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Number of items at this level: 1454.

A

Adams, Ann (2016) Revisiting the Monument: Fifty Years Since Panofsky's Tomb Sculpture. Courtauld Books On-Line, London. ISBN 978-1-907485-06-0

Ahmed Giade, Asma'U (2016) An archaeological investigation in Shira region, Bauchi, northeast Nigeria. Doctoral thesis, University of East Anglia.

Antunes, Filipa (2014) Children and Horror after PG-13: The Case of The Gate. Networking Knowledge, 6 (4). ISSN 1755-9944

Aoyagi, M and Matsuda, Akira (2005) The Concept and System of World Heritage (Sekai isan no rinen to seido). In: World Heritage and the Study of History (Sekai isan to Rekishi gaku). Yamakawa Shuppan, Tokyo, pp. 5-25.

Armijos, Maria Teresa, Phillips, Jeremy, Wilkinson, Emily, Barclay, Jenni, Hicks, Anna, Palacios, Pablo, Mothes, Patricia and Stone, Jonathan (2017) Adapting to changes in volcanic behaviour: Formal and informal interactions for enhanced risk management at Tungurahua Volcano, Ecuador. Global Environmental Change, 45. pp. 217-226. ISSN 0959-3780

Arnold, Dana (2016) The Architectural Heritage of Cities:Some thoughts on Research Methods, Theories and Strategies for Preservation and Sustainable Re-use in a Global Context. In: The 4th International Symposium on Architecture Heritage Preservation and Sustainable Development Tianjin, China. Urban Flux, Beijing China, pp. 180-183. ISBN 1008-2832

Arnold, Dana (2004) Art History:A very short introduction. Oxford University Press, Oxford, Oxford. ISBN 9780192801814

Arnold, Dana (2014) Construire la modernité urbaine: la concession britannique à Tianjin 1860-2014. Outre-Mers, 382-383. pp. 89-102.

Arnold, Dana (2017) The Cultural Landscape and Public Space from a Transnational Perspective. In: Cultural Heritage and Sustainable Development. Technical University of Crete, Chania, Crete, pp. 105-113. ISBN 978-960-8475-24-3

Arnold, Dana (2013) The Georgian Country House:Architecture Landscape and Society. The History Press.

Arnold, Dana (1998) The Georgian Country House:Architecture Landscape and Society. The History Press. ISBN 978-0750915908

Arnold, Dana (2014) Interdisciplinary Encounters: Hidden and visible explorations of the work of Adrian Rifkin. IB Tauris. ISBN 9781780767024

Arnold, Dana (2017) Misprisions of London. Art History at 40: Image and Memory 40 years of Art-Historical Writing, 40 (4). 770–783.

Arnold, Dana (2016) Paris - Londres/London - Paris (1750-1980). InFolio et INHA.

Arnold, Dana (1999) Re-presenting the Metropolis:Architecture, Urban Experience and Social Life in London 1800-1840. Ashgate Publishing. ISBN 978-1840142327

Arnold, Dana (2018) Re-presenting the Metropolis:Architecture, Urban Experience and Social Life in London 1800-1840. Routledge. ISBN 9780815394488

Arnold, Dana (2002) Reading Architectural History. Routledge, London. ISBN 978-0415250504

Arnold, Dana (2006) Rural Urbanism:London landscapes in the early nineteenth century. Manchester University Press, Manchester. ISBN 978-0719068201

Arnold, Dana (2015) A Short Book About Art. Tate Publishing. ISBN 9781854379078

Arnold, Dana (2013) The Spaces of the Hospital:Spatiality and Urban Change in London 1680-1830. Routledge, London. ISBN 9780415325165

Arnold, Dana (2016) Unreason and the Ambiguities of Silence. In: Foucault on the Arts and Letters. Global Aesthetic Research . Rowman and Littlefield International, London and New York, pp. 3-25. ISBN 9781783485734

Atakav, Eylem (2014) "Do one’s dreams become smaller as one becomes bigger?" Memory, Trauma and the Child in Turkish Cinema. In: New Cinema, New Media: Reinventing Turkish Cinema. Cambridge Scholars Press, pp. 158-165. ISBN 978-1-4438-5688-1

Atakav, Eylem (2014) Dorothy Arzner (1897-1979). In: Fifty Hollywood Directors. Routledge. ISBN 9780415501408

Atakav, Eylem (2009) Female Subjectivity and Cinematic Representation. Cinemascope, 12.

Atakav, Eylem (2015) Feminism and Women’s Film History in 1980s Turkey. In: Doing Women's Film History. University of Illinois Press, pp. 127-138. ISBN 978-0-252-03968-3

Atakav, Eylem (2016) Growing Up Married. UNSPECIFIED.

Atakav, Eylem (2018) Growing Up Married: Representing Forced Marriage on Screen. Journal of Critical Discourse Studies. (In Press)

Atakav, Eylem (2015) ‘Honour is everything for Muslims’? Vendetta Song, Filmic Representation, Religious Identity and Gender Politics in Turkey. In: The Politics of Being a Woman. Palgrave Macmillan UK, pp. 49-63. ISBN 978-1-349-48098-2

Atakav, Eylem (2017) The Republican Woman is Being Destroyed! Save your republic! Gender Politics and Turkish Television Adverts’. In: ‘I’m not a feminist but…’: Gender and 21st Century Visual Culture. UNSPECIFIED. (In Press)

Atakav, Eylem (2016) Women, Islam, and cinema:Gender politics and representation in Middle Eastern films and beyond. In: The Routledge Companion to Cinema and Gender. Taylor and Francis Inc., pp. 227-236. ISBN 9781138924956

Atakav, Eylem (2013) The critical reception of Certified Copy: Original art or copy of a rom-com? In: Watching Films. Intellect Ltd. ISBN 9781841505114

Atakav, Eylem and Randell, Karen (2017) Women and Contemporary World Cinema. Palgrave. (In Press)

Attwood, Feona, Hakim, Jamie and Winch, Alison (2017) Mediated intimacies: bodies, technologies and relationships. Journal of Gender Studies, 26 (3). pp. 249-253. ISSN 0958-9236

Aveyard, Karina (2011) Australian films at the cinema: rethinking the role of distribution and exhibition. Media International Australia, 138. pp. 36-45.

Aveyard, Karina (2012) Big Screen to Small Screen: Australasian film and its new formats (Special edition - Guest editor). Studies in Australasian Cinema, 6 (2).

Aveyard, Karina (2012) Cinema on the Edge: Improvised Film Exhibition and Digital Projection in Rural Australia. Studies in Australasian Cinema, 6 (2). pp. 189-201.

Aveyard, Karina (2009) Coming to a cinema near you: Digital cinema, exhibition and audiences in Australia. Studies in Australisian Cinema, 3 (2). pp. 191-203.

Aveyard, Karina (2009) Digitizing and Contextualizing Australian audio-visual content: australianscreen online. Studies in Australasian Cinema, 3 (2). pp. 205-222.

Aveyard, Karina (2016) Film consumption in the 21st century: engaging with non-theatrical viewing. Media International Australia, 160 (1). pp. 140-149. ISSN 1329-878X

Aveyard, Karina (2017) Film education, technology and popular culture: Community cinema in rural areas of the United Kingdom. In: Cinema Beyond the City. Cultural Histories of Cinema . BFI Publishing. ISBN 9781844578467

Aveyard, Karina (2014) The Lure of the Big Screen:Cinema in Rural Australia and the United Kingdom. Intellect Books, Bristol and Chicago. ISBN 9781783203826

Aveyard, Karina (2011) More Than Making Do: rethinking cinema attendance in regional and rural Australia. Studies in Australasian Cinema, 5 (1). pp. 7-18.

Aveyard, Karina (2012) Observation, Mediation and Intervention: an Account of Methodological Fusion in the Study of Rural Cinema Audiences in Australia. Participations: Journal of Audience and Reception Studies, 9 (2).

Aveyard, Karina (2015) "Our Place": Women at the Cinema in Rural Australia. In: Doing Women's Film History: Reframing Cinemas, Past and Future. Women and Film History International . University of Illinois Press, Champaign IL, pp. 232-243. ISBN 978-0-252-03968-3

Aveyard, Karina (2011) The Place of Cinema and Film in Contemporary Rural Australia. Participations: Journal of Audience and Reception Studies, 8 (2).

Aveyard, Karina (2009) Rethinking cinema-going in rural Australia. Researching Australian Film Exhibition and Distribution.

Aveyard, Karina (2018) The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia. In: Rural Cinema Exhibition and Audiences in a Global Context. Springer International Publishing, pp. 171-183. ISBN 978-3-319-66343-2

Aveyard, Karina (2011) What the country tells us - the place of the ‘rural’ in contemporary studies of cinema. Media International Australia, 139. pp. 124-132.

Aveyard, Karina and Moran, Albert (2016) From Marginal Trader to Corporate Giant: The Emergence of FremantleMedia. In: New Patterns in Global Television Formats. Intellect Books. ISBN 9781783207121

Aveyard, Karina and Moran, Albert (2013) The Place of Television Program Formats. Continuum, 28 (1). ISSN 1030-4312

Aveyard, Karina, Moran, Albert and Vieth, Errol (2018) Historical Dictionary of Australian and New Zealand Cinema, 2nd edition. Rowman and Littlefield. ISBN 978-1-5381-1126-0

Ayers, Brian (2016) The German Ocean:Medieval Europe around the North Sea. Equinox Publishing Ltd. ISBN 9781904768494

Ayers, Brian (2016) Urban Culture in Medieval Wales. Edited by Helen Fulton. Cardiff University Press. 2012. xv + 334pp. £24.99. History, 101 (347). pp. 591-593. ISSN 0018-2648

Ayers, Brian, Haynes, Clare, Heslop, TA and Lunnon, Helen (2017) The parish churches of Norwich north of the River Wensum: city, community, architecture and antiquarianism. Church Archaeology, 18. pp. 1-20.

B

Barker, Jessica (2018) Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese Royal Monument. Art History, 41 (2). 220–245. ISSN 0141-6790

Barker, Jessica (2016) Introduction. In: Revisiting the Monument: Fifty Years Since Panofsky's Tomb Sculpture. Courtauld Books On-Line, London, pp. 11-15. ISBN 978-1-907485-06-0

Barker, Jessica (2017) Invention and Commemoration in Fourteenth-Century England:A Monumental “Family Tree” at the Collegiate Church of St. Martin, Lowthorpe. Gesta, 56 (1). pp. 105-128. ISSN 0016-920X

Barker, Jessica (2017) Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland. British Art Studies (6). ISSN 2058-5462

Barker, Jessica (2017) The Sculpted Epitaph. Sculpture Journal, 26 (2). 235–248. ISSN 1756-9923

Barker, Jessica (2016) Stone and Bone: The Corpse, the Effigy and the Viewer in Late-Medieval Tomb Sculpture. In: Revisiting the Monument: Fifty Years Since Panofsky's Tomb Sculpture. Courtauld Books On-Line, London, pp. 113-136. ISBN 978-1-907485-06-0

Barker, Martin, Egan, Kate, Phillips, Tom and Ralph, Sarah (2015) Alien Audiences:Remembering and Evaluating a Classic Movie. Palgrave Macmillan. ISBN 978-1-137-53205-3

Barrow, Sarah (2007) Allegories of Identity in Bajo la piel (Francisco Lombardi 1996 Peru). In: A World Torn Apart: Representations of Violence in Latin American Narrative. Peter Lang. ISBN 978-3039113354

Barrow, Sarah (2008) Bhaji on the Beach (1993). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty Key American Films. Taylor & Francis. ISBN 9780415772969

Barrow, Sarah (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

Barrow, Sarah (2007) Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua by Jonathon Buchsbaum. Scope. ISSN 1465-9166

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). pp. 132-148. ISSN 1740-0309

Barrow, Sarah (2017) Contemporary Peruvian Cinema: History, Identity and Violence on Screen. IB Tauris. ISBN 9781784538217

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2012) Deconstructive Humour: Subverting Mexican and Chicano Stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2008) Drifters (1929). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2004) Duck Season (Fernando Eimbcke 2004, Mexico). UNSPECIFIED.

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana. Iberoamericana, 9 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah (2018) Growing Pains: Young People and Violence in Peru’s Fiction Cinema. In: New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures . Palgrave Macmillan, pp. 165-181. ISBN 978-3-319-89380-8

Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema Essays on Modernity, Gender and National Identity. McFarland & Co Inc. ISBN 978-0-7864-2004-9

Barrow, Sarah (2016) The Impossible Constellation: Practice as Research as a Viable Alternative. In: The Academic Book of the Future. Palgrave Macmillan UK, pp. 24-30. ISBN 978-1-349-88797-2

Barrow, Sarah (2006) Kukuli (Luis Figueroa 1961 Peru). University of Cambridge.

Barrow, Sarah (2016) Latin American Cinema by Stephen M. Hart. Viewfinder.

Barrow, Sarah (2008) Listen to Britain (1942). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) The Lodger (1926). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) London (1994). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. NECSUS. European Journal of Media Studies. ISSN 2215-1222

Barrow, Sarah (2003) Maria Full of Grace (Joshua Marston 2003 Columbia/US). UNSPECIFIED.

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty Key American Films. Routledge. ISBN 9780415772969

Barrow, Sarah (2017) Morality Tales? Visions of the Past in Spielberg’s History Plays. In: A Companion to Steven Spielberg. Wiley-Blackwell, pp. 307-319. ISBN 978-1-118-72691-4

Barrow, Sarah (2018) Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru. In: Contemporary Latin American Cinema. Palgrave Macmillan, pp. 119-134. ISBN 978-3-319-77009-3

Barrow, Sarah (2006) The New Brazilian Cinema edited by Lúcia Nagib. Scope (5). ISSN 1465-9166

Barrow, Sarah (2013) New configurations for Peruvian cinema: The rising star of Claudia Llosa. Transnational Cinemas, 4 (2). pp. 197-215. ISSN 2040-3526

Barrow, Sarah (2014) Out of the Shadows: ‘New’ Peruvian Cinema, National Identity and Political Violence. Modern Languages Open. ISSN 2052-5397

Barrow, Sarah (2007) Peruvian Cinema and the Struggle for International Recognition: Case Study on El Destino no tiene favoritos. In: Contemporary Latin American Cinema. Rowman & Littlefield Publishers. ISBN 978-0-7425-3914-3

Barrow, Sarah (2018) Peruvian wounds: Children and violence in the fiction cinema of the Chaski Group, Gregorio (1984) and Juliana (1988). In: The Feeling Child. Lexington Books. ISBN 978-1-4985-7440-2

Barrow, Sarah (2006) Political Violence, Cinematic Representation, and Peruvian National Identity: La Boca del Lobo (Francisco Lombardi, 1988) and La Vida es una Sola (Marianne Eyde, 1993). In: Political Violence and the Construction of National Identity in Latin America. Palgrave, pp. 131-148. ISBN 978-1-4039-7388-7

Barrow, Sarah (2018) Portfolio Careers and a New Common Cause:The Conditions for Screen Workers in Peru. In: The Precarious in the Cinemas of the Americas. Palgrave Macmillan, pp. 163-181. ISBN 978-3-319-76806-9

Barrow, Sarah (2008) Pressure (1975). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Ratcatcher (1999). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2015) Reframing transitions and contesting memories: The archive and the archival object in Peruvian cinema. New Cinemas, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488

Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European Cinema: Inside Out. Universitätsverlag Winter GmbH Heidelberg. ISBN 978-3-8253-1474-3

Barrow, Sarah (2002) Suddenly (Diego Lerman 2002). UNSPECIFIED.

Barrow, Sarah (2008) The Third Man (1949). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2017) Through Female Eyes: Reframing Peru on Screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. IB Tauris. ISBN 9781784537111

Barrow, Sarah (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Barrow, Sarah (2010) Transnational Financial Structures in the Cinema of Latin America: Programa Ibermedia in Study, Libia Villazana (2009). Transnational Cinemas. pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2003) The White Train (Nahuel García 2003 Argentina/Spain). UNSPECIFIED.

Basu, Paul and De Jong, Ferdinand (2016) Utopian archives, decolonial affordances:Introduction to special issue. Social Anthropology, 24 (1). pp. 5-19. ISSN 0964-0282

Behr, Adam, Brennan, Matt, Frith, Simon and Webster, Emma (2016) Live Concert Performance: An Ecological Approach. Rock Music Studies, 3 (1). pp. 5-23. ISSN 1940-1159

Bembridge, Steven (2017) ‘I could almost believe in God’: the evolution of American theology in American literary naturalism. Doctoral thesis, University of East Anglia.

Benn, Tom (2015) Trouble Man. Jonathan Cape. ISBN 9780099584544

Bennett, Elizabeth and Mckay, George (2019) Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK. UNSPECIFIED.

Bennett, Elizabeth and Mckay, George (2019) From Brass Bands to Buskers:Street Music in the UK. AHRC/UEA, Norwich.

Bennett, James and Hamad, Hannah (2015) Introduction: New faces, Recurrent themes and Research agendas. Celebrity Studies, 6 (2). pp. 252-253. ISSN 1939-2397

Bennett, James and Holmes, Su (2010) The "Place" of television in Celebrity Studies. Celebrity Studies, 1 (1). pp. 65-80. ISSN 1939-2397

Bharat, Gauri (2015) An interdisciplinary approach to Santal architectural history. Doctoral thesis, University of East Anglia.

Bianchi, Giovanna, Mitchell, John, Agresti, Juri, Turbanti, Isabella Memmi, Osticioli, Iacopo, Siano, Salvatore and Pacini, Alessandro (2016) La Fibula di Montieri:Indagini archeologiche alla canonica di San Niccolò e la scoperta di un gioiello medievale. Prospettiva: Rivista di Storia Dell'arte Antica e Moderna, 155-156. pp. 100-113. ISSN 0394-0802

Bigsby, Chris and Temperley, Howard (2005) A New Introduction to American Studies. Longman. ISBN 0582894379

Bigsby, Christopher (2014) Ballygoran. Colney Books. ISBN 9781505468205

Bigsby, Christopher (2015) Flint. Bella Books, Norwich. ISBN 9781517350796

Bigsby, Christopher (2018) Twenty-First Century American Playwrights. Cambridge University Press. ISBN 9781108419581

Bigsby, Christopher (2013) Viewing America:Twenty-First Century Television Drama. Cambridge University Press. ISBN 978-1107619746

Bigsby, Christopher (2017) Writers in Conversation Volume Six. Boiler House Press, Norwich.

Bigsby, Christopher (2013) Writers in Conversation with Christopher Bigsby. Unthank Books.

Bingham, William (2016) Queer fan practices online: digital fan production as a negotiation of LGBT representation in Pretty Little Liars. Doctoral thesis, University of East Anglia.

Bingham, William Patrick (2015) The dead are rising:Gender and technology in the landscape of crisis. In: Cultural Studies and Transdisciplinarity in Education. Cultural Studies and Transdisciplinarity in Education . Springer Nature, pp. 37-51. ISBN 978-981-287-932-5

Boness, Doron, Clarke, Joanne and Goren, Yuval (2015) Ceramic neolithic pottery in Cyprus - Origin, technology and possible implications for social structure and identity. Levant, 47 (3). pp. 233-254.

Boone, Katherine (2016) Negotiating ‘Turkishness’ in North Cyprus. Doctoral thesis, University of East Anglia.

Bove, Francesca (2018) Nurturing genius in a pigsty: George Morland and the making of the modern artist. Doctoral thesis, University of East Anglia.

Brogiolo, Gian Pietro and Dallemule, Morena (2014) Wall-paintings in the Hermitage of San Colombano, Trambileno, near Rovereto, Val d’Adige. In: Chiese altomedievali in Trentino e arco alpino orientale. Edizioni Quasar, pp. 99-114.

Brogiolo, Gian Pietro, Gheroldi, Vincenzo, De Rubeis, Flavia and Mitchell, John (2014) Nuove ricerche sul sequenza, cronologia, e contesto degli affreschi di Santa Maria foris portas di Castelseprio. Hortus Artium Medievalium, 20 (2). pp. 720-737.

Brooks, Oliver (2015) ‘I’m a Free Bitch Baby’, a ‘Material Girl’: Interrogating Audience Interpretations of the Postfeminist Performances of Lady Gaga and Madonna. In: The Politics of Being a Woman. Palgrave Macmillan UK, pp. 67-90. ISBN 978-1-349-48098-2

Bross, Miriam (2016) Bridget Jones’s Legacy: gender and discourse in contemporary literature and romantic comedy adaptations. Doctoral thesis, University of East Anglia.

Burtenshaw-Zumstein, Julia (2014) Cupisnique, Tembladera, Chongoyape, Chavín? A Typology of Ceramic Styles from Formative Period Northern Peru, 1800-200 BC. Doctoral thesis, University of East Anglia.

Butler, Philip, Cowgill, Rachel, Duffy, Celia, Hand, Richard and Price, Deborah (2006) Multi-disciplinary Perspectives on the British Library's Archival Sound Recordings Project. Performance Research, 11 (4). pp. 117-126. ISSN 1352-8165

Bylina, Lisabeth (2017) Genre framing in discourses surrounding comedy television remakes between the UK and the US. Doctoral thesis, University of East Anglia.

Byrdon, Lavinia and Stead, Lisa (2017) The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities. SERIEs, III (1). pp. 101-114. ISSN 1869-4187

C

Campbell, Colin and Pearson, Erin (2019) Strategies for creating successful soundless video advertisements:Speaking volumes through silence. Journal of Advertising Research, 59 (1). pp. 85-98. ISSN 0021-8499

Cann, Victoria, Godfrey, Sarah and Warner, Helen (2018) Contemporary Girls Studies:Reflections on the Inaugural International Girls Studies Association Conference. Girlhood Studies, 11 (3). vi–xxi. ISSN 1938-8209

Cann, Victoria, Godfrey, Sarah and Warner, Helen (2018) Contemporary Girls Studies:Reflections on the Inaugural International Girls Studies Association Conference. Girlhood Studies, 11 (3). ISSN 1938-8209

Cann, Victoria and Horton, Erica (2015) Transition, crisis and nostalgia: Youth masculinity and postfeminism in contemporary Hollywood, an analysis of Superbad. Boyhood Studies, 8 (2). pp. 5-24. ISSN 2375-9240

Carbonara, Miriana (2016) Between cartography and representation: borders and maps of early modern Bologna and Modena. Doctoral thesis, University of East Anglia.

Carruthers, William (2010) Conference Report. Disciplinary Measures? Histories of Egyptology in Multi-Disciplinary Context conference, June 10–12, 2010, London. History of Anthropology Newsletter, 37 (1). pp. 20-21. ISSN 2572-2220

Carruthers, William (2015) Contentious Artifacts, Contentious Histories: Why Histories of Egyptology (and Archaeology) Matter. Routledge Archaeology and Museum Studies Blog.

Carruthers, William (2019) Credibility, civility, and the archaeological dig house in mid-1950’s Egypt. Journal of Social Archaeology, 19 (2). pp. 255-276. ISSN 1741-2951

Carruthers, William (2017) Entangled Tensions. History of Anthropology Newsletter, 41. ISSN 2572-2220

Carruthers, William (2019) 'A Future in Ruins' by Lynn Meskell. History of Anthropology Newsletter, 43. ISSN 2572-2220

Carruthers, William (2015) Grounding Ideologies:Archaeology, Decolonization and the Cold War in Egypt. In: Decolonization and the Cold War. New Approaches to International History . Bloomsbury Academic, London, pp. 167-182. ISBN 9781472571199

Carruthers, William (2015) Introduction:Thinking about Histories of Egyptology. In: Histories of Egyptology. Routledge, New York and Abingdon, pp. 1-15. ISBN 9780415843690

Carruthers, William (2010) Means to an End: Seeking Bryan Emery in Archives. Egyptian Archaeology, 36 (8-9). pp. 8-9.

Carruthers, William (2012) Mit Rahineh-Memphis and Egyptian Fieldwork after the Free Officers’ Coup of 1952. Antiquity, 86 (334). ISSN 0003-598X

Carruthers, William (2016) Multilateral Possibilities:Decolonization, Preservation, and the Case of Egypt. Future Anterior, 13 (1). pp. 37-48.

Carruthers, William (2016) On Heritage, Culture and Trading Zones. TRAFO: Blog for Transregional Research.

Carruthers, William (2015) The Planned Past:Policy and (Ancient) Egypt. Egyptian and Egyptological Documents, Archives, Libraries, 4. pp. 229-240.

Carruthers, William (2018) 'The Pursuit of Ruins' by Christina Bueno. History of Anthropology Newsletter, 42. ISSN 2572-2220

Carruthers, William (2018) Review of 'Artefacts of History' by Sudeshna Guha. History of Anthropology Newsletter, 42. ISSN 2572-2220

Carruthers, William (2012) Review of Jeffrey Abt: ‘American Egyptologist: The Life of James Henry Breasted and the Creation of His Oriental Institute'. British Journal for the History of Science, 45 (4). pp. 691-692. ISSN 0007-0874

Carruthers, William (2015) Review of ‘Contesting Antiquity in Egypt: Archaeologies, Museums & the Struggle for Identities from World War I to Nasser’ by Donald Malcolm Reid. Public Archaeology, 14 (3). pp. 221-222. ISSN 1753-5530

Carruthers, William (2014) A Review of ‘Dialogues with the Dead: Egyptology in British Culture and Religion, 1822–1922’. Bulletin of the History of Archaeology, 24. ISSN 2047-6930

Carruthers, William (2015) Review of ‘Unwrapping Ancient Egypt’ by Christina Riggs. Museum Anthropology Review, 9 (1-2). pp. 130-131.

Carruthers, William (2011) The Rise and Fall of Ancient Egypt? Egyptology’s Never-Ending Story. Antiquity, 85 (330). pp. 1444-1447. ISSN 0003-598X

Carruthers, William (2017) Rule of Objects:On the De-Peopling of Safe Havens. Review of Middle East Studies, 51 (2). pp. 228-233. ISSN 2151-3481

Carruthers, William (2017) Visualizing a Monumental Past:Archeology, Nasser’s Egypt, and the Early Cold War. History of Science, 55 (3). pp. 273-301. ISSN 0073-2753

Carruthers, William (2009) Walter Bryan Emery and the History of Egyptology. Antiquity, 83 (321). ISSN 0003-598X

Carruthers, William (2015) What We Are Talking about when We Talk about Tutankhamun’s Beard. The Max Weber Programme Blog.

Carruthers, William and Van Damme, Stéphane (2017) Disassembling Archeology, Reassembling the Modern World. History of Science, 55 (3). pp. 255-272. ISSN 0073-2753

Cassidy, Angela and Mills, Brett (2012) 'Fox Tots Attack Shock': Urban Foxes, Mass Media and Spacial Boundaries. Environmental Communication, 6 (4). pp. 494-511. ISSN 1752-4032

Chaffe, Morwenna (2017) Untenanted lives: involuntary childlessness in nineteenth-century America. Doctoral thesis, University of East Anglia.

Challis, Ben, D'Arcy, Geraint, Dean, Robert, Hand, Richard, Smith, Rob and Traynor, Mary (2014) Wireless zombies! A re-creation of Golden Age radio drama for a contemporary audience. Studies in Theatre and Performance, 34 (3). pp. 252-259. ISSN 1468-2761

Chapman, Llewella (2017) Representing Henry’s Royal Palace: The Relationship between Film, Television and Hampton Court Palace. Doctoral thesis, University of East Anglia.

Christophe, Alice (2016) Exhibiting connections, connecting exhibitions: constructing trans-Pacific relationships through museum displays in Oceania (2006-2016). Doctoral thesis, University of East Anglia.

Chronopoulos, Themis (2018) Police Misconduct, Community Opposition, and Urban Governance in New York City, 1945–1965. Journal of Urban History, 44 (4). pp. 643-668. ISSN 0096-1442

Chronopoulos, Themis (2017) The Rebuilding of the South Bronx after the Fiscal Crisis. Journal of Urban History, 43 (6). pp. 932-959. ISSN 0096-1442

Chronopoulos, Themistoklis (2015) Urban Spatial Mobility in the Age of Sustainability. In: Incomplete streets: processes, practices and possibilities. Routledge, New York, pp. 54-76. ISBN 978-0-415-72587-3

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Clark, Christopher W. (2014) Angels and Demons:Responses to HIV/AIDS in Contemporary American Literature. In: GLITS: 'Cardiovascular Culture: Responses to HIV/AIDS in Contemporary American Literature', 2014-03-13, Seminar Room A, Ground Floor, Warmington Tower, Goldsmiths.

Clark, Christopher W. (2017) Crossing Borders:Queer Movement and Memory in Junot Díaz's The Brief Wondrous Life of Oscar Wao and Akhil Sharma's Family Life. In: Queer Subjects and the Contemporary United States, 2017-08-05, University of East Anglia.

Clark, Christopher W. (2018) The Digital Banal: New Media and American Literature and Culture by Zara Dinnen. Columbia University Press, 2018. Journal of American Culture, 41 (3). ISSN 1542-7331

Clark, Christopher W. (2017) "A Distant Bruise, Thickening Across The Sky":Queer Violence and Legacies of Imperialist Homonationalism in Roy Scranton's War Porn. In: Conflicted Bodies: Feminist and Queer Responses to Militarism and Violence since 1900, 2017-09-30.

Clark, Christopher W. (2018) Hosting Digital Technologies: Pushing the Limits of Blackboard and Beyond. In: Learning and Teaching Day 2018, 2018-05-17, University of East Anglia.

Clark, Christopher W. (2018) Queer Transcultural Movements and Genre in The Brief Wondrous Life of Oscar Wao and Dragonfish. In: American Comparative Literature Association Annual Meeting, 2018-03-29 - 2018-04-01, UCLA.

Clark, Christopher W. (2018) Queer transcultural memory: contemporary US culture and the global context. Doctoral thesis, University of East Anglia.

Clark, Christopher W. (2014) Visiting the Body Artist:Bodily borders in Don DeLillo's The Body Artist. In: Textual Embodiment: Literature, the Body and Psychoanalysis, 2014-08-05, Small Cinema, Richard Hoggart Building, Goldsmiths.

Clark, Christopher W. (2017) What Comes to the Surface: Storms, Bodies and Community in Jesmyn Ward’s Salvage the Bones. Mississippi Quarterly, 68 (3-4). pp. 341-358. ISSN 0026-637X

Clark, Christopher W. (2017) "The Worst Kind of People":Queer Bodies, Transcultural Memory, and Guantánamo Diary. In: British Association for American Studies Annual Conference 2017, 2017-04-06 - 2017-04-08, Canterbury Christ Church University.

Clarke, Jo and Brooks, Nick (2018) The Archaeology of the Western Sahara. Oxbow Books. ISBN 9781782971726

Clarke, Joanne (1992) The Ceramic Neolithic Period in Northern Cyprus. Cahiers du Centre d'Etudes Chypriotes, 17 (1). pp. 3-16.

Clarke, Joanne (2016) Ceramics 1. Neolithic - Chalcolithic. In: Studies in Mediterranean Archaeology. SIMA LXXXI.10, 10 . Astroms Editions, Sweden, pp. 7-29.

Clarke, Joanne (2014) Cyprus During the Neolithic Period. In: The Oxford Handbook of the Archaeology of the Levant. Oxford University Press, Oxford, pp. 177-193. ISBN 978-0-19-921297-2

Clarke, Joanne (2012) Decorating the Neolithic: an Evaluation of the Use of Plaster in the Enhancement of Daily Life in the Middle Pre-pottery Neolithic B of the Southern Levant. Cambridge Archaeological Journal, 22 (2). pp. 177-186. ISSN 1474-0540

Clarke, Joanne (2017) The use of basketry in early agricultural communities in the Ancient Near East. In: Basketry and Beyond: Constructing Cultures. Brill. (In Press)

Clarke, Joanne and Brooks, Nicholas (2019) Burial Practices in Western Sahara. In: Burials, Migration and Identity in the Ancient Sahara and Beyond. Cambridge University Press, Cambridge. ISBN 9781108634311

Clarke, Joanne, Brooks, Nick, Banning, Edward B., Bar-Matthews, Miryam, Campbell, Stuart, Clare, Lee, Cremaschi, Mauro, di Lernia, Savino, Drake, Nick, Gallinaro, Marina, Manning, Sturt, Nicoll, Kathleen, Philip, Graham, Rosen, Steve, Schoop, Ulf-Dietrich, Tafuri, Mary Anne, Weninger, Bernhard and Zerboni, Andrea (2016) Climatic changes and social transformations in the Near East and North Africa during the 'long 4th millennium BC: A comparative study of environmental and archaeological evidence. Quaternary Science Reviews, 136 (Mediterranean Holocene Climate, Environment and Human Societies). 96–121. ISSN 0277-3791

Clarke, Joanne, Rupp, David, D'Annibale, Cesare and Stewart, Sarah (1992) The Canadian Palaipaphos Survey Project: 1991 field season. Report of the Department of Antiquities, Cyprus. pp. 285-317.

Clarke, Joanne T. (2001) Style and Society in Ceramic Neolithic Cyprus. Levant, 33 (1). pp. 65-80.

Collings, Beccy (2015) ‘Audrey Hollander and Otto Bauer: the perfect (pornographic) marriage?’. In: First Comes Love: Power Couples, Celebrity Kinship, and Cultural Politics. Bloomsbury Academic, New York. ISBN 9781628921212

Collings, Beccy (2014) #selfiecontrol: @CAZWELLnyc and the role of the ironic selfie in transmedia celebrity self-promotion. Celebrity Studies, 5 (4). pp. 511-513. ISSN 1939-2397

Collings, Rebecca (2015) Shedding Light on Dark Comedy: Humour and Aesthetics in British Dark Comedy Television. Doctoral thesis, University of East Anglia.

Cooper, Melissa (2017) Learning to Lobby: The Lessons of the NAACP’s 1930s Federal Anti-Lynching Campaign. Doctoral thesis, University of East Anglia.

Corbett, David Peters (2011) An American Experiment:George Bellows and the Ashcan Painters. National Gallery, London & Yale University Press. ISBN 9781857095272

Corbett, David Peters (2011) ‘Art, Morality, and the National Interest: Theodore Winthrop, Frederic Church, and Martin Johnson Heade at the Tenth Street Studios in 1859’. European Journal of American Studies, 30 (1). pp. 57-72.

Corbett, David Peters (2011) Camden Town and Ashcan: Difference, Similarity and the ‘Anglo-American’ in the Work of Walter Sickert and John Sloan. Art History, 34 (4). pp. 774-795. ISSN 1467-8365

Corbett, David Peters (2012) Camden Town and Ashcan: Difference, Similarity and the ‘Anglo-American’ in the Work of Walter Sickert and John Sloan. In: Anglo-American: Artistic Exchange between Britain and the USA. Wiley-Blackwell, pp. 152-173. ISBN 978-1-4443-5143-9

Corbett, David Peters (2004) Edward Burne-Jones. Tate Publishing, London.

Corbett, David Peters (2001) English Art 1860-1914: Modern Artists and Identity. Barber Critical Perspectives in Art History . Manchester University Press, Manchester.

Corbett, David Peters (2002) The Geographies of Englishness: Landscape and National Identity in English Art, 1880-1940,. Studies in British Art . Yale University Press, London & New Haven, CT.

Corbett, David Peters (2008) ‘Le Symbolisme dans les petites revues britanniques: The Dome et The Dial’. In: Les Revues illustrées en Europe entre deux siècles 1880-1920. Presses Universitaires de France, Paris, pp. 337-353.

Corbett, David Peters (2008) ‘Modern Themes in Camden Town Painting’. In: Camden Town. Tate Publishing, London, pp. 27-37.

Corbett, David Peters (1997) The Modernity of English Art, 1914-1930. Manchester University Press, Manchester.

Corbett, David Peters (2009) ‘Nineteenth Century American and British Art and their Historiographies: A Comparison’. In: National and International Perspectives on American Art before 1945. Penn State Press, College Park, PA, pp. 67-89.

Corbett, David Peters (2009) ‘“Not Material Enough for the Age”: Pre Raphaelite Words and Images’. In: Writing the Pre-Raphaelites: The Textual Formation of a Victorian Avant-Garde. Ashgate Publishers, London.

Corbett, David Peters (2011) ‘The Problematic Past in the Work of Charles Sheeler, 1917-1927’. Journal of American Studies, 45 (3). pp. 559-580. ISSN 1469-5154

Corbett, David Peters (2012) ‘Sporting Life: Boxing 1907-1909’. In: George Bellows. National Gallery of Art, Washington, Washington DC.

Corbett, David Peters (2009) 'Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’. In: Modernist Magazines: A Critical and Cultural History, 1880-1945. Oxford University Press, Oxford, pp. 101-119.

Corbett, David Peters (2001) Walter Sickert. Tate Publishing & Princeton University Press, London & Princeton, NJ.

Corbett, David Peters (2004) The World in Paint: Modern Art and Visuality in England, 1848-1914. Reconfiguring Modernism . Manchester University Press & Penn State Press, Manchester & University Park, PA.

Corbett, David Peters (1998) Wyndham Lewis and the Art of Modern War. Cambridge University Press, Cambridge.

Corbett, David Peters and Monks, Sarah (2011) Anglo-American: Artistic Exchange between Britain and the USA. Art History, 34 (4). pp. 630-651. ISSN 1467-8365

Corbett, David Peters and Monks, Sarah (2012) Anglo-American: Artistic Exchange between Britain and the USA. In: Anglo-American: Artistic Exchange between Britain and the USA. Wiley-Blackwell, pp. 630-651. ISBN 978-1-4443-5143-9

Corbould, Clare and Emmett, Hilary (2018) Australian Afterlives of Atlantic Slavery: Belatedness and Transpacific American Studies. Journal of American Studies, 52 (3). pp. 602-617. ISSN 0021-8758

Cornea, Christine (2010) 2-D Performance and the re-Animated Actor. In: Genre and Performance: Film and Television. Manchester University Press, pp. 148-165. ISBN 9780719079801

Cornea, Christine (2006) The American Musical since the 1960s. In: Contemporary American Cinema. Open University Press, pp. 53-56. ISBN 0335218326

Cornea, Christine (2006) Arnold Schwarzenegger. In: Contemporary American Cinema. Open University Press, pp. 284-288. ISBN 0335218326

Cornea, Christine (2011) British Science Fiction Television in the Discursive Context of Second Wave Feminism. Genders Journal, 54 (Summer).

Cornea, Christine (2003) David Cronenberg’s Crash and Performing Cyborgs. Velvet Light Trap, 52 (1). pp. 4-14.

Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2010) Editor's Introduction. In: Genre and Performance: Film and Television. Manchester University Press, pp. 1-17. ISBN 9780719079801

Cornea, Christine (2005) The Figuration of the Cyborg in Science Fiction Novels and Films. In: Companion to Science Fiction (Blackwell Companions to Literature & Culture). Blackwell Publishing, pp. 275-288. ISBN 9781405112185

Cornea, Christine (2011) Frankenheimer and the Science Fiction/Horror Film. In: A Little Solitaire: John Frankenheimer and American Film. Rutgers University Press, pp. 229-243. ISBN 9780813550602

Cornea, Christine (2017) From Isolationism to Globalism: An Overview of Politics and Ethics in the Hollywood Science Fiction Film. In: Science Fiction, Ethics, and the Human Condition. Springer, pp. 159-179. ISBN 978-3-319-56575-0

Cornea, Christine (2010) Genre and Performance: Film and Television. Manchester University Press. ISBN 9780719079801

Cornea, Christine (2006) The Hollywood Musical. In: Contemporary American Cinema. Open University Press, pp. 53-61. ISBN 0335218326

Cornea, Christine (2008) In Focus: The Practitioner Interview in Film and Television Studies. Cinema Journal, 47(2). pp. 117-154.

Cornea, Christine (2008) Introduction: Interviews in Film and Television Studies. Cinema Journal, 47(2). pp. 117-23.

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2014) Re-Viewing 'Survivors' (BBC, 1975-77): Gender, Genre and National Anxiety. Quarterly Review of Film and Video, 31 (5). pp. 401-414. ISSN 1543-5326

Cornea, Christine (2007) Science Fiction Cinema: Between Fantasy and Reality. Rutgers University Press. ISBN 9780813541730

Cornea, Christine (2009) Showrunning the Doctor Who Franchise. In: Production Studies: Cultural Studies of Media Industries. Routledge. ISBN 9780415997966

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

Cornea, Christine (2006) Star Wars IV: A New Hope(1977). In: Understanding Film Genres. McGraw-Hill College. ISBN 0072563699

Cornea, Christine (2005) Techno-Orientalism and the Postmodern Subject. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, pp. 72-81. ISBN 1904764347

Cornea, Christine (2017) Wie man Katastrophen überlebt:Die Zerstörung der Umwelt und Visionen einer postapokalyptischen Zukunft im amerikanischen Science-Fiction-Kino. In: Future Worlds. Bertz & Fischer, Berlin, pp. 39-49. ISBN 978-3-86505-250-6

Cornea, Christine, Bowater, Laura and Bowater, Richard (2012) Visualizing Science Fiction and relating it to Science Fact. The Biochemist, 34 (6). pp. 4-8. ISSN 0954-982X

Cornea, Christine, Bowater, Laura, James, Helen and Bowater, Richard (2012) Using science fiction to teach science facts. The Biochemist, 34 (6). pp. 15-20. ISSN 0954-982X

Crane, Emily (2015) Navigating the void : international contemporary art and the triangle network. Doctoral thesis, University of East Anglia.

Crockatt, Richard (2002) America Embattled: September 11, Anti-Americanism and the Global Order. Routledge. ISBN 0415283426

Crockatt, Richard (2001) Challenge and Response: Arnold Toynbee and the United States during the Cold War. In: War and Cold War in American Foreign Policy, 1942-62. Palgrave Macmillan, pp. 108-130. ISBN 0333919408

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D'Arcy, Geraint and Hand, Richard J. (2012) Open Your Eyes/Shut Your Eyes: Staging Kandinsky's The Yellow Sound at Tate Modern. Performance Research, 17 (5). pp. 56-60. ISSN 1352-8165

Dalton, Bridget (2016) Kindness in Modernist American Poetry. Doctoral thesis, University of East Anglia.

Dare-Edwards, Helena Louise (2014) ‘Shipping bullshit’: Twitter rumours, fan/celebrity interaction and questions of authenticity. Celebrity Studies, 5 (4). pp. 521-524. ISSN 1939-2397

Dartey, Joyce Ampofoa (2018) Investigating Ancient Human Occupation at Zoboku: A Koma Site in Northern Ghana. Doctoral thesis, University of East Anglia.

Davy, Jack (2015) Dolphins at the British Museum: Zoomorphic Calusa Sinkers. Papers from the Institute of Archaeology, 25 (2). ISSN 0965-9315

Davy, Jack (2018) Lars Hætta’s miniature world: Sámi prison op-art autoethnography. Journal of Material Culture, 23 (3). pp. 280-294. ISSN 1359-1835

Davy, Jack (2015) A Lego snowmobile and the elements of miniaturization. Anthropology Today, 31 (6). pp. 8-11. ISSN 0268-540X

Davy, Jack William (2018) Miniature dissonance and the museum space: Reconsidering communication through miniaturisation. International Journal of Heritage Studies, 24 (9). pp. 969-983. ISSN 1352-7258

De Jong, Ferdinand (2016) Animating the Archive: The trial and testimony of a Sufi saint. Social Anthropology, 24 (1). pp. 36-51. ISSN 0964-0282

De Jong, Ferdinand (2014) Archiving after Empire:Saint-Louis and its Sufi Counter-Memory. Francosphères, 3 (1). pp. 25-41. ISSN 2046-3820

De Jong, Ferdinand (2016) At work in the archive: introduction to special issue. World Art, 6 (1). pp. 3-17. ISSN 2150-0894

De Jong, Ferdinand (1998) De Verbeelding van Volkscultuur: Maskers, Maskerades en hun Representatie in Musea en Folklore. In: Yearbook Netherlands Open Air Museum. SUN/Nederlands Openluchtmuseum, Nijmegen/Arnhem, pp. 84-109.

De Jong, Ferdinand (2000) The Forbidden Masquerade: Ethnicity and the Management of Ritual in Senegal. In: Roots and Rituals: The Construction of Ethnic Identities. Het Spinhuis, Amsterdam, pp. 499-516.

De Jong, Ferdinand (2013) Le secret exposé:Révélation et reconnaissance d’un patrimoine immatériel au Sénégal. Gradhiva:Revue d'Anthropologie et Museologie Paris, 18. pp. 98-123.

De Jong, Ferdinand (1995) The Making of a Jola Identity: Jola Inventing their Past and Future. In: Popular Culture: Beyond Historial Legacy and Political Innocence (Proceedings of CERES/CNWS Summer School 1994). CERES, Utrecht, pp. 133-150.

De Jong, Ferdinand (1997) The Power of a Mask: A Contextual Analysis of the Senegalese Kumpo Mask performance. Focaal: European Journal of Anthropology. Special Issue on Globalization/Localization: Paradoxes of Cultural Identity. pp. 37-56. ISSN 0920-1297

De Jong, Ferdinand (1999) The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal. In: Modernity on a Shoestring: Dimensions of Globalization, Consumption and Development in Africa and Beyond. EIDOS in association with the African Studies Centre Leiden and the Centre of African Studies London, Leiden and London, pp. 315-340.

De Jong, Ferdinand (1998) The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal. Focaal: European Journal of Anthropology. Special Issue on Globalization/Localization: Paradoxes of Cultural Identity, 30-31. pp. 61-83. ISSN 0920-1297

De Jong, Ferdinand (2000) Secrecy and the State: The Kankurang Masquerade in Senegal. Mande Studies, 2. pp. 153-173.

De Jong, Ferdinand (1999) Trajextories of a Mask Performance: The Case of the Senegalese Kumpo. Cahiers d'Études africaines, 153. pp. 49-71. ISSN 1777-5353

De Jong, Ferdinand and Foucher, Vincent (2010) La tragédie du roi Abdoulaye? Néomodernisme et Renaissance africaine dans le Sénégal contemporain. Politique africaine, 118. pp. 187-204.

De Jong, Ferdinand and Harney, Elizabeth (2015) Foreword:Art from the Archive. African Arts, 48 (2). pp. 1-4. ISSN 1937-2108

De Jong, Ferdinand and Murphy, David (2014) Introduction:Archiving the Postcolonial City. Francosphères, 3 (1). pp. 1-8. ISSN 2046-3820

De Jong, Ferdinand, Quinn, Brian and Bach, Jean-Nicolas (2014) Ruines d'Utopies:L’École William Ponty et L’Université du Futur africain. Politique africaine, 135. pp. 71-94.

Dean, Robert and Hand, Richard (2013) 'Bashed be bit by all with ears':Blue Jam and the Radio. In: No Known Cure. BFI. ISBN 978-1844574797

Degouveia, Antonio (2016) Hollywood’s End of Days: visions of Biblical apocalypse and the transposition of a secular science fiction film genre. Doctoral thesis, University of East Anglia.

Degouveia, Tony (2017) I Am Omega Man: Religious Repositioning of the Secular Apocalypse Film in I Am Legend. In: Science Fiction, Ethics and the Human Condition. Springer International Publishing, pp. 137-154. ISBN 978-3-319-56575-0

Dell, Simon (2016) After the Portrait?:N.E. Thing Co.’s Portfolio of Piles. In: Paper Cities. Leuven. ISBN 9789462700581

Dell, Simon (2018) ‘Forward from Wigan Pier’: Remaking Documentary Photography in the 1930s. Visual Culture in Britain, 19 (2). pp. 168-188. ISSN 1471-4787

Dell, Simon (2010) Immediacy and Mediation: The Press, the Popular Front in France and the Spanish Civil War. In: The Mexican Suitcase: The Rediscovered Spanish Civil War Negatives of Capa, Chim and Taro. International Photography Centre, New York.

Dell, Simon (2011) On the Difficult Conjunction of "Worker" and "Photography" in France. In: The Worker Photography Movement:1926-1939: Essays and Documents. Museo nacional centro de arte, Reina Sofia, Madrid.

Dell, Simon (2019) Visualising Labour: The Problem and a Case Study, USSR in Construction 1931. Labour History Review. ISSN 0961-5652 (In Press)

Dell, Simon (2018) ‘The Work of Photography Re-imagined: The Soviet Moment in France, 1928-34’. History of Photography, 42 (4). pp. 356-375. ISSN 0308-7298

Dell, Simon (2013) Yeyap’s resources:Representation and the arts of the Bamum in Cameroon and France, 1902-1935. In: World Art and the Legacies of Colonial Violence. Ashgate, Farnham, pp. 31-58. ISBN 978-1-4094-5588-2

Denison, R. (2008) Star-Spangled Ghibli: Star Voices in the American Versions of Hayao Miyazaki's Films. Animation, 3 (2). pp. 129-146.

Denison, Rayna (2011) Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy. International Journal of Cultural Studies, 14 (5). pp. 449-466. ISSN 1460-356X

Denison, Rayna (2010) Anime Tourism: The Studio Ghibli Art Museum and Global Audiences for Anime. Japan Forum ISSN Print: 0955-5803, 22 (3-4). pp. 545-563.

Denison, Rayna (2019) Anime and Nationalism:The Politics of Representing Japan in Summer Wars (Hosoda Mamoru, 2009). Mutual Images Journal, 5 (Autumn 2018). pp. 123-142. ISSN 2496-1868

Denison, Rayna (2010) Anime tourism: discursive construction and reception of the Studio Ghibli Art Museum. Japan Forum, 22 (3-4). pp. 545-563. ISSN 0955-5803

Denison, Rayna (2017) Anime's Star Voices:Voice Actor (Seiyu) Performance and Stardom in Japan. In: Locating the Voice in Film. Oxford University Press, Oxford, pp. 101-118. ISBN 9780190261122

Denison, Rayna (2015) Anime:A Critical Introduction. Bloomsbury, London. ISBN 978-1-84788-479-4

Denison, Rayna (2018) Anime’s distribution worlds:Formal and informal distribution in the analogue and digital eras. In: Routledge Handbook of Japanese Media. Taylor and Francis, pp. 403-418. ISBN 9781138917415

Denison, Rayna (2018) Before Ghibli was Ghibli:Analysing the historical discourses surrounding Hayao Miyazaki’s Castle in the Sky (1986). East Asian Journal of Popular Culture, 4 (1). pp. 31-46. ISSN 2051-7084

Denison, Rayna (2010) Bollywood Blends: Genre and Performance in Shahrukh Khan's Post-Millenial Films. In: Genre and Performance: Film and Television. Manchester University Press, Manchester, pp. 184-204.

Denison, Rayna (2017) Bollywood DVD: The Relationship Between Distributive Technology and Content in Transnational Cinema. In: Cult Media. Springer International Publishing AG, pp. 181-199. ISBN 978-3-319-63678-8

Denison, Rayna (2009) "British to a fang, British to a Whisker": Reconsidering The Muppet Show's National Identity and Authorship through its British Reception. In: Kermit Culture: Perspectives on Jim Henson's Muppets. MacFarland, Jefferson, NC, pp. 154-169.

Denison, Rayna (2005) Disembodied Voices: The Soundscape and Stars of Princess Mononoke. Scope. ISSN 1465-9166

Denison, Rayna (2014) Franchising and Failure:Discourses of Failure within the Japanese-American Speed Racer Franchise. In: Mechademia. UNSPECIFIED, Minneapolis, pp. 269-281. ISBN 0816695350

Denison, Rayna (2016) Franchising and Film in Japan:Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Culture. Cinema Journal, 55 (2). pp. 67-88. ISSN 0009-7101

Denison, Rayna (2007) Global Markets for Japanese Film: Transforming Miyazaki Hayao's Sen to Chihiro no Kamikakushi into Spirited Away. In: Japanese Cinema: Texts & Contexts. Routledge, London, pp. 308-322. ISBN '0415328489

Denison, Rayna (2010) Gurinder Chadha. In: Fifty Contemporary Filmakers (Revised Edition). Routledge, London, pp. 98-106.

Denison, Rayna (2010) Hayao Miyazaki. In: Fifty Contemporary Filmmakers (Revised Edition). Routledge, London, pp. 288-295.

Denison, Rayna (2019) How to Animate Your Franchise:DreamWorks Animation and the Franchising of How to Train Your Dragon. In: The Franchise Era: Managing Media in the Digital Economy. Edinburgh University Press, Edinburgh, p. 158. ISBN 9781474419222

Denison, Rayna (2007) It's a Bird! It's a Plane! No, it's DVD! Superman, Smallville and the Production (of) Melodrama. In: Film and Comic Books. University Press of Mississippi, pp. 160-179. ISBN 9781578069774

Denison, Rayna (2014) Japanese and Korean Film Franchising and Adaptation. Journal of Japanese and Korean Cinema, 6 (2). pp. 105-117. ISSN 1756-4905

Denison, Rayna (2008) The Language of the Blockbuster: Marketing, Princess Mononoke and the Daihitto in Japanese Film Culture. In: East Asian Cinemas: Transnational Connections on Film. I B Tauris, pp. 103-122. ISBN 1845116143

Denison, Rayna (2007) The Muppet Show: Sex and Violence: Investigating the Complexity of the Television Body. Mysterious Bodies: Intensities Journal, 4.

Denison, Rayna (2011) No Tights, No Flights: Smallville's Special Effects and the Inter-media Adaptation of the "Super". In: Investigating Smallville: A Superhero for the Teenage Generation. Scarecrow Press, pp. 65-86.

Denison, Rayna (2015) Redistributing Japanese Television Dorama:The Shadow Economies and Communities around Online Fan Distribution of Japanese Media. Velvet Light Trap, 75. pp. 58-72.

Denison, Rayna (2016) Tracing Asian Franchises:Local and Transnational Reception of Hana Yori Dango. In: Media Across Borders. Routledge, pp. 51-66. ISBN 9781138809451

Denison, Rayna (2006) (Trans)National X Factor: Patrick Stewart, Britishness and the Promotion of X-Men. Critical Survey, 18 (3). pp. 65-82.

Denison, Rayna (2010) Transcultural Creativity in Anime: Hybrid Identities in the Production, Distribution, Texts and Fandom of Japanese Anime. Creative Industries Journal, 3 (3). pp. 221-235.

Denison, Rayna and Furukawa, Hiroko (2012) From Manga to Movies: New Trends in Collaborative Production in Japanese Media Franchise. In: MeCCSA Conference, 2012-01-01.

Denison, Rayna and Furukawa, Hiroko (2012) Japanese Cinema Now: Production Trends in Contemporary Japanese Cinema. In: Keeping Japan on the Map, Great Britain Sasakawa Foundation Conference, 2012-01-01.

Denison, Rayna and Jancovich, Mark (2007) Mysterious Bodies (A Special Edition of Intensities Journal). Intensities Journal, 4.

Derhy Kurtz, Benjamin (2018) Success and the TV industry: how practitioners apprehend the notion(s) of success in their discourses within the Anglophone Transatlantic Television Industry. Doctoral thesis, University of East Anglia.

Dooley, Brian (2018) Black and Green: The Fight for Civil Rights in Northern Ireland and Black America and accompanying critical analysis. Doctoral thesis, University of East Anglia.

de Jong, Ferdinand (2018) Archive of Darkness:William Kentridge's Black Box/Chambre Noire. African Arts, 51 (1). pp. 10-23. ISSN 0001-9933

de Jong, Ferdinand (2016) Cultural Festivals in Senegal: Archives of Tradition, Mediations of Modernity. In: The First World Festival of Negro Arts, Dakar 1966. Postcolonialism Across the Disciplines 20 . Liverpool University Press, pp. 166-179. ISBN 9781781383162

de Jong, Ferdinand (2009) First Word: Hybrid Heritage. African Arts, 42 (4). 1,4-5. ISSN 1937-2108

de Jong, Ferdinand (2010) Remembering the Nation: The Mourid Maggal in Saint Louis, Senegal. Cahiers d'Études africaines, 197. pp. 123-151. ISSN 1777-5353

de Jong, Ferdinand (2009) Shining Lights: Self-fashioning in the Lantern Festival of Saint Louis, Senegal. African Arts, 42(4). pp. 38-53. ISSN 1937-2108

de Jong, Ferdinand and Quinn-Valente, Brian (2018) Infrastructures of utopia: ruination and regeneration of the African future. Africa, 88 (2). pp. 332-351. ISSN 0001-9720

d’Hont, Coco (2016) Brutal Bodies: Exploring transgression through the fiction of Chuck Palahniuk, Poppy Z. Brite, and Bret Easton Ellis. Doctoral thesis, u.

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Edgington-Brown, Luke (2016) The international origins of Japanese archaeology: William Gowland and his Kofun collection at the British Museum. Doctoral thesis, University of East Anglia.

Emmett, Hilary (2017) Between Girls: Lateral Discipline in Henry Handel Richardson's The Getting of Wisdom. English, 66 (254). 242–260. ISSN 0013-8215

Emmett, Hilary (2015) Brownian Motion: Directions in Charles Brockden Brown Scholarship. Early American Literature, 50 (1). pp. 205-221. ISSN 0012-8163

Emmett, Hilary (2010) Hidden in Plain Sight: Taryn Simon's American Index. Eyeline Arts Journal, 72. pp. 53-55.

Emmett, Hilary (2006) Lost Mothers and 'Stolen Generations': Representations of Family in Contemporary Aboriginal Writing. In: Until Our Hearts Are On The Ground: Aboriginal Mothering: Oppression, Resistance, Rebirth. Demeter Press, Toronto, pp. 224-238. ISBN 978-1550144611

Emmett, Hilary (2010) The Maternal Contract in Beloved and Medea. In: Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century. Legenda Press, Oxford, pp. 248-260. ISBN 978-1-906540-53-1

Emmett, Hilary (2009) “Mute Misery”: Speaking the Unspeakable in L. M.Montgomery’s Anne Books. In: 100 Years of Anne with an 'e': The Centennial Study of Anne of Green Gables. Calgary University Press, pp. 81-104. ISBN 978-1552382523

Emmett, Hilary (2008) 'My business is circumference': A meditation on scission, locution, confession. The Bible and Critical Theory, 4 (2).

Emmett, Hilary (2014) One of these things (is and) is not like the others: Comparative Australian-American Studies and ‘Enchanted’ Pedagogy. Australasian Journal of American Studies, 33 (2). pp. 121-137. ISSN 0705-7113

Emmett, Hilary (2009) The Other Charlie Brown: Early American Studies in Australia. Common Place: Journal of the American Antiquarian Society, 9 (3).

Emmett, Hilary (2017) Prophetic Reading: Sisterhood and Psychoanalysis in H.D.’s HERmione. Comparative American Studies, 14 (3-4). pp. 261-276. ISSN 1477-5700

Emmett, Hilary (2007) Rhizomatic Kinship in Kim Scott's Benang. Westerly, 52. pp. 165-173.

Emmett, Hilary (2017) Troubling Language: Storytelling and Sovereignty in Kim Scott’s Benang. In: Teaching Australian and New Zealand Literature. MLA, pp. 165-176. ISBN 9781603292870

Emmett, Hilary (2014) A Valediction Forbidding Mo’nin?: Beloved Revisited. In: Living Language, Living Memory. Södertörns Högskola, Huddinge, pp. 95-106. ISBN 978-91-86069-95-7

Emmett, Hilary (2016) The ‘Willful’ Girl in the Anglo-World: Sentimental Heroines and Wild Colonial Girls, 1872–1923. In: Children, Childhood and Youth in the British World. Palgrave Studies in the History of Childhood . Palgrave Macmillan, pp. 201-217. ISBN 978-1-137-48940-1

Engel, Elisabeth and Grant, Nicholas (2018) Going South: Tracing Race and Region in the Post-Emancipation Black Atlantic. Journal of American Studies, 52 (2). pp. 269-273. ISSN 0021-8758

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Farmer, Richard (2016) Cinema advertising and the Sea Witch ‘Lost Island’ film (1965). Historical Journal of Film, Radio and Television, 36 (4). pp. 569-586. ISSN 0143-9685

Farmer, Richard (2016) Cinemas and cinemagoing in wartime Britain, 1939-45:The utility dream palace. Studies in Popular Culture . Manchester University Press. ISBN 9780719091889

Farmer, Richard (2017) The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’. Contemporary British History, 31 (3). pp. 452-470. ISSN 1361-9462

Farmer, Richard (2016) Real War vs. Reel War: Veterans, Hollywood, and WWII. By Suzanne Broderick. Rowman and Littlefield. 2015. History, 101 (344). pp. 170-171. ISSN 0018-2648

Farmer, Richard (2016) “Remember the Torrin”: Positioning In Which We Serve. In: Long Shadows: The Second World War in British Fiction and Film. Cultural Expressions of World War II . Northwestern University Press. ISBN 978-0-8101-3328-0

Farmer, Richard (2019) Supplemental Income: British newspaper colour supplements in the 1960s. Media History, 25 (3). pp. 371-386. ISSN 1368-8804

Farmer, Richard (2017) ‘That Alien, New-fangled, Thick, Intractable Dodecagon’:The Design and Introduction of the 1937 British Threepenny Coin. History Workshop Journal, 83 (1). pp. 194-216. ISSN 1363-3554

Farmer, Richard (2018) ‘An almost continuous picture of sordid vice’: The Keeler Affair, the Profumo Scandal and ‘Political’ Film Censorship in the 1960s. Journal of British Cinema and Television, 15 (2). pp. 228-251. ISSN 1743-4521

Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113

Fear-Segal, J. (2010) Institutional death and ceremonial healing far from home:The carlisle Indian school cemetery. Museum Anthropology, 33 (2). pp. 157-171. ISSN 0892-8339

Fear-Segal, Jacqueline (2018) Death, Power, and Silence:Native Nations’ Ancestral Remains at the Carlisle Barracks, Pennsylvania. In: A Companion to the Anthropology of Death. Wiley-Blackwell, pp. 357-369. ISBN 978-1-119-22229-3

Fear-Segal, Jacqueline (2013) Dismemberment and Display: Plaster Cast Indians at the National Museum. In: Indigenous Bodies. State University of New York, Albany, NY, pp. 33-52. ISBN 978-1-4384-4821-3

Fear-Segal, Jacqueline (2017) Facing the Binary: Native American Students in the Camera's Lens. In: Before-and-After Photography. Bloomsbury. ISBN 9781474253116

Fear-Segal, Jacqueline (2016) The History and Reclamation of a Sacred Space:The Indian School Cemetery. In: Carlisle Indian Industrial School. Indigenous Education Series . University of Nebraska Press, Lincoln, Nebraska.

Fear-Segal, Jacqueline (2016) The Lost Ones:Piecing Together the Story. In: Carlisle Indian Industrial School. Indigenous Education Series . University of Nebraska Press, Lincoln, Nebraska.

Fear-Segal, Jacqueline (2010) Native American Graves Protection and Repatriation Act after two decades: institutional death and ceremonial healing far from home. Museum Anthropology, 33 (2). pp. 157-171.

Fear-Segal, Jacqueline (2018) Two-Faced Photographs Regenerated in Warp and Weft: Shan Goshorn’s Carlisle Baskets. In: Shan Goshorn. Trout Gallery, Carlisle, PA, pp. 44-54. ISBN 9780986126352

Fear-Segal, Jacqueline and Rose, Susan (2016) Introduction. In: Carlisle Indian Industrial School. Indigenous Education Series . University of Nebraska Press, Lincoln, Nebraska.

Fear-Segal, Jacqueline and Tillett, Rebecca (2013) Introduction. In: Indigenous Bodies. State University of New York, New York. ISBN 978-1-4384-4821-3

Few, Roger, Armijos, Maria Teresa and Barclay, Jenni (2017) Living with Volcan Tungurahua: the dynamics of vulnerability during prolonged volcanic activity. Geoforum, 80. pp. 72-81. ISSN 0016-7185

FitzGerald, Louise and Williams, Melanie (2012) Facing our Waterloo: evaluating Mamma Mia! The Movie. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I.B.Tauris & Co Ltd. ISBN 9781848859418

Fradley, Martin, Godfrey, Sarah and Williams, Melanie (2013) Shane Meadows:Introduction. Journal of British Cinema and Television, 10 (4). pp. 1-6. ISSN 1743-4521

Fradley, Martin, Godfrey, Sarah and Williams, Melanie (2013) Shane’s World: Introduction. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh.

Frampton, Daniel (2017) The ‘Old Western Men’: A Religious Mode of Response to the Conditions of ‘Secular’ Modernity, 1900-1970. Doctoral thesis, University of East Anglia.

Fraser, Rebecca (2016) Gender and Race in Antebellum Popular Culture. By Sarah N. Roth. Cambridge University Press. 2014. x + 320pp. £69.99. History, 101 (348). pp. 813-814. ISSN 0018-2648

Fraser, Rebecca (2017) Gender and the Home: Domestic Spaces and Families in Nineteenth century America. In: A Cultural History of the Home in the Age of Empire. Bloomsbury. (In Press)

Fraser, Rebecca (2004) Goin' Back Over There to See That Girl: Competing Spaces in the Social World of the Enslaved in Antebellum North Carolina. Slavery and Abolition, 25 (1). pp. 94-113. ISSN 1743-9523

Fraser, Rebecca (2016) Home and Belonging in the Letters of Sarah Hicks Williams. In: The Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing. Edinburgh University Press, Edinburgh. ISBN 9780748692927

Fraser, Rebecca (2019) ‘Lets us Begin Life Anew, and Learn to Live in Earnest!’ Free Black Women and the Challenges of Freedom in the Civil War Era. In: The Civil War and Slavery. Routledge. ISBN 9780367181222

Fraser, Rebecca J. (2018) ‘I must speak, I must think, I must act.’ [Laura Simmes, 1864] the Christian Recorder, literary activism, and the black female intellectual. Slavery and Abolition, 39 (4). pp. 663-684. ISSN 0144-039X

Friedman, Sam, Mills, Brett and Phillips, Tom (2011) Comedy Audiences - Editor's Introduction: Foregrounding The Comedy Audience. Participations, 8 (2). pp. 120-127. ISSN 1749-8716

Frith, Paul (2018) ‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’. Historical Journal of Film, Radio and Television. ISSN 0143-9685

Frith, Paul and Johnston, Keith (2019) Beyond Place: Rethinking British Amateur Films through Gender and Technology-based Perspectives. Screen, 60 (4). ISSN 0036-9543 (In Press)

Frolova, Ksenia (2016) TV or not TV? Contemporary experiences of digital television as a medium and technology for parents and children living in mediated homes. Doctoral thesis, University of East Anglia.

Fryers, Mark (2015) British National Identity and Maritime Film and Television, 1960-2012. Doctoral thesis, University of East Anglia.

Furukawa, Hiroko and Denison, Rayna (2015) Disaster and relief:The 3.11 Tohoku and Fukushima disasters and Japan’s media industries. International Journal of Cultural Studies, 18 (2). pp. 225-241. ISSN 1460-356X

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Gander, C. and Garland, S. (2013) Introduction: To fasten words again to visible things:The American imagetext. European Journal of American Culture, 32 (2). pp. 115-120. ISSN 1466-0407

Gander, Catherine (2016) Mixed messages:American correspondences in visual and verbal practices. Manchester University Press. ISBN 978-1-5261-0180-8

Gander, Catherine and Garland, Sarah (2016) Envoi. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Gander, Catherine and Garland, Sarah (2016) Introduction. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Garland, Sarah (2017) Beckett in a box: Texts for Nothing 8 in Brian O’Doherty’s Aspen 5+6. In: Samuel Beckett and Contemporary Art. Ibidem, Stuttgart. ISBN 9783838210797

Garland, Sarah (2016) 'Being kept in the dark can be a critical gesture':Arakawa and Madeline Gins' Mechanism of Meaning. In: Mixed messages. Manchester University Press. ISBN 978-1-5261-0180-8

Garland, Sarah (2016) A Hungry Eye: Henry Miller’s Tropic of Cancer, Text and Context. Nexus: The International Henry Miller Journal, 11.

Garland, Sarah (2007) Second Sight - Reading Twentieth Century Self-Reflexive Fiction through the Baroque. Intertext 7.3.

Garland, Sarah (2015) A Surrealist Duet:Word and image in Into the Night Life with Henry Miller and Bezalel Schatz. In: Henry Miller. Bloomsbury. ISBN 9781628921267

Garland, Sarah (2008) "This temptation to be undone…" Sontag, Barthes, and the Uses of Style. In: Art & Life in Aestheticism: De-Humanizing Art, the Artist & the Artistic Receptor. Palgrave Macmillan, pp. 189-207. ISBN 0230551165

Gibson, Shimon, Kingsley, Sean, Clarke, Joanne, Rowan, Yorke M., Finkielsztejn, Gerald, Hawari, Mahmoud and Auld, Sylvia (1999) Town and Country in the Southern Carmel: Report on the Landscape Archaeology Project at Dor (LAPD). Levant, 31 (1). pp. 71-121.

Gill, Rosalind, Hamad, Hannah, Kauser, Mariam, Negra, Diane, Roshini, Nayomi and Littler, Jo (2016) UNSPECIFIED In: UNSPECIFIED Taylor & Francis, pp. 726-736.

Godfrey, Sarah (2018) Authenticity and Aspiration: Exploring the CBBC Television Tween. Girlhood Studies, 11 (1 (Spring)). pp. 8-24. ISSN 1938-8209

Godfrey, Sarah (2013) 'I'm a Casualty, but it's cool': Masculinity in TwentyFourSeven. Journal of British Cinema and Television, 10. pp. 846-862. ISSN 1743-4521

Godfrey, Sarah and Hamad, Hannah (2011) Save the Cheerleader, Save the Males:Resurgent Protective Paternalism in Popular Film and Television after 9/11. In: The Handbook of Gender, Sex and Media. Wiley-Blackwell, Oxford, pp. 157-173. ISBN 978-1-4443-3854-6

Godfrey, Sarah and Holmes, Su (2016) 'Surely the most natural scenario in the world’: Representations of ‘Family’ in BBC Pre-school Television. Critical Studies in Television, 11 (1). pp. 59-77. ISSN 1749-6039

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp:Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

Gomolka, Agata (2016) Petrified passions: bodily rhetoric in architectural sculpture, c.1100–c.1270. Doctoral thesis, University of East Anglia.

Goncalves Antunes, Filipa (2015) Children Beware! Children’s horror, PG-13 and the emergent Millennial pre-teen. Doctoral thesis, University of East Anglia.

Gooding, Paul (2016) Exploring the information behaviour of users of Welsh Newspapers Online through web log analysis. Journal of Documentation, 72 (2). pp. 232-246. ISSN 0022-0418

Gooding, Paul (2016) Historic Newspapers in the Digital Age: 'Search All About It'. Digital Research in the Arts and Humanities . Routledge. ISBN 9781472463388

Gooding, Paul (2017) "A Trace of this Journey": Citations of Digitised Newspapers in UK History PhD Theses. In: Digital Humanities 2017, 2017-08-09 - 2017-08-11, McGill University.

Gooding, Paul and Bennett, Stephen (2015) "A Link to the Past": Remastered Videogames and the Material Archive. In: Objects in Motion: Material Culture in Transition, 2015-06-18 - 2015-06-20, CRASSH, University of Cambridge.

Gooding, Paul and Terras, Melissa (2017) Inheriting library cards to Babel and Alexandria: Contemporary metaphors for the digital library. International Journal on Digital Libraries, 18 (3). 207–222. ISSN 1432-1300

Goude, Gwenaëlle, Clarke, Joanne, Webb, Jennifer M., Frankel, David, Georgiou, Giorgos, Herrscher, Estelle and Lorentz, Kirsi O. (2018) Exploring the potential of human bone and teeth collagen from Prehistoric Cyprus for isotopic analysis. Journal of Archaeological Science: Reports, 22. pp. 115-122. ISSN 2352-409X

Grant, Nicholas (2016) Bourgeois Radicals: The NAACP and the Struggle for Colonial Liberation, 1941–1960 by Carol Anderson (Cambridge University Press, 2014), 372pp. Radical Americas, 1 (1). pp. 79-84. ISSN 2399-4606

Grant, Nicholas (2014) Crossing the Black Atlantic:The Global Antiapartheid Movement and the Racial Politics of the Cold War. Radical History Review, 2014 (119). pp. 72-93. ISSN 0163-6545

Grant, Nicholas (2016) The National Council of Negro Women and South Africa: Black Internationalism, Motherhood, and the Cold War. Palimpsest: A Journal on Women, Gender, and the Black International, 5 (1). pp. 59-87. ISSN 2165-1612

Grant, Nicholas (2018) The Negro Digest: Race, Exceptionalism and the Second World War. Journal of American Studies, 52 (2). pp. 358-389. ISSN 0021-8758

Grant, Nicholas (2013) Review of Digital Harlem: Everyday Life 1915-1930. Reviews in History. ISSN 1749-8155

Grant, Nicholas (2012) Robert TrentVinson, The Americans Are Coming! Dreams of African American Liberation in Segregationist South Africa (Athens: Ohio University Press, 2012, $26.36). Pp. 236. isbn978 0 8214 1986 1. Journal of American Studies, 46 (4). p. 2. ISSN 0021-8758

Grant, Nicholas (2014) Shawn Leigh Alexander, An Army of Lions: The Civil Rights Struggle before the NAACP. Politics and Culture in Modern America (Philadelphia: University of Pennsylvania Press, 2012, $49.95). Pp. 408. ISBN 978 0 8122 4375 8. Journal of American Studies, 48 (1). ISSN 0021-8758

Grant, Nicholas (2017) Winning Our Freedoms Together:African Americans and Apartheid, 1945-1960. University of North Carolina Press. ISBN 978-1-4696-3528-6

Green, Anna (2013) Introduction. In: The Norwich School of Painters. East Publishing, Norwich.

Green, James (2017) Material Values of the Teke Peoples of West Central Africa (1880–1920). Doctoral thesis, University of East Anglia.

Greene, Fred L., Johnston, Keith M and Vollans, Ed (2014) Would I lie to you? Researching audience attitudes to, and uses of, the promotional trailer format. International Journal of Media and Cultural Politics, 10 (1). pp. 109-116. ISSN 2040-0918

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Haikal, Fayza, Quirke, Stephen, El Daly, Okasha, Carruthers, William, Helmy, Marwa, Laziridis, Nikolaos and Exell, Karen (2011) Egyptologists Speak Out. New Statesman ("Cultural Capital" Blog).

Hair, Ross (2015) Afterword. In: The Book of the Green Man by Ronald Johnson. Uniformbooks, Axminster, Devon, pp. 89-93. ISBN 978–1–910010–04–4

Hair, Ross (2015) All Eyes in Shoreham:On Ronald Johnson, Geoffrey Grigson and Samuel Palmer. In: Reliquiae. Corbel Stone Press, Cumbria, pp. 10-18. ISBN 978-0-9934310-0-5

Hair, Ross (2016) Avant-Folk: Small Press Poetry Networks from 1950 to the Present. Liverpool University Press, Liverpool. ISBN 9781781383292

Hair, Ross (2016) Avant-Folk:Publishing in the Vernacular. UEA Publishing Project, Devon.

Hair, Ross (2019) Brilliant Absence:Pursuing the Kingfisher in the Work of Hans Waanders. Uniformbooks. ISBN 978 1 910010 20 4

Hair, Ross (2018) “But most by numbers judge a poet’s song": A Review of Randall Couch’s Peal. Jacket2. ISSN 2167-2326

Hair, Ross (2018) Exquisite Garble:Acousmatic Sound and Binocular Vision in Ronald Johnson's ARK. Contemporary Literature, 59 (2). pp. 133-160. ISSN 1548-9949

Hair, Ross (2015) First Reading of Basil Bunting’s Performance of Thomas Wyatt’s ‘Blame Not My Lute’ (3). Jacket2. ISSN 2167-2326

Hair, Ross (2017) First reading of Lorine Niedecker's 'Popcorn-can cover' (2). Jacket2. ISSN 2167-2326

Hair, Ross (2016) Folding the Last Sheep. Thomas A Clark /Moschatel Press, Pittenweem.

Hair, Ross (2017) 'Hemi-demi-semi Barbaric Yawps': Jonathan Williams and Black Mountain. In: Jonathan Williams: Lord of Orchards. Prospecta Press, pp. 134-166. ISBN 978-1-63226-087-1

Hair, Ross (2011) "Local Color": Ronald Johnson, Charles Ives and America. Comparative American Studies, 9 (2). pp. 129-143.

Hair, Ross (2014) Models of Order:Form and Cosmos in the Poetry of Ian Hamilton Finlay and Ronald Johnson. Texas Studies in Literature and Language, 56 (2, Summer). pp. 181-225.

Hair, Ross (2019) “Moschatel Press: Craft, Concrete, and Constructivism in the Cotswolds”. Word & Image: A Journal of Verbal/Visual Enquiry. ISSN 0266-6286 (In Press)

Hair, Ross (2013) Opening the Folds: Thomas A Clark, Ian Hamilton Finlay, and Pastoral. Journal of British and Irish Innovative Poetry, 5 (2). pp. 13-41. ISSN 1758-972X

Hair, Ross (2010) Ronald Johnson's Modernist Collage Poetry. Palgrave Macmillan. ISBN 0230108695

Hair, Ross (2010) “Tendrils of Flame": The Poetry of Ted Walker. In: Minting the Sun: A New Selection of Poems by Ted Walker. University of Chichester, pp. 8-17. ISBN 190785200X

Hair, Ross (2014) Thick as Trees: Kinship and Place in Transatlantic Small Press Poetry Networks. Anglophonia/Caliban, 35. pp. 159-177.

Hair, Ross (2016) "Volk Roots and Hiart Leaves": John Fahey and the Anthology of American Folk Music. In: Harry Smith's Anthology of American Folk Music: America changed through music. Routledge. ISBN 9781472479204

Hair, Ross and Barsham, Diana (2010) Minting the Sun: A New Selection of Ted Walker's Poetry. University of Chichester. ISBN 190785200X

Hair, Ross and Smith, Thomas Ruys (2016) Introduction:America Changed Through Music. In: Harry Smith's Anthology of American Folk Music. Routledge. ISBN 9781472479204

Hakim, James (2018) 'The Spornosexual': the affective contradictions of male body-work in neoliberal digital culture. Journal of Gender Studies, 27 (2). pp. 231-241. ISSN 0958-9236

Hakim, Jamie (2015) Affect and Popular Zionism in the British Jewish Community after 1967. European Journal of Cultural Studies, 18 (6). pp. 672-689. ISSN 1367-5494

Hakim, Jamie (2017) Chemsex: anatomy of a sex panic. In: Affect and Social Media. Rowman and Littlefield International. (In Press)

Hakim, Jamie (2015) ‘Fit is the new rich’: male embodiment in the age of austerity. Soundings: A Journal of Politics and Culture, 61 (Winter). pp. 84-94. ISSN 1741-0797

Hakim, Jamie (2019) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies, 33 (2). pp. 249-275. ISSN 0950-2386

Hakim, Jamie, Gupta, Rahila and Cardullo, Paolo (2014) Sociology, Politics, Thinking and Acting: a festschrift for Nira Yuval-Davis. Centre for research on Migration, Refugees and Belonging.

Hakim, Jamie and Yuval-Davis, Nira (2015) Anti-Jewish and Anti-Muslim Racisms and the Question of Palestine/Israel Online Paper Series Introduction. Centre for research on Migration, Refugees and Belonging, http://www.uel.ac.uk/cmrb/publications.htm.

Hallsworth, Alan and Hodgett, Susan (2018) Down but Not Out: British Academics Resolutely Determined to Explore Canada. In: Promoting Canadian Studies Abroad. Global Public Diplomacy (1). Palgrave Macmillan, New York, pp. 73-95. ISBN 978-3-319-74026-3

Hamad, Hannah (2013) Age of austerity celebrity expertise in UK reality television. Celebrity Studies, 4 (2). pp. 245-248. ISSN 1939-2397

Hamad, Hannah (2010) 'Attack of Boss-Zilla!':Female Conflict and Generational Discord in Postfeminism's New Monstrous Feminine. Flow, 11 (6).

Hamad, Hannah (2007) Book review: Acting Irish in Hollywood by Ruth Barton. Irish Studies Review, 15 (3). pp. 389-391. ISSN 0967-0882

Hamad, Hannah (2007) Book review: Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood by Stella Bruzzi. Film Quarterly, 61 (1). pp. 77-79. ISSN 0015-1386

Hamad, Hannah (2010) Book review: Good Girls and Wicked Witches: Women in Disney's Feature Animations. Feminist Review (95). e19-e21. ISSN 0141-7789

Hamad, Hannah (2007) Book review: Hollywood Divas, Indie Queens and TV Heroines: Contemporary Screen Images of Women. Scope (7). ISSN 1465-9166

Hamad, Hannah (2016) Book review: Tom Cruise: performing masculinity in post-Vietnam Hollywood. Feminist Media Studies, 16 (1). pp. 186-187. ISSN 1468-0777

Hamad, Hannah (2014) Conference Report: Sex and the City Ten Years On: Landmark Television and its Legacy. CST Online.

Hamad, Hannah (2016) Contemporary medical television and crisis in the NHS. Critical Studies in Television, 11 (2). pp. 136-150. ISSN 1749-6020

Hamad, Hannah (2009) DAD TV:Postfeminism and the Paternalization of US Television Drama. Flow, 11 (2).

Hamad, Hannah (2014) ‘Don't let him take Britain back to the 1980s’: Ashes to Ashes as postfeminist recession television. Continuum, 28 (2). pp. 201-212. ISSN 1030-4312

Hamad, Hannah (2015) Eddie Murphy's Baby Mama Drama and Smith Family Values:The (Post-) Racial Familial Politics of Hollywood Celebrity Couples. In: First Comes Love. UNSPECIFIED, London, pp. 116-132. ISBN 978-1628921212

Hamad, Hannah (2011) Extreme Parenting:Recuperating Fatherhood in Steven Spelberg's War of the Worlds. In: Feminism at the Movies. Routledge, London and New York, pp. 241-253. ISBN 9780415895880

Hamad, Hannah (2014) Fairy Jobmother to the Rescue?:Postfeminism and the Recessionary Cultures of Reality TV. In: Gendering the Recession. Duke University Press, Durham and London, pp. 223-245. ISBN 978-0-8223-5696-7

Hamad, Hannah (2011) Greer Garson: Gallant Ladies and British Wartime Femininity. In: What Dreams Were Made Of. Rutgers University Press, New Brunswick, New Jersey, pp. 142-165. ISBN 9780813549644

Hamad, Hannah (2013) Hollywood Fatherhood:Paternal Postfeminism in Contemporary Popular Cinema. In: Postfeminism & Contemporary Hollywood Cinema. Palgrave Macmillan, Basingstoke and New York, pp. 99-115. ISBN 9781137376527

Hamad, Hannah (2010) ‘Hollywood's hot dads’:tabloid, reality and scandal discourses of celebrity post-feminist fatherhood. Celebrity Studies, 1 (2). pp. 151-169. ISSN 1939-2397

Hamad, Hannah (2015) "I'm Not Past My Sell By Date Yet!":Sarah Jane's Adventures in Postfeminist Rejuvenation and the Later-Life Celebrity of Elisabeth Sladen. In: Women, Celebrity and Cultures of Ageing. UNSPECIFIED, Basingstoke and New York, pp. 162-177. ISBN 978-1137495112

Hamad, Hannah (2016) Introduction: gal pals, gamers and hacktivists in contemporary cultures of celebrity. Celebrity Studies, 7 (2). pp. 280-281. ISSN 1939-2397

Hamad, Hannah (2016) Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape. Celebrity Studies, 7 (3). pp. 419-420. ISSN 1939-2397

Hamad, Hannah (2016) Introduction: transgender celebrity, celebrity political endorsements, and the practice of celebrity public relations. Celebrity Studies, 7 (1). pp. 113-114. ISSN 1939-2397

Hamad, Hannah (2018) Introduction: ‘new’ celebrity feminisms, media users’ responses to celebrity coming out narratives and the photographic celebrity memoir. Celebrity Studies, 9 (1). pp. 97-98. ISSN 1939-2397

Hamad, Hannah (2015) Introduction:intersections of fame, politics and power in the contemporary celebrity mediascape. Celebrity Studies, 6 (4). pp. 601-602. ISSN 1939-2397

Hamad, Hannah (2011) 'My Wife Calls Him My Boyfriend':Gary Barlow and Robbie Williams' Reconciliatory Bromance. Flow, 13 (9).

Hamad, Hannah (2018) The One with the Feminist Critique: Revisiting Millennial Postfeminism with Friends. Television and New Media, 19 (8). pp. 692-707. ISSN 1527-4764

Hamad, Hannah (2014) Paternalising the Rejuvenation of Later Life Masculinity in Twenty- First Century Film. In: Ageing, Popular Culture and Contemporary Feminism. Palgrave Macmillan, pp. 78-92. ISBN 978-1-137-37652-7

Hamad, Hannah (2007) 'The Position of Annoying Talking Animal Has Alredy Been Taken!':The Unspeakability of Race in the Re-Articulated Star Personaof Eddie Murphy. In: The Limits of Representation. Cambridge Scholars Press, Newcastle, pp. 45-62. ISBN 9781847181923

Hamad, Hannah (2013) Postfeminism and Paternity in Contemporary US Film:Framing Fatherhood. Routledge, New York and London. ISBN 978-0415899925

Hamad, Hannah (2010) Postfeminist Primary Colors:Coding Feminities in Media Culture. Flow, 11 (11).

Hamad, Hannah (2015) Review: 'Girlfriends and Postfeminist Sisterhood' by Alison Winch, Basingstoke and New York: Palgrave Macmillan, 2013, x + 222 pp., AU$91.62 (ebk), ISBN 0230348750. Australian Feminist Studies, 30 (83). pp. 99-101. ISSN 0816-4649

Hamad, Hannah (2015) Review: The Television Entrepreneurs: Social Change and Public Understanding of Business by Raymond Boyle and Lisa W Kelly. Journal of British Cinema and Television, 12 (1). pp. 138-140. ISSN 1743-4521

Hamad, Hannah (2016) Ryan Coogler Gets in the Ring with Cultural Moynihanism in Fruitvale Station and Creed. In Media Res: A Media Commons Project.

Hamad, Hannah (2011) 'A Tear For Sarah Jane': A Feminist Aca-Obit. Flow, 13 (13).

Hamad, Hannah (2010) A Whoniverse of Runaway Brides. Flow, 13 (4).

Hamad, Hannah and Taylor, Anthea (2015) Introduction: Feminism and contemporary celebrity culture. Celebrity Studies, 6 (1). pp. 124-127. ISSN 1939-2397

Hancock, Danielle (2018) Our friendly desert town:Alternative podcast culture in welcome to Night Vale. In: Critical Approaches to Welcome to Night Vale. Springer International Publishing, pp. 35-49. ISBN 9783319930909

Hancock, Danielle and McMurtry, Leslie (2018) I know what a podcast is:Post-serial fiction and podcast media identity. In: Podcasting. Palgrave Macmillan, pp. 81-105. ISBN 9783319900551

Hand, Richard (2005) Aesthetics of Cruelty:Traditional Japanese Theatre and the Horror Film. In: Japanese Horror Cinema. Edinburgh University Press. ISBN 9780748619955

Hand, Richard (1989) Anthologized Clare and the Problem of Death Date. Notes and Queries, 36 (2). pp. 181-182. ISSN 0029-3970

Hand, Richard (2016) ‘Brand New Ancient Legends’: Creating Werewolves for a Welsh Halloween. Revenant, 1 (2). pp. 146-173. ISSN 2397-8791

Hand, Richard (1991) ’Character is Fate’ Thomas Hardy’s The Mayor of Casterbridge and Shakespeare’s Antony and Cleopatra. The Region and Nation Newsletter, 2 (4). pp. 3-12.

Hand, Richard (2000) Christopher Hampton’s Adaptation of The Secret Agent. Conradiana, 32 (3). pp. 195-202. ISSN 0010-6356

Hand, Richard (2001) Conrad and the Reviewers: "The Secret Agent" on Stage. The Conradian, 26 (2). pp. 1-67.

Hand, Richard (2006) Conrad’s Drama in a World Theatrical Context. In: Beyond the Roots. Columbia University Press. ISBN 978-0880335751

Hand, Richard (2018) The Devil at Midnight. [Performance]

Hand, Richard (2004) Dissecting the Gash: Sexual Horror in the 1980s and the Manga of Suehiro Maruo. M/C Journal, 7 (4). ISSN 1441-2616

Hand, Richard (2018) Edgar Allan Poe radio adaptations:5 x 30 minute radio adaptations of Poe short stories in serialised form. [Performance]

Hand, Richard (2018) The Empty House:The Ghost of a Memory, The Memory of a Ghost. Revenant, 1 (3). pp. 72-78. ISSN 2397-8791

Hand, Richard (2012) Entries on these horror films: ‘Jekyll and Hyde’; ‘Dead of Night’; ‘Invasion of the Body Snatchers’; ‘Curse of the Demon’; ‘Psycho’; ‘Plague of the Zombies’; ‘Night of the Living Dead’; ‘Theatre of Blood’; ‘Count Yorga’; ‘The Thing’; ‘The Mist’. In: Graphic Horror: Movie Monster Memories. UNSPECIFIED. ISBN 9780764340826

Hand, Richard (2006) “Escape with Joseph Conrad! The Adaptation of Joseph Conrad’s Fiction on American Old Time Radio. Conradiana. ISSN 0010-6356

Hand, Richard (2018) Frankenstein and a Little Twist of Fate. [Performance]

Hand, Richard (2005) Gennaro from Lucretia Borgia. In: Classical Monologues for Men. Methuen: London. ISBN 9780413775337

Hand, Richard (2002) Grand-Guignol: The French Theatre of Horror. University of Exeter Press. ISBN 978-0859896962

Hand, Richard (2006) History, Homage, and Horror:Fassbinder, Raab, Lommel and the Tenderness of Wolves (1973). In: Caligari's Heirs. Scarecrow Press. ISBN 0810858789

Hand, Richard (2019) A Household Name. [Performance] (In Press)

Hand, Richard (2018) How Black Mirror combines a disturbing future with a familiar past. The Conversation.

Hand, Richard (2010) 'It must all change now!':Victor Hugo’s Lucretia Borgia and Adaptation Practices in Theatre. In: Redefining Adaptation Studies. Scarecrow Press. ISBN 978-0-8108-7298-1

Hand, Richard (1993) John Clare on Stage: Edward Bond’s ‘The Fool’ and the Issue of Faction. John Clare Society Journal, 12. pp. 57-61. ISSN 1356-7128

Hand, Richard (1989) John Clare’s Intense Regionalism. The Region and Nation Newsletter, 2 (1). pp. 21-27.

Hand, Richard (2008) La proliferazione dell’horror:Survival horror e la serie di Resident Evil. In: Intermedialita. Unicopli. ISBN 9788840012704

Hand, Richard (2010) Labyrinths of the Taboo:Theatrical Journeys of Eroticism and Death in Parisian Culture. In: Eroticism and Death in Theatre and Performance. University of Hertfordshire Press, pp. 64-79. ISBN 978-1-902806-92-1

Hand, Richard (2014) Listen in Terror:British Horror Radio from the Advent of Broadcasting to the Digital Age. Manchester University Press. ISBN 978-0-7190-8148-4

Hand, Richard (2003) Loving and Killing: the two great adventures in life’: Maurice Tourneur’s 1919 screen version of Joseph Conrad’s Victory. Conradiana, 35 (3). pp. 52-64. ISSN 0010-6356

Hand, Richard (2004) Lucrece Borgia. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (2005) 'Lucretia' from Lucretia Borgia. In: Classical Monologues for Women [Audition Speeches]. Methuen: London. ISBN 9780413775344

Hand, Richard (2018) A Memory of Sammy. [Performance]

Hand, Richard (2010) Mike Schneider in interview with Richard Hand:Night of the Living Dead: Reanimated (2009). Journal of Adaptation in Film and Performance, 3 (2). ISSN 1753-6421

Hand, Richard (2015) ‘Octave Mirbeau’s The Epidemic’. Journal of Adaptation in Film and Performance, 8 (1). pp. 73-91. ISSN 1753-6421

Hand, Richard (2002) Producing Laughing Anne. Conradiana, 34 (1-2). pp. 43-62. ISSN 0010-6356

Hand, Richard (2004) Proliferating Horrors:Survival Horror and the Resident Evil franchise. In: Horror Film. University Press of Mississippi. ISBN 978-1578066926

Hand, Richard (2017) Radio Adaptation. In: The Oxford Handbook of Adaptation Studies. Oxford University Press, Oxford. ISBN 9780199331000

Hand, Richard (2005) Reanimating Peyton Farquhar: The Adaptations of Ambrose Bierce’s ‘An Occurrence at Owl Creek Bridge’. Ambrose Bierce Project Journal, 1 (1). ISSN 1939-4578

Hand, Richard (2004) Ruy Blas. In: Victor Hugo. Methuen: London. ISBN 9780413772695

Hand, Richard (1994) 'Self-Adaptation’: Hardy’s Tess of the D’Urbervilles. Swansea Review. pp. 274-286. ISSN 0269-8374

Hand, Richard (2004) Shakespeare, Soccer, and Spin-Doctors: Staging a Contemporary "Henry V". College Literature, 31 (4). pp. 60-71. ISSN 0093-3139

Hand, Richard (2018) Sound-Stories: Audio Drama and Adaptation. In: The Routledge Companion to Adaptation. Routledge, London. ISBN 9781138915404

Hand, Richard (2000) "The Stage Is a Terribly Searching Thing" Joseph Conrad's Dramatization of 'The Secret Agent'. Conradiana, 32 (1). pp. 57-65. ISSN 0010-6356

Hand, Richard (2001) Staging an ‘unbearable spectacle’: Joseph Conrad's Laughing Anne. Studies in Theatre and Performance, 21 (2). pp. 109-117. ISSN 1468-2761

Hand, Richard (2018) Súčasné fóra desivých zážitkov. Časopisu Kød – Konkrétne o Divadle, 12 (5). pp. 2-3. ISSN 1337-1800

Hand, Richard (2018) Talos II Science Fiction Festival of London:Live Radio Play - Prometheus; Frankenstein. [Performance]

Hand, Richard (2005) Theatres of Interactivity:Video Games in the Drama Studio. In: Digital Gameplay. McFarland. ISBN 978-0-7864-2292-0

Hand, Richard (2017) Thrills and Chills!:An Evening of Old-Time Horror Radio. [Performance]

Hand, Richard (2018) Uncanny Audio:The place and use of sound in Gothic performance. In: Contemporary Gothic Drama. Palgrave Macmillan, pp. 125-138. ISBN 978-1-349-95358-5

Hand, Richard (2011) Undead Radio:Zombies and the Living Dead on Live American Radio Drama in the 1930-40s. In: Better Off Dead. Fordham University Press. ISBN 9780823234462

Hand, Richard (2013) Zappa and horror:screamin’ at the monster. In: Frank Zappa and the And. Ashgate. ISBN 9781138246300

Hand, Richard (2018) ‘every sound terrified me’::Frankenstein on live radio. In: UNSPECIFIED.

Hand, Richard and Carr, Paul (2012) Canciones, estrellas y bandas sonoras: cine y rock británico (1956-1976). L’Atalante: Revista de Estudios Cinematográficos, 14. pp. 20-27. ISSN 1885-3730

Hand, Richard and Carr, Paul (2007) Frank Zappa and musical theatre: ugly ugly o'phan Annie and really deep, intense, thought-provoking Broadway symbolism. Studies in Musical Theatre, 1 (1). pp. 41-56. ISSN 1750-3159

Hand, Richard and Carr, Paul (2008) ‘Twist ‘n frugg in an arrogant gesture’: Frank Zappa and the Musical-Theatrical Gesture. Popular Musicology Online. ISSN 1357-0951

Hand, Richard and Hancock, Danielle (2018) Beware the Untruths:Podcast Audio Horror in Post-Truth America. In: Make America Hate Again. Routledge. (In Press)

Hand, Richard and Wilson, Michael (2000) The Grand-Guignol: Aspects of Theory and Practice. Theatre Research International, 25 (3). pp. 266-275. ISSN 0307-8833

Hand, Richard and Wilson, Michael (2007) London's Grand Guignol and the Theatre of Horror. University of Exeter Press. ISBN 978-0859897921

Hand, Richard and Wilson, Michael (2012) Transatlantic Terror! French Horror Theater and American Pre-Code Comics. Journal of Popular Culture, 45 (2). pp. 301-319. ISSN 0022-3840

Hand, Richard J. (2012) Adaptation and Modernism. In: A Companion to Literature, Film, and Adaptation. Blackwell-Wiley, pp. 52-69. ISBN 978-1-4443-3497-5

Hand, Richard J. (2010) Captured Ghosts:Horror Acting in the 1970s British Television Drama. In: Genre and Performance. Manchester University Press. ISBN 978-0-7190-7980-1

Hand, Richard J. (2014) Conrad adapted. In: The New Cambridge Companion to Joseph Conrad. Cambridge University Press. ISBN 9781107610378

Hand, Richard J. (2016) Disruptive Corpses:Tales of the Living Dead in Horror Comics of the 1950s and Beyond. In: Vampires and Zombies. University Press of Mississippi. ISBN 978-1-4968-0474-7

Hand, Richard J. (2018) Frankenstein's Pulse:An Afterword. In: Adapting Frankenstein. Manchester University Press. ISBN 978-1-5261-0890-6

Hand, Richard J. (2012) German Expressionism. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2013) Half-Masks and Stage Blood:Translating, Adapting and Performing French Historical Theatre Forms. In: Translation and Adaptation in Theatre and Film. Routledge. ISBN 9780415829687

Hand, Richard J. (2013) Octave Mirbeau: Two Plays:"Business is Business" and "Charity". Intellect Books. ISBN 9781841504865

Hand, Richard J. (2017) ‘A Perfect Demon’: Michael Eaton’s Charlie Peace: His Amazing Life & Astounding Legend. In: Neo-Victorian Villains. Brill, pp. 51-70. ISBN 9789004322240

Hand, Richard J. (2017) Populism and ideology: nineteenth-century fiction and the cinema. In: Interventions. Manchester University Press. ISBN 978-1-7849-9510-2

Hand, Richard J. (2012) Radio. In: The Encyclopedia of the Gothic. Wiley-Blackwell. ISBN 978-1-4051-8290-4

Hand, Richard J. (2017) The Sound of War: Audio, Radio and the First World War. In: The Edinburgh Companion to the First World War and the Arts. Edinburgh University Press, Edinburgh. ISBN 9781474401630

Hand, Richard J. (2017) Spirits on the Air: Ghosts, Sound and the Radio. In: The Routledge Handbook to the Ghost Story. Routledge, London. ISBN 9781138184763

Hand, Richard J. (2009) 'Stay Tuned for Tricks, Treats and Terror':Halloween and Horror Radio in the Era of American Live Broadcasting. In: Treat or Trick? Cambridge: Cambridge Scholars Press, pp. 214-226. ISBN 978-1-4438-0153-9

Hand, Richard J. (2006) Terror on the Air!:Horror Radio in America, 1931-1952. McFarland. ISBN 978-0786469192

Hand, Richard J. (2005) The Theatre of Joseph Conrad:Reconstructed Fictions. Palgrave. ISBN 978-1-4039-1899-4

Hand, Richard J. and Purssell, Andrew (2014) Adapting Graham Greene. Palgrave Macmillan. ISBN 9780230579040

Hand, Richard J. and Traynor, Mary (2011) The Radio Drama Handbook:Audio Drama in Practice and Context. Continuum. ISBN 9781441147431

Hand, Richard J. and Wilson, Michael (2016) Performing Grand-Guignol:Playing the Theatre of Horror. University of Exeter Press. ISBN 9780859899963

Hans, Rosalie (2018) Museums in the making - emerging modalities in East African independent museums. Doctoral thesis, University of East Anglia.

Haour, A., Christie, A., Jaufar, S. and Vigoureux, D. (2017) Back to ibn Battuta’s island – excavations in the Maldives, 2017. Nyame Akuma, 88 (33-40).

Haour, Anne, Christie, Annalisa and Jaufar, Shiura (2016) Tracking the Cowrie Shell: Excavations in the Maldives, 2016. Nyame Akuma, 85. pp. 69-77.

Harrison, Rebecca (2016) "The Coming of the Projectionettes”: Women’s Work and Changing Modes of Spectatorship in British Cinemas in the Second World War. Feminist Media Histories, 2 (2). pp. 47-70. ISSN 2373-7492

Harrison, Rebecca (2009) Haunted Screens and Spiritual Scenes: Film as a Medium in the Cinema of Carl Theodor Dreyer. Scandinavica, 48 (1). pp. 31-36.

Harrison, Rebecca (2014) Inside the Cinema Train: Britain, Empire and Modernity in the Twentieth Century. Film History, 26 (4). pp. 32-57. ISSN 1553-3905

Harrison, Rebecca (2015) Writing history on the page and screen: Mediating conflict through Britain’s First World War ambulance trains. Historical Journal of Film, Radio and Television, 35 (4). pp. 559-578. ISSN 0143-9685

Hartnell, Jack (2019) The Body Inside-Out:Anatomical Memory at Maubuisson Abbey. Art History, 42 (2). pp. 242-273. ISSN 0141-6790

Hartnell, Jack (2017) Epilogue: Touching Ivory Online. In: Gothic Ivory Sculpture. Courtauld Books Online, pp. 143-158. ISBN 978-1-907485-09-1

Hartnell, Jack (2016) Medicine's Image. In: The Routledge Companion to Medieval Iconography. Routledge Art History and Visual Studies Companions . Routledge, pp. 322-339. ISBN 978-1-4724-5947-3

Hartnell, Jack (2018) Medieval Bodies:Life, Death and Art in the Middle Ages. Wellcome Collection, London. ISBN 978-1781256794

Hartnell, Jack (2017) Scanning Saint Amandus: Medical Technologies and Medieval Anatomies. postmedieval: a journal of medieval cultural studies, 8 (2). 218–233. ISSN 2040-5960

Hartnell, Jack (2017) Surgical Saws and Cutting Edge Agency. In: The Agency of Things in Medieval and Early Modern Art. Routledge, London, pp. 156-171. ISBN 9781138054226

Hartnell, Jack (2017) Tools of the Puncture. Skin, Knife, Bone, Hand. In: Flaying in the Pre-Modern World. Boydell & Brewer, Woodbridge, pp. 20-50. ISBN 9781843844525

Hartnell, Jack (2017) Wording the Wound Man. British Art Studies (6). ISSN 2058-5462

Hartnell, Jack and Johnston, Cynthia (2015) Extraordinary Collections of The Industrial Northwest, exhibition catalogue. Two Temple Place, London. ISBN 978-0-9570628-4-9

Havas, Julia Eva (2016) Invocations of feminism: cultural value, gender, and American quality television. Doctoral thesis, University of East Anglia.

Haygarth, Natalie (2018) U.K. Press Discourses Surrounding Representations of Rape in Film and the Subject of Male Violence against Women. Doctoral thesis, University of East Anglia.

Herron, Adam (2018) “A Charismatic Authority in Excess of the Narrative Realism of This Very English Picture”: The Cult Stardom of Vincent Price in East Anglia. In: Cine-Excess XII: I Know What You Starred In Last Summer: Global Perspectives on Cult Performance, 2018-11-08 - 2018-11-10, Birmingham City University.

Herron, Adam (2018) Conference Report: Cine-Excess XII: I Know What You Starred in Last Summer: Global Perspectives on Cult Performance. Alternate Takes.

Herron, Adam (2018) Last of the Final Girls? It Follows and Postfeminism. In: "It Is True, We Shall Be Monsters": New Perspectives on Horror, Science-Fiction, and the Monstrous On-Screen, 2018-06-13 - 2018-06-13, De Montfort University.

Herron, Adam (2018) Review: "It Is True, We Shall Be Monsters": New Perspectives in Science-Fiction, Horror, and the Monstrous On-Screen. U.S Studies Online.

Herron, Adam (2018) Seeing is Believing: Realism and Generic Hybridity in the Promotional Campaigns of Snuff Fiction. In: Researching Past Cinema Audiences: Archives, Memories and Methods, 2018-03-26 - 2018-03-28, Aberystwyth University.

Herron, Adam (2018) Seeing is Believing: Realism in the Paratexts of Snuff Fiction. In: Horror, Cult and Exploitation Media II: A Research Workshop for PhDs and Early Career Researchers, 2018-05-04 - 2018-05-04, Northumbria University.

Herron, Adam (2018) "Yeah, I Thought President Obama Fixed All That": Black Queers, White Fears, and Intersectionality in Dear White People. In: Critically Queer Symposium, 2018-04-30 - 2018-04-30, University of East Anglia.

Heslop, T A (2010) Attending at Calvary: An early fifteenth-century English Panel Painting. In: Tributes to Nigel Morgan. Contexts of Medieval Art: Images, Objects and Ideas. Harvey Miller/Brepols, Turnhout, pp. 278-292. ISBN 9781905375295

Heslop, T. A. (2017) Saint Anselm’s “Grand Tour” and the Full-Page Picture Cycle in the Markyate Psalter. In: St. Albans and the Markyate Psalter. Studies in Iconography: Themes and Variations . Medieval Institute Publications. ISBN 9781580442589

Heslop, T.A (2012) The Alabaster Tomb at Ashwellthorpe, Norfolk: its Workmanship, Cost and Location. In: Patrons and Professionals in the Middle Ages. Harlaxton Medieval Studies vol.XXII . Donington, pp. 333-346.

Heslop, T.A (2012) Constantine and Helena: the Roman in English Romanesque. In: Architecture and Interpretation: Essays for Eric Fernie. The Boydell Press, Woodbridge, pp. 163-175.

Heslop, T.A (2010) Les monastères clunisiens anglais et leurs sceaux: vers 1090-1120. In: Cluny: onze siècles de rayonnement. Centre des monuments nationaux, pp. 380-387.

Heslop, T.A (2011) The Nave of Attleborough, Norfolk, and the Architecture of Unknowing. In: Architecture, Liturgy and Identity. Liber Amicorum Paul Crossley. Brepols, Turnhout, pp. 47-60.

Heslop, T.A (2011) St Anselm, Church Reform and the Politics of Art. In: Anglo-Norman Studies, Proceedings of the Battle Conference for 2010. Woodbridge, pp. 103-126.

Hicks, Anna, Armijos, Maria Teresa, Barclay, Jenni, Stone, Jonathan, Robertson, Richard and Cortés, Gloria Patricia (2017) Risk communication films: Process, product and potential for improving preparedness and behaviour change. International Journal of Disaster Risk Reduction, 23. pp. 138-151. ISSN 2212-4209

Hill, Sarah (2015) The Ambitious Young Woman and the Contemporary British Sports Film. Assuming Gender, 5 (1). pp. 37-58. ISSN 2042-387X

Hill, Sarah (2015) Young Femininity in Contemporary British Cinema: 2000-2015. Doctoral thesis, University of East Anglia.

Hobart, Michelle, Campana, Stefano, Hodges, Richard and Mitchell, John (2012) Monasteri di contesa nella Tuscia Longobarda: il case di S.Pietro d'Asso, Montalcino. Archeologia Medievale, 39. pp. 175-213.

Hodges, Richard, Leppard, Sarah and Mitchell, John (2012) Reconstructing the later eighth-century claustrum at San Vincenzo al Volturno. Papers of the British School at Rome, 80. pp. 145-55. ISSN 0068-2462

Hodges, Richard, Leppard, Sarah and Mitchell, John (2011) San Vincenzo 5. San Vincenzo Maggiore and its workshops. British School at Rome, London.

Hodgett, Susan (2018) 21st Century Area Studies:Blurring Genres, Evolutionary Thought and the Production of Theory. In: The Rebirth of Area Studies. I B Tauris, London. (In Press)

Hodgett, Susan (2018) Towards the Good Society:Expanding Women’s Capabilities through Community-Education and European Social Policy in Northern Ireland. In: Women and Careers. Routledge. ISBN 9781138633735

Hodgett, Susan and Clark, David (2019) The Integrated Capabilities Framework:Exploring Multiculturalism and Well-Being in Participatory Settings. In: The Capability Approach, Empowerment and Participation. Palgrave. ISBN 978-1-137-35229-3

Hodgett, Susan and Doran, Peter (2018) Societal Wellbeing – Catalyst for Systems and Social Change in Northern Ireland? In: The Politics of Wellbeing. Palgrave. ISBN 978-3-319-58393-8

Hodgett, Susan and James, Patrick (2018) Necessary Travel:New Area Studies and Canada in Comparative Perspective. Lexington Press USA. ISBN 978-1-4985-4514-3

Holmes, S. (2011) Big Brother RIP. Celebrity Studies, 2 (2). pp. 214-217. ISSN 1939-2397

Holmes, S. and Redmond, S. (2013) Celebrity Studies in rude health. Celebrity Studies, 4 (2). pp. 113-114. ISSN 1939-2397

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Understanding Reality Television. Routledge, pp. 111-135. ISBN 0415317959

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950s British Television. Screen, 42 (2). pp. 167-187. ISSN 1460-2474

Holmes, Su (2008) Ask the fastidious woman from Surbiton to hand-wash the underpants of the ageing Oldham skinhead…': Why not Wife Swap? In: Rethinking Documentary: A Documentary Reader. Open University Press, pp. 59-74. ISBN 0335221912

Holmes, Su (2007) The BBC and Television Fame in the 1950's: Living with The Grove Family (1954-7) and going Face to Face (1959-62) with television. European Journal of Cultural Studies, 10 (4). pp. 427-446. ISSN 1460-3551

Holmes, Su (2016) Between Feminism and Anorexia: An Autoethnography. International Journal of Cultural Studies, 19 (2). pp. 193-207. ISSN 1460-356X

Holmes, Su (2016) ‘Blindness to the obvious’?: Treatment experiences and feminist approaches to eating disorders. Feminism and Psychology, 26 (4). pp. 464-486. ISSN 0959-3535

Holmes, Su (2005) British TV and Film Culture of the 1950s: Coming to a TV Near You! Intellect Books. ISBN 1841501212

Holmes, Su (2007) ‘But The Question is – is it all Worth Knowing?’: Quiz Shows on 1950s British Television. Media, Culture and Society, 49 (1). pp. 65-86. ISSN 1460-3675

Holmes, Su (2004) 'But this time You Choose!':Approaching the Interactive Audience of Reality TV. International Journal of Cultural Studies, 7 (2). pp. 213-231. ISSN 1460-356X

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 1465-3451

Holmes, Su (2008) Entertaining Television: The BBC and Popular Television Culture in the 1950's. Manchester University Press. ISBN 9780719077913

Holmes, Su (2007) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Re-viewing Television History. IB Tauris, pp. 67-81. ISBN 1845111885

Holmes, Su (2006) 'The "Give-Away" Shows - Who is Really Paying?": 'Ordinary' People and the Development of the British Quiz Show (1945-58). Journal of British Cinema & Television, 3 (2). pp. 284-303. ISSN 1755-1714

Holmes, Su (2001) The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 1465-3451

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. ISBN 0415377102

Holmes, Su (2005) “It’s a Woman!”: The Question of Gender in Who Wants to be a Millionaire. Screen, 46 (2). pp. 155-173. ISSN 1460-2474

Holmes, Su (2015) ‘I’m certainly not one of these women’s libbers’: Revisiting Gender in The Family. Journal of British Cinema and Television, 12 (3). pp. 300-320. ISSN 1743-4521

Holmes, Su (2009) Jade's back and this time she's famous: Narratives of Celebrity in the Celebrity Big Brother 'race' row. Entertainment and Sports Law Journal, 7(1).

Holmes, Su (2015) ‘Little Lena’s a Big Girl Now’: Lena Zavaroni and the Anorexic Star. Feminist Media Studies, 15 (5). pp. 813-828. ISSN 1468-0777

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. ISSN 1543-5326

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching. pp. 12-19.

Holmes, Su (2017) 'My anorexia story': Girls constructing narratives of identity on YouTube. Cultural Studies, 31 (1). pp. 1-23. ISSN 0950-2386

Holmes, Su (2006) A Night in at the Cinema: The Film Première on 1950s British Television. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). pp. 483-503. ISSN 1460-3551

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in Heat Magazine. Journal of Media and Cultural Studies, 19 (1). pp. 21-38.

Holmes, Su (2004) ‘The Only Place where “Success” Comes Before "Work" is in the Dictionary…?’: Conceptualising Fame in Reality TV. M/C Journal, 7.

Holmes, Su (2008) Outrageously Bad Taste: The BBC, the Critics and the Controversy over This is Your Life in the 1950's. In: Narrating Media History. Routledge. ISBN 978-0415419161

Holmes, Su (2008) The Quiz Show. Edinburgh University Press. ISBN 9780748627523

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309

Holmes, Su (2004) Reality Goes Pop!’: Reality TV, Popular Music and Narratives of Stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1552-8316

Holmes, Su (2010) Reality TV and 'Ordinary' People: Re-visiting Celebrity, Performance and Authenticity. In: Trans-Reality Television: The Transgression of Reality, Genre, Politics and Audience. Lexington Books, Plymouth, pp. 251-274. ISBN 978-0-7391-3188-6

Holmes, Su (2018) Responses to warnings about the impact of eating disorders on fertility: A qualitative study. Sociology of Health & Illness, 40 (4). pp. 670-686. ISSN 0141-9889

Holmes, Su (2016) Revisiting Play School: A historical case study of the BBC’s address to the pre-school audience. Journal of Popular Television, 4 (1). pp. 29-47. ISSN 2046-987X

Holmes, Su (2008) Riveting and Real - a family in the raw:(Re)visiting The Family (1974) after Reality TV. International Journal of Cultural Studies, 11 (2). pp. 193-210. ISSN 1460-356X

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture. Westminster Papers in Communication and Culture, 2 (2). pp. 6-21. ISSN 1744-6716

Holmes, Su (2009) Television Talent Shows. ‘”Thank You, Voters”: Approaching the Audience for Music and Television in the Reality-Pop Phenomenon. In: Sound and Music in Film and Visual Media A Critical Overview A Critical Overview. Continuum. ISBN 9780826458247

Holmes, Su (2008) A Term Rather Too General to be Helpful': Struggling with Genre in Reality TV. In: The Shifting Definitions of Genre, Generic Canons. McFarland, pp. 21-39. ISBN 0786434309

Holmes, Su (2015) ‘That perfect girl is gone’:Pro-ana, Anorexia and Frozen (2013) as an ‘Eating Disorder’ Film. Participations: Journal of Audience and Reception Studies, 12 (2). pp. 98-120.

Holmes, Su (2009) This outlet for criticism could ginger up the whole climate in which television is watched: (Re)viewing Points of View - Audience, Access and Participation. Critical Studies in Television, 4(1). pp. 4-25. ISSN 1749-6039

Holmes, Su (2018) (Un)twisted: talking back to media representations of eating disorders. Journal of Gender Studies, 27 (2). pp. 149-164. ISSN 0958-9236

Holmes, Su (2006) When Will I be Famous?: Reappraising the Debate about Fame in Reality TV. In: Essays on Truth and Representation: How Real is Reality TV? McFarland and Company, pp. 6-21. ISBN 0786426241

Holmes, Su (2011) 'Whoever heard of anyone being a screaming success for doing nothing?': 'Sabrina', the BBC and television fame in the 1950s. Media History, 17 (1). pp. 33-48. ISSN 1368-8804

Holmes, Su (2014) ‘You don’t need influence … all you need is your first opportunity!’: The Early Broadcast Talent Show and the BBC. Critical Studies in Television, 9 (1). pp. 23-42. ISSN 1749-6039

Holmes, Su (2018) The role of sociocultural perspectives in eating disorder treatment: A study of health professionals. Health, 46 (1). 158–171. ISSN 1363-4593

Holmes, Su (2009) The television audience cannot be expected to bear too much reality…The Family (BBC, 1974) and Reality TV. In: The Tube Has Spoken, Reality TV as History. University Press of Kentucky, pp. 98-123. ISBN 978-0813125534

Holmes, Su (2008) 'An unmarried mother sat in a wing-backed chair on TV last night…' BBC asks Is This Your Problem? (1955-57). Television and New Media, 9 (3). pp. 175-196. ISSN 1552-8316

Holmes, Su (2008) 'The viewers have ... taken over the airwaves'? Participation, reality TV and approaching the audience-in-the-text. Screen, 49 (1). pp. 13-31. ISSN 1460-2474

Holmes, Su and Clayton, Stephanie (2019) ‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s). Journal of Gender Studies, 28 (5). pp. 545-562. ISSN 0958-9236

Holmes, Su, Drake, Sarah, Odgers, Kelsey and Wilson, Jon (2017) Feminist approaches to Anorexia Nervosa: a qualitative study of a treatment group. Journal of Eating Disorders, 5. ISSN 2050-2974

Holmes, Su and Jermyn, Deborah (2015) Here, There and Nowhere:Ageing, Gender and Celebrity Studies. In: Women, Celebrity and Cultures of Ageing. Palgrave Macmillan, Basingstoke, pp. 11-24. ISBN 978-1-349-58090-3

Holmes, Su and Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57.

Holmes, Su and Negra, Diane (2008) Going Cheap? Female Celebrity in the Tabloid, Reality and Scandal Genres. Genders.

Holmes, Su, Ralph, Sarah and Redmond, Sean (2015) Swivelling the Spotlight: Stardom, Celebrity and “Me”. Celebrity Studies, 6 (1). pp. 100-117. ISSN 1939-2397

Holmes, Susan (2019) ‘Why hadn’t I come across this sooner?’ Exploring the relationships between ‘feminism(s)’ and ‘eating disorders’. Feminist Review. ISSN 0141-7789 (In Press)

Holmes, Susan (2018) The solo mum, feminism and the negotiation of ‘choice’. Women's Studies International Forum, 69. pp. 40-48. ISSN 0277-5395

Homberger, Eric (2002) Mrs Astor's New York: Money and Social Power in a Gilded Age. Yale University Press. ISBN 0300095015

Homberger, Eric (2002) New York: A Cultural and Literary Companion (Cities of the Imagination). Signal Books. ISBN 1902669436

Horton, Erica (2015) “Luxury Items”: Discourses of Cultural Value in Creating Channel 4 Comedy. Doctoral thesis, University of East Anglia.

Hughes, Kathryn (2004) Fever. In: Lives for Sale: Biographers' Tales. Continuum International Publishing Group Ltd, pp. 151-153. ISBN 082648784X

Hughes, Kathryn (2006) The Short Life and Long Times of Mrs Beeton. HarperPerennial. ISBN 1841153745

Husemann, Manuela (2015) Approaching Africa: The Reception of African Visual Culture in Germany 1894-1915. Doctoral thesis, University of East Anglia.

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Imanjaya, Ekky (2016) The Cultural Traffic of Classic Indonesian Exploitation Cinema. Doctoral thesis, University of East Anglia.

Inthorn, Sanna (2017) Audience responses to representations of family-assisted suicide on British television. Participations, 14 (2). pp. 153-174. ISSN 1749-8716

Inthorn, Sanna (2002) The Death of the Hun? National identity and German press coverage of the 1998 football World Cup. European Journal of Cultural Studies, 5 (1). pp. 49-68. ISSN 1460-3551

Inthorn, Sanna (2006) A Game of Nations? Football and National Identities. In: German Football: History, Culture, Society. Routledge, London, pp. 155-167. ISBN 0415351960

Inthorn, Sanna (2006) Jenseits einer nationalen Identität in Europa? "Einheimische"und "Fremde" in der englischen Fussballberichterstattung'. In: Euro 2004 Medienfussall im europäischen Vergleich. Cologne: Halem Verlag, pp. 47-62. ISBN 3931606848

Inthorn, Sanna (2018) Representations of intergenerational care on BBC children’s television. Social Semiotics, 28 (1). pp. 77-89. ISSN 1035-0330

Inthorn, Sanna (2004) Representing 'The Celtic Thing' German newspapers, tourist board literature and discourses of Celticity. Media Wales Journal-Cyfnodolyn Cyfryngau Cymru, 1(1). pp. 42-61.

Inthorn, Sanna and Inthorn, Julia (2015) Dementia Care And Families: Care Decisions And Emotions In Popular Magazines. In: Media, Margins and Popular Culture. Palgrave Macmillan, pp. 139-152. ISBN 9781137512802

Inthorn, Sanna and Inthorn, Julia (2015) Respect for autonomy? The contribution of popular magazines to the public understanding of dementia care. In: Popularizing Dementia. Transcript, pp. 315-332. ISBN 978-3-8376-2710-7

Inthorn, Sanna, Street, John and Scott, Martin (2013) Popular Culture as a Resource for Political Engagement. Cultural Sociology, 7 (3). pp. 336-351. ISSN 1749-9763

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Jackson, Alexander (2015) Progressive Restraint: Art Writing and Criticism in Harper’s Monthly 1867-1890. Masters thesis, University of East Anglia.

Jancovich, M. (2013) Its about time British actors kicked against these roles in "horror" films:Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Jancovich, M. (2012) 'With Conrad Veidt and Peter Lorre on their side':German stars, the psychological film and horror. Studies in European Cinema, 9 (2-3). pp. 131-141. ISSN 1741-1548

Jancovich, Mark (2015) The 1950’s Blockbuster:20,000 Leagues Under the Sea. Deletion.

Jancovich, Mark (2017) “Almost Psychopathic”: British Working Class Realism and the Horror Film in the late 1950s and early 1960s. Journal of Film and Video. ISSN 0742-4671 (In Press)

Jancovich, Mark (2019) ‘Another, More Sinister Reality’:Class, Youth and Psychopathology from Saturday Night and Sunday Morning to Endless Night. Journal of British Cinema and Television, 16 (2). pp. 213-232. ISSN 1743-4521

Jancovich, Mark (2015) "Antique Chiller":Quality, Pretension, and History in the Critical Reception of The Innocents and The Haunting. In: Cinematic Ghosts. Bloomsbury Academic, New York, pp. 115-128. ISBN 9781628922141

Jancovich, Mark (2017) Beyond Hammer: the first run market and the prestige horror film in the early 1960s. Palgrave Communications, 3 (Special Issue on Horror and the Gothic). ISSN 2055-1045

Jancovich, Mark (2004) Bloody Bloody and Bloody Boring: Action, Stasis and Middlebrow Taste in the Reception of the 1950s Spectacular. In: Action and Adventure Cinema. Routledge, pp. 84-99. ISBN 0415235073

Jancovich, Mark (2013) Bluebeard’s Wives”: Horror, Quality and the Paranoid Woman’s Film in the 1940s. Irish Journal of Gothic and Horror Studies (12). pp. 20-43. ISSN 2009-0374

Jancovich, Mark (2004) Charlton Heston is an Axiom: Spectacle and Performance in the Development of the Blockbuster. In: Film Stars: Hollywood and Beyond. MUP, pp. 51-70. ISBN 0719056454

Jancovich, Mark (2007) "Cinema Comes to Life at the Cornerhouse, Nottingham": "American" Exhibition, Local Politics and Global Culture in the Reception of the Urban Entertainment Center. In: Going to the Movies. Exeter University Press, pp. 383-393. ISBN 0859898121

Jancovich, Mark (2000) Consumption. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (1990) Contemporary Communications and the Restructuring of Social, Political and Economic Life: Challenges and Problems of American Communications Studies. Over Here, 10 (1). pp. 62-69.

Jancovich, Mark (2007) The Crack-Up: Psychological Realism, Generic Transformation and the Demise of the Paranoid Woman's Film. Irish Journal of Gothic and Horror Studies. ISSN 2009-0374

Jancovich, Mark (2014) 'Cue the Shrieking Virgins':The Critical Reception of the Twilight Saga. In: Screening Twlight. International Library of the Moving Image . I B Tauris, London, pp. 26-39. ISBN 9781780766652

Jancovich, Mark (2002) Cult Fictions: Cult Movies, Subcultural Capital and the Production of Cultural Distinctions. Cultural Studies, 16 (2). pp. 306-322. ISSN 1466-4348

Jancovich, Mark (2000) Cult Film and Television. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2006) The Cultural Politics of the New Criticism (reprinted). Cambridge University Press, Cambridge. ISBN 9780521416528

Jancovich, Mark (1993) The Cultural Politics of the New Criticism. Cambridge University Press. ISBN 0521416523

Jancovich, Mark (1992) David Morley, the Nationwide Studies. In: Reading into Cultural Studies. Routledge, pp. 134-147. ISBN 0415063779

Jancovich, Mark (2003) Defining Cult Movies. Manchester University Press. ISBN 071906631X

Jancovich, Mark (2005) Eine fortschrittliche Stadt und ihre Kinos: Technologie, Moderne and das Spektekel de Reichtums. In: Umwidmungen: architektonische und Kinematographische Räume. Vorwerk 8, pp. 230-244. ISBN 3930916703

Jancovich, Mark (2011) "The English Master of Movie Melodrama": Hitchcock, Horror and the Women's Film. Film International, 9 (3). pp. 51-67.

Jancovich, Mark (2008) Female Monsters: Horror, the “Femme Fatale” and World War II. European Journal of American Culture, 27. pp. 133-49.

Jancovich, Mark (2007) Film Histories: An Introduction and Reader. Edinburgh University Press, Edinburgh. ISBN 9780748619078

Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098

Jancovich, Mark (2016) Frankenstein and Film. In: The Cambridge Companion to Frankenstein. Cambridge University Press, Cambridge, Cambridge, pp. 190-204. ISBN 9781107086197

Jancovich, Mark (2000) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of Silence of the Lambs. In: Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. BFI Publishing, pp. 33-44. ISBN 978-0851708102

Jancovich, Mark (2001) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of the Silence of Lambs. In: Horror, The Film Reader. Routledge, pp. 150-161. ISBN 0415235626

Jancovich, Mark (1992) Horror. Batsford Cultural Studies . B T Batsford Ltd. ISBN 9780713468205

Jancovich, Mark (1998) Horror (Japanese Translation). Seikya-sha. ISBN 978-0713468205

Jancovich, Mark (2014) Horror in the 1940s. In: A Companion to the Horror Film. Wiley-Blackwell, Oxford, pp. 237-254. ISBN 9780470672600

Jancovich, Mark (2001) Horror, the Film Reader. Routledge. ISBN 0415235626

Jancovich, Mark (2014) “Hot Profits out of Cold Shivers!”:Horror, the First Run Market, and the Hollywood Studios, 1938-42. In: Merchants of Menace. Bloomsbury Academic. ISBN 9781623564209

Jancovich, Mark (2016) Ingrid Bergman. In: Lost Souls of Horror and the Gothic. McFarland, Jefferson, pp. 34-37. ISBN 97814776663142

Jancovich, Mark (1990) An Introduction to the American Horror Novel Since 1945: Ten Key Novels. MOCS: The Magazine of Cultural Studies, 1. pp. 12-13.

Jancovich, Mark (2010) 'An Italianmade Spectacle Film Dubbed in English': Cultural Distinctions, National Cinema and the Critical Reception of the Postwar Historical Epic. In: The Epic Film in World Culture. Routledge, New York. ISBN 9780415990189

Jancovich, Mark (2013) ‘It’s About Time British Actors Kicked Against these Roles in “Horror” Films’: Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Jancovich, Mark (2008) Kulturní geografie filmové konzumpce. Iluminace: Casopis Pro Teorii, Historii a Estetiku Filmu, 1.

Jancovich, Mark (2004) Les adolescents et les indépendants: AIP et ses rivaux. Rendez-Vous Avec La Peur: Revue de Cinéma Fantastique, 1. pp. 23-35.

Jancovich, Mark (2008) Master of Concentrated Suspense: Horror, Gender and Fantasy in Lang’s 1940s Films. Studies in European Cinema, 5(3). pp. 171-183.

Jancovich, Mark (2005) The Meaning of Mystery: Genre, Marketing and the Universal Sherlock Holmes Series of the 1940's. Film International, 3 (17). pp. 34-45.

Jancovich, Mark (1992) Modernity and Subjectivity in The Terminator: The Machine as Monster in Contemporary American Culture. The Velvet Light Trap, 30. pp. 3-17. ISSN 0149-1830

Jancovich, Mark (2000) Moral Panics. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180

Jancovich, Mark (2015) "The Murderer's Mind": Edward G. Robinson, Humphrey Bogart, and the Monstrous Psychologies of the 1940s Horror Film. In: Recovering 1940s Horror Cinema. Lexington Books, Lanham, pp. 161-178. ISBN 9781498503792

Jancovich, Mark (2001) Naked ambition: Pornography, Taste and the Problem of the Middlebrow. Scope. 0-00. ISSN 1465-9166

Jancovich, Mark (2007) Oh, the Horror. the Guardian Newspaper’s Comment is Free, November 26th.

Jancovich, Mark (2000) Othering Conformity in Post-War America: Intellectuals, the New Middle Classes and the Problem of Cultural Distinctions. In: Containing America: Cultural Production and Consumption in Fifties America. Birmingham University Press, pp. 12-28. ISBN 1902459067

Jancovich, Mark (2008) Pale Shadows: Narrative Hierarchies in the History of 1940s Horror. In: Shifting Definitions of Genre. McFarland, pp. 15-32. ISBN 0786434309

Jancovich, Mark (2010) Phantom Ladies: the War Worker, the Slacker and the "Femme Fatale". New Review of Film and Television Studies, 8 (2). pp. 164-178. ISSN 1740-0309

Jancovich, Mark (2001) Placing Sex: Sexuality, Taste and Middlebrow Culture in the Reception of Playboy Magazine. Intensities: A Journal of Cult Media. pp. 1-14.

Jancovich, Mark (2006) Playboy, Lifestyle and Cold War Culture. In: Historicising Lifestyle. Ashgate, pp. 70-87. ISBN 0754644413

Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0

Jancovich, Mark (2000) "The Purest Knight of All": Nation, History and Representation in El Cid. Cinema Journal, 40 (1). pp. 79-103. ISSN 0009-7101

Jancovich, Mark (2003) Quality Popular Television: Cult TV, the Industry and Fans. British Film Institute Publishing. ISBN 0851709419

Jancovich, Mark (1996) Rational Fears: American Horror in the 1950s. Manchester University Press, Manchester. ISBN 978-0719036248

Jancovich, Mark (2004) Re-examining the 1950s Invasion Narratives (reprint from Rational Fears). In: Liquid Metal: The Science Film Reader. Wallflower Press, pp. 325-336. ISBN 1903364876

Jancovich, Mark (2001) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. In: The Film Cultures Reader. Routledge, pp. 469-480. ISBN 0415252822

Jancovich, Mark (2000) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. Continuum, 14 (1). pp. 22-35. ISSN 1030-4312

Jancovich, Mark (2011) Realistic Horror: Film Noir and the 1940s Horror Cycle. In: Billy Wilder, Movie-Maker. McFarland, pp. 56-69. ISBN 9780786442119

Jancovich, Mark (2007) "Rebecca’s Ghost": Horror, the Gothic and the du Maurier Film Adaptations. In: The Daphne du Maurier Companion. Virago Press, pp. 312-319. ISBN 9781844082353

Jancovich, Mark (2002) Regional Film Theatres Need Clear Local Role. Urban Environment Today, 146. pp. 6-7.

Jancovich, Mark (2012) Relocating Lewton: Cultural Distinctions and Generic Negotiations in the Critical Reception of the Val Lewton Horror Films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671

Jancovich, Mark (1991) Robert Penn Warren as New Critic: Against Propaganda and Irresponsibility. The Southern Literary Journal, XXIV (1). pp. 53-65.

Jancovich, Mark (2010) "Samuel Bronston’s Latest Epic": Spectacle, Heterogeneity and Nation in the Critical Reception of El Cid (1961). Comparative American Studies, 8 (4). pp. 300-15.

Jancovich, Mark (1995) Screen Theory. In: Approaches to Popular Film. Manchester University Press, Manchester, pp. 121-150. ISBN 071904393X

Jancovich, Mark (1992) Serial Killers and Female Heroes: Re-examining the Slasher Movie. Over Here, 12 (1). pp. 67-74.

Jancovich, Mark (2009) Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s. Participations, 6(1). pp. 1-27.

Jancovich, Mark (2008) Shifting Definitions of Genre. McFarland. ISBN 978-0786434305

Jancovich, Mark (2000) The Southern New Critics. In: The Cambridge History of Literary Criticism. Cambridge University Press, pp. 200-218. ISBN 0521300126

Jancovich, Mark (2012) "Terrifyingly Real": Psychology, Realism and Generic Transformation in the Demise of the 1940s Horror Cycle. European Journal of American Culture, 31 (1). pp. 25-39.

Jancovich, Mark (2014) “There’s Nothing So Wrong with a Hollywood Script that a Bunch of Giant CGI Scorpions Can’t Solve”:Politics, Computer Generated Images and Camp in the Critical Reception of the Post-Gladiator Historical Epics. In: The Return of the Epic Film. Edinburgh University Press. ISBN 9780748684021

Jancovich, Mark (2009) "Thrills and Chills": Horror, the Woman’s Film and the Origins of Film Noir. New Review of Film and Television Studies, 7 (2). pp. 157-171. ISSN 1740-0309

Jancovich, Mark (2011) Time, Scheduling and Cinemagoing. Media International Australia, 139. pp. 88-95.

Jancovich, Mark (2010) 'Two Ways of Looking': Affection and Aversion in the Critical Reception of 1940s Horror. Cinema Journal, 49 (3). ISSN 0009-7101

Jancovich, Mark (2007) "An Unidentified Species": Horror, The Body and Early Television. Intensities: A Journal of Cult Media, Mysterious Bodies, Special Issue.

Jancovich, Mark (2011) 'Vicious Womanhood'; Genre, the 'Femme Fatale' and Postwar America. Canadian Journal of Film Studies, 19 (2). pp. 100-114. ISSN 0847-5911

Jancovich, Mark (2015) Victims and Villains: Psychological Themes, Male Stars and Horror Films in the 1940s. In: Popular Media Cultures. Palgrave Macmillan, London, pp. 91-109. ISBN 978-1-349-46834-8

Jancovich, Mark (2017) "Where it Belongs":Television Horror, Domesticity, and Alfred Hitchcock Presents. In: Horror Television in the Age of Consumption. Routledge, New York, pp. 29-44. ISBN 9781138895652

Jancovich, Mark (2015) 'The theme of psychological destruction’: Horror stars, the crisis of identity and 1940s horror:Horror Stars, the Crisis of Identity and 1940s Horror. Horror Studies, 6 (2). pp. 163-175. ISSN 2040-3275

Jancovich, Mark and Brown, Shane (2012) The Screen’s Number One and Number Two Bogeymen”: The Critical Reception of Boris Karloff and Bela Lugosi in the 1930s and 1940s. Palgrave Macmillan. ISBN 9781137291776

Jancovich, Mark and Faire, Lucy (2003) The Best Place to See a Film: The Blockbuster and the Transformation of Exhibition. In: Movie Blockbusters. Routledge, pp. 190-201. ISBN 0415256097

Jancovich, Mark, Faire, Lucy and Subbings, Sarah (2003) The Place of the Audience: Cultural Geographies of Film Consumption. British Film Institute Publishing. ISBN 0851709427

Jancovich, Mark, Gordon, Ian and McAllister, Matt (2006) Blockbuster Meets Superhero Comic, or Art House Meets Graphic Novel? The Contradictory Relationship between Film and Comic Art. Journal of Popular Film and Television, 34. pp. 108-114. ISSN 0195-6051

Jancovich, Mark and Hollows, Joanne (1995) Introduction: Popular Film and Cultural Distinctions. In: Approaches to Popular Film. Manchester University Press, pp. 1-14. ISBN 071904393X

Jancovich, Mark and Hunt, Nathan (2004) The Mainstream, Distinctions and Cult TV. In: Cult Television. University of Minnesota Press, pp. 27-44. ISBN 0816638314

Jancovich, Mark and Johnson, Derek (2009) Film and TV: the 1950s. In: The Routledge Companion to Science Fiction. Routledge, pp. 71-79. ISBN 041545378X

Jancovich, Mark and Johnston, Derek (2011) Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Television during the 1950s. In: It Came from the 1950s. Palgrave Macmillan, pp. 90-107. ISBN 9780230272217

Jancovich, Mark and Lyons, James (2002) John Sayles: Independence, Integrity and the Borders of identity. In: 50 Contemporary Film Directors. Routledge, pp. 280-289. ISBN 0415189748

Jancovich, Mark and Manning, Robert (2016) 'A Poisonous Picture':The Big Sleep, The Hollywood Left and the Postwar Thriller. In: Howard Hawks. British Film Institute Publishing, pp. 82-93. ISBN 97818844575411

Jancovich, Mark and Snelson, Tim (2010) Horror at the Crossroads: Class, Gender and Taste at the Rialto Cinema (Times Square) in the 1940s. In: From the Art House to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow. ISBN 9780810876545

Jancovich, Mark and Snelson, Tim (2011) "No Hits, No Runs, Just Terrors": Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s. In: The New Cinema History. Blackwells, pp. 199-211.

Jarvis, Lee, Marsden, Lee and Atakav, Eylem (2018) British Muslim Values. UEA, Norwich.

Jermyn, Deborah (2015) Women, Celebrity and Cultures of Ageing:Freezeframe. Palgrave Macmillan. ISBN 978-1-137-49511-2

Jerrard, Bob, Martin, Lynn and Wright, Lucy (2017) Gut Feeling in Small Design Consultancies. The Design Journal, 20 (5). pp. 577-594. ISSN 1756-3062

Johnston, Keith (2019) A Dalek is (now) a many splendored thing. [in]Transition, 6 (1).

Johnston, Keith (2019) Researching Historical Promotional Materials: Towards a New Methodology. Historical Journal of Film, Radio and Television. ISSN 0143-9685 (In Press)

Johnston, Keith and Hill, Sarah (2019) Making Women Amateur Filmmakers Visible: Reclaiming Women’s Work through the Film Archive. Women's History Review. ISSN 0961-2025 (In Press)

Johnston, Keith and Rickards, Carolyn (2017) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). ISSN 0036-9543 (In Press)

Johnston, Keith M (2015) 3D UK? 3D History and the Absent British Pioneers. Open Library of Humanities (OLH), 1 (1).

Johnston, Keith M (2008) 'The Coolest Way to Watch Movie Trailers in the World': Trailers in the Digital Age. Convergence: The International Journal of Research into New Media Technologies, 14 (2). pp. 145-60. ISSN 1354-8565

Johnston, Keith M (1995) From the Wedding to the Grave. Focus, 15. pp. 18-29.

Johnston, Keith M (2013) Introduction: Still Coming Soon? Studying Promotional Materials. Frames Cinema Journal, 3. ISSN 2053-8812

Johnston, Keith M (2014) Reclaiming the 'Vanilla' DVD: Brand Packaging and the Case of Ealing Studies. Screen, 55 (1). ISSN 0036-9543

Johnston, Keith M (2007) Selling Genre in the 1930's: The Universal Horror Trailer. Film International.

Johnston, Keith M (2014) Sound and (no) Vision:Locating the Radio Trailer. Music, Sound and the Moving Image, 8 (2). pp. 163-178. ISSN 1753-0768

Johnston, Keith M (2017) ‘The action is so real I thought I was cheating on my wife’:Realism and Nature in the 1970s 3-D Sex Film. In: Sex and 1970s World Cinema: From smut to softcore. MUP, Manchester. (In Press)

Johnston, Keith M (2012) 'A riot of all the colours in the rainbow': Ealing Studios in Colour. In: Ealing Revisited. British Film Institute, London, pp. 195-205. ISBN 9781844575107

Johnston, Keith M (2016) An unlimited field for experiment: Britain's Steroscopic Landscapes. In: British Rural Landscapes on Film. MUP, Manchester, pp. 71-85. ISBN 0719091578

Johnston, Keith M and Phillips, Tom (2016) "A step into the abyss" Transmedia in the UK Games and Television Industries. International Journal of Gaming and Computer-Mediated Simulations, 8 (2). ISSN 1942-3888

Johnston, Keith M. (2017) "A friend to every exhibitor": National Screen Service and the British trailer industry. In: The Routledge Companion to British Cinema History. Routledge, pp. 311-329. ISBN 9780415706193

Johnston, Keith M., Vollans, Ed and Greene, Fred L. (2016) Watching the trailer: Researching the film trailer audience. Participations, 13 (2). pp. 56-85. ISSN 1749-8716

Jones, Timothy (2014) Animating Community: Reflexivity and Identity in Indian Animation Production Culture. Doctoral thesis, University of East Anglia.

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Kaner, Simon, Nagase, F, Tsujita, J, Matsuda, Akira and Rousmaniere, Nicole (2009) Re-excavating the Power of Dogu (Dogû no Chikara Saihakkutsu). Cultural Resource Studies (Bunka Shigengaku), 8. pp. 1-8.

Keller, Jessalynn (2011) Feminist Editors and the New Girl Glossies:Fashionable Feminism or Just Another Sexist Rag? Women's Studies International Forum, 34 (1). ISSN 0277-5395

Keller, Jessalynn (2014) Fiercely Real?:Tyra Banks and the making of new media celebrity. Feminist Media Studies, 14 (1). pp. 147-164. ISSN 1468-0777

Keller, Jessalynn (2015) Girl Power's Last Chance?:Tavi Gevinson, Feminism, and Popular Media Culture. Continuum, 29 (2). pp. 274-285. ISSN 1030-4312

Keller, Jessalynn (2015) Girls' Feminist Blogging in a Postfeminist Age. Routledge Studies in New Media and Cyberculture . Routledge, New York. ISBN 131762775X

Keller, Jessalynn (2012) "It's a hard job being an Indian feminist":Mapping Girls' Feminist Identities and 'Close Encounters' on the Feminist Blogosphere. In: Feminist Media. Critical Media Studies . Transcript, pp. 136-146.

Keller, Jessalynn (2016) Making Activism Accessible:Exploring Girls' Blogs as sites of Contemporary Feminist Activism. In: Girlhood and the Politics of Place. Berghahn, New York. ISBN 978-0-85745-602-1

Keller, Jessalynn (2012) Virtual Feminisms:Girls' blogging communities, feminist activism, and participatory politics. Information, Communication & Society, 15 (3). ISSN 1369-118X

Keller, Jessalynn, Blue, Morgan, Kearney, Mary Celeste, Pike, Kirsten and Projansky, Sarah (2015) Mapping New Methodological Approaches to Girls' Media Studies:Reflections from the field. Journal of Children and Media, 9 (4). pp. 528-535. ISSN 1748-2801

Keller, Jessalynn and Ringrose, Jessica (2015) "But then feminism goes out the window!":Exploring teenage girls' critical response to celebrity feminism. Celebrity Studies, 6 (1). pp. 132-135. ISSN 1939-2397

Kent, Miriam (2016) Elektra:Critical Reception, Postfeminism and the Marvel Superheroine on Screen. In: Marvel Comics into Film. McFarland. ISBN 978-0-7864-4304-8

Kent, Miriam (2018) Gender and Comics:Representations of Heterosexuality in Marvel Superheroes. In: In Cinema and Comics. University of Texas Press. (In Press)

Kent, Miriam (2016) Marvel women: femininity, representation and postfeminism in films based on Marvel Comics. Doctoral thesis, University of East Anglia.

Kent, Miriam (2015) Unveiling Marvels:Ms. Marvel and the Reception of the New Muslim Superheroine. Feminist Media Studies, 15 (3). p. 522. ISSN 1468-0777

Khalaf, Nadia and Haour, Anne (2013) Excavations at Tin Tin Kanza (TTK), Northern Bénin. Nyame Akuma, 79. pp. 101-111.

Kohlert, Frederik (2019) “At This Point I Become Real”: Experimental Autobiography in Julie Doucet and Michel Gondry’s Comics/Video Hybrid My New New York Diary. In: The Comics of Julie Doucet and Gabrielle Bell. University Press of Mississippi, pp. 145-163. ISBN 9781496820570

Kohlert, Frederik (2014) Brown, Chester; Cruse, Howard; Doucet, Julie; Drawn & Quarterly; I Never Liked You; Louis Riel; Matt, Joe; Stuck Rubber Baby. In: Comics Through Time. Greenwood Publishing Group, Santa Barbara. ISBN 978-0-313-39750-9

Kohlert, Frederik (2011) The Chicago Literary Experience:Writing the City, 1893-1953. Museum Tusculanum Press, University of Copenhagen. ISBN 978-87-635-0776-9

Kohlert, Frederik (2010) Contemporary Comics: A Symposium. In: Contemporary Comics: A Symposium, 2010-05-21, University of Copenhagen.

Kohlert, Frederik (2012) Ed the Happy Clown: The Definitive Ed Book; I Never Liked You: A Comic-Strip Narrative. In: Critical Survey of Graphic Novels. Salem Press, Ipswich, MA. ISBN 978-1-58765-950-8

Kohlert, Frederik (2012) Female Grotesques:Carnivalesque Subversion in the Comics of Julie Doucet. Journal of Graphic Novels and Comics, 3 (1). pp. 19-38. ISSN 2150-4865

Kohlert, Frederik (2013) Food & Trembling: An Entertainment by Jonah Campbell. CuiZine: The Journal of Canadian Food Culture, 4 (1). Online.

Kohlert, Frederik (2019) Serial Selves:Identity and Representation in Autobiographical Comics. Rutgers University Press. ISBN 9780813592251

Kohlert, Frederik and Laursen, Ole Birk (2017) Introduction: Comics and the Anarchist Imagination. SubStance, 46 (2). pp. 3-10. ISSN 0049-2426

Kohlert, Frederik and Sousanis, Nick (2018) In the Cards: Collaboration and Comics-Making in the Traditional English Classroom. In: With Great Power Comes Great Pedagogy: Teaching, Learning, and Comic Books. University Press of Mississippi, Jackson, MS. (In Press)

Kramer, Peter (2014) 2001, l’odyssee de l’espace. Paris: G3J Editeur.

Kramer, Peter (2010) 2001: A Space Odyssey. BFI Film Classics . British Film Institute. ISBN 9781844572861

Kramer, Peter (2014) 2001: A Space Odyssey: The Ultimate Spectacle. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/2001-a-space-odyssey-the-ultimate-spectacle/.

Kramer, Peter (2015) Adaptation as Exploration: Stanley Kubrick, Literature, and A.I. Artificial Intelligence. Adaptation, 8 (3). pp. 372-382. ISSN 1755-0637

Kramer, Peter (2013) Avatar: Environmental Politics and Worldwide Success. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/avatar-environmental-politics-and-worldwide-success/.

Kramer, Peter (1998) Bad Boy: Notes on a Popular Figure in American Cinema, Culture and Society, 1959-1905. In: Celebrating 1895: The Centenary of Cinema. John Libbey, London, pp. 117-30. ISBN 1864620153 (hbk)

Kramer, Peter (2007) Battered Child: Buster Keaton's Stage Performance and Vaudeville Stardom in the Early 1900s. New Review of Film and Television Studies, 5 (3). pp. 253-67. ISSN 1740-7923

Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.

Kramer, Peter (2011) A Clockwork Orange (1971) and American Culture. In: ZeitRäume: Potsdamer Almanach des Zentrums fur Zeithisthorische Forschung. Wallsteinverlag, Gottingen, pp. 96-106. ISBN 9783835309388

Kramer, Peter (2011) A Clockwork Orange. Palgrave, Basingstoke. ISBN 9780230302129

Kramer, Peter (2015) ’Complete total final annihilating artistic control’: Stanley Kubrick and Postwar Hollywood. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 48-61. ISBN 9781908966421

Kramer, Peter (2016) ’Could you tell us how to create a Star-Child?’: Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey. In: Special Effects in der Wahrnehmung des Publikums. Berlin: VS Verlag. ISBN 978-3-531-17465-5

Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9

Kramer, Peter (2009) 'Dear Mr. Kubrick': Audience Responses to 2001: A Space Odyssey in the Late 1960s. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 1-20.

Kramer, Peter (2006) Disney and Family Entertainment. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 265-79. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter (2014) Disney, George Lucas und Pixar: Animation und die US-amerikanische Filmindustrie seit den 1970er Jahren. Film Konzepte, 33. ISSN 1861-9622

Kramer, Peter (2014) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. British Film Institute, London. ISBN 9781844577781

Kramer, Peter (2013) From Vietnam to Video: Notes on Jane Fonda’s Films and Activism, 1970-1982. UNSPECIFIED, Women’s Film and Television History Network (UK/Ireland) Blog http://womensfilmandtelevisionhistory.wordpress.com/2013/11/22/from-vietnam-to-video/.

Kramer, Peter (2016) The General (BFI Film Classics). British Film Institute, London. ISBN 9781844579150

Kramer, Peter (2012) The Good German? Oskar Schindler and the Movies, 1951-1993. In: Hollywood's Chosen People: The Jewish Experience in American Cinema. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 125-40. ISBN 978-0814334829

Kramer, Peter (2014) Gravity's Pull. UNSPECIFIED, ThinkingFilmCollective Blogspot http://thinkingfilmcollective.blogspot.co.uk/2014/01/gravitys-pull.html.

Kramer, Peter (2009) ‘He’s very good at work not involving little creatures, you know’: Schindler’s List, E.T. and the Shape of Steven Spielberg's Career. New Review of Film and Television Studies, 7 (1). pp. 23-32. ISSN 1740-7923

Kramer, Peter (2011) Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and Outside the United States Since the 1970s. In: Explorations in New Cinema History: Approaches and Case Studies. Wiley-Blackwell, Oxford, pp. 171-84. ISBN 9781405199490 (hbk) 9781405199506 (pbk)

Kramer, Peter (2008) Hollywood and the Germans: A Very Special Relationship. In: The Contemporary Hollywood Film Industry. Blackwell, pp. 240-50. ISBN 9781405133876; 9781405133883

Kramer, Peter (2013) An Introduction to 2001: A Space Odyssey (1968). UNSPECIFIED, ThinkingFilmCollective Blogspot http://thinkingfilmcollective.blogspot.co.uk/.

Kramer, Peter (2012) ‘Is it some devil that crawls inside of you?’ Burgess, Kubrick and the Problem of Male Youth. In: Fifty Years Of A Clockwork Orange, 2012-06-28 - 2012-06-30.

Kramer, Peter (2016) ’I’ll be right here!’ Dealing with Emotional Trauma in and through E.T. The Extra-Terrestrial. In: Children in the Films of Steven Spielberg. UNSPECIFIED, pp. 91-121. ISBN 9781498518840

Kramer, Peter (2016) The Legacy of Dr. Strangelove: Stanley Kubrick, Science Fiction, and the Future of Humanity. In: The Apocalypse in Film: Dystopia, Disasters, and other Visions about the End of the World. UNSPECIFIED, pp. 45-60. ISBN 9781442260276

Kramer, Peter (2012) The Limits of Autonomy: Stanley Kubrick, Hollywood and Independent Filmmaking, 1950-53. In: American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 153-64. ISBN 978-0415684293

Kramer, Peter (1996) The Lure of the Big Picture: Film, Television and Hollywood. In: Big Picture, Small Screen: The Relations Between Film and Television. John Libbey Media, Luton, pp. 9-46. ISBN 1860200052

Kramer, Peter (2013) Making Contact. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/making-contact/.

Kramer, Peter (1995) The Making of a Comic Star: Buster Keaton and The Saphead. In: Classical Hollywood Comedy. Routledge, New York, pp. 190-210. ISBN 0415906393 (hbk) 0415906407 (pbk)

Kramer, Peter (2014) The Making of an International Star:The Early Film Career and Star Image of Audrey Hepburn, 1948-1954. In: Fan Phenomena: Audrey Hepburn. Intellect. ISBN 9781783202065

Kramer, Peter (2016) The Movie Audience in the Archive. In: Reflections on Archives Museum and Special Collections. UNSPECIFIED, pp. 60-61. ISBN 9781906908423

Kramer, Peter (2011) 'Movies that make people sick': Audience Responses to Stanley Kubrick's A Clockwork Orange in 1971/72. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 416-30.

Kramer, Peter (2008) O (nad)casovosti satiry. Recepce filmu Dikator v zapadnim Nemecku v obdobi 1952-1973 (The (Un) Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973). Iluminace, 20 (1). pp. 51-67.

Kramer, Peter (2014) Polish translation of “’Dear Mr. Kubrick’: Audience Responses to 2001: A Space Odyssey in the Late 1960s” (first published in Participations: Journal of Audience and Reception Studies, vol. 6, no. 2, November 2009). In: Badanie widowni filmowej - antologia przekladow. Wydawnictwo PWSFTviT.

Kramer, Peter (2013) The Politics of Independence: The China Syndrome (1979), Hollywood Liberals and Anti-Nuclear Campaigning. Alphaville: Journal of Film and Screen Media, 6. ISSN 2009-4078

Kramer, Peter (1998) Post-classical Hollywood. In: The Oxford Guide to Film Studies. Oxford University Press, Oxford, pp. 289-309. ISBN 0198711158 (hbk) 0198711247 (pbk)

Kramer, Peter (2013) Rape, Ultra-Violence and Beethoven’: The Transgressiveness and Controversial Success of A Clockwork Orange (1971). In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, pp. 11-28. ISBN 978-1443844161

Kramer, Peter (1997) A Slapstick Comedian at the Crossroads: Buster Keaton, the Theatre and the Movies 1916/17. Theatre History Studies (17). pp. 133-46.

Kramer, Peter (2008) The Spectre of History in the Age of Golbalization: Notes on German Hit Movies and Hit Makers at Home and in the US. In: Shifting Landscapes: Film and Media in European Context. Newcastle: Cambridge Scholars Publishing, pp. 68-85. ISBN 9781847184733/1847184731 (hbk) 9781443805926/1443805920 (pbk)

Kramer, Peter (2012) Spielberg and Kubrick: From E.T. to A.I. In: ’30 Years of of E.T. The Extra-Terrestrial: The Fantastic Cinema of Steven Spielberg, 2012-11-01, Rey Juan Carlos Unversity.

Kramer, Peter (2017) Stanley Kubrick and the internationalisation of post-war Hollywood. New Review of Film and Television Studies, 15 (2). pp. 250-269. ISSN 1740-0309

Kramer, Peter (2006) Steven Spielberg. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 166-9. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter (2010) Steven Spielberg. In: Fifty Contemporary Film Directors. Second Edition. Routledge, London, pp. 372-80. ISBN 9780415497664 (hbk) 9780415554336 (pbk) 9780203844342 (ebk)

Kramer, Peter (2013) ’To prevent the present heat from dissipating’: Stanley Kubrick and the Marketing of Dr. Strangelove (1964). InMedia, 3. ISSN 2259-4728

Kramer, Peter (2009) Welterfolg und Apokalypse: Überlegungen zur Transnationalität des zeitgenössischen Hollywood. In: Film transnational: europäische und amerikanische Perspektiven. Paderborn: Wilhelm Fink Verlag, pp. 171-184. ISBN 9783770548033

Kramer, Peter (2015) ’What’s it going to be, eh?’ Stanley Kubrick’s Adaptation of Anthony Burgess’s A Clockwork Orange. In: Stanley Kubrick: New Perspectives. UNSPECIFIED, pp. 218-235. ISBN 9781908966421

Kramer, Peter (2007) When 'Hanoi Jane' Conquered Hollywood: Jane Fonda's Films and Activism, 1977-1981. In: The New Film History: Sources, Methods, Approaches. Palgrave, Basingstoke, pp. 104-16. ISBN 9780230001695/0230001696 (hbk) 0230594487/9780230594487 (pbk)

Kramer, Peter (1998) Would You Take Your Child To See This Film? The Cultural and Social Work of the Family-Adventure Movie. In: Contemporary Hollywood Cinema. Routledge, London, pp. 294-311. ISBN 0415170095 (hbk) 0415170109 (pbk)

Kramer, Peter (2015) ’A film specially suitable for children’: The Marketing and Reception of 2001: A Space Odyssey (1968). In: Family Films in Global Cinema: The World Beyond Disney. IB Tauris. ISBN 978-1784530082

Kramer, Peter (2013) ’The ugly tide of today’s teenage violence’: Revisiting the Clockwork Orange Controversy in the UK. In: Moral Panics, Social Fears and the Media: Historical Perspectives. Routledge, pp. 210-29. ISBN 9780415501613

Kramer, Peter, Ljujic, Tatjana and Daniels, Richard (2015) Introduction. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 12-19. ISBN 9781908966421

Kramer, Peter and Quinn, Eithne (2006) Blaxploitation. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 184-98. ISBN 0335218326 (hbk) 0335218318 (pbk)

Kramer, Peter and van Dooren, Ine (1995) The Politics of Direct Address. In: Film and the First World War. Amsterdam University Press, Amsterdam, pp. 97-107. ISBN 9053560645

Krcma, Ed (2012) Lightning and Rain: Phenomenology, Psychoanalysis and Matisse’s Hand. Tate Papers, 18.

Krcma, Ed (2017) Rauschenberg/Dante:Drawing a Modern Inferno. Yale University Press. ISBN 9780300221565

Krcma, Ed (2014) Tacita Dean and Still Life. Art History, 37 (5). pp. 960-977. ISSN 1467-8365

Krcma, Ed (2014) Wols and Smallness. Oxford Art Journal, 37 (3). pp. 245-264. ISSN 1741-7287

Krcma, Edward (2010) Cinematic Drawing in a Digital Age. Tate Papers, 14.

Krcma, Edward (2015) Compression. Enclave Books, Cork.

Krcma, Edward (2017) Dating the Dante Drawings: Rauschenberg and Method. Burlington Magazine, 159 (1377). pp. 964-975.

Krcma, Edward (2014) Do, Undo, Redo:On Recent Drawings by Peter Morrens. In: Peter Morrens: Covers. Posture Editions, Ghent, pp. 179-185. ISBN 9789491262104

Krcma, Edward (2013) Drawing Deformation: On Alice Maher’s Flora and Related Works. In: Alice Maher: Becoming. Irish Museum of Modern Art, Dublin, pp. 112-123. ISBN 978-1907020926

Krcma, Edward (2016) Drawing from Damaged Life. In: William Kentridge and Vivienne Koorland. Fruitmark Gallery, Edinburgh, pp. 158-167.

Krcma, Edward (2015) Eva Hesse’s Wanton Duality: Liquidity and Compression in the Mechanical Drawings of 1965. Master Drawings, 53 (3). pp. 365-384.

Krcma, Edward (2009) Figuring Futility. In: Susan Morris: Sontag/Montag. Five Years, London, pp. 57-75. ISBN 1903724031

Krcma, Edward (2011) Film, Drawing and the Body. Tate Publishing, London.

Krcma, Edward (2015) Ink Machines: Flüssiges in Eva Hesses ‚Maschinenzeichnungen‘. In: Verflüssigungen: Ästhetische und semantische Dimensionen eines Topos. Wilhelm Fink Verlag, Berlin, pp. 59-74. ISBN 978-3-7705-5852-0

Krcma, Edward (2012) Liquid Language. In: GRAPHOLOGY. Drawing Room, London, pp. 50-58. ISBN 095582995X

Krcma, Edward (2017) Marking Time, Moving Images: Drawing and Film. In: Companion to Contemporary Drawing. Blackwell Companions to Art History . Wiley. (In Press)

Krcma, Edward (2011) Moves, Throws, Plays:Tom Hackney and Lizi Sanchez. In: The Knight Turns its Head and Laughs. Stephen Lawrence Gallery, London, pp. 3-10.

Krcma, Edward (2017) Photography Beyond Control. Oxford Art Journal, 40 (3). pp. 495-500. ISSN 0142-6540

Krcma, Edward (2016) Tate Introductions: Robert Rauschenberg. Tate Introductions . Tate Publishing. ISBN 1849764891

Krcma, Edward (2016) To Diagram Without Stilling: On Maud Cotter's Sculpture. DOMOBAAL, London.

Krcma, Edward (2016) “To use the very last minute in my life”: Dante Drawings and the Classical Past 1958-60. In: Robert Rauschenberg. Museum of Modern Art Press, New York. ISBN 1633450201

Krcma, Edward (2006) The Truant Hand and Cinematic Drawing in Matisse's Themes and Variations. Object (8). pp. 66-84.

Krcma, Edward (2013) Universal Fragments: On the Work of Trevor Shearer. Large Glass, London.

Krcma, Edward (2012) Viewing Platforms. In: Alison Turnbull: Sea the Stars. Talbot Rice Gallery, Edinburgh, pp. 48-57. ISBN 9781873108574

Krämer, Peter (2018) “Enter the World”: James Cameron’s Avatar (2009) and the Family-Adventure Movie. In: Fantasy/Animation. Taylor & Francis, New York. ISBN 9781351681414

Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419

Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161

Krämer, Peter (2012) ighting the Evil Empire: Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1

Krčma, Ed (2018) Fortuna: Drawing, Technology, Contingency. O que nos faz pensar (40). ISSN 0104-6675

Kuper, Richard, McGeever, Brendan, Segal, Lynne, Hakim, Jamie and Little, Ben (2018) Antisemitism, anti-racism and the Labour Party. UNSPECIFIED.

Køhlert, Frederik Byrn (2017) Comics, Form, and Anarchy. SubStance, 46 (2). pp. 11-32. ISSN 0049-2426

Køhlert, Frederik Byrn (2014) In the Ghetto:Sociology, the Cagney Gangster, and the ‘Dead End’ Kids in Angels with Dirty Faces. Journal of Popular Culture, 47 (4). pp. 857-876. ISSN 1540-5931

Køhlert, Frederik Byrn (2015) Working it Through:Trauma and Autobiography in Phoebe Gloeckner’s A Child’s Life and The Diary of a Teenage Girl. South Central Review, 32 (3). pp. 124-142. ISSN 1549-3377

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Lau, George, Sekules, Veronica and Thofner, Margit (2013) Afterword: Why ‘Art Makes Society’. World Art, 3 (1). pp. 163-168. ISSN 2150-0894

Lau, George, Sekules, Veronica and Thofner, Margit (2014) A world (art) of senses, value and display. World Art, 4 (2). pp. 133-136. ISSN 2150-0894

Lawson, E., Thorne, C., Ahilan, S., Allen, D., Arthur, S., Everett, G., Fenner, R., Glenis, V., Guan, D., Hoang, L., Kilsby, C., Lamond, J., Mant, J., Maskrey, S., Mount, N., Sleigh, A., Smith, L. and Wright, N. (2014) Delivering and evaluating the multiple flood risk benefits in Blue-Green cities:An interdisciplinary approach. In: WIT Transactions on Ecology and the Environment. WITPress, pp. 113-124. ISBN 9781845647841

Leal, B. (2013) Wall-paintings in S. Maria foris portas di Castelseprio and in the tower at Torba:Reflections and a reappraisal. In: Castelseprio – Torba – Siti Unesco. Edizioni SAP, Mantua, pp. 311-344.

Leal, Beatrice (2016) Representations of architecture in late antiquity. Doctoral thesis, University of East Anglia.

Lewis, Justin, Inthorn, Sanna and Wahl-Jorgensen, Karin (2005) Citizens or Consumers? : What the media tell us about political participation. Open University Press. ISBN 0335215556

Lewis, Justin, Wahl-Jorgensen, Karin and Inthorn, Sanna (2004) Images of citizenship on television: Constructing a passive public. Journalism Studies, 5 (2). pp. 153-164. ISSN 1469-9699

Li, Wei (2015) 'Dancing With Handcuffs and Shackles': How Product Placement Is Adopted By the Chinese Film Industry. Doctoral thesis, University of East Anglia.

Little, Ben and Winch, Alison (2017) Generation: the politics of patriarchy and social change. Soundings: A Journal of Politics and Culture (66: Beginning to see the light?). pp. 129-144. ISSN 1362-6620

Little, Ben and Winch, Alison (2018) “just hanging out with you in my back yard”: Mark Zuckerberg and Mediated Paternalism. Open Cultural Studies, 1 (1). pp. 417-427.

Littler, Jo and Winch, Alison (2016) Feminism and Childcare: A Roundtable with Sara de Benedictis, Gideon Burrows, Tracey Jensen, Jill Rutter and Victoria Showunmi. Studies in the Maternal, 8 (1). p. 2. ISSN 1759-0434

Lockwood, Kim (2017) Thoroughly modern matter: modernism at home in the new material world. Doctoral thesis, University of East Anglia.

Long, Emma (2014) The Church-State Debate:Religion, Education and the Establishment Clause in Post War America. Bloomsbury Academic. ISBN 9781472522528

Long, Emma (2013) The Ever Weakening Wall?: The Roberts Supreme Court And The Church-State Debate. In: Issues in American Politics. Routledge, pp. 177-188. ISBN 9780415690959

Long, Emma (2009) George Bush and the Supreme Court. In: Assessing the George W. Bush Presidency: A Tale of Two Terms. Edinburgh University Press, Edinburgh, pp. 44-58. ISBN 978-0748627417

Long, Emma (2013) Making Lemonade from Lemon: Evangelicals, the Supreme Court, and the Constitutionality of School Aid. In: American Evangelicals and the 1960s. Studies in American Thought and Culture . Wisconsin University Press, Wisconsin, pp. 139-159. ISBN 978-0-299-29364-2

Long, Emma (2017) To endure for all time or to change with the times? The Supreme Court and the Second Amendment. In: The Second Amendment and Gun Control. Routledge, London, pp. 110-122. ISBN 9781138706286

Long, Emma (2017) Why So Silent? The Supreme Court and the Second Amendment Debate After DC v. Heller. European Journal of American Studies, 12 (2). ISSN 1991-9336

Long, Emma (2018) Yet Another Threat To Religious Freedom?: Continuity and Change in the Church-State Debate. Journal of Church and State, 60 (1). 1–21. ISSN 2040-4867

Lovelock, M. (2017) Acceptance, humanity and emotional excess: The politics of queer suffering in Big Brother UK. European Journal of Cultural Studies, 20 (4). pp. 449-463. ISSN 1367-5494

Lovelock, Michael (2017) Call Me Caitlyn: Making and making over the 'authentic' transgender body in Anglo-American popular culture. Journal of Gender Studies, 26 (6). pp. 675-687. ISSN 0958-9236

Lovelock, Michael (2017) Catching a Catfish: Constructing the ‘good’ social media user in reality television. Television and New Media, 18 (3). pp. 203-217. ISSN 1527-4764

Lovelock, Michael (2017) "I Am...": Caitlyn Jenner, Jazz Jennings and the cultural politics of transgender celebrity. Feminist Media Studies, 17 (5). pp. 737-754. ISSN 1468-0777

Lovelock, Michael (2016) Interrogating the politics of LGBT celebrity in British reality television. Doctoral thesis, University of East Anglia.

Lovelock, Michael (2017) ‘Is every YouTuber going to make a coming out video eventually?’: YouTube celebrity video bloggers and lesbian and gay identity. Celebrity Studies, 8 (1). pp. 87-103. ISSN 1939-2397

Lunnon, Helen (2015) Defining Porches in Medieval Norwich c.1250-1510. In: Medieval and Early Modern Art, Architecture and Archaeology in Norwich. Maney Publishing, Leeds, pp. 283-306. ISBN 978-1-909662-77-3

Lunnon, Helen (2017) Inventing St Stephen: art and dispute in early fourteenth century England. In: Saints and Cults in Medieval England. Paul Watkins Publishing. ISBN 978-1907730597

Lunnon, Helen (2017) Inventio Porticus - Imagining Solomon's Porches in Late Medieval England. British Art Studies (6). ISSN 2058-5462

Lunnon, Helen (2010) Observations on the Changing Form of Chancel Screens in Late Medieval Norfolk. Journal of the British Archaeological Association, 163 (1). pp. 110-131. ISSN 0068-1288

Lunnon, Helen E. (2012) 'I will have one porch of stone ... over my grave' Medieval parish church porches and their function as tomb canopies. Church Monuments, 27. pp. 53-65. ISSN 0268-7518

Lyle, Ben (2015) ‘An account and analysis of the culture and practices of screenplay development in the UK’. Doctoral thesis, University of East Anglia.

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MacKisack, Matthew, Aldworth, Susan, Macpherson, Fiona, Onians, John, Winlove, Crawford and Zeman, Adam (2016) On Picturing a Candle: The Prehistory of Imagery Science. Frontiers in Psychology, 7. ISSN 1664-1078

Mack, John (2007) The Art of Small Things. British Museum Press. ISBN 9780714150468

Mack, John (2012) Drawing Degree zero: The Indigenous encounter with pencil and paper. World Art, 2 (1). pp. 70-105. ISSN 2150-0908

Mack, John (2011) Fetish? Magic Figures from Central Africa. Journal of Art Historiography, 5. pp. 1-14. ISSN 2042-4752

Mack, John (2011) Healing words:Becoming a spirit-host in Madagascar. Anthropology and Medicine, 18 (2). pp. 231-243. ISSN 1469-2910

Mack, John (2007) The Land Viewed from the Sea. Azania, 62. pp. 1-14.

Mack, John (2012) Making and seeing: Matisse and the understanding of Kuba pattern. Journal of Art Historiography (7). ISSN 2042-4752

Mack, John (2009) The Object of Memory. In: Preserving the cultural heritage of Africa. Crisis or Renaissance? James Curry Boydell and Brewer. ISBN 9781868885398

Mack, John (2008) Preserving the Cultural Heritage of Africa: Crisis or Renaissance? James Currey Publications. ISBN 0852559828

Mack, John (2011) The Sea: A Cultural History. Reaktion Books. ISBN 1861898098

Madgin, Rebecca, Webb, David, Ruiz, Pollyanna and Snelson, Tim (2018) Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft, London, UK. International Journal of Heritage Studies, 24 (6). pp. 585-598. ISSN 1352-7258

Mark, Peter, De Jong, Ferdinand and Chupin, Clémence (1998) Ritual and Masking Traditions in Jola Men's Initiation. African Arts, 31 (1). 36-47-94-95. ISSN 1937-2108

Marshall, Kingsley (2018) The Gulf War Aesthetic? Certain Tendencies in Image, Sound and the Construction of Space in Green Zone and The Hurt Locker. Doctoral thesis, University of East Anglia.

Martin, Lynn, Jerrard, Bob and Wright, Lucy (2019) Identity work in female‐led creative businesses. Gender, Work & Organization. ISSN 0968-6673

Martonfi, Anna (2017) An alternative comedy history – interrogating transnational aspects of humour in British and Hungarian comedies of the inter-war years. Doctoral thesis, University of East Anglia.

Mathieson, Ian, Bettles, Elizabeth, Clarke, Joanne, Duhig, Corinne, Ikram, Salima, Maguire, Louise, Quie, Sarah and Tavares, Ana (1997) The National Museums of Scotland Saqqara Survey Project 1993-1995. The Journal of Egyptian Archaeology, 83 (1). pp. 17-53. ISSN 0307-5133

Mathurin Sykes, Malorine (2015) Federal recognition, native space and indigenous performance: an ethnographic analysis of northeastern dance in the Shinnecock powwow. Masters thesis, University of East Anglia.

Matsuda, Akira (2011) Archaeology by the (Far) East in the West: what do local people think if Japanese archaeologists excavate the 'Villa of Augustus' in Italy? In: New Perspectives in Global Public Archaeology. Springer, New York, pp. 167-181.

Matsuda, Akira (2010) Excavating Roman London. Kodaigaku Kenkyû, 184. pp. 66-67.

Matsuda, Akira (2007) La prima guida di Somma: omaggio a “Fifino” dalla missione archeologica dell'Università di Tokyo. In: Antiquitates Summae. Fusco, Salerno, pp. 92-93.

Matsuda, Akira (2010) Public Archaeology in Somma Vesuviana. In: Festshrift for Tsuboi Kiyotari on the Occasion of His Ninetieth Birthday: Between Management and Research of Cultural Properties. Meishinsha, Nara, pp. 515-524.

Matsuda, Akira (2005) Public archaeology at archaeological sites: case studies in Britain and applicability in Japan. Journal of the Japanese Society for Cultural Heritage (Isekigaku Kenkyû), 2. pp. 90-101.

Matsuda, Akira (2011) Situating an archaeological site in the present ('Genzi' ni ichizukerareru iseki). Journal of the Japanese Society for Cultural Heritage (Isekigaku Kenkyû), 8. pp. 178-183.

Matsuda, Akira (2005) Vano 33. In: Annual Report of the Center for Evolving Humanities: Study of Cultural Exchange 18: VRC01 Preliminary Report (excavation report). Tokyo, University of Tokyo.

Matsuda, Akira (2010) When a local legend is (mis)appropriated in the interpretation of an archaeological site. Archaeologies, 6 (3). pp. 447-467.

Matsuda, Akira (2004) The concept of ‘the public’ and the aims of public archaeology. Papers from the Institute of Archaeology, 15. pp. 66-75. ISSN 2041-9015

Matsuda, Akira and Okamura, K (2009) Archaeologists at the crossroads 4: towards an engaged archaeology (Gendai shakai to sekkyokutekini kakawatteiku kôkogaku wo mezashite). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (4). pp. 117-120.

Matsuda, Akira and Okamura, K (2011) Introduction: new perspectives in global public archaeology. In: New Perspectives in Global Public Archaeology. Springer, New York, pp. 1-18.

Matsuda, Akira and Okamura, K (2005) The frontier of public archaeology. Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 52 (1). pp. 100-103.

Mc Carthy, David (2015) A Necessary Difficulty: The Poethics of Proximity in John Ashbery and Michael Palmer. Doctoral thesis, University of East Anglia.

McKay, George (2016) 4WORD:AN.OK4U2@32+1984. In: The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music. Minor Compositions . Autonomedia, Colchester/New York, pp. 1-7. ISBN 9781570273186

McKay, George (2016) Gee Vaucher's punk painting as record sleeves. In: Gee Vaucher: Introspective. Firstsite, Colchester, pp. 64-74. ISBN 978-1-57027-315-5

McKay, George (2015) Punk Rock and Disability: Cripping Subculture. In: Oxford Handbook of Music and Disability Studies. Oxford Handbooks . Oxford University Press, New York, pp. 226-245. ISBN 9780199331444

McKay, George (2018) Skinny blues: Karen Carpenter, anorexia nervosa and popular music. Popular Music, 37 (1). pp. 1-21. ISSN 0261-1430

McKay, George (2014) Winifred Atwell and her 'other piano': 16 hit singles and a 'blanket of silence', sounding the limits of jazz. In: Black British Jazz: Routes, Ownership and Performance. Ashgate, Farnham, pp. 153-172. ISBN 9781472417565

McKay, George (2018) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies. ISSN 1352-7258

McKay, George (2015) 'The pose is ... a stance': popular music and the cultural politics of festival in 1950s Britain. In: The Pop Festival. Bloomsbury Academic, New York. ISBN 9781623569594

McKay, George and Webster, Emma (2016) From Glyndebourne to Glastonbury:The Impact of British Music Festivals. AHRC/UEA.

McLaughlin, Malcolm (2005) Power, Community, and Racial Killing in East St. Louis. Palgrave Macmillan. ISBN 1403970785

McLaughlin, Malcolm (2002) Reconsidering the East St Louis Race Riot of 1917. International Review of Social History, 47 (2). pp. 187-212. ISSN 1469-512X

McLennan, Rachael (2012) Adolescence and (Re)capitulation in Stephenie Meyer’s Twilight Series. In: The Gothic in Contemporary Literature and Popular Culture: Pop Goth. Routledge Interdisciplinary Perspectives on Literature . Routledge. ISBN 9780415806763

McLennan, Rachael (2012) American Autobiography. British Association for American Studies. ISBN 9780748644605

McLennan, Rachael (2016) Representations of Anne Frank in American Literature:In Different Rooms. Routledge. ISBN 9780415724708

McMahon, Wendy (2012) Dislocated Identities:Exile and the Self as (M)other in the Writing of Reinaldo Arenas. Iberian and Latin American Studies: The Arts, Literature, and Identity . Oxford: Peter Lang, Oxford. ISBN 978303530943

McMahon, Wendy (2014) The Origins of Man:Contemporary Literary Representations of Masculinity in the Caribbean. In: Caribbeing. Brill, pp. 187-198. ISBN 9789042038851

McRoy, Jay (2007) Monstrous Adaptations:Generic and Thematic Mutations in Horror Film. Manchester University Press. ISBN 978-0-7190-7603-9

Mccarthy, Linda (2016) Your God had his chance and he blew it: modernity, tradition and alternative religion in 1960s and 1970s horror. Doctoral thesis, University of East Anglia.

Mcdonald, Lisa (2015) Creating Kastom : contemporary art in Port Vila, Vanuatu. Doctoral thesis, University of East Anglia.

Mckay, George (2018) Festivals:The History of European Jazz - The Music, Musicians and Audience in Context - Francesco Martinelli. In: The History of European Jazz. Equinox Publishing Ltd, Sheffield, pp. 707-718. ISBN 9781781794463

Mckay, George (2019) Jazz and disability. In: The Routledge Companion to Jazz Studies. Routledge, London, pp. 173-184. ISBN 9781138231160

Mckay, George (2015) The Pop Festival:History, Music, Media, Culture. Bloomsbury Academic, New York. ISBN 9781623568207

Mckay, George (2016) Pop Music and the Disabled Body, film of inaugural lecture. UNSPECIFIED.

Mckay, George (2011) Radical Gardening:Politics, Idealism and Rebellion in the Garden. Frances Lincoln, London. ISBN 9780711235380

Mckay, George (2013) Shakin' All Over: Popular Music and Disability. Corporealities: Discourses of Disability . University of Michigan Press, Ann Arbor. ISBN 9780472052097

Mclaughlin, Malcolm (2019) American Recreation: Sportsmanship and the New Nationalism, 1900-1910. Journal of American Studies. ISSN 0021-8758

Mclaughlin, Malcolm (2014) The Long, Hot Summer of 1967. Palgrave Macmillan. ISBN 9781137269621

Mclaughlin, Malcolm (2014) Storefront Revolutionary:Martin Sostre's Afro-Asian Bookshop, Black Liberation Culture, and the New Left, 1964-1975. The Sixties, 7 (1). pp. 1-27. ISSN 1754-1328

Mclennan, Rachael (2009) Adolescence, America and Postwar Fiction: Developing Figures. Palgrave. ISBN 978-0230205512

Mclennan, Rachael (2014) Aging, Adaptation, and the Curious Cases of Benjamin Button. Literature / Film Quarterly, 42 (4). pp. 635-648. ISSN 0090-4260

Mclennan, Rachael (2012) Anne Frank Rescues the Writer in Paul Auster's The Invention of Solitude. Journal of American Studies, 46 (3). pp. 695-709. ISSN 1469-5154

Mclennan, Rachael (2018) At Least Associated: When She Was Good and the Vietnam Years. Philip Roth Studies. ISSN 1547-3929 (In Press)

Mclennan, Rachael (2013) 'Cautionary Whales?' Adolescence in Juno & Push. Mosaic, 46 (2). pp. 105-121.

Mclennan, Rachael (2010) Chasing after the wind: The Adolescent Aporias of Jeffrey Eugenides. In: Writing America into the Twenty-first Century: Essays on the American Novel. Cambridge Scholars Publishing, pp. 22-39. ISBN 9781443821339

Mclennan, Rachael (2009) Enabling Fictions: Philip Roth's Prosthetic Anne Franks. Comparative American Studies, 7 (3). pp. 235-267.

Mclennan, Rachael (2011) "Like a Thief Returning to the Shelf": The Givens of Autobiography in Lyn Hejinian's My Life. a/b: Auto/Biography Studies, 26 (2). pp. 281-296. ISSN 2151-7290

Mclennan, Rachael (2008) Showing the Fly the Way Out of the Bell Jar: Cobbling a Philosophy of Adolescence in Joyce Carol Oates's I'll take you there. In: Reading America: New Perspectives on the American Novel. Cambridge Scholars Publishing. ISBN 9781847187772

Mclennan, Rachael (2018) 'That's Not Enough': Ageing in Wes Anderson's Moonrise Kingdom and Rushmore. Texas Studies in Literature and Language, 60 (2). pp. 193-211. ISSN 0040-4691

Mclennan, Rachael (2014) To Count as a Girl: Misdirection in 10 Things I Hate About You. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, IX (1). ISSN 1554-6985

Mclennan, Rachael (2006) Unpacking ‘something dark’: Narrating Southern female adolescence in Jill McCorkle’s The Cheer Leader, Sylvia Wilkinson’s Bone of my Bones and Thulani Davis’s 1959. European Journal of American Culture, 25 (2). pp. 139-152.

Mclennan, Rachael (2019) "We Cannot Create": The Limits of History in Joyce Carol Oates's The Accursed. In: 21st Century Historical Fiction: Contemporary Responses to the Past. Palgrave. (In Press)

Mcmahon, Wendy (2019) "The Law is just words after all": Torture, Truth, and Language in the Post-9/11 United States and Percival Everett's The Water Cure. MFS: Modern Fiction Studies. ISSN 0026-7724 (In Press)

Mills, Brett (2012) 'American Remake—Shudder': Online Debates about Life on Mars and 'British-ness'. In: Life on Mars: From Manchester to New York. University of Wales Press, Cardiff. ISBN 978-0708323595

Mills, Brett (2013) The Animals Went in Two by Two: Heteronormativity in Television Wildlife Documentaries. European Journal of Cultural Studies, 16 (1). pp. 100-114. ISSN 1367-5494

Mills, Brett (2017) Animals on Television:The Cultural Making of the Non-Human. Palgrave Macmillan UK. ISBN 978-1-137-51682-4

Mills, Brett (2010) Being Rob Brydon: Performing the Self in Comedy. Celebrity Studies, 1 (2). pp. 190-202. ISSN 1939-2400

Mills, Brett (2012) Brett Mills - academia.edu. UNSPECIFIED.

Mills, Brett (2004) Comedy Verite: Contemporary Sitcom Form. Screen, 45 (1). pp. 63-78. ISSN 1460-2474

Mills, Brett (2013) 'Complaints Were Received': Morris, Comedy and Broadcasting in Context. In: No Known Cure: The Comedy of Chris Morris. British Film Institute, London, pp. 98-110.

Mills, Brett (2010) Contemporary Comedy Performance in British Sitcom. In: Genre and Performance: Film and Television. Manchester University Press.

Mills, Brett (2011) Days of Future Past: Documenting the Future. Journal of British Cinema and Television, 8 (1). pp. 81-98. ISSN 1743-4521

Mills, Brett (2004) 'Grange Hill', 'Till Death Us Do Part/All in the Family', 'I Love Lucy', 'Brass Eye', 'The Simpsons', 'Monty Python's Flying Circus',. Hodder Arnold.

Mills, Brett (2011) The Guardians of the General Interest: Discourses of Knowledge in QI. Television and New Media, 12 (2). pp. 136-153. ISSN 1552-8316

Mills, Brett (2010) I'm Anti-Little Britain, and I'm Worried I Might Start Laughing: Audience Responses to Little Britain. In: Reading 'Little Britain': Comedy Matters on Contemporary Television: Yeah But Groundbreaking TV Comedy. IB Tauris, pp. 147-70. ISBN 9781845119393

Mills, Brett (2016) ‘If this was a human…’: Pets, vets and medicine. Critical Studies in Television, 11 (2). pp. 244-256. ISSN 1749-6020

Mills, Brett (2013) Invalid Animals:Finding the Non-Human Funny in Special Needs Pets. Journal of Literary and Cultural Disability Studies, 7 (3). pp. 321-335. ISSN 1757-6458

Mills, Brett (2011) Invisible Television: The Television Programmes No-One Talks About Even Though Lots of People Watch Them. Critical Studies in Television, 5 (1). ISSN 1749-6039

Mills, Brett (2012) Make Me Laugh: Creativity in the British Television Comedy Industry. UNSPECIFIED.

Mills, Brett (2016) Make Me Laugh: Creativity in the British television comedy industry. Humor, 29 (2). 157–174. ISSN 1613-3722

Mills, Brett (2004) New Jokes: Kath and Kim and Recent Golbal Sitcom. Metro 140, 140. pp. 100-103.

Mills, Brett (2016) Old Jokes:One Foot in the Grave, Comedy and the Elderly. In: British TV Comedies. Palgrave Macmillan, Basingstoke, pp. 265-277. ISBN 978-1-137-55294-5

Mills, Brett (2010) On Television Comedy as an Invented Tradition. Media International Australia, 134 (1). pp. 64-73.

Mills, Brett (2016) "Out There, In the World":Representations of the Zoo and Other Spaces in the Madagascar Trilogy. In: The Zoo and Screen Media. Palgrave Macmillan, pp. 137-152. ISBN 978-1-137-54342-4

Mills, Brett (2013) 'Shane, Don't Film This Bit': Comedy and Performance in Le Donk and Sco-Zay-Zee. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 142-154.

Mills, Brett (2015) "Shoved Online":BBC Three, British Television and the Marginalisation of Young Adult Audiences. In: Media, Margins and Popular Culture. Palgrave Macmillan, Basingstoke, pp. 219-231. ISBN 978-1-137-51280-2

Mills, Brett (2014) Sitcoms. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 695-698. ISBN 9781412999090

Mills, Brett (2014) Sketch Comedy Shows. In: Encyclopedia of Humor Studies. Sage, Los Angeles, pp. 698-700. ISBN 9781412999090

Mills, Brett (2016) A Special Freedom:Regulating Comedy Offence. In: Taboo Comedy. Palgrave Studies in Comedy . Palgrave Macmillan, London, pp. 209-226. ISBN 978-1-137-59337-5

Mills, Brett (2001) Studying Comedy’ and ‘Humour Theory’. In: The Television Genre Book. British Film Institute, pp. 61-63. ISBN 0851708498

Mills, Brett (2003) Tabloid Tales: Other News, Other Voices. Journal of the Institute of Justice and International Studies, 1 (2). pp. 23-32.

Mills, Brett (2005) Television Sitcom. British Film Institute. ISBN 1844570886

Mills, Brett (2015) The Television Sitcom. In: The Routledge Companion to British Media History. Routledge, London, pp. 451-459. ISBN 978-0-415-53718-6

Mills, Brett (2010) Television wildlife documentaries and animals' right to privacy. Journal of Media and Cultural Studies, 12 (2). pp. 193-202.

Mills, Brett (2010) Those Pig-Men Things. Media Culture Journal, 13 (5).

Mills, Brett (2009) Welsh/From Wales: Representations of the Welsh in Contemporary Television Sitcom. Cyfrwng: Media Wales Journal, 6 (1). pp. 47-60.

Mills, Brett (2010) Why We Should consider the Privacy of Animals. The Guardian Online.

Mills, Brett (2011) 'A pleasure working with you': Humour Theory and Joan Rivers. Comedy Studies, 2 (2). pp. 151-160.

Mills, Brett and Barlow, David (2012) Reading Media Theory: Thinkers, Approaches, Contexts. 2nd edition. Pearson Education, London. ISBN 978-1-4082-8525-1

Mills, Brett and Horton, Erica (2016) Creativity in the British Television Comedy Industry. Routledge. ISBN 9781138807211

Mills, Brett and Ralph, Sarah (2014) 'Trying to Ride a Naughty Horse': British Television Comedy Producers. In: Beyond the Bottom Line. Bloomsbury Academic, New York, pp. 161-174. ISBN 9781441172365

Mills, Brett and Rimmer, Mark (2017) Pure and Simple: Music as a Personal and Comedic Resource in Car Share. In: Music in Comedy Television. Routledge. ISBN 978-1138193581

Mistry, Kaeten (2011) Approaches to Understanding the Inaugural CIA Covert Operation: Exploding Useful Myths. Intelligence and National Security, 26 (2-3). pp. 246-268. ISSN 1743-9019

Mistry, Kaeten (2011) The CIA and US Foreign Policy since 1947: Reforms, Reflections and Reappraisals. Intelligence and National Security (Special Issue), 26 (2-3). pp. 133-398.

Mistry, Kaeten (2006) The Case for Political Warfare: Strategy, Organization & US Involvement in the 1948 Italian Election. Cold War History, 6 (3). pp. 301-329. ISSN 1468-2745

Mistry, Kaeten (2009) Illusions of Coherence: George F Kennan, US Strategy and Political Warfare in the Early Cold War, 1946-1950. Diplomatic History, 33 (1). pp. 39-66. ISSN 1467-7709

Mistry, Kaeten (2016) Interventionism. In: America in the World, 1776 to the Present. Charles Scribner's Sons, pp. 519-523. ISBN 9780684325057

Mistry, Kaeten (2009) La Dinamiche delle relazioni italo-statunitensi nel dopoguerra, l'interventismo americano e il ruolo di James C Dunn. Ricerche di Storia Politica, 10 (2). pp. 197-222.

Mistry, Kaeten (2011) Re-Thinking American Intervention in the 1948 Italian Election: Beyond a Success-Failure Dichotomy. Modern Italy, 16 (2). pp. 179-194. ISSN 1353-2944

Mistry, Kaeten (2018) A Transnational Protest against the National Security State: Whistleblowing, Philip Agee and Networks of Dissent. Journal of American History. ISSN 0021-8723 (In Press)

Mistry, Kaeten (2014) The United States, Italy and the Origins of Cold War:Waging Political Warfare 1945–1950. Cambridge: Cambridge University Press. ISBN 9781107035089

Mitchell, John (2017) Past and present in Mercia in the age of Offa. In: The Past Presented. Turnhout, Brepols. (In Press)

Mitchell, John (2014) The painted decoration of San Salvatore di Brescia in context. In: Dalla corte regia al monastero di San Salvatore-Santa Giulia di Brescia. Edizioni SAP, pp. 169-201.

Mitchell, John, Hodges, Richard and Leppard, Sarah (2011) The sack of San Vincenzo al Volturno: 10th October 881 reconsidered. Acta Archaeologica, 82. pp. 291-306. ISSN 1600-0390

Mitchell, John, Hodges, Richard, Leppard, Sarah and Sebastiani, Alessandro (2010) Le officine di San Vincenzo al Volturno: fasi di produzione e dinamiche del mondo del IX secolo. In: Medioevo: le officine. Atti del Convegno internazionale di studi, Parma, 22-27 settembre 2009. Electa, Milan, pp. 105-17. ISBN 978883707847

Mitchell, Jonathan (2017) The Empty Child: Dystopian Innocence in Samuel Delany's Hogg. European Journal of American Studies, 11 (3). ISSN 1991-9336

Mitchell, Jonathan (2005) ‘Jim Stark’s ‘Barbaric Yawp,’ Rebel Without a Cause and the Cold War Crisis in Masculinity’. In: Rebel Without a Cause: Approaches to a Maverick Masterwork. SUNY Press, pp. 131-147. ISBN 9780791466469

Mitchell, Jonathan (2002) 'Secular Millennialism and the Salvation of Anglo-America: Policing “the last barrier of civilization”’. Irish Journal of American Studies, 11,12. pp. 133-150. ISSN 2009-2377

Mitchell, Stephen Mark (2014) Deconstructing National Identity: Character, Place, and Contemporary American Independent Cinema. Doctoral thesis, University of East Anglia.

Monks, Sarah (2012) Between Country, Court and City: Art, the Thames and the Tides of Royal Power. In: Royal River. Scala Publishers, pp. 26-32.

Monks, Sarah (2018) Early American Painting. In: Conversations with the Collection. Terra Foundation for American Art, Chicago, pp. 16-26. ISBN 9780932171658

Monks, Sarah (2008) Fishy Business: Richard Wright’s The Fishery (1764), Marine Painting, and the Limits of Refinement. Eighteenth Century Studies, 41(2). pp. 405-21. ISSN 1086-315X

Monks, Sarah (2013) Life Study: Living with the Royal Academy, 1768-1848. In: Living with the Royal Academy. Ashgate Publishing Ltd, Burlington and Aldershot, pp. 1-23. ISBN 9781138249530

Monks, Sarah (2010) Making Love: Thomas Banks's Camadeva and the Discourses of British India c.1790. Visual Culture in Britain, 11 (2). pp. 195-218. ISSN 1941-8361

Monks, Sarah (2018) Marine Painting in Britain, 1650-1850: Framing Space, Power and Modernity. Routledge. ISBN 9781409439653

Monks, Sarah (1998) National heterotopia: Greenwich as spectacle, 1694-1869. Rising East: The Journal of East London Studies, 2(1). pp. 156-66.

Monks, Sarah (2005) Our Man in Havana: Representation and Reputation in Lieutenant Philip Orsbridge’s Britannia’s Trium. In: Conflicting Visions: War and Visual Culture 1600-1850. Ashgate. ISBN 978-0754605751

Monks, Sarah (2017) Rendering. In: Turner and the Whale. Shire Publications Ltd.. ISBN 9781784422851

Monks, Sarah (2016) Samuel Scott: Elite Masculinity and Aesthetic Experience in Eighteenth-Century British Marine Painting. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven. ISBN 9780300221572 (In Press)

Monks, Sarah (2010) Suffer a Sea-Change: Turner, Painting, Drowning. Tate Research Papers, 14.

Monks, Sarah (2009) Turner goes Dutch. In: Turner and the Masters. Tate Britain, pp. 73-85. ISBN 9781854378651

Monks, Sarah (2013) "Un Peu Gascon": Dominic Serres and the Spectre of Alienation. In: Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848. Ashgate Publishing Ltd, Burlington and Aldershot, pp. 53-73. ISBN 9781138249530

Monks, Sarah (2011) Visual Culture and British India. Visual Culture in Britain, 12 (3). Taylor & Francis.

Monks, Sarah (2006) The Visual Economies of the Downriver Thames in Eighteenth-Century British Art. Visual Culture in Britain, 7(1). pp. 1-20. ISSN 1941-8361

Monks, Sarah (2012) The Wolfe Man: Benjamin West's Anglo American Accent. In: Anglo-American: Artistic Exchange between Britain and the USA. Wiley-Blackwell, pp. 652-674. ISBN 978-1-4443-5143-9

Monks, Sarah (2011) The Wolfe Man: Benjamin West's Anglo-American Accent. Art History, 34 (4). pp. 652-673. ISSN 1467-8365

Moran, A. and Aveyard, K. (2013) Vocal hierarchies in early Australian quiz shows, 1948-71:Two case studies. Media International Australia (148). pp. 107-117. ISSN 1329-878X

Moreno, Dolores (2016) Cannes’ Best Screenplay Award: A Study on the Social Construction of Meaning and Value. Doctoral thesis, University of East Anglia.

Mortimer, Claire (2017) Battleaxes, spinsters and chars: the ageing woman in British film comedy of the mid-twentieth century. Doctoral thesis, University of East Anglia.

Mortimer, Claire (2019) Neighbourhood Watch: Gossip, Power and the Working-class Matriarch in The Archers. In: Prelims. Emerald. ISBN 978-1-78769-948-9

Murphy, Rachael (2017) Exhibiting Indigenous Australian collections in the UK. Doctoral thesis, University of East Anglia.

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Negra, D. and Tasker, Y. (2013) Neoliberal frames and genres of inequality:Recession-era chick flicks and male-centred corporate melodrama. European Journal of Cultural Studies, 16 (3). pp. 344-361. ISSN 1367-5494

Negra, Diane and Tasker, Yvonne (2007) Interrogating Postfeminism: Gender and the Politics of Popular Culture. Duke University Press. ISBN 978-0822340324

Newby, Lisa (2017) Assemblage in Practice: Artists, Ethnography and Display in Postwar London (1948-­‐85). Doctoral thesis, University of East Anglia.

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Noel-Tod, Jeremy (2005) Further study:Teaching unfamiliar texts. Cambridge Quarterly, 34 (3). pp. 281-283. ISSN 0008-199X

Noel-Tod, Jeremy (2007) Not Joking Exactly: Peter Manson and the Poetry of Crudity. Chicago Review, 53 (1). pp. 116-125. ISSN 0009-3696

Noel-Tod, Jeremy (2007) Walking the Yellow Brick Road: A Pedestrian Account of J. H. Prynne's Poems. In: Occasions of Poetry: Essays on elegy; walking; and spirituality. Shearsman, Exeter, pp. 89-102. ISBN 1-905700-63-6

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O'Brien, Dai, Stead, Lisa and Nourse, Nicholas (2017) Bristol Deaf Memories: archives, nostalgia and the loss of community space in the deaf community in Bristol. Social & Cultural Geography. ISSN 1464-9365

Oey, Jennifer (2016) Practicing adaptation: one screenplay, five films. Doctoral thesis, University of East Anglia.

Okamura, K and Matsuda, Akira (2010) Archaeological Heritage Management in Japan. In: Cultural Heritage Management: A Global Perspective. University of Florida, Gainesville, pp. 99-110.

Okamura, K and Matsuda, Akira (2008) Archaeologists at the crossroads 1: where are we now? (Watashitachi wa doko ni iruka). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (1). pp. 81-84.

Okamura, K and Matsuda, Akira (2008) Archaeologists at the crossroads 2: how should we communicate with the general public? (Nani ga katareruka, nani wo kataru bekika). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (2). pp. 97-100.

Okamura, K and Matsuda, Akira (2008) Archaeologists at the crossroads 3: re-considering the role of archaeology in modern Japanese society (Kôkogaku wo hakkutsu suru). Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 55 (3). pp. 106-109.

Onians, John (2018) Art, the visual imagination and neuroscience: The Chauvet Cave, Mona Lisa's smile and Michelangelo's terribilitá. Cortex, 105. pp. 182-188. ISSN 0010-9452

Onians, John (2016) The ‘masterpiece’: a social or neural phenomenon? World Art, 6 (2). pp. 187-201. ISSN 2150-0894

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Peake, Jak and Mcmahon, Wendy (2017) American Networks: Radicals Under the Radar (1840–1968). Comparative American Studies, 15 (3-4). pp. 99-116. ISSN 1477-5700

Peters Corbett, David (2015) American Water: Memory and Projection in Mid-Nineteenth Century American Painting. In: Interdisciplinary Encounters. I B Taurus, London, pp. 137-155. ISBN 978-1780767024

Peters Corbett, David (2013) Painting American frontiers:"Encounter" and the borders of American identity in Nineteenth-Century art. Perspective (1). pp. 129-152. ISSN 1777-7852

Peters Corbett, David (2015) The Painting of Urban Life, 1880–1930. In: The Blackwell Companion to American Art. Wiley-Blackwell, Chichester, pp. 562-580. ISBN 978-0-470-67102-3

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Peters Corbett, David and Tickner, Lisa (2012) British Art and the Cultural Field, 1939-1969. Wiley-Blackwell, Chichester.

Pett, Emma (2019) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270 (In Press)

Pett, Emma (2017) Beyond the Metropolis: Immersive cinema in a rural context. In: Live Cinema. Bloomsbury, London. ISBN 9781501324833

Pett, Emma (2016) "Blood, Guts and Bambi Eyes":Urotsukidoji and the Transcultural Reception and Regulation of Anime. Journal of British Cinema and Television, 13 (3). pp. 390-408. ISSN 1743-4521

Pett, Emma (2015) Breaking the Rules: Film and Fashion in "Swinging Britain". Cinephile: The University of British Columbia's Film Journal, 11 (1). pp. 23-28.

Pett, Emma (2013) ‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 177-197.

Pett, Emma (2018) Homer, Ovid, Disney and Star Wars:The critical reception and transcultural popularity of Princess Mononoke. In: Princess Mononoke. Bloomsbury Academic, London. ISBN 9781501329746

Pett, Emma (2018) Movie migrations: transnational genre flows and South Korean cinema. Transnational Cinemas, 9 (1). pp. 123-124. ISSN 2040-3526

Pett, Emma (2013) "People Who Think Outside the Box": British Audiences and Asian Extreme Films. Cine-Excess eJournal.

Pett, Emma (2019) “Real Life is Rubbish”::The Subcultural Branding and Inhabitable Appeal of Secret Cinema’s The Empire Strikes Back. In: Disney's Star Wars. University of Iowa Press. ISBN 1609386434 (In Press)

Pett, Emma (2017) Review: Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship. Memory Studies, 10 (1). pp. 96-99. ISSN 1750-6980

Pett, Emma (2016) “Stay disconnected”:Eventising Star Wars for transmedia audiences. Participations: Journal of Audience and Reception Studies, 13 (1). pp. 152-169.

Pett, Emma (2015) Tourists, Vandals and Pilgrims: A study of participant responses to the Gromit Unleashed public art trail, Bristol, 2013. In: Media, Margins and Popular Culture. Palgrave, pp. 169-187. ISBN 978-1-137-51280-2

Pett, Emma (2017) Transnational Cult Paratexts: Exploring audience readings of Tartan’s Asia Extreme brand. Transnational Cinemas, 8 (1: Cult Cinema and the Transnational). pp. 35-48. ISSN 2040-3526

Pett, Emma (2015) A new media landscape? The BBFC, extreme cinema as cult, and technological change. New Review of Film and Television Studies, 13 (1). pp. 83-99. ISSN 1740-0309

Pett, Emma and Manchester, Helen (2015) Teenage Kicks: Exploring Cultural Value from a Youth Perspective. Cultural Trends, 24 (3). pp. 223-231. ISSN 0954-8963

Pett, Emma and Stokes, Melvyn (2017) Cinema Space and Postcolonial Audiences in 1960s Britain. In: Kinoerfahrungen. Avinus. ISBN 978-3-86938-086-5

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Rendell, James and Denison, Rayna (2018) Introducing Studio Ghibli. East Asian Journal of Popular Culture, 4 (1). pp. 5-14. ISSN 2051-7084

Reynolds, Toby (2018) Starving sons and hungry daughters: A Post-Jungian Analysis of Fatherhood in Contemporary Cinema. Doctoral thesis, University of East Anglia.

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Rickards, Carolyn (2014) A very British spectacle? : critical reception of the fantasy genre within contemporary British cinema. Doctoral thesis, University of East Anglia.

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Riggs, Christina (2006) Archaism and Artistic Sources in Roman Egypt: The Coffins of the Soter Family and the Temple of Deir el-Medina. Bulletin de l'Institut Francais d'Archeologie Orientale, 106. pp. 315-332.

Riggs, Christina (2005) The Beautiful Burial in Roman Egypt: Art, Identity, and Funerary Religion (Oxford Studies in Ancient Culture & Representation). Oxford University Press. ISBN 019927665X

Riggs, Christina (2016) Beautiful Burials, Beautiful Skulls: The Aesthetics of the Egyptian Mummy. British Journal of Aesthetics, 56 (3). pp. 247-263. ISSN 0007-0904

Riggs, Christina (2014) Discussing knowledge in the making. In: Histories of Egyptology. Routledge Studies in Egyptology Series . Routledge, New York and London, pp. 129-138. ISBN 9780415843690

Riggs, Christina (2015) Egypt. In: The Oxford Handbook of Roman Sculpture. Oxford University Press, New York, pp. 552-568. ISBN 9780199921829

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Riggs, Christina (2017) In the Shadows: The Study of Ancient Egyptian Art. Orientalistische Literaturzeitung, 112 (4-5). 293–300. ISSN 0030-5383

Riggs, Christina (2017) Loose bodies: Reserve collections, curatorial reservations, and the ancient Egyptian dead. In: Museum Storage and Meaning: Tales from the Crypt. Routledge, London and New York, pp. 253-262. ISBN 9781138065970

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Riggs, Christina (2017) Objects in the photographic archive: Between the field and the museum in Egyptian archaeology. Museum History Journal, 10 (2). pp. 140-161. ISSN 1936-9816

Riggs, Christina (2019) Photographing Tutankhamun:Archaeology, Ancient Egypt, and the Archive. Bloomsbury Academic, London. ISBN 9781350038516

Riggs, Christina (2016) Photography and antiquity in the archive, or how Howard Carter moved the road to the Valley of the Kings. History of Photography, 40 (3). pp. 267-282. ISSN 0308-7298

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Riggs, Christina (2014) Unwrapping Ancient Egypt. Bloomsbury Academic, London. ISBN 9780857855077

Riggs, Christina (2016) An autopsic art: 'Dr Granville's mummy' in the Royal Society archives. Notes and Records, 70 (2). pp. 107-133. ISSN 0035-9149

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Riggs, Christina and Baines, John (2001) Archaism and Kingship: A Late Royal Statue and its Early Dynastic Model. The Journal of Egyptian Archaeology, 87. pp. 103-118.

Riggs, Christina and Stadler, M.A. (2003) A Roman Shroud and its Demotic Inscriptions in the Museum of Fine Arts, Boston. Journal of the American Research Centre in Egypt, 40. pp. 69-87.

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Rimmer, Mark (2011) Beyond Omnivores and Univores: The Promise of a Concept of Musical Habitus. Cultural Sociology. pp. 299-318. ISSN 1749-9763

Rimmer, Mark (2018) Community Music and Youth: Delivering Empowerment? In: The Oxford Handbook of Community Music. Oxford University Press. ISBN 9780190219505

Rimmer, Mark (2015) ‘Doing what needs to be done’: Understandings of UK-based Community Music – reflections and implications. International Journal of Community Music, 8 (2). pp. 179-195.

Rimmer, Mark (2018) Harmony or Discord? Understanding children’s valuations of a Sistema-inspired initiative. British Journal of Music Education, 35 (1). pp. 43-55. ISSN 0265-0517

Rimmer, Mark (2010) Harte Musik und weiche Jungs, Kulturaustausch: Großbritannien. EPRINTS-JOURNAL, 1.

Rimmer, Mark (2009) Instrumental' playing? Cultural policy and young people's community music participation. International Journal of Cultural Policy, 15(1). pp. 71-90. ISSN 1477-2833

Rimmer, Mark (2010) Listening to the monkey: class and youth in the formation of a musical habitus. Ethnography, 11 (2). pp. 255-283.

Rimmer, Mark (2017) Music, middle childhood and agency:The value of an interactional-relational approach. Childhood: A Global Journal of Child Research, 24 (4). pp. 559-573. ISSN 0907-5682

Rimmer, Mark (2018) The art of survival: community-based arts organisations in times of austerity. Community Development Journal. ISSN 0010-3802

Rimmer, Mark (2012) The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies. Journal of Youth Studies, 15 (3). pp. 329-350. ISSN 1367-6261

Rimmer, Mark, Higham, Ben and Brown, Tony (2014) Whatever Happened to Community Music?:AHRC Research Network Project Report. Working Paper. UNSPECIFIED, Norwich.

Rimmer, Mark and Phillips, Tom (2013) Community Arts: Sustainability in Austerity. Working Paper. UEA, Norwich.

Rimmer, Mark, Street, John and Phillips, Tom (2014) Understanding the Cultural Value of 'In Harmony-Sistema England'. pp. 1-57.

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Ruys Smith, Thomas (2005) Independence Day, 1835: The John A. Murrell Conspiracy and the Lynching of the Vicksburg Gamblers in Literature. Mississippi Quarterly, 59 (1/2). pp. 129-160.

Ruys Smith, Thomas (2003) "The river now began to bear upon our imaginations": Margaret Hall, Frances Trollope, Harriet Martineau, and the Problem of the Antebellum Mississippi. Revue Française d' Études Améicaines, 98. pp. 20-31.

Rycroft, Daniel (2017) Adivasi Worlds:Encountering ‘Indian’ idealism in anthropology before independence. In: Environment and the Adivasi World. Alphabet Books, Kolkata, pp. 29-58. ISBN 9788192963525

Rycroft, Daniel (2011) After Images: Visual Cultures and Subaltern Pasts. Visual Culture in Britain, 12 (3). pp. 367-386. ISSN 1941-8361

Rycroft, Daniel (2018) Anthropological archives and ‘chiasmic’ time in modern India. Irish Journal of Anthropology, 16 (2). pp. 46-68. ISSN 1393-8592

Rycroft, Daniel (2017) Anthropology as Satyagraha (Truth-force):Elwin in pre-independence India. In: Pathways of Creative Research. Primus Books, New Delhi, pp. 9-30. ISBN 978-93-84082-05-5

Rycroft, Daniel (2000) Around Modernist Traditions. In: Drawing Space: Contemporary Indian Drawing. InIVA, London, pp. 12-17.

Rycroft, Daniel (2012) Art and Swadeshi (1909-1911) Ananda K. Coomaraswamy: Considerations for Art Historical and Ethnographic Interpretation. In: Fifty Key Texts in Art History. Routledge, Abingdon, pp. 63-86.

Rycroft, Daniel (2011) Beyond Resistance: Idioms and Memories of Insurgency in the Adivasi Movement in Jharkhand. In: Narratives from the Margins: Aspects of Adivasi History in India. Primus Books, New Delhi, pp. 257-276.

Rycroft, Daniel (1996) Born from the Soil: the indigenous mural aesthetic of Kheroals in Jharkhand, eastern India. South Asian Studies, 12. pp. 67-81. ISSN 0266-6030

Rycroft, Daniel (2004) Capturing Birsa Munda: the virtuality of a colonial-era photograph. Indian Folklore Research Journal, 1 (4). pp. 53-68.

Rycroft, Daniel (2013) Co-existence and art historical apprehensions. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 231-251. ISBN 9781409455882

Rycroft, Daniel (2011) From History to Heritage: Adivasi identity and Hul Sengel. In: Voices from the Periphery: subalternity and empowerment in India. Routledge, New Delhi, pp. 48-74.

Rycroft, Daniel (2014) Historical Anthropology and "The Primitive": Rethinking the 1931 Census of India. In: Politics of Ethnicity in India, Nepal and China. Primus Books, New Delhi, pp. 25-54. ISBN 9380607873

Rycroft, Daniel (2013) Imperial tensions: a conceptual introduction. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 1-28. ISBN 978-1-4094-5588-2

Rycroft, Daniel (2012) India's Adivasis (Indigenous/Tribal Peoples) and Anthropological Heritage. In: Anthropologists, Indigenous Scholars and the REsearch Endeavour: Seeking Bridges towards Mutual Respect. Routledge, Abingdon, pp. 80-93.

Rycroft, Daniel (2018) Indian Anthropology and the Construction of 'Tribal Ethnicity' Before Independence. In: Revisiting Tribal Studies. Rawat Publications, New Delhi, pp. 41-56. ISBN 978-81-316-0936-1

Rycroft, Daniel (2012) Indian anthropology and the construction of 'tribal ethnicity' before independence. In: Nationhood and Identity Movements in Asia: Colonial and Postcolonial Times. Manohar Publishers, New Delhi, pp. 141-165.

Rycroft, Daniel (2014) Indigenous Studies and Fieldwork in India:A Dialogue. In: Fieldwork in South Asia. Sage Publications, New Delhi, pp. 339-359. ISBN 978-81-321-1742-1

Rycroft, Daniel (2014) Reinterpreting Adivasi History:Memory of the Santal Revolution in Village Bhognadih. In: Dissent, Disrimination and Dispossession. Manohar Publishers, New Delhi, pp. 51-71. ISBN 978-93-5098-043-9

Rycroft, Daniel (2011) Representing Colonial Authority: The Visual Environment of Walter Sherwill in 1851. In: The British Empire and the Natural World: Environmental Encounters in South Asia. Oxford University Press, New Delhi, pp. 43-67. ISBN 13: 978-0-19-806970-6

Rycroft, Daniel (2006) Representing Rebellion: Visual Aspects of Counter-Insurgency in Colonial India. Oxford University Press India. ISBN 0195675894

Rycroft, Daniel (2009) Revisioning Birsa Munda: visual constructions of the vanavasi in Jharkhand. In: Identity, Cultural Pluralism and the State. India: Macmillan, pp. 261-80. ISBN 9780230638594

Rycroft, Daniel (2006) Santalism: reconfiguring 'the Santal' in Indian art and politics. Indian Historical Review, 33 (1). pp. 150-174. ISSN 0975-5977

Rycroft, Daniel (2012) Through the Eye of the Ancestors. [Performance]

Rycroft, Daniel (2012) When Was Modernism in Indian Art (1995) Geeta Kapur: Reading Possibilities for World Art Studies. In: Fifty Key Texts in Art History. Routledge, Abingdon, pp. 206-210.

Rycroft, Daniel and Dasgupta, Sangeeta (2011) Indigenous Pasts and the Politics of Belonging. In: The Politics of Belonging in India: Becoming Adivasi. Routledge, Abingdon, pp. 1-13.

Rycroft, Daniel and Dasgupta, Sangeeta (2011) The Politics of Belonging in India: Becoming Adivasi. Routledge Contemporary South Asia Series . Routledge. ISBN 978-0-415-60082-8

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Rycroft, Daniel, Lau, George and Sekules, Veronica (2011) Editorial. World Art, 1 (1). pp. 1-7. ISSN 2150-0894

Rycroft, Daniel, Lau, George and Sekules, Veronica (2011) Editorial. World Art, 1 (2). pp. 151-160. ISSN 2150-0908

Rycroft, Daniel J. (2015) Locating Adivasi Politics: Aspects of ‘Indian’ Anthropology after Birsa Munda. Anglistica, 19 (1). pp. 133-146. ISSN 2035-8504

Rycroft, Daniel J. (2014) Looking Beyond the Present:The Historical Dynamics of Adivasi (Indigenous and Tribal) Assertions in India. Journal of Adivasi and Indigenous Studies, 1 (1). pp. 1-17. ISSN 2394-5524

Rycroft, Daniel J. (2015) Looking Beyond the Present:The Historical Dynamics of Adivasi (Indigenous and Tribal) Assertions in India, Part 2. Journal of Adivasi and Indigenous Studies, 2 (1). pp. 1-10. ISSN 2394-5524

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Selby, Nick (1999) The Columbia Critical Guide to Herman Melville: Moby-Dick. Columbia University Press, New York. ISBN 0231115385/ 0231115393

Selby, Nick (2000) The Columbia Critical Guide to The Waste Land. Columbia University Press, New York. ISBN 0231124244/ 0231124252

Selby, Nick (2000) 'A Columbus of the Imagination': America, the millennium, and the poetry of Jorie Graham. European Journal of American Culture, 19 (2). pp. 96-115.

Selby, Nick (2000) Coming back to oneself/ coming back to the land: Gary Snyder's Poetics. In: Reading Under the Sign of Nature: New Essays in Ecocriticism. University of Utah Press, Salt Lake City, pp. 179-197. ISBN 0874806488

Selby, Nick (2005) "Created Space" Mapping America as poem in Gary Snyder's Mountains and Rivers Without End and Susan Howe's Secret History of the Dividing Line. Journal of American Studies, 39 (01). pp. 41-64. ISSN 1469-5154

Selby, Nick (2000) Cultural Mapping: Gary Snyder's Mountains and Rivers Without End as American Epic. In: Postwar American Poetry: The Mechanics of the Mirage. University of Liege Press, Liege, pp. 187-195. ISBN 2872330259

Selby, Nick (2004) Desiring Texts: the erotics of domestic space in the poetry of Lyn Hejinian and Rosmarie Waldrop. European Journal of American Literature, 23 (1). pp. 21-29.

Selby, Nick (2013) Ecopoetries in America. In: The Cambridge Companion to American Poetry since 1945. Cambridge Companions to Literature . Cambridge University Press, Cambridge. ISBN 9780521147958

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Selby, Nick (2017) Editorial. Comparative American Studies, 15 (1-2). pp. 1-3. ISSN 1477-5700

Selby, Nick (2013) Editorial. Comparative American Studies, 11 (1). p. 1.

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Selby, Nick (2003) Embodied Music: Robert Creeley, Hilda Morley and a Sense of Measure. In: Sound as Sense: Contemporary U.S Poetry &/ in Music. Peter Lang, Brussels, pp. 107-119. ISBN 905201194X/ 0820466107

Selby, Nick (1995) Fascist Language in The Adams Cantos of Ezra Pound. Journal of American Studies of Turkey, 2. pp. 61-72.

Selby, Nick (2006) "A Generous Time": Lee Harwood in New York. In: Don't Ever Get Famous: Essays on New York Writing Beyond the 'New York School'. Dalkey Archive Press, pp. 215-241. ISBN 1564784606

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Selby, Nick (1999) The Icon Critical Guide to T. S. Eliot: The Waste Land. Icon Books. ISBN 1840460393

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Selby, Nick (2006) Open Ground: American Mythologies and Jorie Graham's "Pollock and Canvas". Word and Image, 22 (2). pp. 128-45. ISSN 1943-2178

Selby, Nick (1997) Poem as Work-Place: Gary Snyder's Ecological Poetics. Sycamore: A Journal of American Culture, 1 (4). pp. 1-19.

Selby, Nick (2005) Poetics of Loss in the Cantos of Ezra Pound: From Modernism to Fascism (Studies in British Literature). Edwin Mellen Press Ltd. ISBN 0773460551

Selby, Nick (2003) The Poetry of Walt Whitman: A Reader's Guide to Essential Criticism. Palgrave Macmillan, Basingstoke and New York. ISBN 1403933162/ 18046240X

Selby, Nick (2004) Prometheans Unbound: touching books in Jorie Graham's Swarm and Susan Howe's 'Scattering as Behaviour Towards Risk'. In: Rebound: The American Poetry Book. Rodopi, Amsterdam and New York, pp. 183-196. ISBN 9042017120

Selby, Nick (1997) 'Queer shoulders to the Wheel': Whitman, Ginsberg and a Bisexual Poetics. In: The Bisexual Imaginary: Representation, Identity and Desire. Cassell, London, pp. 120-140. ISBN 0304337447/ 0304337455

Selby, Nick (2017) REVIEW of: Clemens Spahr, A Poetics of Global Solidarity: Modern American Poetry and Social Movements (New York: Palgrave Macmillan, 2015). American Literary History Online Review Series. (In Press)

Selby, Nick (2016) Review of David Herd, ed., Contemporary Olson (Manchester: Manchester University Press, 2015). Journal of American Studies, 50 (1). ISSN 0021-8758

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Selby, Nick (2015) The Selected Letters of Robert Creeley. Rod Smith, Peter Baker, and Kaplan Harris, ed. Berkeley, Los Angeles, London: University of California Press, 2014. h/bk 467 pp. ISBN 978-0-520-24160-2. Price £44.95. Journal of American Studies of Turkey, 42. pp. 276-278.

Selby, Nick (1996) Teaching Whitman's 'Song of Myself': Radical Poetics in the Classroom. Readerly/Writerly Texts: Essays on Literature, Literary/Textual Criticism, and Pedagogy, 4 (1). pp. 63-83.

Selby, Nick (2007) Transatlantic Poetics in H.M.S Little Fox and Boston - Brighton. In: The Salt Companion to the Works of Lee Harwood. Salt, Cambridge, pp. 85-103. ISBN 1844710775

Selby, Nick (2004) The Trials of Manhood: Censorship, The Body and the City Lights Pocket Poet Series. In: City Lights; Pocket Poets and Pocket Books. Ila Palma, Rome, pp. 71-90. ISBN 8877045396

Selby, Nick (2007) push.../ thing.../ other.../ work...: Robert Creeley, William Carlos Williams and the poem as a machine made of words. In: The Legacy of William Carlos Williams: Points of Contact. Cambridge Scholars Press, Newcastle, pp. 134-152. ISBN 1847181945

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Selway, Matthew (2016) Mental disorder in the contemporary American biopic: representation and national identity. Doctoral thesis, University of East Anglia.

Sergi, Domenico (2016) Exploring the potential of museums and their collections in working practices with refugees. Doctoral thesis, University of East Anglia.

Shen, Shin-Yuu (2015) The Blooming Plum Blossom: the representation of women and the film and television in Taiwan (1985-2013). Doctoral thesis, University of East Anglia.

Sheppard, Rebekah (2017) A History of Encounter, an Encounter with History, The Emil Torday Expedition 1907-1909. Doctoral thesis, University of East Anglia.

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Smith, Phyll (2015) "Poisoning Their Daydreams":American Serial cinema, moral panic and the British children’s cinema movement. In: Serial Naratives. Könighausen & Neumann, Würzburg, pp. 39-54. ISBN 978-3-8260-5884-4

Smith, Phyll (2014) ‘Poisoning their daydreams’:American Serial Cinema, moral panic and the British Children’s Cinema Movement. Literatur in Wissenschaft und Unterricht, 47 (1). pp. 39-53. ISSN 0024-4643

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Smith, Phyll and Wright, Ellen (2013) Przelotne Spojrzenie za Ekranem:Biblia Tijuana i pornograficzne odreagowanie Hollywood. In: Skandal w Tekstach Kultury. Tabu - Trend - Transgresja, 2 . Uniwersytet Wrocławski Academia Medyczna im. Piastów Śląskich / Wydawnictwa DiG, Warszawa, Poland, pp. 148-170. ISBN 978-83-7181-759-5

Smith, Phyll and Wright, Ellen (2018) Star Products, Star Capital, Fan Markets:examining 1940s British film stardom through fan club publications. Celebrity Studies. ISSN 1939-2397 (In Press)

Smith, Thomas (2016) The Dying Confession of Joseph Hare (1818):Transatlantic Highwaymen and Southern Outlaws in the Antebellum South. In: Oxford Handbook to the Literature of the US South. Oxford University Press. ISBN 9780199767472

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Smith, Thomas and Churchwell, Sarah (2012) Must Read: Rediscovering American Bestsellers From Charlotte Temple to the Kite Runner. Continuum, New York. ISBN 978-1441162168

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Snelson, Tim (2014) Phantom Ladies:Hollywood Horror and the Home Front. Rutgers University Press. ISBN 978-0-8135-7042-6

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Snelson, Tim (2017) ‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom. Historical Journal of Film, Radio and Television, 37 (3). pp. 455-474. ISSN 0143-9685

Snelson, Tim (2017) Where the exceptional and the everyday meet: Exploring cinema culture in British seaside towns. In: Cinema Beyond the City. Palgrave Macmillan. ISBN 9781844578467

Snelson, Tim and Sutton, Emma (2013) A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh. ISBN 978-0748676392

Snelson, Timothy (2017) ‘To Be Continued…: Seriality, Cyclicality and the New Cinema History’. In: Routledge Companion to New Cinema History. Routledge. ISBN 1138955841

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Stead, Lisa (2017) “Dear Cinema Girls”: Girlhood, Picturegoing and the Interwar Film Magazine. In: Women's Periodicals and Print Culture in Britain, 1918-1939. Edinburgh University Press, Edinburgh. ISBN 9781474412537

Stead, Lisa (2015) Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman V. BARNETT & A. WEEDON. Women's History Review, 24 (4). pp. 629-631. ISSN 0961-2025

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Stead, Lisa (2016) Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain. Edinburgh University Press, Edinburgh. ISBN 9780748694884

Stead, Lisa (2017) 'There is a War on. Does She Know?’: Transatlantic female stardom and wartime labour in British Film Fan Magazines. In: Movie Magazines. University of Iowa Press. (In Press)

Stead, Lisa (2013) ‘The big romance’: Winifred Holtby and the fictionalisation of women's cinemagoing in interwar Yorkshire. Women's History Review, 22 (5). pp. 759-776. ISSN 0961-2025

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Tillett, Rebecca (2014) "Sixty Million Souls Howl for Justice in the Americas!": Almanac of the Dead as political activism, and environmental and social justice. In: Howling For Justice. Arizona University Press, Arizona. ISBN 978-0-8165-1338-3

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Winch, Alison (2017) “Does Feminism have a generation gap?”:blogging, millennials and the hip hop generation. Angelaki, 22 (1). pp. 207-221. ISSN 0969-725X

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Winch, Alison (2012) The Girlfriend Gaze. Soundings: A Journal of Politics and Culture, 52. pp. 21-32. ISSN 1362-6620

Winch, Alison (2013) Girlfriends and Postfeminist Sisterhood. Palgrave Macmillan. ISBN 978-0-230-34875-2

Winch, Alison (2016) ‘I just think it’s dirty and lazy’: Fat surveillance and erotic capital. Sexualities, 19 (8). pp. 898-913. ISSN 1461-7382

Winch, Alison (2015) ‘If female envy did not spoil every thing in the world of women’:Lies, Rivalry and Reputation in Lady Elizabeth Craven’s Travelogues. In: Women, Travel and Truth. Routledge, London, pp. 91-105. ISBN 9781138023529

Winch, Alison (2010) ‘Iphis her wish (however wild) obtain’d’:Lady Mary Wortley Montagu and Sexual Metamorphoses. In: Ovid’s Metamorphoses in English Poetry. Peter Lang, Frankfurt, pp. 185-196. ISBN 978-3-8253-5520-3

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Winch, Alison (2016) Trouble. The Emma Press. ISBN 9781910139394

Winch, Alison (2012) ‘We can have it all’:The girlfriend flick. Feminist Media Studies, 12 (1). pp. 69-82. ISSN 1468-0777

Winch, Alison (2012) ‘Your new smart-mouthed girlfriends’:Postfeminist Conduct Books. Journal of Gender Studies, 30 (4). 359–370. ISSN 0958-9236

Winch, Alison (2007) ‘in plain English, stark naked’:Orlando, Lady Mary Wortley Montagu and Reclaiming Sapphic Connections. Critical Survey, 19 (1). pp. 51-61. ISSN 0011-1570

Winch, Alison and Hakim, Jamie (2016) “I’m selling the dream really aren’t I?”: Sharing Fit Male Bodies on Social Networking Sites. In: Digital Leisure Cultures: Critical Perspectives. Routledge. ISBN 9781138955073

Winch, Alison, Littler, Jo and Keller, Jessalynn (2018) Introduction: Why "intergenerational feminist media studies"? In: An Intergenerational Feminist Media Studies: Conflicts and connectivities. Routledge, London. ISBN 9781138563483

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Winch, Alison and Webster, Anna (2012) Here comes the brand:Wedding media and the management of transformation. Continuum, 26 (1). pp. 51-59. ISSN 1030-4312

Wisse, Desiree (2018) All things Trobriand. Doctoral thesis, University of East Anglia.

Wright, Ellen and Smith, Phyll (2019) "Coming Attractions":Tijuana bibles and the pornographic re-imagining of Hollywood. In: Mapping Movie Magazines. Palgrave Macmillan. (In Press)

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Yao, Xin (2017) The Voice of China: Interactive Television and Participatory Audiences in Mainland China. Doctoral thesis, University of East Anglia.

Yuval-Davis, Nira and Hakim, Jamie (2015) Anti-Jewish and anti-Muslim Racisms, and the question of Palestine/Israel. UNSPECIFIED, openDemocracy.

Yuval-Davis, Nira, Varju, Viktor, Tervonen, Miika, Hakim, Jamie and Fathi, Mastoureh (2017) Press discourses on Roma in the UK, Finland and Hungary. Ethnic and Racial Studies, 40 (7). pp. 1151-1169. ISSN 0141-9870

This list was generated on Sat Jun 15 19:54:05 2019 BST.