Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2026)
Book Review for In the Shadow of Empire: Art in Occupied Japan by Alicia Volk.
Asian Affairs, 57 (2).
pp. 524-527.
ISSN 0306-8374
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2025)
Book Review: Anarchy of the Body: Undercurrents of Performance in 1960s Japan Kuro Dalai Jee, Leuven University Press, Leuven, 2023, 752 pp.
Japan Forum, 37 (1).
pp. 142-145.
ISSN 0955-5803
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2025)
Zen Violence: The Legacy of Nantenbō Tōjū’s Calligraphy in the Postwar Avant-Garde.
Journal of Japanese Studies, 51 (1).
pp. 1-40.
ISSN 1549-4721
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2024)
一九五五・五六年「現代日本の書・墨の芸術」ヨーロッパ巡回展について ―アーカイブ資料から見る欧州と日本の芸術交流.
書学書道史研究 (34).
pp. 91-100.
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2021)
Chinghsin Wu: Parallel Modernism. Koga Harue and Avant-Garde Art in Modern Japan, Oakland: University of California Press 2019.
Sehepunkte, 21 (2).
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2020)
Ink splashes on camera: Calligraphy, action painting, and mass media in postwar Japan.
Modernism/modernity, 27 (2).
pp. 299-321.
ISSN 1071-6068
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2017)
Contested Comparisons: Franz Kline and Japanese Calligraphy.
Tate Papers.
ISSN 1753-9854
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2016)
Tatami and wood: ink rubbings and the discussion of materiality in postwar Japanese calligraphy and art.
World Art, 6 (2).
pp. 269-291.
ISSN 2150-0894
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2024)
A View of the Avant-Garde from Postwar Japanese Calligraphy.
In:
Japanese Art – Transcultural Perspectives.
Brill, Leiden, pp. 102-116.
ISBN 978-90-04-33770-1
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2021)
Meiji Calligraphy between Eurocentric and Sinocentric Modernizations.
In:
The Visual Culture of Meiji Japan.
Routledge, New York, pp. 31-46.
ISBN 9780367612849
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2021)
Morita Shiryu, Kanzan, and Global Postwar Zen:森田子龍ー「寒山」と戦後世界の禅.
In:
Wa no BI: Fine Art Archives by Shibunkaku: Morita Shiryu Bokujin.
Wa no Bi - Fine Art Archives by Shibunkaku, Spring 2021
.
Shibunkaku Shuppan, Kyoto, pp. 105-111.
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2019)
Morita Shiryū: His Path to the World 森田子龍:世界への道.
In:
Morita Shiryū Catalogue Raisonné 1952-1998; 森田子龍全作品集 1952-1998.
Soryusha, Kyoto, pp. 580-591.
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2018)
Calligraphic Meditations between Seclusion and Fame.
In:
Julius Bissier und Ostasien. Im Raum meiner Imagination.
Freiburg: Staedtische Museen Freiburg, Freiburg, pp. 42-59.
ISBN 978-3-7319-0637-7
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2016)
戦後の日本前衛書道と欧米抽象絵画における余白の概念について.
In:
〈書の美学〉の伝統と変容.
Sangensha, Tokyo, pp. 384-412.
ISBN 9784883034055
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2015)
The Line Between Calligraphy and Painting: A View from Postwar Japan.
In:
The Power of Line.
Hirmer, Munich, pp. 118-128.
ISBN 9783777424989
Bogdanova-Kummer, Eugenia
ORCID: https://orcid.org/0000-0002-7704-3514
(2020)
Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde.
Brill, Leiden and Boston.
ISBN 978-90-04-42465-4