies, Using Moving Image Archives Special Issue. Scope: An Online Journal of Film and Television Studies, pp. 32-47. ISBN 978-0-9564641-1-8

Stead, Lisa (2017) “Dear Cinema Girls”: Girlhood, Picturegoing and the Interwar Film Magazine. In: Women's Periodicals and Print Culture in Britain, 1918-1939. Edinburgh University Press, Edinburgh. ISBN 9781474412537

Stead, Lisa (2015) Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman V. BARNETT & A. WEEDON. Women's History Review, 24 (4). pp. 629-631. ISSN 0961-2025

Stead, Lisa (2018) Elinor Glyn's British Talkies: Voice, Nationality and the Author On-Screen. Women: A Cultural Review, 29 (2). pp. 169-187. ISSN 0957-4042

Stead, Lisa (2013) Introduction. In: The Boundaries of the Literary Archive. Routledge, Farnham, pp. 1-12. ISBN 9781409443223

Stead, Lisa (2013) Letter Writing, Cinemagoing and Archive Ephemera. In: The Boundaries of the Literary Archive. Routledge, Farnham, pp. 139-153. ISBN 9781409443223

Stead, Lisa (2016) Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain. Edinburgh University Press. ISBN 9780748694884

Stead, Lisa (2017) 'There is a War on. Does She Know?’: Transatlantic female stardom and wartime labour in British Film Fan Magazines. In: Movie Magazines. University of Iowa Press. (In Press)

Stead, Lisa (2013) ‘The big romance’: Winifred Holtby and the fictionalisation of women's cinemagoing in interwar Yorkshire. Women's History Review, 22 (5). pp. 759-776. ISSN 0961-2025

Stead, Lisa Rose (2011) "So oft to the movies they've been": British fan writing and female audiences in the silent cinema. Transformative Works and Cultures, 6. ISSN 1941-2258

Steel, L, Manley, B., Clarke, J. and Sadeq, M. (2002) Late Bronze Age Gaza: prestige production at el-Moghraqa. Antiquity, 76 (294). pp. 939-940. ISSN 0003-598X

Street, Sarah, Johnston, Keith, Frith, Paul and Rickards, Carolyn (2018) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X (In Press)

Szpak, Paul, Millaire, Jean-François, White, Christine, Lau, George, Surette, Flannery and Longstaffe, Fred (2015) Origins of Prehispanic Camelid Wool Textiles from the North and Central Coasts of Peru Traced by Carbon and Nitrogen Isotopic Analyses. Current Anthropology, 56 (3). pp. 449-459. ISSN 1537-5382


Tadeo Fuica, Beatriz and Barrow, Sarah (2015) (In)visible cinemas: Reusing archival footage in Latin American cinema. New Cinemas, 13 (1). pp. 3-8. ISSN 1474-2756

Tasker, Yvonne (2014) British Action and Adventure: A National Take on a Global Genre. Frames Cinema Journal (6). ISSN 2053-8812

Tasker, Yvonne (2016) Contested masculinities:The action film, the war film, and the western. In: The Routledge Companion to Cinema and Gender. Taylor and Francis Inc., pp. 111-120. ISBN 9781138924956

Tasker, Yvonne (2015) The Hollywood Action and Adventure Film. New Approaches to Film Genre . Wiley-Blackwell. ISBN 9780470659250

Tasker, Yvonne (2017) Military Women in Cinema:War Stories and Future Worlds. In: The Palgrave International Handbook of Gender and the Military. Palgrave Macmillan, pp. 493-507. ISBN 978-1-137-51676-3

Tasker, Yvonne (2016) Sensation/investigation:Crime television and the action aesthetic. New Review of Film and Television Studies, 14 (3). pp. 304-323. ISSN 1740-0309

Tasker, Yvonne and Steenberg, Lindsay (2016) Women Warriors from Chivalry to Vengeance. In: Women of Ice and Fire. Bloomsbury, pp. 171-192. ISBN 978-1-5013-0290-9

Thouaille, Marie-Alix (2016) “Nice White Ladies Don’t Go Around Barefoot”:Racing the White Subjects of The Help (Tate Taylor 2011). Alphaville: Journal of Film and Screen Media, 10. ISSN 2009-4078

Thouaille, Marie-Alix (2018) Post-feminism at an impasse? The woman author heroine in postrecessionary American film. Feminist Media Studies. ISSN 1468-0777

Thouaille, Marie-Alix (2018) Postfeminist Authorial Corpography Winona Ryder and the 1990s Woman Author Cycle. Interférences littéraires. ISSN 2031-2790

Thouaille, Marie-Alix (2018) The Single Woman Author on Film Screening Postfeminism. Doctoral thesis, University of East Anglia.

Tillett, Rebecca (2018) Otherwise, Revolution! Leslie Marmon Silko’s Almanac of the Dead. Bloomsbury Academic. ISBN 9781623567873

Tillett, Rebecca (2016) 'Sand Lizard warned her children to share':Philosophies of Gardening and Exchange in Gardens in the Dunes. In: Leslie Marmon Silko. Studies in Contemporary North American Fiction (1). Bloomsbury Academic, London. ISBN 9781472530608

Trend, Nicholas (2017) Wighton: the church, the village and its people, 1400-1500. Doctoral thesis, University of East Anglia.


Webster, Emma (2015) ‘Roll Up and Shine’: A case study of Stereophonics at Glasgow’s SECC arena. In: The Arena Concert. Bloomsbury Academic, London, p. 114. ISBN 9781628925562

Webster, Emma and McKay, George (2015) The impact of (jazz) festivals:An Arts and Humanities Research Council-funded research report. Jazz Research Journal, 9 (2). pp. 169-193. ISSN 1753-8637

Webster, Emma and Mckay, George (2017) Music From Out There, In Here:25 Years of the London Jazz Festival. AHRC/UEA.

Whittlesea, Timothy (2017) Responses to M*A*S*H, Catch 22 and Kelly’s Heroes: developing a method of investigating changes in discourse. Doctoral thesis, University of East Anglia.

Williams, Melanie (2015) The Best Exotic Graceful Ager: Dame Judi Dench and Older Female Celebrity. In: Women, Celebity and Cultures of Ageing. Palgrave Macmillan, p. 146. ISBN 9781137495112

Williams, Melanie (2014) David Lean. MUP. ISBN 978-0-7190-7385-4

Williams, Melanie (2017) Female Stars of British Cinema:The Women in Question. Edinburgh University Press. ISBN 9781474405638

Williams, Melanie (2014) Robert Bolt. In: British Writers. British Writers Series . Charles Scribner's Sons. ISBN 9780684325019

Williams, Melanie (2016) The girl you don’t see: Julie Harris and the costume designer in British cinema. Feminist Media Histories, 2 (2). pp. 71-106. ISSN 2373-7492

Williams, Melanie and Sinyard, Neil (2018) The Walls of Jericho. In: The Call of the Heart: John M. Stahl and Hollywood Melodrama. Indiana University Press. ISBN 978-0-86196-736-0

Willson, Nicole (2016) Cryptic Secrets: Phantoms of the Haitian Revolution in the American Imaginary. Doctoral thesis, University of East Anglia.

Winch, Alison (2015) Brand Intimacy, Female Friendship and Digital Surveillance Networks. New Formations, 84/85. pp. 228-245. ISSN 0950-2378

Winch, Alison (2017) "Does Feminism Have a Generation Gap?": Blogging, Millennials and the Hip Hop Generation. In: Women Writing Across Cultures. Routledge. ISBN 9781138295766

Winch, Alison (2017) “Does Feminism have a generation gap?”:blogging, millennials and the hip hop generation. Angelaki, 22 (1). pp. 207-221. ISSN 0969-725X

Winch, Alison (2013) “Drinking a Dish of Tea With Sapho”:The Sexual Fantasies of Lady Mary Wortley Montagu and Lord Byron. Women's Writing, 20 (1). pp. 82-99. ISSN 1747-5848

Winch, Alison (2015) Feminism, generation and intersectionality:Generational differences within feminism are also opportunities for dialogue. Soundings: A Journal of Politics and Culture, 58. pp. 8-20. ISSN 1362-6620

Winch, Alison (2012) The Girlfriend Gaze. Soundings: A Journal of Politics and Culture, 52. pp. 21-32. ISSN 1362-6620

Winch, Alison (2013) Girlfriends and Postfeminist Sisterhood. Palgrave Macmillan. ISBN 978-0-230-34875-2

Winch, Alison (2016) ‘I just think it’s dirty and lazy’: Fat surveillance and erotic capital. Sexualities, 19 (8). pp. 898-913. ISSN 1461-7382

Winch, Alison (2015) ‘If female envy did not spoil every thing in the world of women’:Lies, Rivalry and Reputation in Lady Elizabeth Craven’s Travelogues. In: Women, Travel and Truth. Routledge, London, pp. 91-105. ISBN 9781138023529

Winch, Alison (2010) ‘Iphis her wish (however wild) obtain’d’:Lady Mary Wortley Montagu and Sexual Metamorphoses. In: Ovid’s Metamorphoses in English Poetry. Peter Lang, Frankfurt, pp. 185-196. ISBN 978-3-8253-5520-3

Winch, Alison (2004) 'The Nymph Grown Furious, Roar’d':Lady Mary Wortley Montagu’s Response to Jonathan Swift’s ‘The Lady's Dressing Room. In: Misogynism in Literature. Peter Lang, Frankfurt, pp. 71-88. ISBN 978-3-631-52141-0

Winch, Alison (2016) Trouble. The Emma Press. ISBN 9781910139394

Winch, Alison (2012) ‘We can have it all’:The girlfriend flick. Feminist Media Studies, 12 (1). pp. 69-82. ISSN 1468-0777

Winch, Alison (2012) ‘Your new smart-mouthed girlfriends’:Postfeminist Conduct Books. Journal of Gender Studies, 30 (4). 359–370. ISSN 0958-9236

Winch, Alison (2007) ‘in plain English, stark naked’:Orlando, Lady Mary Wortley Montagu and Reclaiming Sapphic Connections. Critical Survey, 19 (1). pp. 51-61. ISSN 0011-1570

Winch, Alison and Hakim, Jamie (2016) “I’m selling the dream really aren’t I?”: Sharing Fit Male Bodies on Social Networking Sites. In: Digital Leisure Cultures: Critical Perspectives. Routledge. ISBN 9781138955073

Winch, Alison, Littler, Jo and Keller, Jessalynn (2018) Introduction: Why "intergenerational feminist media studies"? In: An Intergenerational Feminist Media Studies: Conflicts and connectivities. Routledge, London. ISBN 9781138563483

Winch, Alison, Littler, Jo and Keller, Jessalynn (2016) Why 'intergenerational feminist media studies'? Feminist Media Studies, 16 (4). pp. 557-572. ISSN 1468-0777

Winch, Alison and Webster, Anna (2012) Here comes the brand:Wedding media and the management of transformation. Continuum, 26 (1). pp. 51-59. ISSN 1030-4312

Wright, Ellen and Smith, Phyll (2019) "Coming Attractions":Tijuana bibles and the pornographic re-imagining of Hollywood. In: Mapping Movie Magazines. Palgrave Macmillan. (In Press)


Yao, Xin (2017) The Voice of China: Interactive Television and Participatory Audiences in Mainland China. Doctoral thesis, University of East Anglia.

Yuval-Davis, Nira and Hakim, Jamie (2015) Anti-Jewish and anti-Muslim Racisms, and the question of Palestine/Israel. UNSPECIFIED, openDemocracy.

Yuval-Davis, Nira, Varju, Viktor, Tervonen, Miika, Hakim, Jamie and Fathi, Mastoureh (2017) Press discourses on Roma in the UK, Finland and Hungary. Ethnic and Racial Studies, 40 (7). pp. 1151-1169. ISSN 0141-9870

This list was generated on Fri Feb 15 10:33:51 2019 GMT.